173 books match the query 'Collective Memory' and 5 start with s

cover of Salt in the Sand: Memory, Violence, and the Nation-State in Chile, 1890 to the Present

Salt in the Sand

Memory, Violence, and the Nation-State in Chile, 1890 to the Present

Lessie Jo Frazier

Duke University Press, 2007

Salt in the Sand is a compelling historical ethnography of the interplay between memory and state violence in the formation of the Chilean nation-state. The historian and anthropologist Lessie Jo Frazier focuses on northern Chile, which figures prominently in the nation’s history as a site of military glory during the period of national conquest, of labor strikes and massacres in the late nineteenth century and early twentieth, and of state detention and violence during World War II and the Cold War. It was also the site of a mass-grave excavation that galvanized the national human rights movement in 1990, during Chile’s transition from dictatorship to democracy. Frazier analyzes the creation of official and alternative memories of specific instances of state violence in northern Chile from 1890 to the present, tracing how the form and content of those memories changed over time. In so doing, she shows how memory works to create political subjectivities mobilized for specific political projects within what she argues is the always-ongoing process of nation-state formation. Frazier’s broad historical perspective on political culture challenges the conventional periodization of modern Chilean history, particularly the idea that the 1973 military coup marked a radical break with the past.

Analyzing multiple memories of state violence, Frazier innovatively shapes social and cultural theory to interpret a range of sources, including local and national government archives, personal papers, popular literature and music, interviews, architectural and ceremonial commemorations, and her ethnographic observations of civic associations, women's and environmental groups, and human rights organizations. A masterful integration of extensive empirical research with sophisticated theoretical analysis, Salt in the Sand is a significant contribution to interdisciplinary scholarship on human rights, democratization, state formation, and national trauma and reconciliation.

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cover of Shifting Memories: The Nazi Past in the New Germany

Shifting Memories

The Nazi Past in the New Germany

Klaus Neumann

University of Michigan Press, 2000

Shifting Memories explores the contours and genealogies of non-Jewish Germans' public memories of the Nazi past in the Federal Republic of Germany, asking how the crimes committed by Nazi Germany are reflected in the present. The study illuminates particular aspects of public remembering by focusing on case studies, telling a number of stories which at times appear parallel and at times intersect.
The case studies address, for example, the legacy of the so-called Celler Hasenjagd (the hunting down of concentration camp prisoners who survived an Allied air raid in April 1945 in a town in Lower Saxony); efforts by the City of Hildesheim to memorialize the Kristallnacht pogrom; attempts by Italian, Jewish, and Sinti survivors to commemorate their suffering in two West German towns; the posthumous reputation of a German communist imprisoned in Buchenwald and credited with having saved the lives of 159 Jewish children; and the public memories of the Ravensbrück and Buchenwald concentration camps in East Germany.
Directed at an audience curious about contemporary Germany, this book will appeal to those interested in issues of public and social memory, and in the legacy of Auschwitz.
Klaus Neumann is a historian who has taught in universities in Germany and Australia and written about social memories in the Pacific Islands, Australia, and Germany. Previous books include Not the Way It Really Was and Rabaul Yu Swit Moa Yet. He lives in Richmond, Australia.
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cover of Social Memory in Athenian Public Discourse: Uses and Meanings of the Past

Social Memory in Athenian Public Discourse

Uses and Meanings of the Past

Bernd Steinbock

University of Michigan Press, 2013

Prompted by the abundant historical allusions in Athenian political and diplomatic discourse, Bernd Steinbock analyzes the uses and meanings of the past in fourth-century Athens, using Thebes’ role in Athenian memory as a case study. This examination is based upon the premise that Athenian social memory, that is, the shared and often idealized and distorted image of the past, should not be viewed as an unreliable counterpart of history but as an invaluable key to the Athenians’ mentality. Against the tendency to view the orators’ references to the past as empty rhetorical phrases or propagandistic cover-ups for Realpolitik, it argues that the past constituted important political capital in its own right. Drawing upon theories of social memory, it contextualizes the orators’ historical allusions within the complex net of remembrances and beliefs held by the audience and thus tries to gauge their ideological and emotive power. 
 
Integrating literary, epigraphic, and archaeological evidence with recent scholarship on memory, identity, rhetoric, and international relations, Social Memory in Athenian Public Discourse: Uses and Meanings of the Past enhances our understanding of both the function of memory in Athenian public discourse and the history of Athenian-Theban relations. It should be of interest not only to students of Greek history and oratory but to everybody interested in memory studies, Athenian democracy, and political decision making.
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cover of Southern Stages: Space and Memory in US Performance

Southern Stages

Space and Memory in US Performance

Hopkins, Chandra

University of Iowa Press, 2025

Each day, countless southerners pass symbols and monuments dedicated to white supremacy and the “Old South”: statues, cemeteries, plantations, downtown squares, and even regional theatre stages. Some may only glance at them, ignorant to their history, while others recall the physical and psychological trauma embedded by generations of enslavement.

Through the eyes of actors and everyday people, Southern Stages offers an engaging new model for interrogating the performance of southernness, as well as how memory and imagination intersect in spaces that have shaped hundreds of years of American history. Chandra Owenby Hopkins employs cultural memory and lived realities of Black and white communities to examine the earliest and most enduring southern stages: the playhouse and the public square.
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cover of Speaking of Flowers: Student Movements and the Making and Remembering of 1968 in Military Brazil

Speaking of Flowers

Student Movements and the Making and Remembering of 1968 in Military Brazil

Victoria Langland

Duke University Press, 2013

Speaking of Flowers is an innovative study of student activism during Brazil's military dictatorship (1964–85) and an examination of the very notion of student activism, which changed dramatically in response to the student protests of 1968. Looking into what made students engage in national political affairs as students, rather than through other means, Victoria Langland traces a gradual, uneven shift in how they constructed, defended, and redefined their right to political participation, from emphasizing class, race, and gender privileges to organizing around other institutional and symbolic forms of political authority.

Embodying Cold War political and gendered tensions, Brazil's increasingly violent military government mounted fierce challenges to student political activity just as students were beginning to see themselves as representing an otherwise demobilized civil society. By challenging the students' political legitimacy at a pivotal moment, the dictatorship helped to ignite the student protests that exploded in 1968. In her attentive exploration of the years after 1968, Langland analyzes what the demonstrations of that year meant to later generations of Brazilian students, revealing how student activists mobilized collective memories in their subsequent political struggles.

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