340 books match the query 'Folklore' and 26 start with s

cover of Saamaka Dreaming

Saamaka Dreaming

Richard Price and Sally Price

Duke University Press, 2017

When Richard and Sally Price stepped out of the canoe to begin their fieldwork with the Saamaka Maroons of Suriname in 1966, they were met with a mixture of curiosity, suspicion, ambivalence, hostility, and fascination. With their gradual acceptance into the community they undertook the work that would shape their careers and influence the study of African American societies throughout the hemisphere for decades to come. In Saamaka Dreaming they look back on the experience, reflecting on a discipline and a society that are considerably different today. Drawing on thousands of pages of field notes, as well as recordings, file cards, photos, and sketches, the Prices retell and comment on the most intensive fieldwork of their careers, evoke the joys and hardships of building relationships and trust, and outline their personal adaptation to this unfamiliar universe. The book is at once a moving human story, a portrait of a remarkable society, and a thought-provoking revelation about the development of anthropology over the past half-century.
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cover of Scandinavian Folk Belief and Legend

Scandinavian Folk Belief and Legend

Reimund Kvideland

University of Minnesota Press, 1991

An entertaining collection of over 400 folk tales of legends, stories, and magic. Translated from the original Norwegian, Danish, and Swedish, this highly acclaimed work is perfect for bedside or fireside reading.

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cover of Science, Bread, and Circuses: Folkloristic Essays on Science for the Masses

Science, Bread, and Circuses

Folkloristic Essays on Science for the Masses

Gregory Schrempp

Utah State University Press, 2014

In Science, Bread, and Circuses, Gregory Schrempp brings a folkloristic viewpoint to the topic of popular science, calling attention to the persistence of folkloric form, idiom, and worldview within the increasingly important dimension of popular consciousness defined by the impact of science.
 

Schrempp considers specific examples of texts in which science interpreters employ folkloric tropes—myths, legends, epics, proverbs, spectacles, and a variety of gestures from religious tradition—to lend credibility and appeal to their messages. In each essay he explores an instance of science popularization rooted in the quotidian round: variations of proverb formulas in monumental measurements, invocations of science heroes like saints or other inspirational figures, the battle of mythos and logos in parenting and academe, how the meme has become embroiled in quasi-religious treatments of the problem of evil, and a range of other tropes of folklore drafted to serve the exposition of science.

Science, Bread, and Circuses places the relationship of science and folklore at the very center of folkloristic inquiry by exploring a range of attempts to rephrase and thus domesticate scientific findings and claims in folklorically imbued popular forms.

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cover of Sea Monsters: A Voyage around the World's Most Beguiling Map

Sea Monsters

A Voyage around the World's Most Beguiling Map

Joseph Nigg

University of Chicago Press, 2013

Smart phones and GPS give us many possible routes to navigate our daily commute, warn us of traffic and delays, and tell us where to find a cup of coffee. But what if there were sea serpents and giant man-eating lobsters waiting just off course if we were to lose our way? Would there be an app for that? In the sixteenth century, these and other monsters were thought to swim the northern waters, threatening seafarers who ventured too far from shore. Thankfully, Scandinavian mariners had Olaus Magnus, who in 1539 charted these fantastic marine animals in his influential map of the Nordic countries, the Carta Marina. In Sea Monsters, well-known expert on magical beasts Joseph Nigg brings readers face-to-face with these creatures, alongside the other magnificent components of Magnus’s map.

Nearly two meters wide in total, the map’s nine wood-block panels comprise the largest and first realistic portrayal of Northern Europe. But in addition to these important geographic elements, Magnus’s map goes beyond cartography to scenes both domestic and mystic. Close to shore, Magnus shows humans interacting with common sea life—boats struggling to stay afloat, merchants trading, children swimming, and fisherman pulling lines. But from the offshore deeps rise some of the most magical and terrifying sea creatures imaginable at the time or thereafter—like sea swine, whales as large as islands, and the Kraken. In this book, Nigg provides a thorough tour of the map’s cartographic details, as well as a colorful look at its unusual pictorial and imaginative elements. He draws on Magnus’s own text to further describe and illuminate the inventive scenes and to flesh out the stories of the monsters.

