166 books match the query 'Native American' and 17 start with s

cover of Sacred Objects and Sacred Places: Preserving Tribal Traditions

Sacred Objects and Sacred Places

Preserving Tribal Traditions

Andrew Gulliford

University Press of Colorado, 2000

Sacred Objects, Sacred Places combines native oral histories, photographs, drawings, and case studies to present current issues of cultural preservation vital to American Indians, Alaska Natives, and Native Hawaiians. Complete with commentaries by native peoples, non-native curators, and archaeologists, this book discusses the repatriation of human remains, the curation and exhibition of sacred masks and medicine bundles, and key cultural compromises for preservation successes in protecting sacred places on private, state, and federal lands.

The author traveled thousands of miles over a ten-year period to meet and interview tribal elders, visit sacred places, and discuss the power of sacred objects in order to present the essential debates surrounding tribal historic preservation. Without revealing the exact locations of sacred places (unless tribes have gone public with their cultural concerns), Gulliford discusses the cultural significance of tribal sacred sites and the ways in which they are being preserved. Some of the case studies included are the Wyoming Medicine Wheel, Devil's Tower National Monument, Mount Shasta in California, Mount Graham in Arizona, and the Sweet Grass Hills in Montana. Federal laws are reviewed in the context of tribal preservation programs, and tribal elders discuss specific cases of repatriation.

Though the book describes numerous tribal tragedies and offers examples of cultural theft, Sacred Objects and Sacred Places affirms living traditions. It reveals how the resolution of these controversies in favor of native people will ensure their cultural continuity in a changing and increasingly complex world. The issues of returning human remains, curating sacred objects, and preserving tribal traditions are addressed to provide the reader with a full picture of Native Americans' struggles to keep their heritage alive.

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cover of Secrets from the Center of the World

Secrets from the Center of the World

Joy Harjo and Stephen E. Strom

University of Arizona Press, 1989

"My house is the red earth; it could be the center of the world."

This is Navajo country, a land of mysterious and delicate beauty. "Stephen Strom's photographs lead you to that place," writes Joy Harjo. "The camera eye becomes a space you can move through into the powerful landscapes that he photographs. The horizon may shift and change all around you, but underneath it is the heart with which we move." Harjo's prose poems accompany these images, interpreting each photograph as a story that evokes the spirit of the Earth. Images and words harmonize to evoke the mysteries of what the Navajo call the center of the world.
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cover of Seeing through the Sun

Seeing through the Sun

Linda Hogan

University of Massachusetts Press, 1985

Keen observation and vivid imagery mark this collection of poems by a Chickasaw Indian. Linda Hogan's subjects are often drawn from events of everyday life—gathering wood, watching her daughters sleep, witnessing changes in the weather, awaiting nightfall. But beneath the surface of these daily happenings runs a powerful undercurrent, a sureness of life's basic rhythms and a sensitivity to the pressures of survival.

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cover of Self-Determined Stories: The Indigenous Reinvention of Young Adult Literature

Self-Determined Stories

The Indigenous Reinvention of Young Adult Literature

Mandy Suhr-Sytsma

Michigan State University Press, 2018

The first book of its kind, Self-Determined Stories: The Indigenous Reinvention of Young Adult Literature reads Indigenous-authored YA—from school stories to speculative fiction— not only as a vital challenge to stereotypes but also as a rich intellectual resource for theorizing Indigenous sovereignty in the contemporary era. Building on scholarship from Indigenous studies, children’s literature, and cultural studies, Suhr-Sytsma delves deep in close readings of works by Sherman Alexie, Jeannette Armstrong, Joseph Bruchac, Drew Hayden Taylor, Susan Power, Cynthia Leitich Smith, and Melissa Tantaquidgeon Zobel. Together, Suhr-Sytsma contends, these works constitute a unique Indigenous YA genre. This genre radically revises typical YA conventions while offering a fresh portrayal of Indigenous self-determination and a fresh critique of multiculturalism, heteropatriarchy, and hybridity. This literature, moreover, imagines compelling alternative ways to navigate cultural dynamism, intersectionality, and alliance-formation. Self-Determined Stories invites readers from a range of contexts to engage with Indigenous YA and convincingly demonstrates the centrality of Indigenous stories, Indigenous knowledge, and Indigenous people to the flourishing of everyone in every place.
 
