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An iconic figure of the Asian American movement, Richard Aoki (1938–2009) was also, as the most prominent non-Black member of the Black Panther Party, a key architect of Afro-Asian solidarity in the 1960s and ’70s. His life story exposes the personal side of political activism as it illuminates the history of ethnic nationalism and radical internationalism in America.

A reflection of this interconnection, Samurai among Panthers weaves together two narratives: Aoki’s dramatic first-person chronicle and an interpretive history by a leading scholar of the Asian American movement, Diane C. Fujino. Aoki’s candid account of himself takes us from his early years in Japanese American internment camps to his political education on the streets of Oakland, to his emergence in the Black Panther Party. As his story unfolds, we see how his parents’ separation inside the camps and his father’s illegal activities shaped the development of Aoki’s politics. Fujino situates his life within the context of twentieth-century history—World War II, the Cold War, and the protests of the 1960s. She demonstrates how activism is both an accidental and an intentional endeavor and how a militant activist practice can also promote participatory democracy and social service.

The result of these parallel voices and analysis in Samurai among Panthers is a complex—and sometimes contradictory—portrait of a singularly extraordinary activist and an expansion and deepening of our understanding of the history he lived.

Scenes of Instruction is the memoir of noted scholar of African American literature Michael Awkward. Structured around the commencement ceremonies that marked his graduations from various schools, it presents Awkward’s coming-of-age as a bookish black male in the projects of 1970s Philadelphia. His relationships with his family and peers, their struggles with poverty and addiction, and his eventual move from underfunded urban schools to a prestigious private school all become parts of a memorable script.

With a recurring focus on how his mother’s tragic weaknesses and her compelling strengths affected his development, Awkward intersperses the chronologically arranged autobiographical sections with ruminations on his own interests in literary and cultural criticism. As a male scholar who has come under fire for describing himself as a feminist critic, he reflects on such issues as identity politics and the politics of academia, affirmative action, and the Million Man March.

By connecting his personal experiences with larger political, cultural, and professional questions, Awkward uses his life as a palette on which to blend equations of race and reading, urbanity and mutilation, alcoholism, pain, gender, learning, sex, literature, and love.

Anand Prahlad was born on a former plantation in Virginia in 1954. This memoir, vividly internal, powerfully lyric, and brilliantly impressionistic, is his story.
 
For the first four years of his life, Prahlad didn’t speak. But his silence didn’t stop him from communicating—or communing—with the strange, numinous world he found around him. Ordinary household objects came to life; the spirits of long-dead slave children were his best friends. In his magical interior world, sensory experiences blurred, time disappeared, and memory was fluid. Ever so slowly, he emerged, learning to talk and evolving into an artist and educator. His journey takes readers across the United States during one of its most turbulent moments, and Prahlad experiences it all, from the heights of the Civil Rights Movement to West Coast hippie enclaves to a college town that continues to struggle with racism and its border state legacy.
 
Rooted in black folklore and cultural ambience, and offering new perspectives on autism and more, The Secret Life of a Black Aspie will inspire and delight readers and deepen our understanding of the marginal spaces of human existence.

n 1968, Tommie Smith and his teammate John Carlos won the gold and silver medals, respectively, for the 200 meter dash.  Receiving their medals on the dais, they raised their fists and froze a moment in time that will forever be remembered as a powerful day of protest.  In this, his autobiography, Smith tells the story of that moment, and of his life before and after it, to explain what that moment meant to him. 

In Silent Gesture, Smith recounts his life before and after the 1968 Olympics: his life-long commitment to athletics, education, and human rights.  He dispels some of the myths surrounding his and Carlos' act on the dais -- contrary to legend, Smith wasn't a member of the Black Panthers, but a member of the US Olympic Project for Human Rights -- and describes in detail the planning and risks involved in his protest.  Smith also details his many years after Mexico City of devotion to human rights, athletics, and education.  A unique resource for anyone concerned with international sports, history, and the African American experience, Silent Gesture contributes a complete picture of one of the most famous moments in sports history, and of a man whose actions always matched his words.

 

Despite his importance and influence, jazz musician, educator, and community leader Horace Tapscott remains relatively unknown to most Americans. In Songs of the Unsung Tapscott shares his life story, recalling his childhood in Houston, moving with his family to Los Angeles in 1943, learning music, and his early professional career. He describes forming the Pan Afrikan Peoples Arkestra in 1961 and later the Union of God's Musicians and Artists Ascension to preserve African American music and serve the community. Tapscott also recounts his interactions with the Black Panthers and law enforcement, the Watts riots, his work in Hollywood movie studios, and stories about his famous musician-activist friends. Songs of the Unsung is the captivating story of one of America’s most unassuming heroes as well as the story of L.A.'s cultural and political evolution over the last half of the twentieth century.

