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In the view of many Latter-day Saint women, the religious restoration propounded by Joseph Smith unleashed forces important to female progress. Lori Motzkus Wilkinson examines how LDS women used their agency and sought women’s rights filtered through their religious lens.

Though intellectually connected to figures outside the Church, the LDS women saw them less as
women's rights activists to emulate and more as speakers of truths that, regardless of the origin, should be embraced and harnessed. Wilkinson reveals how Emmeline B. Wells, Susa Young Gates, and other Latter-day Saint women supported and upheld institutional LDS authority and utilized the importance of women’s roles in the home and society as mechanisms for women’s advancement. Even as LDS women continued to engage with prominent national thinkers, their writings and lives demonstrated that they connected with the larger sphere of women’s rights activism before drawing on the LDS concept of women’s divine nature to reshape those ideals to uniquely religious ends.

Original and eye-opening, Sacred Pens and Public Voices revises established narratives about how LDS women interacted with and used ideas taken from national women’s movements.

Sound has always been an integral component of the moviegoing experience. Even during the so-called “silent era,” motion pictures were regularly accompanied by live music, lectures, and sound effects. Today, whether we listen to movies in booming Dolby theaters or on tiny laptop speakers, sonic elements hold our attention and guide our emotional responses. Yet few of us are fully aware of the tremendous collaborative work, involving both artistry and technical wizardry, required to create that cinematic soundscape. 
 

Sound, the latest book in the Behind the Silver Screen series, introduces key concepts, seminal moments, and pivotal figures in the development of cinematic sound. Each of the book’s six chapters cover a different era in the history of Hollywood, from silent films to the digital age, and each is written by an expert in that period. Together, the book’s contributors are able to explore a remarkable range of past and present film industry practices, from the hiring of elocution coaches to the marketing of soundtrack records.  
 

Not only does the collection highlight the achievements of renowned sound designers and film composers like Ben Burtt and John Williams, it also honors the unsung workers whose inventions, artistry, and performances have shaped the soundscapes of many notable movies. After you read Sound, you’ll never see—or hear—movies in quite the same way. 
 

Sound is a volume in the Behind the Silver Screen series—other titles in the series include Acting; Animation; Art Direction and Production Design; Cinematography; Costume, Makeup, and Hair; Directing; Editing and Special Visual Effects; Producing; and Screenwriting.