Sea Monsters is a stunning tour of a world that still holds many secrets for us land dwellers, who will forever be fascinated by reports of giant squid and the real-life creatures of the deep that have proven to be as bizarre and otherworldly as we have imagined for centuries. It is a gorgeous guide for enthusiasts of maps, monsters, and the mythic.

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cover of Seven Demon Stories from Medieval Japan

Seven Demon Stories from Medieval Japan

Noriko T. Reider

Utah State University Press, 2016

In Japanese culture, oni are ubiquitous supernatural creatures who play important roles in literature, lore, and folk belief. Characteristically ambiguous, they have been great and small, mischievous and dangerous, and ugly and beautiful over their long history. Here, author Noriko Reider presents seven oni stories from medieval Japan in full and translated for an English-speaking audience.
 
Reider, concordant with many scholars of Japanese cultural studies, argues that to study oni is to study humanity. These tales are from an era in which many new oni stories appeared for the purpose of both entertainment and moral/religious edification and for which oni were particularly important, as they were perceived to be living entities. They reflect not only the worldview of medieval Japan but also themes that inform twenty-first-century Japanese pop and vernacular culture, including literature, manga, film, and anime. With each translation, Reider includes an introductory essay exploring the historical and cultural importance of the characters and oni manifestations within this period.
 
Offering new insights into and interpretations of not only the stories therein but also the entire genre of Japanese ghost stories, Seven Demon Stories is a valuable companion to Reider’s 2010 volume Japanese Demon Lore. It will be of significant value to folklore scholars as well as students of Japanese culture.
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cover of Shared Traditions: SOUTHERN HISTORY AND FOLK CULTURE

Shared Traditions

SOUTHERN HISTORY AND FOLK CULTURE

Charles Joyner

University of Illinois Press, 1999

Grounded in Charles Joyner's unique blend of rigorous scholarship and genuine curiosity, these thoughtful and incisive essays by the eminent southern historian and folklorist explore the South's extraordinary amalgam of cultural traditions.
By examining the mutual influence of history and folk culture, Shared Traditions reveals the essence of southern culture in the complex and dynamic interactions of descendants of Europeans, Africans, and Native Americans. The book covers a broad spectrum of southern folk groups, folklore expressions, and major themes of southern history, including antebellum society, slavery, the coming of the Civil War, economic modernization in the Appalachians and the Sea Islands, immigration, the civil rights movement, and the effects of cultural tourism.
Joyner addresses the convergence of African and European elements in the Old South and explores how specific environmental and demographic features shaped the acculturation process. He discusses divergent practices in worship services, funeral and burial services, and other religious ceremonies. He examines links between speech patterns and cultural patterns, the influence of Irish folk culture in the American South, and the southern Jewish experience. He also investigates points of intersection between history and legend and relations between the new social history and folklore.
Ranging from rites of power and resistance on the slave plantation to the creolization of language to the musical brew of blues, country, jazz, and rock, Shared Traditions reveals the distinctive culture born of a sharing by black and white southerners of their deep-rooted and diverse traditions.
 
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cover of Shoshone Tales

Shoshone Tales

Anne Smith

University of Utah Press, 1993

The Western Shoshone people live throughout eastern Nevada and western Utah (Goshute). When Anne Smith visited the region in 1939 there was only one formally designated reservation. Smith and her companion Alden Hayes traveled countless mile of remote road collecting stories, documenting Western Shoshonean tradition, and seeking to determine the outlines of Great Basin culture.

