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Political theater thrives on turbulence. Transmuting Brexit, Trump, and impending ecological disaster into a potent, dramatic art form, its practitioners hold a mirror up to our society, wielding the power to entertain, shock, and discomfit.
            Scenes from the Revolution is a celebration of fifty years of radical theater in Britain. Beginning with a short history of pre-1968 political theater—covering Brecht, Joan Littlewood, and Ewan McColl—the editors move on to explore agit-prop, working-class, youth, community, POC, women’s, and LGBTQ theater. Comprehensive in scope, and featuring many of the leading voices in the field today, as well as “lost” scripts from the radical theater companies of the past, Scenes from the Revolution is a must-read for anyone interested in politics in the arts.
 

Sex in Revolution challenges the prevailing narratives of the Mexican Revolution and postrevolutionary state formation by placing women at center stage. Bringing to bear decades of feminist scholarship and cultural approaches to Mexican history, the essays in this book demonstrate how women seized opportunities created by modernization efforts and revolutionary upheaval to challenge conventions of sexuality, work, family life, religious practices, and civil rights.

Concentrating on episodes and phenomena that occurred between 1915 and 1950, the contributors deftly render experiences ranging from those of a transgendered Zapatista soldier to upright damas católicas and Mexico City’s chicas modernas pilloried by the press and male students. Women refashioned their lives by seeking relief from bad marriages through divorce courts and preparing for new employment opportunities through vocational education. Activists ranging from Catholics to Communists mobilized for political and social rights. Although forced to compromise in the face of fierce opposition, these women made an indelible imprint on postrevolutionary society.

These essays illuminate emerging practices of femininity and masculinity, stressing the formation of subjectivity through civil-society mobilizations, spectatorship and entertainment, and locales such as workplaces, schools, churches, and homes. The volume’s epilogue examines how second-wave feminism catalyzed this revolutionary legacy, sparking widespread, more radically egalitarian rural women’s organizing in the wake of late-twentieth-century democratization campaigns. The conclusion considers the Mexican experience alongside those of other postrevolutionary societies, offering a critical comparative perspective.

Contributors. Ann S. Blum, Kristina A. Boylan, Gabriela Cano, María Teresa Fernández Aceves, Heather Fowler-Salamini, Susan Gauss, Temma Kaplan, Carlos Monsiváis, Jocelyn Olcott, Anne Rubenstein, Patience Schell, Stephanie Smith, Lynn Stephen, Julia Tuñón, Mary Kay Vaughan

From ISIS propaganda videos to popular regime-backed soap operas and digital activism, the Syrian conflict has been profoundly affected by visual media. But what are the aesthetic, political, and material implications of this disturbing collusion between war and digital culture?
            Drawing on a decade of ethnographic research conducted in Syria and neighboring countries, Donatella Della Ratta examines here how the networked age shapes contemporary warfare, from conflict on the ground to the performance of violence on the screen. Her findings present a stark parallel to the digital democracy offered by techno-utopians, delving into the dark side of web 2.0 practices, where visual regimes of representation and media production are put in service of modes of destruction.
            A vivid account of the politics of Syria’s visual media, from commercial television to citizen journalism and Daesh propaganda, Shooting a Revolution offers fascinating insight into the media’s role in transforming conflict zones in the digital age. 
 

What happens to a revolutionary town after the revolution? This apparently simple question frames Spent Cartridges of Revolution, an anthropological history of Namiquipa, Chihuahua, Mexico. Officially, the revolution of 1910-20 restored control over land and local politics to the peasantry. But Namiquipan peasants, who fought alongside Pancho Villa, have seen little progress and consider themselves mere "spent cartridges" of a struggle that benefited other classes.

Daniel Nugent's approach combines an emphasis on peasants' own perceptions of Mexican society after the revolution with an analysis of the organization and formation of state power. He shows that popular discontent in Chihuahua is motivated not only by immediate economic crises but by two centuries of struggle between the people of Northern Mexico and the government.