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Winner of the Gulf South Historical Association's Michael Thomas Book Award.

Examines the life stories and perspectives about freedom in relation to the figures depicted in an infamous Reconstruction-era political cartoon
 
The cartoon first appeared in the Tuskaloosa Independent Monitor, published by local Ku Klux Klan boss Ryland Randolph, as a swaggering threat aimed at three individuals. Hanged from an oak branch clutching a carpetbag marked “OHIO” is the Reverend Arad S. Lakin, the Northern-born incoming president of the University of Alabama. Swinging from another noose is Dr. Noah B. Cloud—agricultural reformer, superintendent of education, and deemed by Randolph a “scalawag” for joining Alabama’s reformed state government. The accompanying caption, penned in purple prose, similarly threatens Shandy Jones, a politically active local man of color.
 
Using a dynamic and unprecedented approach that interprets the same events through four points of view, Hubbs artfully unpacks numerous layers of meaning behind this brutal two-dimensional image.
 
The four men associated with the cartoon—Randolph, Lakin, Cloud, and Jones—were archetypes of those who were seeking to rebuild a South shattered by war. Hubbs explores these broad archetypes but also delves deeply into the four men’s life stories, writings, speeches, and decisions in order to recreate each one’s complex worldview and quest to live freely. Their lives, but especially their four very different understandings of freedom, help to explain many of the conflicts of the 1860s. The result is an intellectual tour de force.
 
General readers of this highly accessible volume will discover fascinating new insights about life during and after America’s greatest crisis, as will scholars of the Civil War, Reconstruction, and southern history.

A radical abolitionist and early feminist, Francis George Shaw (1809–1882) was a prominent figure in American reform and intellectual circles for five decades. He rejected capitalism in favor of a popular utopian socialist movement; during the Civil War and Reconstruction, he applied his radical principles to the Northern war effort and to freedmen’s organizations.

A partnership with Henry George in the late 1870s provided an international audience for Shaw’s alternative vision of society. Seeking the One Great Remedy is the biography of this remarkable and influential man. In compelling detail, author Lorien Foote depicts the many aspects and exploits of the Shaw family. Their activities provide a perspective on the course of American reform that calls into question previous interpretations of the reform movement of this period.

Francis George Shaw is perhaps best known as the father of Robert Gould Shaw, subject of the movie Glory. Francis and his wife, Sarah Blake Shaw, achieved considerable notoriety for their activities, including their effort to shape public opinion during the Civil War. Turning the tragic death of their son into a public relations and propaganda triumph, they altered Northern opinion about the war and shaped a historical perception of the famous Massachusetts Fifty-fourth that continues today.

Seeking the One Great Remedy argues that social radicalism was pervasive among elite reformers before and after the Civil War and finds in the dramatic story of Francis George Shaw a model of that cause.