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56 books match the query 'Pictorials' and 4 start with s

cover of Secrets from the Center of the World

Secrets from the Center of the World

Joy Harjo and Stephen E. Strom

University of Arizona Press, 1989

"My house is the red earth; it could be the center of the world."

This is Navajo country, a land of mysterious and delicate beauty. "Stephen Strom's photographs lead you to that place," writes Joy Harjo. "The camera eye becomes a space you can move through into the powerful landscapes that he photographs. The horizon may shift and change all around you, but underneath it is the heart with which we move." Harjo's prose poems accompany these images, interpreting each photograph as a story that evokes the spirit of the Earth. Images and words harmonize to evoke the mysteries of what the Navajo call the center of the world.
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cover of Southern Illinois Coal: A Portfolio

Southern Illinois Coal

A Portfolio

C. William Horrell. Edited with an Introduction by Herbert K. Russell. Foreword by Jeffrey L. Horrell

Southern Illinois University Press, 1995

The coal mining photographs of C. William Horrell, taken across the southern Illinois Coal Belt over a twenty-year period from 1966 to 1986, are extraordinary examples of documentary photography—so stark and striking that captions often seem superfluous.

Horrell’s photographs capture the varied phenomena of twentieth-century coal mining technology: the awesome scale of surface mining machines and their impact on the land; massive machines forced into narrow passageways with inches to spare as they carry coal from the face to conveyer belts; and, more significant, the advent of continuous miners, machines that can handle four previously separate processes and which have been a fixture in underground or “deep” mines since the mid-1960s.

Horrell was also intrigued by the related activities of mining, including coal’s processing, cleaning, and transportation, as well as the daily, behind-the-scenes operations that keep mines and miners working. His photographs reflect the beauty of the commonplace—the clothes of the miners, their dinner pails, and their tools—and reveal the picturesque remnants of closed mines: the weathered boards of company houses, the imposing iron beauty of an ancient tipple, and an abandoned building against the lowering sky of an approaching storm. Finally, his portraits of coal minersshow the strength, dignity, and enduring spirit of the men and women who work the southern Illinois coal mines.

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cover of Spanish Peaks: Land and Legends

Spanish Peaks

Land and Legends

Conger Beasley, Jr.

University Press of Colorado, 2006

The Spanish Peaks stand alone some distance from the main cordillera of the Sangre de Cristo Mountains, south of Pueblo, Colorado. The towering twin mountains have served as beacons for Native Americans, Spaniards, trappers, traders, travelers on the Santa Fe trail, miners, and homesteaders. Spanish Peaks shares the legends the mountains have inspired and tells of the peoples drawn to the peaks' shelter. Author Conger Beasley Jr. and photographer Barbara Sparks portray the people who struggle to sustain their lives here and document traditional events such as the Ute Bear Dance and Holy Week among the penitentes of Huerfano Church. Beasley's vivid writing and Sparks's photographs offer tribute to a rugged, mysterious place.
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cover of Still Standing: A Postcard Book of Barn Photographs

Still Standing

A Postcard Book of Barn Photographs

Michael P. Harker

University of Iowa Press, 2006

The result of a seven-and-a-half-year undertaking to document Iowa's barns and all they represent, Harker's Barns: Visions of an American Icon featured seventy-five stunning black-and-white photographs by Michael Harker. An impressive and well-received collection, the book helped preserve the glory of one of rural America's most elemental icons. Still Standing, a postcard book of thirty of Harker's barn photographs---some from Harker's Barns, some previously unseen---continues that mission of preservation. Printed on heavy card stock and perforated for easy removal, the cards showcase midwestern barns-from square to round, wood to brick, Dutch to Swedish, occupied or abandoned, all symbolizing a passing way of life that was once the lifeblood of Iowa and the Midwest. As barns continue to disappear, these images will endure. “Barns Again! Celebrating an American Icon,” an exhibit of Harker's barn photos (with text by Loren Horton) sponsored by Humanities Iowa and organized by the Smithsonian Institution's Traveling Exhibition Service and the National Building Museum, with assistance from the National Trust for Historic Preservation, is currently touring Iowa.
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