The tales in this volume are set primarily in the "Time when Animals Were People," the legendary past when animals had the power of speech and established human customs though their adventures (and misadventures). Trickster tales figure prominently, with obscenity and blunt delivery common humorous devices. These tale were prized for their educational as well as entertainment value, and storytelling ability was highly respected. Thus, Smith was careful to credit individual storytellers of their versions of favorite Basin tales, avoiding the dryness of generic anthologies.
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cover of So Ole Says to Lena: Folk Humor of the Upper Midwest

So Ole Says to Lena

Folk Humor of the Upper Midwest

Compiled and edited by James P. Leary

University of Wisconsin Press, 2002

In the land of beer, cheese, and muskies—where the polka is danced and winter is unending and where Lutherans and Catholics predominate—everybody is ethnic, the politics are clean, and the humor is plentiful. This collection includes jokes, humorous anecdotes, and tall tales from ethnic groups (Woodland Indians, French, Cornish, Germans, Irish, Scandinavians, Finns, and Poles) and working folk (loggers, miners, farmers, townsfolk, hunters, and fishers). Dig into the rich cultural context supplied by the notes and photographs, or just laugh at the hundreds of jokes gathered at small-town cafes, farm tables, job sites, and church suppers. This second edition includes an afterword and indexes of motifs and tale types.

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cover of Songs My Mother Sang to Me: An Oral History of Mexican American Women

Songs My Mother Sang to Me

An Oral History of Mexican American Women

Patricia Preciado Martin

University of Arizona Press, 1992

Motivated by a love of her Mexican American heritage, Patricia Preciado Martin set out to document the lives and memories of the women of her mother's and grandmother's eras; for while the role of women in Southwest has begun to be chronicled, that of Hispanic women largely remains obscure. In Songs My Mother Sang to Me, she has preserved the oral histories of many of these women before they have been lost or forgotten.

Martin's quest took her to ranches, mining towns, and cities throughout southern Arizona, for she sought to document as varied an experience of the contributions of Mexican American women as possible. The interviews covered family history and genealogy, childhood memories, secular and religious traditions, education, work and leisure, environment and living conditions, rites of passage, and personal values. Each of the ten oral histories reflects not only the spontaneity of the interview and personality of each individual, but also the friendship that grew between Martin and her subjects.

Songs My Mother Sang to Me collects voices not often heard and brings to print accounts of social change never previously recorded. These women document more than the details of their own lives; in relating the histories of their ancestors and communities, they add to our knowledge of the culture and contributions of Mexican American people in the Southwest.
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cover of Sounding Thunder: The Stories of Francis Pegahmagabow

Sounding Thunder

The Stories of Francis Pegahmagabow

Brian D. McInnes

Michigan State University Press, 2016

Francis Pegahmagabow (1889–1952), an Ojibwe of the Caribou clan, was born in Shawanaga First Nation, Ontario. Enlisting at the onset of the First World War, he served overseas as a scout and sniper and became Canada’s most decorated Indigenous soldier. After the war, Pegahmagabow settled in Wasauksing First Nation, Ontario, where he married and raised six children. He served his community as both Chief and Councillor and was a founding member of the Brotherhood of Canadian Indians, the first national Indigenous political organization. In 1949 and 1950, he was elected the Supreme Chief of the National Indian Government.
 
Francis Pegahmagabow’s stories describe many parts of his life and are characterized by classic Ojibwe narrative. They reveal aspects of Francis’s Anishinaabe life and worldview. Interceding chapters by Brian McInnes provide valuable cultural, spiritual, linguistic, and historical insights that give a greater context and application for Francis’s words and world. Presented in their original Ojibwe as well as in English translation, the stories also reveal a rich and evocative relationship to the lands and waters of Georgian Bay.
 
In Sounding Thunder, Brian McInnes provides a new perspective on Pegahmagabow and his experience through a unique synthesis of Ojibwe oral history, historical record, and Pegahmagabow family stories.
 
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cover of Sounding the Center: History and Aesthetics in Thai Buddhist Performance

Sounding the Center

History and Aesthetics in Thai Buddhist Performance

Deborah Wong

University of Chicago Press, 2001

Sounding the Center is an in-depth look at the power behind classical music and dance in Bangkok, the capital and sacred center of Buddhist Thailand. Focusing on the ritual honoring teachers of music and dance, Deborah Wong reveals a complex network of connections among kings, teachers, knowledge, and performance that underlies the classical court arts.