For an outsider, the prospect of blending into the fabric of an urban African American ghetto might be an intimidating one. But for a Scandinavian scholar, the idea of getting to know one of Washington DC's toughest neighborhoods from the inside during the racially tense, late 1960s, could well have seemed impossible. Conducting fieldwork in and around Winston Street, Ulf Hannerz did just that. Soulside details the everyday lives of the ghetto inhabitants he observed and participated with during this period, revealing their beliefs and expectations and the diversity of their life styles.

Originally published 35 years ago, Soulside became an urban anthropological classic. The book helped to dispel many false impressions about ghetto life and questioned the idea, precipitated in the influential Moynihan Report and in notions of a "culture of poverty," that the poor had chosen to lead the lives they do. Raising central moral and political questions about American society in a turbulent period, Soulside became an example of public engagement in anthropology. In a new afterword, Ulf Hannerz discusses the book's place in the debates of the time and its relevance to current arguments in anthropology.

New edition available: Sounds Like Home: Growing Up Black and Deaf in the South, 20th Anniversary Edition, ISBN 978-1-944838-58-4
Features a new introduction by scholars Joseph Hill and Carolyn McCaskill

Mary Herring Wright’s memoir adds an important dimension to the current literature in that it is a story by and about an African American deaf child. The author recounts her experiences growing up as a deaf person in Iron Mine, North Carolina, from the 1920s through the 1940s. Her story is unique and historically significant because it provides valuable descriptive information about the faculty and staff of the North Carolina school for Black deaf and blind students from the perspective of a student as well as a student teacher. In addition, this engrossing narrative contains details about the curriculum, which included a week-long Black History celebration where students learned about important Blacks such as Madame Walker, Paul Laurence Dunbar, and George Washington Carver. It also describes the physical facilities as well as the changes in those facilities over the years. In addition, Sounds Like Home occurs over a period of time that covers two major events in American history, the Depression and World War II.

Wright’s account is one of enduring faith, perseverance, and optimism. Her keen observations will serve as a source of inspiration for others who are challenged in their own ways by life’s obstacles.

Stanley Kubrick is generally acknowledged as one of the world’s great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia.
 
Stanley Kubrick reexamines the director’s work in context of his ethnic and cultural origins. Focusing on several of Kubrick’s key themes—including masculinity, ethical responsibility, and the nature of evil—it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns.  At the same time, it explores Kubrick’s fraught relationship with his Jewish identity and his reluctance to be pegged as an ethnic director, manifest in his removal of Jewish references and characters from stories he adapted.
 
As he digs deep into rare Kubrick archives to reveal insights about the director’s life and times, film scholar Nathan Abrams also provides a nuanced account of Kubrick’s cinematic artistry. Each chapter offers a detailed analysis of one of Kubrick’s major films, including Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. Stanley Kubrick thus presents an illuminating look at one of the twentieth century’s most renowned and yet misunderstood directors.  

“Rich in humor, confidence men, and charm."—New York Times
Known for his best-selling military histories, Ladislas Farago also wrote a witty tribute to his homeland, Strictly from Hungary. Noting that Hungary has produced some of the world's most renowned artists, scientists, and financiers as well as its share of world-class con-artists, charlatans, and rakes, Farago sets out to explain just how one tiny country can be responsible for so much talent, both good and bad. Using stories from his days as a struggling writer in the bustling café scenes of Budapest and New York City, Farago demonstrates the Hungarian knack for remaining irrepressible and optimistic even in the face of catastrophe. Here we meet Zoltan, a fellow Bohemian who presents his astonished benefactor with a play "about nothing," a theme later made famous by another writer of Hungarian descent, Jerry Seinfeld. Farago also introduces us to "Baby Kiss," a vivacious Hungarian beauty queen, and the story of how she ended up in Fort Worth, Texas; Orkeny, a double agent for America at the height of the Cold War who "spiced up" his reports to keep everyone happy, and the author's own experience getting mustered into the supposedly non-existent Royal Hungarian Army. Farago's reminiscence validates what most Hungarians believe: that Hungary is the center of the world and that everyone has some connection to the land of the Magyars. In that spirit, Farago learns that George Washington himself was "strictly from Hungary." This edition is introduced by the author's son, who shows that the same vibrant spirit described by his father remains the hallmark of the Hungarian temperament.

In the early nineteenth century, thousands of emancipated and freeborn blacks from the United States returned to Africa to colonize the area now known as Liberia. In this, the first systematic study of the demographic impact of this move on the migrants, Antonio McDaniel finds that the health of migrant populations depends on the adaptability of the individuals in the group, not on their race.

McDaniel compares the mortality rates of the emigrants to those of other migrants to tropical areas. He finds that, contrary to popular belief, black immigrants during this period died at unprecedented rates. Moreover, he shows that though the emigrant's mortality levels were exceptionally high, their mortality patterns were consistent with those of other populations.

McDaniel concludes that the greater the variance between the environment left and the environment entered, the higher the probability of contracting a new disease, and, in some cases, of death from these diseases. Additionally, a migrant's health can be affected by dietary changes, differences in local pathogens, inappropriate immunities, and increased risk of accidents due to unfamiliar surroundings.