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cover of Severalty: Poems

Severalty

Poems

Laura Da'

University of Arizona Press, 2025

Severalty begins in a garden and moves through ancestral and contemporary hometowns that shimmer between wholeness and severing. In these poems, river currents tick with the intrusion of the clock’s lavish precincts. From powerfully compressed lyrical fragments to pulsing narrative sequences, Severalty shifts perspectives to examine devastation and healing, transience and seasonality, loss and resurrection.

With clear roots in her first two books of poetry, Tributaries and Instruments of the True Measure, this volume joins the author’s poetic trilogy with a deeply personal accounting of history, community, and selfhood.

Weaving the past and present into a stunning tapestry, this collection is a powerful testament to Indigenous endurance and creativity, offering readers a deeply insightful and necessary work.

 
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cover of Shapeshift

Shapeshift

Sherwin Bitsui

University of Arizona Press, 2003

"Fourteen ninety-something, / something happened / and no one can pick it out of the lineup . . . "

In words drawn from urban and Navajo perspectives, Sherwin Bitsui articulates the challenge a Native American person faces in reconciling his or her inherited history of lore and spirit with the coldness of postmodern civilization.

Shapeshift is a collection of startling new poetry that explores the tensions between the worlds of nature and man. Through brief, imagistic poems interspersed with evocative longer narratives, it offers powerful perceptions of American culture and politics and their lack of spiritual grounding. Linking story, history, and voice, Shapeshift is laced with interweaving images—the gravitational pull of a fishbowl, the scent of burning hair, the trickle of motor oil from a harpooned log—that speak to the rich diversity of contemporary Diné writing.

"Tonight, I draw a raven's wing inside a circle
measured a half second
before it expands into a hand.
I wrap its worn grip over our feet
As we thrash against pine needles inside the earthen pot."


With complexities of tone that shift between disconnectedness and wholeness, irony and sincerity, Bitsui demonstrates a balance of excitement and intellect rarely found in a debut volume. As deft as it is daring, Shapeshift teases the mind and stirs the imagination.
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cover of Shedding Skins: Four Sioux Poets

Shedding Skins

Four Sioux Poets

Adrian C. Louis

Michigan State University Press, 2008

Here's the myth: Native Americans are people of great spiritual depth, in touch with the rhythms of the earth, rhythms that they celebrate through drumming and dancing. They love the great outdoors and are completely in tune with the natural world. They can predict the weather by glancing at the sky, or hearing a crow cry, or somehow. Who knows exactly how? The point of the myth is that Indians are, well, special. Different from white people, but in a good way.
     The four young male Native American poets whose work is brought together in this startling collection would probably raise high their middle fingers in salute to this myth. These guys and "guys" they are—don't buy into the myth. Their poems aren't about hunting and fishing or bonding with animal spirits. Their poems are about urban decay and homelessness, about loneliness and despair, about Payday Loans and 40-ounce beers, about getting enough to eat and too much to drink. And there is nothing romantic about their poetry, either. It is written in the vernacular of mean streets: often raw and coarse and vulgar, just like the lives it describes. Sure, they write about life on the reservation. However, for the Indians in their poems, life on the reservation is a lot like life in the city, but without the traffic. These poets are sick to death of the myth. You can feel it in their poems.
     These poets are bound by a common attitude as well as a common heritage. All four—Joel Waters, Steve Pacheco, Luke Warm Water, and Trevino L. Brings Plenty—are Sioux, and all four identify themselves as "Skins" (as in "Redskins"). In their poems, they grapple with their heritage, wrestling with what it means to be a Sioux and a Skin today. It's a fight to the finish.

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cover of Sing: Poetry from the Indigenous Americas

Sing

Poetry from the Indigenous Americas

Edited by Allison Adelle Hedge Coke

University of Arizona Press, 2011

Editor and poet Allison Adelle Hedge Coke assembles this multilingual collection of Indigenous American poetry, joining voices old and new in songs of witness and reclamation. Unprecedented in scope, Sing gathers more than eighty poets from across the Americas, covering territory that stretches from Alaska to Chile, and features familiar names like Sherwin Bitsui, Louise Erdrich, Joy Harjo, Lee Maracle, and Simon Ortiz alongside international poets—both emerging and acclaimed—from regions underrepresented in anthologies.

They write from disparate zones and parallel experience, from lands of mounded earthwork long-since paved, from lands of ancient ball courts and the first great cities on the continents, from places of cold, from places of volcanic loam, from zones of erased history and ongoing armed conflict, where “postcolonial” is not an academic concept but a lived reality. As befits a volume of such geographical inclusivity, many poems here appear in multiple languages, translated by fellow poets and writers like Juan Felipe Herrera and Cristina Eisenberg.

