60 books match the query 'Energy' and 5 start with s

cover of Saharan Winds: Energy Systems and Aeolian Imaginaries in Western Sahara

Saharan Winds

Energy Systems and Aeolian Imaginaries in Western Sahara

Allan, Joanna

West Virginia University Press, 2024

Winner, ASLE-UKI Critical Book Prize, 2025
Finalist, Ecocritical Book Award, 2025, Association for the Study of Literature and Environment (ASLE)
Longlisted, Bread and Roses Award for Radical Publishing, 2025

As climate crisis ensues, a transition away from fossil fuels becomes urgent. However, some renewable energy developments are propagating injustices such as landgrabs, colonial dispossession, and environmentally destructive practices. Changing the way we imagine and understand wind will help us ensure a globally just wind energy future. 

Saharan Winds contributes to a fairer energy horizon by illuminating the role of imaginaries--how we understand energy sources such as wind and the meanings we attach to wind--in determining the wider politics, whether oppressive or just, associated with energy systems. This book turns to various cultures and communities across different time periods in one space, Western Sahara, to explore how wind imaginaries affect the development, management, and promotion of windfarms; the distribution of energy that windfarms produce; and, vitally, the type of politics mediated by all these elements combined. Highlighting the wind-fueled oppression of colonial energy systems, the book shows the potential offered by nomadic, Indigenous wind imaginaries for contributing to a fairer energy future.
 
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cover of Selling Power: Economics, Policy, and Electric Utilities Before 1940

Selling Power

Economics, Policy, and Electric Utilities Before 1940

John L. Neufeld

University of Chicago Press, 2016

We remember Thomas Edison as the inventor of the incandescent light bulb, but he deserves credit for something much larger, an even more singular invention that profoundly changed the way the world works: the modern electric utility industry. Edison’s light bulb was the first to work within a system where a utility generated electricity and distributed it to customers for lighting. The story of how electric utilities went within one generation from prototype to an indispensable part of most Americans’ lives is a story about the relationships between political and technological change.
           
John L. Neufeld offers a comprehensive historical treatment of the economics that shaped electric utilities. Compared with most industries, the organization of the electric utility industry is not—and cannot be—economically efficient. Most industries are kept by law in a state of fair competition, but the capital necessary to start an electric company—generators, transmission and distribution systems, and land and buildings—is so substantial that few companies can enter the market and compete. Therefore, the natural state of the electric utility industry since its inception has been a monopoly subject to government oversight. These characteristics of electric utilities—and electricity’s importance—have created over time sharp political controversies, and changing public policies have dramatically changed the industry’s structure to an extent matched by few other industries. Neufeld outlines the struggles that shaped the industry’s development, and shows how the experience of electric utilities provides insight into the design of economic institutions, including today’s new large-scale markets.
 
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cover of Solar Adobe: Energy, Ecology, and Earthen Architecture

Solar Adobe

Energy, Ecology, and Earthen Architecture

Albert Narath

University of Minnesota Press, 2024

How a centuries-old architectural tradition reemerged as a potential solution to the political and environmental crises of the 1970s

Against the backdrop of a global energy crisis, a widespread movement embracing the use of raw earth materials for building construction emerged in the 1970s. Solar Adobe examines this new wave of architectural experimentation taking place in the United States, detailing how an ancient tradition became a point of convergence for issues of environmentalism, architecture, technology, and Indigenous resistance. 

 

Utilized for centuries by the Pueblo people of the American Southwest and by Spanish colonialists, adobe construction found renewed interest as various groups contended with the troubled legacies of modern architecture and an increasingly urgent need for sustainable design practices. In this period of critical experimentation, design networks that included architects, historians, counterculture communities, government weapons labs, and Indigenous activists all looked to adobe as a means to address pressing environmental and political issues.

 

Albert Narath charts the unique capacities of adobe construction across a wide range of contexts, consistently troubling simple distinctions between traditional and modern technologies, high design and vernacular architecture. Drawing insightful parallels between architecture, environmentalism, and movements for Indigenous sovereignty, Solar Adobe stresses the importance of considering the history of the built environment in conjunction with architecture’s larger impact on the natural world.

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cover of Southern Illinois Coal: A Portfolio

Southern Illinois Coal

A Portfolio

C. William Horrell. Edited with an Introduction by Herbert K. Russell. Foreword by Jeffrey L. Horrell

Southern Illinois University Press, 1995

The coal mining photographs of C. William Horrell, taken across the southern Illinois Coal Belt over a twenty-year period from 1966 to 1986, are extraordinary examples of documentary photography—so stark and striking that captions often seem superfluous.

Horrell’s photographs capture the varied phenomena of twentieth-century coal mining technology: the awesome scale of surface mining machines and their impact on the land; massive machines forced into narrow passageways with inches to spare as they carry coal from the face to conveyer belts; and, more significant, the advent of continuous miners, machines that can handle four previously separate processes and which have been a fixture in underground or “deep” mines since the mid-1960s.

Horrell was also intrigued by the related activities of mining, including coal’s processing, cleaning, and transportation, as well as the daily, behind-the-scenes operations that keep mines and miners working. His photographs reflect the beauty of the commonplace—the clothes of the miners, their dinner pails, and their tools—and reveal the picturesque remnants of closed mines: the weathered boards of company houses, the imposing iron beauty of an ancient tipple, and an abandoned building against the lowering sky of an approaching storm. Finally, his portraits of coal minersshow the strength, dignity, and enduring spirit of the men and women who work the southern Illinois coal mines.

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cover of Spaceship in the Desert: Energy, Climate Change, and Urban Design in Abu Dhabi

Spaceship in the Desert

Energy, Climate Change, and Urban Design in Abu Dhabi

Gökçe Günel

Duke University Press, 2019

In 2006 Abu Dhabi launched an ambitious project to construct the world’s first zero-carbon city: Masdar City. In Spaceship in the Desert Gökçe Günel examines the development and construction of Masdar City's renewable energy and clean technology infrastructures, providing an illuminating portrait of an international group of engineers, designers, and students who attempted to build a post-oil future in Abu Dhabi. While many of Masdar's initiatives—such as developing a new energy currency and a driverless rapid transit network—have stalled or not met expectations, Günel analyzes how these initiatives contributed to rendering the future a thinly disguised version of the fossil-fueled present. Spaceship in the Desert tells the story of Masdar, at once a “utopia” sponsored by the Emirati government, and a well-resourced company involving different actors who participated in the project, each with their own agendas and desires.
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