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53 books match the query 'Bodies' and 5 start with s

cover of Sensing Health: Bodies, Data, and Digital Health Technologies

Sensing Health

Bodies, Data, and Digital Health Technologies

Mikki Kressbach

University of Michigan Press, 2024

In the age of Apple Watches and Fitbits, the concept of “health” emerges through an embodied experience of a digital health device or platform, not simply through the biomedical data it provides. Sensing Health: Bodies, Data, and Digital Health Technologies analyzes popular digital health technologies as aesthetic experiences to understand how these devices and platforms have impacted the way individuals perceive their bodies, behaviors, health, and well-being. By tracing design alongside embodied experiences of digital health, Kressbach shows how these technologies aim to quantify, track and regulate the body, while at the same time producing moments that bring the body’s affordances and relationship to the fore. This mediated experience of “health” may offer an alternative to biomedical definitions that define health against illness.

To capture and analyze digital health experiences, Kressbach develops a method that combines descriptive practices from Film and Media Studies and Phenomenology. After examining the design and feedback structures of digital health platforms and devices, the author uses her own first-person accounts to analyze the impact of the technology on her body, behaviors, and perception of health. Across five chapters focused on different categories of digital health—menstrual trackers, sexual wellness technologies, fitness trackers, meditation and breathing technologies, and posture and running wearables—Sensing Health demonstrates a method of analysis that acknowledges and critiques the biomedical structures of digital health technology while remaining attentive to the lived experiences of users. Through a focus on the intersection of technological design and experience, this method can be used by researchers, scholars, designers, and developers alike. 
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cover of Sexing Empire: Bodies, Gender, and Desire in Colonial and Postcolonial Power Relations

Sexing Empire

Bodies, Gender, and Desire in Colonial and Postcolonial Power Relations

Ben Cowan, Nicole M. Guidotto-Hernández, and Jason Ruiz, special issue editors

Duke University Press, 0

From steamships to steam rooms and sweat lodges to sweatshops, processes of pleasures and desire have shaped the regulation and classification of bodies in a wide variety of colonial settings. On beaches and online, and in boardrooms, temples, and taverns, sexual practices have always influenced imperial power relations. In the many places and relationships where colonialism still affects economics, sex and sexuality remain a driving—if sometimes hidden—force. The contributors to this provocative issue contemplate empire as a global process involving sexualized subjects and objects, with essays that consider the history of sex and (or in) empire across several disciplines. Their topics include a "bewitched" nun in colonial Peru, contemporary call-center workers in the Philippines, and General Douglas MacArthur’s mixed-race Filipina mistress, among many others.

Ben Cowan is assistant professor of world history at George Mason University. Nicole M. Guidotti-Hernández is associate professor of American studies at the University of Texas at Austin and the author of Unspeakable Violence: Remapping U.S. and Mexican National Imaginaries, also published by Duke University Press. Jason Ruiz is assistant professor of American studies at the University of Notre Dame and the author of Americans in the Treasure House: Travel to Porfirian Mexico and the Cultural Politics of Empire.

Contributors: Laura Briggs, Keith Camacho, Ben Cowan, Emmanuel David, Vernadette Vicuña Gonzalez, Nicole M. Guidotti-Hernández, Elizabeth Mesok, Rachel Sarah O’Toole, Katrina Phillips, Jason Ruiz


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cover of Sites, Bodies and Stories: Imagining Indonesian History

Sites, Bodies and Stories

Imagining Indonesian History

Edited by Susan Legêne, Bambang Purwanto, and Henk Schulte Nordholt

National University of Singapore Press, 2015

Sites, Bodies and Stories examines the intimate links between history and heritage as they have developed in postcolonial Indonesia. Sites discussed in the book include Borobudur in Central Java, a village in Flores built around megalithic formations, and ancestral houses in Alor. Bodies refers to legacies of physical anthropology, exhibition practices and Hollywood movies. The Stories are accounts of the Mambesak movement in Papua, the inclusion of wayang puppetry in UNESCO’s List of the Intangible Cultural Heritage of Humanity, and subaltern history as written by the people of Blambangan in their search for national heroes. Throughout the book, citizenship entitlement figures as a leitmotif in heritage initiatives.


           Contemporary heritage formation in Indonesia is intrinsically linked to a canon of Indonesian art and culture developed during Dutch colonial rule, institutionalized within Indonesia’s heritage infrastructure and in the Netherlands, and echoed in museums and exhibitions throughout the world. The authors in this volume acknowledge colonial legacies but argue against a colonial determinism, considering instead how contemporary heritage initiatives can lead to new interpretations of the past.
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cover of Staging Lives in Latin American Theater: Bodies, Objects, Archives

Staging Lives in Latin American Theater

Bodies, Objects, Archives

Paola S. Hernández

Northwestern University Press, 2021

Staging Lives in Latin American Theater: Bodies, Objects, Archives examines twenty‑first‑century documentary theater in Latin America, focusing on important plays by the Argentine director Vivi Tellas, the Argentine playwright and director Lola Arias, the Mexican theater collective Teatro Línea de Sombra, and the Chilean playwright and director Guillermo Calderón. Paola S. Hernández demonstrates how material objects and archives—photographs, videos, and documents such as witness reports, legal briefs, and letters—come to life onstage. Hernández argues that present-day, live performances catalog these material archives, expanding and reinterpreting the objects’ meanings. These performances produce an affective relationship between actor and audience, visualizing truths long obscured by repressive political regimes and transforming theatrical spaces into sites of witness. This process also highlights the liminality between fact and fiction, questioning the veracity of the archive.

Richly detailed, nuanced, and theoretically wide-ranging, Staging Lives in Latin American Theater reveals a range of interpretations about how documentary theater can conceptualize the idea of self while also proclaiming a new mode of testimony through theatrical practices.  
 
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cover of Staging Tourism: Bodies on Display from Waikiki to Sea World

Staging Tourism

Bodies on Display from Waikiki to Sea World

Jane C. Desmond

University of Chicago Press, 1999

From Shamu the dancing whale at Sea World to Hawaiian lu'au shows, Staging Tourism analyzes issues of performance in a wide range of tourist venues. Jane C. Desmond argues that the public display of bodies—how they look, what they do, where they do it, who watches, and under what conditions—is profoundly important in structuring identity categories of race, gender, and cultural affiliation. These fantastic spectacles of corporeality form the basis of hugely profitable tourist industries, which in turn form crucial arenas of public culture where embodied notions of identity are sold, enacted, and debated.

Gathering together written accounts, postcards, photographs, advertisements, films, and oral histories as well as her own interpretations of these displays, Desmond gives us a vibrant account of U.S. tourism in Waikiki from 1900 to the present. She then juxtaposes cultural tourism with "animal tourism" in the United States, which takes place at zoos, aquariums, and animal theme parks. In each case, Desmond argues, the relationship between the viewer and the viewed is ultimately based on concepts of physical difference harking back to the nineteenth century.
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