Results by title
60 books match the query 'Era' and 2 start with s
Solidarity
Latin America and the US Left in the Era of Human RightsSteve Striffler
Pluto Press, 2018
How and why has solidarity changed over time? Why have particular strategies, tactics, and strands of internationalism emerged or re-emerged at particular moments? And how has solidarity shaped the history of the US left in particular?
In Solidarity, Steve Striffler addresses these key questions, offering the first history of US-Latin American solidarity from the Haitian Revolution to the present day. Striffler traces the history of internationalism through the Cold War, exploring the rise of human rights as the dominant current of international solidarity. He also considers the limitations of a solidarity movement today that inherited its organisational infrastructure from the human rights movements.
Moving beyond conventionally ahistorical analyses of solidarity, here Striffler provides a distinctive intervention in the history of progressive politics in both the US and Latin America, the past and present of US imperialism and anti-imperialism, and the history of human rights and labour internationalism.
In Solidarity, Steve Striffler addresses these key questions, offering the first history of US-Latin American solidarity from the Haitian Revolution to the present day. Striffler traces the history of internationalism through the Cold War, exploring the rise of human rights as the dominant current of international solidarity. He also considers the limitations of a solidarity movement today that inherited its organisational infrastructure from the human rights movements.
Moving beyond conventionally ahistorical analyses of solidarity, here Striffler provides a distinctive intervention in the history of progressive politics in both the US and Latin America, the past and present of US imperialism and anti-imperialism, and the history of human rights and labour internationalism.
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Subjunctive Aesthetics
Mexican Cultural Production in the Era of Climate ChangeCarolyn Fornoff
Vanderbilt University Press, 2024
Premio al Mejor Libro en Humanidades, Latin American Studies Association–Mexico Section, 2025
Honorable Mention, LASA Environment Best Book Prize, Latin American Studies Association–Environment Section, 2025
During the twenty-first century, Mexico has escalated extractive concessions at the same time that it has positioned itself as an international leader in the fight against climate change. Cultural production emergent from this contradiction frames this impasse as a crisis of imagination. Subjunctive Aesthetics studies how contemporary writers, filmmakers, and visual artists grapple with the threat that climate change and extractivist policies pose to Mexico's present and future. It explores how artists rise to the challenge of envisioning alternative forms of territoriality (ways of being in relation to the environment) through strategies ranging from rewriting to counterfactual speculation.
Whereas ecocritical studies have often focused on art's evidentiary role—its ability to visualize and prove the urgency of environmental damage—author Carolyn Fornoff argues that what unites the artists under consideration is their use of more hypothetical, uncertain representational modes, or "subjunctive aesthetics." In English, the subjunctive is a grammatical mode that articulates the imagined, desired, and possible. In the Spanish language, it is even more widely used to express doubts, denials, value judgments, and emotions. Each chapter of Subjunctive Aesthetics takes up one of these modalities to examine how Mexican artists, writers, and filmmakers activate approaches to the planet not just as it is, but as it could be or should be.
Honorable Mention, LASA Environment Best Book Prize, Latin American Studies Association–Environment Section, 2025
During the twenty-first century, Mexico has escalated extractive concessions at the same time that it has positioned itself as an international leader in the fight against climate change. Cultural production emergent from this contradiction frames this impasse as a crisis of imagination. Subjunctive Aesthetics studies how contemporary writers, filmmakers, and visual artists grapple with the threat that climate change and extractivist policies pose to Mexico's present and future. It explores how artists rise to the challenge of envisioning alternative forms of territoriality (ways of being in relation to the environment) through strategies ranging from rewriting to counterfactual speculation.
Whereas ecocritical studies have often focused on art's evidentiary role—its ability to visualize and prove the urgency of environmental damage—author Carolyn Fornoff argues that what unites the artists under consideration is their use of more hypothetical, uncertain representational modes, or "subjunctive aesthetics." In English, the subjunctive is a grammatical mode that articulates the imagined, desired, and possible. In the Spanish language, it is even more widely used to express doubts, denials, value judgments, and emotions. Each chapter of Subjunctive Aesthetics takes up one of these modalities to examine how Mexican artists, writers, and filmmakers activate approaches to the planet not just as it is, but as it could be or should be.
[more]