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     San Juan: Memoir of a City conducts readers through Puerto Rico's capital, guided by one of its most graceful and reflective writers, Edgardo Rodríguez Juliá. No mere sightseeing tour, this is culture through immersion, a circuit of San Juan's historical and intellectual vistas as well as its architecture. 
     In the allusive cityscape he recreates, Rodríguez Juliá invokes the ghosts of his childhood, of San Juan's elder literati, and of characters from his own novels. On the most tangible level, the city is a place of cabarets and cockfighting clubs, flâneurs and beach bums, smoke-filled bars and honking automobiles. Poised between a colonial past and a commercial future, the San Juan he portrays feels at times perilously close to the pitfalls of modernization. Tenement houses and fading mansions yield to strip malls and Tastee Freezes; asphalt hems in jacarandas and palm trees. "In Puerto Rico," he muses, "life is not simply cruel, it is also busy erasing our tracks." Through this book—available here in English for the first time—Rodríguez Juliá resists that erasure, thoughtfully etching a palimpsest that preserves images of the city where he grew up and rejoicing in the one where he still lives.

 

 

Best Books for Regional General Audiences, selected by the American Association of School Librarians and the Public Library Association

Scenes of Instruction is the memoir of noted scholar of African American literature Michael Awkward. Structured around the commencement ceremonies that marked his graduations from various schools, it presents Awkward’s coming-of-age as a bookish black male in the projects of 1970s Philadelphia. His relationships with his family and peers, their struggles with poverty and addiction, and his eventual move from underfunded urban schools to a prestigious private school all become parts of a memorable script.

With a recurring focus on how his mother’s tragic weaknesses and her compelling strengths affected his development, Awkward intersperses the chronologically arranged autobiographical sections with ruminations on his own interests in literary and cultural criticism. As a male scholar who has come under fire for describing himself as a feminist critic, he reflects on such issues as identity politics and the politics of academia, affirmative action, and the Million Man March.

By connecting his personal experiences with larger political, cultural, and professional questions, Awkward uses his life as a palette on which to blend equations of race and reading, urbanity and mutilation, alcoholism, pain, gender, learning, sex, literature, and love.

Anand Prahlad was born on a former plantation in Virginia in 1954. This memoir, vividly internal, powerfully lyric, and brilliantly impressionistic, is his story.
 
For the first four years of his life, Prahlad didn’t speak. But his silence didn’t stop him from communicating—or communing—with the strange, numinous world he found around him. Ordinary household objects came to life; the spirits of long-dead slave children were his best friends. In his magical interior world, sensory experiences blurred, time disappeared, and memory was fluid. Ever so slowly, he emerged, learning to talk and evolving into an artist and educator. His journey takes readers across the United States during one of its most turbulent moments, and Prahlad experiences it all, from the heights of the Civil Rights Movement to West Coast hippie enclaves to a college town that continues to struggle with racism and its border state legacy.
 
Rooted in black folklore and cultural ambience, and offering new perspectives on autism and more, The Secret Life of a Black Aspie will inspire and delight readers and deepen our understanding of the marginal spaces of human existence.

Doony, Ryder, Wyatt, Bodhi. The names of Kristin Hersh’s sons are the only ones included in her new memoir, Seeing Sideways. As the book unfolds and her sons’ voices rise from its pages, it becomes clear why: these names tell the story of her life.

This story begins in 1990, when Hersh is the leader of the indie rock group Throwing Muses, touring steadily, and the mother of a young son, Doony. The chapters that follow reveal a woman and mother whose life and career grow and change with each of her sons: the story of a custody battle for Doony is told alongside that of Hersh’s struggles with her record company and the resulting PTSD; the tale of breaking free from her record label stands in counterpoint to her recounting of her pregnancy with Ryder; a period of writer’s block coincides with the development of Wyatt as an artist and the family’s loss of their home; and finally, soon after Bodhi’s arrival, Hersh and her boys face crises from which only strange angels can save them. Punctuated with her own song lyrics, Seeing Sideways is a memoir about a life strange enough to be fiction, but so raw and moving that it can only be real.

Denise Chanterelle DuBois's transformation into a woman wasn't easy. Born as a boy into a working-class Polish American Milwaukee family, she faced daunting hurdles: a domineering father, a gritty 1960s neighborhood with no understanding of gender nonconformity, trouble in school, and a childhood so haunted by deprivation that neckbone soup was a staple. Terrified of revealing her inner self, DuBois lurched through alcoholism, drug dealing and addiction, car crashes, dangerous sex, and prison time. Dennis barreled from Wisconsin to California, Oregon, Canada, Costa Rica, New York, Bangkok, and Hawaii on a joyless ride.