Drawing on her extensive fieldwork, Wong lays out the ritual in detail: the way it is enacted, the foods and objects involved, and the people who perform it, emphasizing the way the performers themselves discuss and construct aspects of the ceremony.
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cover of Spider Woman Stories

Spider Woman Stories

G. M. Mullett

University of Arizona Press, 1979

"The adventures of Spider Woman and her twin grandsons and other characters are much more than exciting stories. They indicate the importance of traditions, social life, and customs among the Hopi... These abridged and expurgated accounts can be read by children and adults alike, not only for their cultural value but also as fine literature."—Arizona Highways

"This is a fine introduction to Hopi mythology and values. It recreates an authentic poetic spirit and makes the reader eager to read more Hopi tales." —New Mexico Humanities Review
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cover of Spirit of the New England Tribes: Indian History and Folklore, 1620–1984

Spirit of the New England Tribes

Indian History and Folklore, 1620–1984

William S. Simmons

University Press of New England, 1986

Spanning three centuries, this collection traces the historical evolution of legends, folktales, and traditions of four major native American groups from their earliest encounters with European settlers to the present. The book is based on some 240 folklore texts gathered from early colonial writings, newspapers, magazines, diaries, local histories, anthropology and folklore publications, a variety of unpublished manuscript sources, and field research with living Indians.
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cover of Star Gods of the Maya: Astronomy in Art, Folklore, and Calendars

Star Gods of the Maya

Astronomy in Art, Folklore, and Calendars

By Susan Milbrath

University of Texas Press, 2000

Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Precolumbian Maya art and confirmed by the current practices of living Maya peoples.

Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Precolumbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices [painted books], and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture.

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cover of Stars Fell on Alabama

Stars Fell on Alabama

Carl Carmer

University of Alabama Press, 2000

A timeless journey into the heart and folklore of Alabama.

Stars Fell on Alabama is a landmark work of Southern literature that transports readers to Alabama during the early 20th century. Written by Carl Carmer, this evocative narrative blends memoir, travel writing, and folklore to paint a rich portrait of a region steeped in tradition and complexity. Carmer captures the rhythms of rural life, the haunting beauty of the landscape, and the voices of its people—farmers, musicians, storytellers—whose tales reveal the cultural fabric of the Deep South. From ghost stories and folk songs to accounts of social customs and racial tensions, this book offers an unflinching yet affectionate look at Alabama’s heritage. Both a historical document and a literary masterpiece, Stars Fell on Alabama remains essential reading for anyone interested in Southern history, American folklore, and the enduring power of storytelling.

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cover of Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India

Stigmas of the Tamil Stage

An Ethnography of Special Drama Artists in South India

Susan Seizer

Duke University Press, 2005

A study of the lives of popular theater artists, Stigmas of the Tamil Stage is the first in-depth analysis of Special Drama, a genre of performance unique to the southernmost Indian state of Tamilnadu. Held in towns and villages throughout the region, Special Drama performances last from 10 p.m. until dawn. There are no theatrical troupes in Special Drama; individual artists are contracted “specially” for each event. The first two hours of each performance are filled with the kind of bawdy, improvisational comedy that is the primary focus of this study; the remaining hours present more markedly staid dramatic treatments of myth and history. Special Drama artists themselves are of all ages, castes, and ethnic and religious affiliations; the one common denominator in their lives is their lower-class status. Artists regularly speak of how poverty compelled their entrance into the field.