Hedge Coke’s thematic organization of the poems gives them an added resonance and continuity, and readers will appreciate the story of the genesis of this project related in Hedge Coke’s deeply felt introduction, which details her experiences as an invited performer at several international poetry festivals. Sing is a journey compelled by the exploration of kinship and the desire for songs that open “pathways of return.”
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cover of Societies in Eclipse: Archaeology of the Eastern Woodlands Indians, A.D. 1400-1700

Societies in Eclipse

Archaeology of the Eastern Woodlands Indians, A.D. 1400-1700

Edited by David S. Brose, C. Wesley Cowan, and Robert C. Mainfort

University of Alabama Press, 2001

Combines recent research with insights from anthropology, historiography, and oral tradition to examine the cultural landscape preceding and immediately following the arrival of Europeans

After establishing the distribution of prehistoric and historic populations from the northeastern Appalachian forests to the southern trans-Mississippian prairies, the contributors consider the archaeological and cultural record of several specific groups, including Mohawk and Onondaga, Monacan, Coosa, and Calusa. For each, they present new evidence of cultural changes prior to European contact, including populations movements triggered by the Little Ice Age (AD 1550–1770), shifting exchange and warfare networks, geological restriction of effective maize subsistence, and use of empty hunting territories as buffers between politically unstable neighbors. The contributors also trace European influences, including the devastation caused by European-introduced epidemics and the paths of European trade goods that transformed existing Native American-exchange networks.

While the profound effects of European explorers, missionaries, and traders on Eastern Woodlands tribes cannot be denied, the archaeological evidence suggests that several indigenous societies were already in the process of redefinition prior to European contact. The essays gathered here show that, whether formed in response to natural or human forces, cultural change may be traced through archaeological artifacts, which play a critical role in answering current questions regarding cultural persistence.
 
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cover of Sounds of Tohi: Cherokee Health and Well-Being in Southern Appalachia

Sounds of Tohi

Cherokee Health and Well-Being in Southern Appalachia

Lisa J. Lefler and Thomas N. Belt

University of Alabama Press, 2022

Dialogue between a medical anthropologist and a Cherokee linguist about health, well-being, and environmental issues

Sounds of Tohi: Cherokee Health and Well-Being in Southern Appalachia is the result of almost two decades of work by medical anthropologist Lisa J. Lefler and Cherokee elder and traditionalist Thomas N. Belt. The narrative consists of a dialogue between them that displays traditional Indigenous knowledge as well as the importance of place for two people from cultures and histories that intersect in the mountains of Southern Appalachia. Together, Lefler and Belt decolonize thinking about health, well-being, and environmental issues through the language and experiences of people whose identity is inextricably linked to the mountains and landscape of western North Carolina.

Lefler and Belt discuss several critical cultural concepts that explain the science of relationships with this world, with the spirit world, and with people. They explore tohi, the Cherokee concept of health, which offers a more pervasive understanding of relationships in life as balanced and moving forward in a good way. They converse about the importance of matrilineality, particularly in light of community healing, the epistemologies of Cherokee cosmography, and decolonizing counseling approaches.

The discussions here offer a different way of approaching the issues that face Americans in this difficult time of division. Lefler and Belt share their urgency to take action against the wholesale exploitation of public lands and the shared environment, to work to perpetuate tribal languages, to preserve the science that can make a difference in how people treat one another, and to create more forums that are inclusive of Native and marginalized voices and that promote respect and appreciation of one another and the protection of sacred places. Throughout, they rely on the preservation of traditional knowledge, or Native science, via Native language to provide insight as to why people should recognize a connection to the land.
 

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cover of Southern Footprints: Exploring Gulf Coast Archaeology

Southern Footprints

Exploring Gulf Coast Archaeology

Gregory A. Waselkov and Philip J. Carr

University of Alabama Press, 2024

Unearthing the Gulf Coast’s past—one footprint at a time.

Southern Footprints celebrates more than fifty years of archaeological research along the Gulf Coast by the University of South Alabama and the Center for Archaeological Studies. Archaeologists Gregory A. Waselkov and Philip J. Carr, the former and current directors of the center, present the “greatest hits” that have transformed knowledge of human history on the Alabama and Mississippi Gulf Coast from the Ice Age until recently. Each archaeological site, from surface collections to premiere archaeological preserves, such as Old Mobile and Holy Ground, offers clues to the past.

