173 books match the query 'Ireland' and 8 start with s

cover of Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett

Saying I No More

Subjectivity and Consciousness in the Prose of Samuel Beckett

Daniel Katz

Northwestern University Press, 1999

In recent criticism, Samuel Beckett's prose has been increasingly described as a labor of refusal: not only of what traditionally has made possible narrative and the novel but also of the major conventional suppositions concerning the primacy of consciousness, subjectivity, and expression for the artistic act. Beginning from the premise that Beckett never betrays his belief in "the impossibility to express," Saying I No More explores the Beckettian refusal. Katz posits that the expression of voicelessness in Beckett is not silence, that the negativity and negation so evident in the great writer's work are not simply affirmed, but that the valorization of abnegation, emptiness, impotence, or the "no" can all too easily become itself an affirmation of power or an inverted imposition of force.
[more]
cover of Seamus Heaney and the Emblems of Hope

Seamus Heaney and the Emblems of Hope

Karen Marguerite Moloney

University of Missouri Press, 2007

A rich body of mythology and literature has grown around the Celtic ritual known as the Feis of Tara or “marriage of sovereignty”—ancient ceremonies in which the future king pledges to care for the land and serve the goddess of sovereignty. Seamus Heaney, whose writing has attracted the overwhelming share of critical attention directed toward contemporary Irish poetry, has engaged this symbolic tradition in some of his most significant—and controversial—work.

Seamus Heaney and the Emblems of Hope explores Heaney’s use of the family of sovereignty motifs and redresses the imbalance of criticism that has overemphasized the theme of sacrifice to the detriment of more optimistic symbols. Moreover, Moloney reviews the development of the marriage motif in Irish poetry from the ninth to the twenty-first centuries with a focus on Heaney’s adaptations from The Frenzy of Sweeney and The Midnight Court and on the work of such poets as Kinsella, Montague, Boland, and Ní Dhomhnaill. Karen Marguerite Moloney examines the central role that Heaney assigns the Feis of Tara in his response to the crisis of Ulster and to the general spiritual bankruptcy of our times, showing in his verse how the relationship of the male lover to the goddess—particularly in her more repugnant guises—serves as prototype for the humility and deference needed to repair the effects of English colonization of Ireland and, by extension, centuries of worldwide patriarchal abuse.

Through close, sustained readings of poems previously overlooked or misinterpreted, such as “Ocean’s Love to Ireland,” “Come to the Bower,” and “Bone Dreams”—poems that Irish feminist critics have deemed flawed and distressingly sexist—Moloney refutes views that have long stood unchallenged. She also considers the direction of Heaney’s more recent poems, which continue to resonate to the twin demands of conscience and artistic integrity.

An impeccably researched and immensely readable work, Seamus Heaney and the Emblems of Hope reveals that Heaney’s poetry offers a reverence for archetypal femininity and Dionysian energy that can counter the sterility and violence of postcolonial Irish life. Moloney shows us that, in the tradition of poets who preceded him, Heaney turns to the marriage of sovereignty to encode a message for our times—and to offer up emblems of hope on behalf of us all.

[more]
cover of Seamus Heaney and the End of Catholic Ireland

Seamus Heaney and the End of Catholic Ireland

Kieran Quinlan

Catholic University of America Press, 2020

Seamus Heaney & the End of Catholic Ireland takes off from the poet’s growing awareness in the new millennium of “something far more important in my mental formation than cultural nationalism or the British presence or any of that stuff—namely, my early religious education.” It then pursues an examination of the full trajectory of Heaney’s religious beliefs as represented in his poetry, prose, and interviews, with a briefer account of the interactive religious histories of the Irish and international contexts in which he lived. Thus, in the 1940s and 50s, Heaney was inducted into the narrow, punitive, but also enabling Catholicism of the era. In the early 1960s he was witness to the lively religious debates from the Anglican Bishop of Woolwich’s Honest to God to the seismic disruptions of Vatican II. When the conflict in Northern Ireland between Catholics and Protestants broke out, Heaney was forced to dig deep for an imaginative understanding of its religious roots. From the 1980s on, Heaney more and more proclaimed his own religious loss while also recognizing the institution’s residual value in an Irish society of rising prosperity, weariness with the atrocities of a partly religion-inspired IRA, and beset by the scandals of sex abuse among the clergy. Kieran Quinlan sees Heaney as an exemplar of this period of major change in Ireland as he engaged the religious issue not only in major writers such as James Joyce, W. B. Yeats, T. S. Eliot, Wallace Stevens, Philip Larkin, and Czeslaw Miłosz, but also in a diverse array of less familiar commentators lay and clerical, creative and academic, believers and unbelievers, Irish and international. Breaking new ground by expanding the scope of Heaney’s religious preoccupations and writing in an accessible, reflective, and sometimes provocative manner, Quinlan’s study places Heaney in his universe, and that universe in turn in its wider intellectual setting.
[more]
cover of Selected Writings of John V. Kelleher on Ireland and Irish America

