104 books match the query 'Japanese' and 8 start with s
Koichi Hagimoto
Vanderbilt University Press, 2023
Peter Cave
University of Chicago Press, 2016
Jeffrey Lesser, ed.
Duke University Press, 2003
The concepts of home and diaspora are engaged and debated throughout the volume. Drawing on numerous sources—oral histories, interviews, private papers, films, myths, and music—the contributors highlight the role ethnic minorities have played in constructing Brazilian and Japanese national identities. The essayists consider the economic and emotional motivations for migration as well as a range of fascinating cultural outgrowths such as Japanese secret societies in Brazil. They explore intriguing paradoxes, including the feeling among many Japanese-Brazilians who have migrated to Japan that they are more "Brazilian" there than they were in Brazil. Searching for Home Abroad will be of great interest to scholars of immigration and ethnicity in the Americas and Asia.
Contributors. Shuhei Hosokawa, Angelo Ishi, Jeffrey Lesser, Daniel T. Linger, Koichi Mori, Joshua Hotaka Roth, Takeyuki (Gaku) Tsuda, Keiko Yamanaka, Karen Tei Yamashita
Richard M. Jaffe
University of Chicago Press, 2019
Kyoko Iwaki, Jessica Nakamura, Corey Wakeling
Northwestern University Press, 2027
Bringing together performance studies, critical theory, and contemporary Japanese cultural studies to offer an unsettling glimpse into a global future of crisis already arriving
Slow Death examines contemporary artistic practice as a form of active engagement with the condition of “slow death”: the diffused feeling of decline with no end in sight. The theater and performance artists discussed here confront the realities of a state that is no longer tenable, rehearsing slow death’s modalities, probing its implications, and imagining possible endpoints through dramaturgy. As these artists show, the very notion of progress—whether framed as a march toward a hopeful future or a retreat into the comforts of a nostalgic past—carries an inescapable irony. Both trajectories seem equally unsustainable, rendering any prospect of radical transformation elusive. This sense of endless suspendedness emerges as a pervasive motif across the artworks discussed, such as the anticapitalist performance spaces created by Tanino Kurō and the queer feminist dramaturgy of Ichihara Satoko. Yet, as coauthors Kyoko Iwaki, Jessica Nakamura, and Corey Wakeling identify throughout, to enact slow death in performance is not to capitulate to despair but to expose its structure and, in doing so, uncover latent forms of everyday resistance.
Andrea Gevurtz Arai
Rutgers University Press, 2025
Judy Halebsky
University of Arkansas Press, 2020
A translator’s notebook, an almanac, an ecological history, Judy Halebsky’s Spring and a Thousand Years (Unabridged) moves between multiple intersections and sign systems connected in a long glossary poem that serves as the book’s guide to what is lost, erased, or disrupted in transition both from experience to written word and from one language, location, and time period to another.
Writers Li Bai, Matsuo Bashō, Sei Shōnagon, and Du Fu make frequent appearances in centuries ranging from the eighth to the twenty-first, and appear in conversation with Grace Paley, Donald Hall, and Halebsky herself, as the poet explores subjects ranging from work and marriage to environmental destruction. Asking what would happen if these poets—not just their work—appeared in California, the poems slip between different geographies, syntaxes, times, and cultural frameworks.
The role of the literary translator is to bring text from one language into another, working to at once shift and retain the context of the original—from one alphabet to another, one point in time to another. These are poems in homage to translation; they rely on concepts that can bridge time and space, and as a result are as likely to find meaning in donuts or Zumba as they are to find it in the ocean. Spring and a Thousand Years (Unabridged) finds reasons for hope not in how the world should be, but in how it has always been.
Pedro Thiago Ramos Bassoe
University of Michigan Press, 2026