The chapters in this collection are arranged chronologically and survey the history and archaeology of a wide range of significant sites, including the Gulf Shores canoe canal, Bottle Creek Mounds, Old Mobile, Fort Mims, Spanish Fort, Spring Hill College, and Mobile River Bridge.

Waselkov and Carr take care to acknowledge in these stories populations who have been historically underdocumented, now recognizing the contributions of Native Americans and African Americans that have been uncovered through archaeology. The authors reveal the dire impacts of climate change, environmental disasters, development, and neglect—and convey their urgency to protect these areas of shared history—as a result of the meticulous excavation, analysis, and preservation of artifacts from these sites. Color photographs showcase the archaeology as it unfolds, often with the help of dedicated volunteers. Southern Footprints will serve as an indispensable reference on the rich Gulf Coast heritage for all to appreciate.

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cover of Sovereignty: A Play

Sovereignty

A Play

Mary Kathryn Nagle

Northwestern University Press, 2020

A powerful meditation of the echoes of history and the never-ending struggle for sovereignty

Sovereignty unfolds over two parallel timelines. In present-day Oklahoma, a young Cherokee lawyer, Sarah Ridge Polson, and her colleague Jim Ross defend the inherent jurisdiction of Cherokee Nation in the U.S. Supreme Court when a non-Indian defendant challenges the Nation’s authority to prosecute non-Indian perpetrators of domestic violence. Their collaboration is juxtaposed with scenes from 1835, when Cherokee Nation was eight hundred miles to the east in the southern Appalachians. That year, Sarah’s and Jim’s ancestors, historic Cherokee rivals, were bitterly divided over a proposed treaty with the administration of Andrew Jackson, the Treaty of New Echota, which led to the nation’s removal to Oklahoma on the infamous Trail of Tears.
 
A direct descendant of nineteenth-century Cherokee leaders John Ridge and Major Ridge, Mary Kathryn Nagle has penned a play that twists and turns from violent outbursts to healing monologues, illuminating a provocative double meaning for the sovereignty of both tribal territory and women’s bodies. Taking as its point of departure the story of one lawyer’s passionate defense of the rights of her people to prosecute non-natives who commit crimes on reservations, Sovereignty opens up into an expansive exploration of the circular continuity of history, human memory, and the power of human relationships.

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cover of Spider Woman Stories

Spider Woman Stories

G. M. Mullett

University of Arizona Press, 1979

"The adventures of Spider Woman and her twin grandsons and other characters are much more than exciting stories. They indicate the importance of traditions, social life, and customs among the Hopi... These abridged and expurgated accounts can be read by children and adults alike, not only for their cultural value but also as fine literature."—Arizona Highways

"This is a fine introduction to Hopi mythology and values. It recreates an authentic poetic spirit and makes the reader eager to read more Hopi tales." —New Mexico Humanities Review
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cover of Structure and Process in Southeastern Archaeology

Structure and Process in Southeastern Archaeology

Edited by Roy Dickens Jr and H. Trawick Ward

University of Alabama Press, 1985

A Dan Josselyn Memorial Publication

Within the general structure-and-process theme of this compendium, the authors have focused on either intrasite problems (those dealing with the formation and structure of a site, type of site, or type of feature) or intersite problems (those dealing with behavioral organization and process as developed from comparative site data). These papers, from a broad range of specialists, present a comprehensive study of southeastern archaeology.

Structure and Process in Southeastern Archaeology is a foundational work that reshapes how scholars understand the cultural and social dynamics of prehistoric communities in the Southeastern United States. Roy S. Dickens, Jr. and H. Trawick Ward bring together decades of fieldwork, theoretical insight, and regional expertise to explore how ancient societies organized themselves, interacted, and evolved over time. Rather than focusing solely on artifacts or isolated site reports, this volume emphasizes the broader patterns—both structural and processual—that define the archaeological record of the Southeast.

Through a careful synthesis of settlement data, material culture, and environmental context, the authors reveal how social organization, political structures, and cultural practices were deeply embedded in the landscape. Their approach integrates processual archaeology with a nuanced understanding of regional variation, offering readers a dynamic view of how prehistoric communities adapted to changing conditions and interacted across space and time.