Special Drama is looked down upon by the middle- and upper-classes as too popular, too vulgar, and too “mixed.” The artists are stigmatized: people insult them in public and landlords refuse to rent to them. Stigma falls most heavily, however, on actresses, who are marked as “public women” by their participation in Special Drama. As Susan Seizer’s sensitive study shows, one of the primary ways the performers deal with such stigma is through humor and linguistic play. Their comedic performances in particular directly address questions of class, culture, and gender deviations—the very issues that so stigmatize them. Seizer draws on extensive interviews with performers, sponsors, audience members, and drama agents as well as on careful readings of live Special Drama performances in considering the complexities of performers’ lives both on stage and off.
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cover of Still, the Small Voice: Narrative, Personal Revelation, and the Mormon Folk Tradition

Still, the Small Voice

Narrative, Personal Revelation, and the Mormon Folk Tradition

Tom Mould

Utah State University Press, 2011

Memorates—personal experience narratives of encounters with the supernatural—that recount individuals’ personal revelations, primarily through the Holy Ghost, are a pervasive aspect of the communal religious experience of Mormons, members of the Church of Jesus Christ of Latter-day Saints. In accordance with current emphases in folklore studies on narrative and belief, Tom Mould uses ethnographic research and an emic approach that honors the belief systems under study to analyze how people within Mormon communities frame and interpret their experiences with the divine through the narratives they share.  In doing so, he provides a significant new ethnographic interpretation of Mormon culture and belief and also applies his findings directly to broader scholarly folklore discourse on performance, genre, personal experience narrative, belief, and oral versus written traditions.

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cover of Stories Find You, Places Know: Yup'ik Narratives of a Sentient World

Stories Find You, Places Know

Yup'ik Narratives of a Sentient World

Holly Cusack-McVeigh

University of Utah Press, 2017

Grounded in existing understandings of Yup’ik cosmology and worldview, this work is the first to look at how a Yup’ik community uses stories of place in social life. On the Bering coast of southwest Alaska, Cusack-McVeigh accompanied storytellers during their daily activities. Hearing many narratives repeatedly over a span of years, she came to understand how stories reflected interactions of people and places.

For the Yup’ik people, places are also social actors that react to human actions and emotions. Stories tell how people learn about each other through encounters on the land, and thereby places also learn about people. Places comment on human behavior through the land's responses to specific actions. Stories variously reveal ideas about human associations and relationships between humans and nonhuman beings. Pointing to a systematic correlation between places and narrative elements that has not been previously explored, this volume makes a unique contribution to the literature on place. 

Winner of the Brian McConnell Book Award from the International Society for Contemporary Legend Research.
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cover of Stories from the Heart: Missouri's African American Heritage

Stories from the Heart

Missouri's African American Heritage

Compiled by Gladys Caines-Coggswell

University of Missouri Press, 2009

Winner, Distinguished Literary Achievement Award, Governor's Humanities Award in Exemplary Community Achievement given by the Missouri Humanities Council, 2010

All along the river, from the front porches of Hannibal to the neighborhoods of St. Louis to the cotton fields of the Bootheel and west to Kansas City, stories are being told.

This collection of family stories and traditional tales brings to print down-home stories about all walks of African American life. Passed down from grandparents and great-grandparents, they have been lovingly gathered by Gladys Caines Coggswell as she visited Missouri communities and participated in storytelling events over the last two decades. These stories bring to life characters with uncommon courage, strength, will, and wit as they offer insight into African American experiences throughout the state’s history.

Often profound, always entertaining, some of these stories hark back to times barely remembered. Many tell of ordinary folks who achieved victories in the face of overwhelming odds. They range from recollections of KKK activities—recalling a Klan leader who owned property on which a black family lived as “the man who was always so nice to us”—to remembered differences between country and city schools and black schoolchildren introduced to Dick and Jane and Little Black Sambo. Stories from the Bootheel shed light on family life, sharecropping, and the mechanization of cotton culture, which in one instance led to a massive migration of rats as the first mechanical cotton pickers came in.

As memorable as the stories are the people who tell them, such as the author’s own “Uncle Pete” reporting on a duck epidemic or Evelyn Pulliam of Kennett telling of her resourceful neighbors in North Lilburn. Loretta Washington remembers sitting on her little wooden stool beside her great-grandmother’s rocking chair on the front porch in Wardell, mesmerized by stories—and the time when rocking chair and little wooden stool were moved inside and the stories stopped. Marlene Rhodes writes of her mother’s hero, Odie, St. Louis “Entrepreneur and English gentleman.”

