74 books match the query 'Foreign countries' and 4 start with s

cover of Safehaven: The Allied Pursuit of Nazi Assets Abroad

Safehaven

The Allied Pursuit of Nazi Assets Abroad

Martin Lorenz-Meyer

University of Missouri Press, 2007

As Germany faced inevitable defeat in World War II, the Allies became concerned that the Nazis would attempt to hide their assets in neutral countries—Switzerland, Sweden, Portugal, Spain, and Turkey—in order to revive their cause in later years. To address this danger, the United States, along with Britain and France as reluctant partners, started the “Safehaven” program to probe questions of secret foreign bank accounts, the German wartime gold trade, and the actions of German companies abroad toward the end of the Nazi regime. Initiated by the Federal Economic Administration, Safehaven was soon integrated with U.S. plans, advocated by Treasury Secretary Henry Morgenthau, to avert future German aggression. These proposals quickly fell out of favor, but the Morgenthau Plan’s suggestion to use all German assets as reparations remained attractive.

            In this first detailed historical study of Safehaven in English, Martin Lorenz-Meyer focuses on policies of the Allies, revealing their disagreements about the program and addressing the historical roots of a problem that over decades the Cold War had successfully buried. Lorenz-Meyer shows how American administrative agencies were constantly at odds regarding Safehaven’s administration and how coordination of the program was further complicated by different assumptions held by the United States and Britain regarding its aims. Using Sweden as an example, he offers an investigation of the effects of Safehaven in the neutral countries, drawing comparisons with experiences of the program in Switzerland. His research discloses the sums involved and the neutral countries’ positions and also explores the complications posed by international law for any plan to expropriate German assets.

            Over time, the neutral countries objected to uncompensated confiscations for a war in which they had not participated, and the United States gradually lost interest in infringing on German wealth because Germany was needed as a new ally. Lorenz-Meyer tells how Safehaven suffered from the discontinuation of wartime controls in a renewed climate of free trade. He also contends that the very problem that necessitated the program raised questions regarding the true neutrality of the countries involved.

            Safehaven is a significant addition to the history of Third Reich and international relations, notably concerning American foreign policy. As America continues to face foreign-policy dilemmas regarding trade with enemies and issues of neutrality, Safehaven offers an illuminating case history that sheds new light on current affairs.

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cover of Searching for Safe Spaces: Afro-Caribbean Women Writers in Exile

Searching for Safe Spaces

Afro-Caribbean Women Writers in Exile

Myriam Chancy

Temple University Press, 1997

Home. Exile. Return. Words heavy with meaning and passion. For Myriam Chancy, these three themes animate the lives and writings of dispossessed Afro-Caribbean women.

Understanding exile as flight from political persecution or types of oppression that single out women, Chancy concentrates on diasporic writers and filmmakers who depict the vulnerability of women to poverty and exploitation in their homelands and their search for safe refuge. These Afro-Caribbean feminists probe the complex issues of race, nationality, gender, sexuality, and class that limit women's lives. They portray the harsh conditions that all too commonly drive women into exile, depriving them of security and a sense of belonging in their adopted countries -- the United States, Canada, or England.

As they rework traditional literary forms, artists such as Joan Riley, Beryl Gilroy, M. Noubese Philip, Dionne Brand, Makeda Silvera, Audre Lorde, Rosa Guy, Michelle Cliff, and Mari Chauvet give voice to Åfro-Caribbean women's alienation and longing to return home. Whether their return is realized geographically or metaphorically, the poems, fiction, and film considered in this book speak boldly of self-definition and transformation.
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cover of Senegal Abroad: Linguistic Borders, Racial Formations, and Diasporic Imaginaries

Senegal Abroad

Linguistic Borders, Racial Formations, and Diasporic Imaginaries

Maya Angela Smith

University of Wisconsin Press, 2020

Senegal Abroad explores the fascinating role of language in national, transnational, postcolonial, racial, and migrant identities. Capturing the experiences of Senegalese in Paris, Rome, and New York, it depicts how they make sense of who they are—and how they fit into their communities, countries, and the larger global Senegalese diaspora. Drawing on extensive interviews with a wide range of emigrants as well as people of Senegalese heritage, Maya Angela Smith contends that they shape their identity as they purposefully switch between languages and structure their discourse.

The Senegalese are notable, Smith suggests, both in their capacity for movement and in their multifaceted approach to language. She finds that, although the emigrants she interviews express complicated relationships to the multiple languages they speak and the places they inhabit, they also convey pleasure in both travel and language. Offering a mix of poignant, funny, reflexive, introspective, and witty stories, they blur the lines between the utility and pleasure of language, allowing a more nuanced understanding of why and how Senegalese move.
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cover of Sergei Dovlatov and His Narrative Masks

Sergei Dovlatov and His Narrative Masks

Jekaterina Young

Northwestern University Press, 2012

This book provides an introduction to Sergei Dovlatov (1941–1990) that is closely attentive to the details of his life and work, their place in the history of Soviet society and literature, and of émigré culture during this turbulent period. A journalist, newspaper editor, and prose writer, Dovlatov is most highly regarded for his short stories, which draw heavily on his experiences in Russia before 1979, when he was forced out of the country. During compulsory military service, before becoming a journalist, he worked briefly as a prison camp guard—an experience that gave him a unique perspective on the operations of the Soviet state. After moving to New York, Dovlatov published works (in the New Yorker and elsewhere) that earned him considerable renown in America and back in Russia. Young’s book presents a valuable critical overview of the prose of a late twentieth-century master within the context of the prevailing Russian and larger literary culture.

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