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The only collection of Mead's writings published during his lifetime, these essays have heretofore been virtually inaccessible. Reck has collected twenty-five essays representing the full range and depth of Mead's thought. This penetrating volume will be of interest to those in philosophy, sociology, and social psychology.

"The editor's well-organized introduction supplies an excellent outline of this system in its development. In view of the scattered sources from which these writings are gathered, it is a great service that this volume renders not only to students of Mead, but to historians."—H. W. Schneider, Journal of the History of Philosophy

Richard McKeon was a philosopher of extraordinary creativity who brought profoundly original ideas to bear on more standard ways of thinking and learning. A classicist, medievalist, and revolutionary intellectual, he fashioned an approach to philosophy as a plural conversation among varied traditions of thought, epochs, and civilizations. This second volume of McKeon's selected works demonstrates his approach to inquiry and practice in culture, education, and the arts.

Together, the writings in this book show how McKeon reinvented the ancient arts of rhetoric, grammar, logic, and dialectic for the new circumstances of a global culture. In essays on creation and criticism, for instance, rhetoric is distinguished from grammar and shown to be the master art of invention, judgment, and pluralistic interpretation. Writings on themes of culture, meanwhile, explore the self-invention of mankind as justification for the arts, the development of the humanities, and the organization of the sciences. In the closing essays on education and philosophy, McKeon considers the implications of his ideas for the future of the liberal arts and higher learning.

Richard McKeon enjoys an enviable reputation as an erudite historian of ideas and exegete of philosophic texts. However, the originality and scope of his achievement as a systematic philosopher are less widely known. In this ambitious three-volume edition, of which Philosophy, Science, and Culture is the first, a selection of McKeon's writings will be collected to showcase his distinctive approach to the analysis of discourse. Volume I covers philosophic theory through his writings on first philosophy (metaphysics) and the methods and principles of the sciences, Volume II examines philosophic arts through his writings on aesthetics and forms of discourse as a whole, and Volume III looks at philosophic practice through his writings on world community and the relations of cultures.

Philosophy, Science, and Culture covers topics that range from philosophic semantics to the processes of the sciences to the forms of human rights. This collection makes McKeon's mission as a philosopher unmistakable. He characterized himself as a philosophic pluralist; he was an American philosopher in the tradition of the pragmatists, one whose philosophy subtly resonates with C. S. Peirce and John Dewey. McKeon also explored the themes of deconstructionism and other late-twentieth-century philosophies decades before their popular emergence—but, in generating a matrix of possibilities for productive debate, he avoided both relativism and the entrapments of dogmatism.

An important collection of his writings, this series will establish Richard McKeon as one of the foremost philosophers of the twentieth century.

Richard McKeon (1900-1985) taught philosophy at the University of Chicago from 1935 to 1973, and at the time of his death had published eleven books and 158 articles on an extraordinary array of topics and cultures. Among his many national and international distinctions, he was awarded the highest honor of the American Philosophical Association when he was invited to give the Paul Carus Lectures in New York in 1965.

Social worker, psychoanalyst, and child-development expert Selma Fraiberg’s iconic book, The Magic Years, has influenced generations of caregivers, therapists, and clinicians since its publication in 1959. No less rich are the essays that make up this new, accessibly priced reissue of her Selected Writings.   Like The Magic Years, these essays (including her hugely influential “Ghosts in the Nursery”) glean their insights from years of clinical study and contain Fraiberg’s synthesis of and groundbreaking contributions to attachment theory, child psychology, social work, and, through her work with blind children, the experience of disability in infancy and childhood. Clinical rigor paired with attunement to the emotional lives of her subjects was Fraiberg’s hallmark: as her husband Louis writes in his preface to this volume, “Once, when asked how she knew what babies were thinking, she replied, ‘They tell me.’” Lucid and elegantly written, her Selected Writings will remain a valuable resource for new generations of social workers, mental-health professionals, educators, and others who work with young children.  

Elisabetta Caminer Turra (1751-96) was one of the most prominent women in eighteenth-century Italy and a central figure in the international "Republic of Letters." A journalist and publisher, Caminer participated in important debates on capital punishment, freedom of the press, and the abuse of clerical power. She also helped spread Enlightenment ideas into Italy by promoting and publishing Voltaire's latest works and translating new European plays-plays she herself directed, to great applause, on Venetian stages.

Bringing together Caminer's letters, poems, and journalistic writings, nearly all published for the first time here, Selected Writings offers readers an intellectual biography of this remarkable figure as well as a glimpse into her intimate correspondence with the most prominent thinkers of her day. But more important, Selected Writings provides insight into the passion that animated Caminer's fervent reflections on the complex and shifting condition of women in her society-the same passion that pushed her to succeed in the male-dominated literary professions.

This collection of essays and poems about the influence of jazz on writing and culture in this country, an expanded edition of the 1986 publication, is a rewarding volume for all those entranced by jazz. Carruth brings his considerable poetic and literary sensibilities to bear on a topic very near to his heart: "Those who are devoted primarily to jazz, to poetry, to all the arts, are also those who contribute more intelligently than others to our practical and moral, political and social, advancement."

Sol Plaatje is one of South Africa’s most important political and literary figures. A pioneer in the history of the black press, he was one of the founders of the African National Congress, a leading spokesman for black opinion throughout his life, and the author of three well-known books: Mafeking Diary, Native Life in South Africa, and his historical novel, Mhudi.

These books are not Plaatje’s only claim to fame. In the course of a prolific career he wrote letters to the press, newspaper articles and editorials, pamphlets, political speeches, evidence to government commissions of enquiry, unpublished autobiographical writings, and many personal letters. Together they provide both an engaging personal record and a very readable – and revealing – commentary on South African social and political affairs during the era of segregation, from 1899 through to Plaatje’s tragically early death in 1932.

What he wrote has a unique historical importance, all the more meaningful from the perspective of the 1990s.