Whether sharing previously unknown stories from St. Louis or betraying the secret of “Why Dogs Chase Cats,” this book is a rich repository of African American life. And if some of these tales seem unusual, the people remembering them will be the first to tell you: that’s the way it was. Coggswell preserves them for posterity and along with them an important slice of Missouri history.
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cover of Stories of Our Lives: Memory, History, Narrative

Stories of Our Lives

Memory, History, Narrative

Frank de Caro

Utah State University Press, 2013

In Stories of Our Lives Frank de Caro demonstrates the value of personal narratives in enlightening our lives and our world. We all live with legends, family sagas, and anecdotes that shape our selves and give meaning to our recollections. Featuring an array of colorful stories from de Caro’s personal life and years of field research as a folklorist, the book is part memoir and part exploration of how the stories we tell, listen to, and learn play an integral role in shaping our sense of self. 
 
De Caro’s narrative includes stories within the story: among them a near-mythic capture of his golden-haired grandmother by Plains Indians, a quintessential Italian rags-to-riches grandfather, and his own experiences growing up in culturally rich 1950s New York City, living in India amid the fading glories of a former princely state, conducting field research on Day of the Dead altars in Mexico, and coming home to a battered New Orleans after Hurricane Katrina.
 
Stories of Our Lives shows that our lives are interesting, and that the stories we tell—however particular to our own circumstances or trivial they may seem to others—reveal something about ourselves, our societies, our cultures, and our larger human existence.
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cover of Stories of Our Living Ephemera: Storytelling Methodologies in the Archives of the Cherokee National Seminaries, 1846-1907

Stories of Our Living Ephemera

Storytelling Methodologies in the Archives of the Cherokee National Seminaries, 1846-1907

Emily Legg

Utah State University Press, 2023

Stories of Our Living Ephemera recovers the history of the Cherokee National Seminaries from scattered archives and colonized research practices by critically weaving together pedagogy and archival artifacts with Cherokee traditional stories and Indigenous worldviews. This unique text adds these voices to writing studies history and presents these stories as models of active rhetorical practices of assimilation resistance in colonized spaces.
 
Emily Legg turns to the Cherokee medicine wheel and cardinal directions as a Cherokee rhetorical discipline of knowledge making in the archives, an embodied and material practice that steers knowledge through the four cardinal directions around all relations. Going beyond historiography, Legg delineates educational practices that are intertwined with multiple strands of traditional Cherokee stories that privilege Indigenous and matriarchal theoretical lenses. Stories of Our Living Ephemera synthesizes the connections between contemporary and nineteenth-century academic experiences to articulate the ways that colonial institutions and research can be Indigenized by centering Native American sovereignty.
 
By undoing the erasure of Cherokee literacy and educational practices, Stories of Our Living Ephemera celebrates the importance of storytelling, especially for those who are learning about Indigenous histories and rhetorics. This book is of cultural importance and value to academics interested in composition and pedagogy, the Cherokee Nation, and a general audience seeking to learn about Indigenous rhetorical devices and Cherokee history.
 
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cover of Stories of the House People: Told by Peter Vandall and Joe Douquette

Stories of the House People

Told by Peter Vandall and Joe Douquette

Freda Ahenakew

University of Manitoba Press, 1987

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cover of Stories, Myths, Chants, and Songs of the Kuna Indians

Stories, Myths, Chants, and Songs of the Kuna Indians

Compiled, edited, and translated by Joel Sherzer

University of Texas Press, 2004

The Kuna Indians of Panama, probably best known for molas, their colorful appliqué blouses, also have a rich literary tradition of oral stories and performances. One of the largest indigenous groups in the South American tropics, the majority of them (about 70,000) reside in Kuna Yala, a string of island and mainland villages stretching along the Caribbean coast. It is here that Joel Sherzer lived among them, photographing and recording their verbal performances, which he feels are representative of the beauty, complexity, and diversity of the oral literary traditions of the indigenous peoples of Latin America.