Defying all expectations, DuBois didn't crash and burn. Embracing her identity as a woman, she remade herself. Writing with resolute honesty and humor, she confronts both her past and her present to tell an American story of self-discovery.

As the good little girl in an unhappy family who hid her darker troubles, Deb Abramson felt like she was living with another girl, a shadowy being who would neither leave nor make herself known. Crushed beneath the burden of her parents‘ rigid expectations yet driven to satisfy their needs, Abramson becomes bulimic, then severely depressed and suicidal, retreating more and more from the troubling outside world to the seeming haven of home, to a cycle of comfort from and competition with her depressed mother, to the frightening but alluring intimacy of her father's affections. Her struggle to extricate herself from the “impermeable, immutable knot” of her family forms the heart of her dazzling book.

In this psychological portrait of a family bound together by the uneasy permutations of love, Abramson relies not on sensationalist narrative but on a collection of the many small moments that glitter along the bumpy path of her life. Now and then she provides a broader, connecting perspective by stepping out of her story to reflect on the meaning of it all from the standpoint of the insightful, healed person she has managed—against all odds—to become.

Rich in metaphor and intimate detail, this is a lyrical story about moving from isolation toward connection, about seeing childhood not as a crippling refuge but as a point of departure, about discovering that it is possible to “have your shadows as well as your light.”

Upon moving to Appalachian Ohio with their two small children, Richard Gilbert and his wife are thrilled to learn there still are places in America that haven’t been homogenized. But their excitement over the region’s beauty and quirky character turns to culture shock as they try to put down roots far from their busy professional jobs in town. They struggle to rebuild a farmhouse, and Gilbert gets conned buying equipment and sheep—a ewe with an “outie” belly button turns out to be a neutered male, and mysterious illnesses plague the flock. Haunted by his father’s loss of his boyhood farm, Gilbert likewise struggles to earn money in agriculture. Finally an unlikely teacher shows him how to raise hardy sheep—a remarkable ewe named Freckles whose mothering ability epitomizes her species’ hidden beauty. Discovering as much about himself as he does these gentle animals, Gilbert becomes a seasoned agrarian and a respected livestock breeder. He makes peace with his romantic dream, his father, and himself. Shepherd, a story both personal and emblematic, captures the mythic pull and the practical difficulty of family scale sustainable farming.

Janice Gary never walked alone without a dog - a big dog. Once, she was an adventurer, a girl who ran off to California with big dreams and hopes of leaving her past behind. But after a brutal rape, her youthful bravado vanished, replaced by a crippling need for safety. When she rescues a gangly Lab-Rottweiler pup,Gary is sure she’s found her biggest protector yet. But after Barney is attacked by a vicious dog, he becomes a clone of his attacker, trying to kill any dog that comes near him. Walking with Barney is impossible. Yet walking without him is unthinkable.
    After years of being exiled by her terror and Barney’s defensiveness, Janice risks taking her dog to a park near the Chesapeake Bay. There, she begins the messy, lurching process of walking into her greatest fears. As the leash of the past unravels, Barney sheds the defensive behaviors that once shackled him and Gary steps out of the self-imposed isolation that held her captive for three decades. Beautifully written, Short Leash is much more than a “dog story” or a book about recovering from trauma. It is a moving tale of love and loss, the journey of a broken soul finding itsway toward wholeness.

Jesse Lee Kercheval opens her story in Cocoa, Florida, in 1966 as a precocious ten-year-old whose family—father, mother, two little girls—is trying to ride the Space Race’s tide of optimism. But even as the rockets keep going up, the Kercheval family slowly spirals down.

When her parents died and her marriage disintegrated within the span of a few months, art historian and performance artist Joanna Frueh entered a painful period of grief and mourning. This book is about how she healed herself and in the process explored the range of her potential as a woman.Swooning Beauty is an intimate memoir of discovery and healing. Frueh’s path to recovery lay through a profound examination of her intuitions, desires, fantasies, dreams, and emotions, her capacity for pleasure—visual, sensual, intellectual, gastronomic, and erotic—and her sense of her own heroic female identity. Hers is the passionate voice of a creative, intelligent woman scrutinizing the nature of love in all its forms and the ways of being that make us free, flexible, more fully real and more fully human. The result is an engaging view into the rich and colorful inner life of a woman at the threshold of middle age, of the blossoming of mind and spirit that comes after suffering and self-realization. Pleasure, she concludes, “is the absence of lack. Self-love is a necessary plenitude. Vigilance in love brings us freedom. Freedom is not an absolute whose attainment is humanly impossible. Yogis say that the self that is not ego is free. That self is the spacious heart, the spacious mind.” Frueh offers us wisdom and comfort for the journey into middle age, and the deep pleasure of encountering a generous, lively spirit and a remarkably spacious mind.