53 books match the query 'Playwriting' and 8 start with s

cover of Schechner Plays

Schechner Plays

Edited by Richard Schechner

Intellect Books, 2025

The only collection of Richard Schechner’s plays.

This book offers a collection of Richard Schechner’s performance texts ranging from orthodox plays to group-devised texts. Covering the full breadth of his work from the 1950s to the present, it includes several never-before-published early texts as well as updated versions of well-known productions such as Dionysus in 69, YokastaS, Makbeth, and Imagining O. Márta Minier's introduction gives an overview of Schechner's work, while Schechner introduces each script in terms of their intellectual and production contexts.
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cover of Scriptwork: A Director's Approach to New Play Development

Scriptwork

A Director's Approach to New Play Development

David Kahn and Donna Breed. Foreword by Lanford Wilson

Southern Illinois University Press, 1995

Despite the popular myth that plays arrive at the theater fully formed and ready for production, the truth is that for centuries, most scripts have been developed through a collaborative process in rehearsal and in concert with other theater artists. David Kahn and Donna Breed provide the first codified approach to this time-honored method of play development, with a flexible methodology that takes into account differing environments and various stages of formation.

Directors can use this unique guidebook for new play development from the beginning to the end of the process. Kahn and Breed explore ways of choosing new projects, talk about where to find new scripts, and explore the legal aspects of script development. They present a detailed system for theatrical analysis of the new script and show how to continue exploration and development of the script within the laboratory of the theater. Most importantly, they delineate the parameters of the relationship between the director and the playwright, offering proven methods to help the playwright and help facilitate the healthy development of the script.

Breed and Kahn offer suggestions on casting, incorporating rewrites, and script handling plus how and when to use audience response and how to decide what step to take next. They also include extended interviews with developmental directors, dramaturgs, and playwrights, who give credence to the new script development process.

In short, Kahn and Breed demystify a common, though often convoluted, theater process, providing a unique codification of ways to work on new plays.

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cover of Selected Plays of Stan Lai: Volume 1: Secret Love in Peach Blossom Land and Other Plays

Selected Plays of Stan Lai

Volume 1: Secret Love in Peach Blossom Land and Other Plays

Stan Lai, edited by Lissa Tyler Renaud

University of Michigan Press, 2021

These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances.
 
Volume One contains:
Secret Love in Peach Blossom Land
Look Who's Crosstalking Tonight
The Island and the Other Shore
I Me She Him
Ménage à 13
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cover of Selected Plays of Stan Lai: Volume 2: The Village and Other Plays

Selected Plays of Stan Lai

Volume 2: The Village and Other Plays

Stan Lai, edited by Lissa Tyler Renaud

University of Michigan Press, 2021

These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances.
 
Volume Two contains:
Millennium Teahouse
Sand on a Distant Star
Like Shadows
The Village
Writing in Water
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cover of Selected Plays of Stan Lai: Volume 3: A Dream Like a Dream and Ago

Selected Plays of Stan Lai

Volume 3: A Dream Like a Dream and Ago

Stan Lai, edited by Lissa Tyler Renaud

University of Michigan Press, 2021

These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances.
 
Volume Three contains:
A Dream Like a Dream
Ago
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cover of Shakespeare in Kabul

Shakespeare in Kabul

Stephen Landrigan and Qais Akbar Omar

Haus Publishing, 2012

In 2005, a group of actors in Kabul performed Shakespeare's Love’s Labour's Lost to the cheers of Afghan audiences and the raves of foreign journalists. For the first time in years, men and women had appeared onstage together. The future held no limits, the actors believed. In this fast-moving, fondly told and frequently very funny account, Qais Akbar Omar and Stephen Landrigan capture the triumphs and foibles of the actors as they extend their Afghan passion for poetry to Shakespeare's.Both authors were part of the production. Qais, a journalist, served as Assistant Director and interpreter for Paris actress, Corinne Jaber, who had come to Afghanistan on holiday and returned to direct the play. Stephen, himself a playwright, assembled a team of Afghan translators to fashion a script in Dari as poetic as Shakespeare's. This chronicle of optimism plays out against the heartbreak of knowing that things in Afghanistan have not turned out the way the actors expected.
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cover of Solo: The Everything Guide to Writing, Performing, and Producing Your One-Person Show

Solo

The Everything Guide to Writing, Performing, and Producing Your One-Person Show

Arlene Malinowski and Julie Ganey

Northwestern University Press, 2026

A comprehensive guide for anyone interested in creating solo performances 
 
The art of solo performance has exploded in the last twenty years as an immediate and accessible art form. The number of solo festivals grows every year, and artists are hungry for the opportunity to center their own voices and experiences. Solo is designed to feed that hunger. 
 
Seasoned theater educators and performers Arlene Malinowski and Julie Ganey have compiled an invaluable guide for students and practitioners alike. Topics include high-stakes narratives, compelling characters, and the role of narrators, as well as practical exercises, interviews with performers at every stage of their careers, and examples from real one-person shows. Performers will also find advice on collaborating with directors, incorporating technical elements, and producing and marketing strategies. 
 
Whether you’re just starting out or are a seasoned professional looking to refine your show-in-progress, Solo is an essential volume for anyone ready to bring their story to life onstage. 
 
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cover of Staging Social Justice: Collaborating to Create Activist Theatre

Staging Social Justice

Collaborating to Create Activist Theatre

Edited by Norma Bowles and Daniel-Raymond Nadon

Southern Illinois University Press, 2013


Normal.dotm0011901163SIU Press195141012.00false18 pt18 pt00falsefalsefalseFringe Benefits, an award-winning theatre company, collaborates with schools and communities to create plays that promote constructive dialogue about diversity and discrimination issues. Staging Social Justice is a groundbreaking collection of essays about Fringe Benefits’ script-devising methodology and their collaborations in the United States, Australia, Canada and the United Kingdom. The anthology also vividly describes the transformative impact of these creative initiatives on participants and audiences.  By reflecting on their experiences working on these projects, the contributing writers—artists, activists and scholars—provide the readerwith tools and inspiration to create their own theatre for social change.  

“Contributors to this big-hearted collection share Fringe Benefits’ play devising process, and a compelling array of methods for measuring impact, approaches to aesthetics (with humor high on the list), coalition and community building, reflections on safe space, and acknowledgement of the diverse roles needed to apply theatre to social justice goals. The book beautifully bears witness to both how generative Fringe Benefits’ collaborations have been for participants and to the potential of engaged art in multidisciplinary ecosystems more broadly.”—Jan Cohen-Cruz, editor of Public: A Journal of Imagining America

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