This book is particularly valuable for archaeologists, anthropologists, and historians seeking to move beyond descriptive accounts toward more interpretive frameworks. It provides a model for analyzing archaeological data in ways that illuminate the lived experiences of ancient peoples, making it a vital resource for both academic research and classroom instruction. The authors’ clear writing and thoughtful analysis make complex ideas accessible without sacrificing scholarly rigor.

Whether you're studying Mississippian chiefdoms, Woodland period settlements, or the broader cultural landscapes of the American South, Structure and Process in Southeastern Archaeology offers essential tools for understanding the past. It stands as a testament to the importance of theory-driven, context-rich archaeological interpretation.



 

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cover of Sugar Bush Babies: Stories of My Ojibwe Grandmother

Sugar Bush Babies

Stories of My Ojibwe Grandmother

Janis A. Fairbanks

University of Minnesota Press, 2025

A memoir of lessons learned from an Ojibwe grandmother during the time of Relocation
 

Why, her mother asked, did Janis keep running away from kindergarten? She wanted to go home. But not to the house they had just moved to in Duluth, with its gravel yard and traffic noise. She was a country girl, and home was the log cabin among the wildflowers on the Leech Lake Indian Reservation in Bena, Minnesota. Knowing they were now going to stay in the city, Janis’s parents offered her a compromise: during the summer, Janis could leave the bustle of Duluth and live with her grandmother on the Fond du Lac Reservation, listening to stories, learning Ojibwe, and finding her place in the world. In Sugar Bush Babies, Janis A. Fairbanks returns to that time of Relocation, dislocation, and discovery, taking us home with her through stories of childhood and lessons learned at her grandmother’s knee, enveloped in love and tradition.

 

Through the eyes of a child and the teachings of an elder, Fairbanks revisits her life during Indian Relocation from reservations to urban areas, from Ojibwe villages to white communities whose ideas about Indians came from Hollywood Westerns. Recalling her early childhood at Leech Lake, her school days in Duluth, and her summers in Fond du Lac, Janis brings the gifts of living history full circle, continuing the traditions of carrying family lore, women’s wisdom, and Indigenous culture from generation to generation.

 

There are tales told at nighttime or during thunderstorms; lessons in Native medicine; stories of Grandma’s recollections of boarding school, Daddy’s days as a lumberjack, and Mother’s special powers; memories of wash days and dancing, of powwows and Girl Scout camp, of snaring rabbits, selling lilacs, and attending the circus. A lyrical memoir, Sugar Bush Babies conveys the eloquence of women speaking and sharing through generations and the lasting power of tradition.

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cover of Susto

Susto

Tommy Archuleta

University Press of Colorado, 2023

Surreal yet earthbound, orphaned yet mothered more than most, comforting yet disturbing—Tommy Archuleta’s Susto surveys many settings: the body, the soul, the terrain the soul encounters upon leaving the body. But the setting is also the high desert landscape that is the poet’s northern New Mexico home, a land whose beauty today is as silencing and brutal as was the colonization of the region and her Anasazi descendants by Archuleta’s Spanish antipasados. In Susto, loss is everywhere to be found, though this work is not merely a concerted meditation on lament. Rather, it is part unearthed family album; part unlocked diary; part ode to motherhood and her various forms; part manual on preparing for a happy death; and part primer on the ancient art of curanderismo, whereby plants and roots are prepared for treating all manner of ills a mind and body might face.
 
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cover of Sáanii Dahataal/The Women Are Singing: Poems and Stories

Sáanii Dahataal/The Women Are Singing

Poems and Stories

Luci Tapahonso

University of Arizona Press, 1993

In this cycle of poetry and stories, Navajo writer Luci Tapahonso shares memories of her home in Shiprock, New Mexico, and of the places and people there. Through these celebrations of birth, partings, and reunions, this gifted writer displays both her love of the Navajo world and her resonant use of language. Blending memoir and fiction in the storytelling style common to many Indian traditions, Tapahonso's writing shows that life and death are intertwined, and that the Navajo people live with the knowledge that identity is formed by knowing about the people to whom one belongs. The use of both English and Navajo in her work creates an interplay that may also give readers a new way of understanding their connectedness to their own inner lives and to other people.

Luci Tapahonso shows how the details of everyday life—whether the tragedy of losing a loved one or the joy of raising children, or simply drinking coffee with her uncle—bear evidence of cultural endurance and continuity. Through her work, readers may come to better appreciate the different perceptions that come from women's lives.
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