Selected Writings of John V. Kelleher on Ireland and Irish America

John V. Kelleher. Edited by Charles Fanning

Southern Illinois University Press, 2002

A collection of eighteen critical essays and twenty-six translations spanning the career of one of the found­ing intellects of Irish Studies, the Selected Writings of John V. Kelleher on Ireland and Irish America consists of five accessible sections. The first gathers Kelleher’s essays on the most widely known Irish cultural phe­nomenon—the literary renaissance of the early twentieth century. Part two contains his judicious assessments of Irish literature in its post-Revolutionary phase. The third section includes Kelleher’s in­sightful essays on the experience of the Irish in America. The fourth section contains essays that ex­amine early Irish literature and culture, opening with a benchmark essay for Irish Studies, “Early Irish His­tory and Pseudo-History,” which was read at the inau­gural meeting of the American Conference for Irish Studies in 1961. The collection concludes with Kelleher’s translations and adaptations of poems in Old, Middle, and Modern Irish, illustrating his com­mand of the language at every stage.

[more]
cover of Shareholder Democracies?: Corporate Governance in Britain and Ireland before 1850

Shareholder Democracies?

Corporate Governance in Britain and Ireland before 1850

Mark Freeman, Robin Pearson, and James Taylor

University of Chicago Press, 2011

Understanding the challenges of corporate governance is central to our comprehension of the economic dynamics driving corporations today. Among the most important institutions in capitalism today, corporations and joint-stock companies had their origins in Europe during the seventeenth and eighteenth centuries. And as they became more prevalent, the issue of internal governance became more pressing. At stake—and very much contested—was the allocation of rights and obligations among shareholders, directors, and managers.

This comprehensive account of the development of corporate governance in Britain and Ireland during its earliest stages highlights the role of political factors in shaping the evolution of corporate governance as well as the important debates that arose about the division of authority and responsibility. Political and economic institutions confronted similar issues, including the need for transparency and accountability in decision making and the roles of electors and the elected, and this book emphasizes how political institutions—from election procedures to assemblies to annual reporting—therefore provided apt models upon which companies drew readily. Filling a gap in the literature on early corporate economy, this book provides insight into the origins of many ongoing modern debates.

[more]
cover of Sinn Fein and the Politics of Left Republicanism

Sinn Fein and the Politics of Left Republicanism

Eoin O'Broin

Pluto Press, 2009

Sinn Féin is a growing force in Irish politics. Now the country's third largest party, Sinn Féin have been one of the central architects of the peace process and are increasingly setting the terms of political debate in Ireland north and south. Despite this, the party remains much misunderstood and often misrepresented.

In Sinn Féin & The Politics of Left Republicanism, Sinn Féin activist Eoin Ó Broin explores the ideological and organisational origins of the party, charts their history and recent political development and assesses their possible futures.

He argues that Sinn Féin is part of a distinct left-republican tradition in Irish society whose future lies in the globally resurgent radical democratic left.

[more]
cover of Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism

Sounding Dissent

Rebel Songs, Resistance, and Irish Republicanism

Stephen R. Millar

University of Michigan Press, 2020

The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agreement identity narratives in a “post-conflict” era.

Sounding Dissent draws on three years of sustained fieldwork within Belfast's rebel music scene, in-depth interviews with republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.The book examines the potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but also play a central role in the reproduction of conflict and exclusion in times of peace.
[more]
cover of Suffrage and citizenship in Ireland, 1912-18

Suffrage and citizenship in Ireland, 1912-18

Senia Pašeta

University of London Press, 2019

Professor Senia Pašeta argues that our understanding of modern Irish and British politics would be enormously enriched if we recognized two things: that the Irish and British suffrage movements were deeply connected; and that the women’s suffrage movement across the United Kingdom was shaped in fundamental ways by the Irish Question from the late nineteenth century and into the twentieth. In other words, the women’s suffrage movement did not exist in a political vacuum. It interacted with, influenced and was influenced by the other main political questions of the day, and with the main political question of the day - Ireland.
[more]