This book is organized into three types of texts: humorous and moralistic stories; myths and magical chants; and women's songs. While quite different from one another, they share features characteristic of Kuna literature as a whole, including appreciation of their environment and a remarkable knowledge of their plants and animals; a belief in spirits as an important component of their world in curing, magic, and aesthetics; and, especially, great humor and a sense of play.

Vividly illustrated by a Kuna artist and accompanied by photographs that lend a sense of being present at the performances, the texts provide readers with a unique aesthetic perspective on this rich culture while preserving an endangered and valuable indigenous oral tradition.

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cover of Storytelling In Daily Life: Performing Narrative

Storytelling In Daily Life

Performing Narrative

Kristin M. Langellier and Eric E. Peterson

Temple University Press, 2004

Storytelling is perhaps the most common way people make sense of their experiences, claim identities, and "get a life." So much of our daily life consists of writing or telling our stories and listening to and reading the stories of others. But we rarely stop to ask: what are these stories? How do they shape our lives? And why do they matter?The authors ably guide readers through the complex world of performing narrative. Along the way they show the embodied contexts of storytelling, the material constraints on narrative performances, and the myriad ways storytelling orders information and tasks, constitutes meanings, and positions speaking subjects. Readers will also learn that narrative performance is consequential as well as pervasive, as storytelling opens up experience and identities to legitimization and critique. The authors' multi-leveled model of strategy and tactics considers how relations of power in a system are produced, reproduced, and altered in performing narrative.The authors explain this strategic model through an extended discussion of family storytelling, using Franco Americans in Maine as their exemplar. They explore what stories families tell, how they tell them, and how storytelling creates family identities. Then, they show the range and reach of this strategic model by examining storytelling in diverse contexts: a breast cancer narrative, a weblog on the Internet, and an autobiographical performance on the public stage. Readers are left with a clear understanding of how and why the performance of narrative is the primary communicative practice shaping our lives today.
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cover of Storytelling in Siberia: The Olonkho Epic in a Changing World

Storytelling in Siberia

The Olonkho Epic in a Changing World

Robin P. Harris

University of Illinois Press, 2017

Olonkho, the epic narrative and song tradition of Siberia’s Sakha people, declined to the brink of extinction during the Soviet era. In 2005, UNESCO’s Masterpiece Proclamation sparked a resurgence of interest in olonkho by recognizing its important role in humanity’s oral and intangible heritage.

Drawing on her ten years of living in the Russian North, Robin P. Harris documents how the Sakha have used the Masterpiece program to revive olonkho and strengthen their cultural identity. Harris’s personal relationships with and primary research among Sakha people provide vivid insights into understanding olonkho and the attenuation, revitalization, transformation, and sustainability of the Sakha’s cultural reemergence. Interdisciplinary in scope, Storytelling in Siberia considers the nature of folklore alongside ethnomusicology, anthropology, comparative literature, and cultural studies to shed light on how marginalized peoples are revitalizing their own intangible cultural heritage.

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cover of Studies in Malaysian Oral and Musical Traditions

Studies in Malaysian Oral and Musical Traditions

William P. Malm and Amin Sweeney

University of Michigan Press, 1974

The first of two studies included is “Music in Kelantan, Malaysia and Some of Its Cultural Implications,” by William P. Malm. Kelantan is the northernmost province on the east coast of Malaysia. It is considered to be the most orthodox area in a nation whose state religion is Islam. At the same time it must be noted that it borders to the north with the Buddhist country of Thailand and to the west is the Malaysian province of Perak whose jungles and mountains contain many “pagan” tribal traditions. Beyond Perak is Kedah with its larger Indian and Chinese populations and to the south is Trengganu where some Indonesian traits are still to be found. It is in this context that Malm’s study of music is made.
The second study is “Professional Malay Story-Telling: Some Questions of Style and Presentation” by Amin Sweeney. In view of the hitherto almost exclusive concern with the content of such tales as those of Sang Kanchil or Pak Pandir, Sweeney throws some light on the form, style, and presentation of oral Malay literature, with special reference to that class of story-telling popularly known as penglipur lara, or what Winstedt termed “folk romances.”
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