388 books match the query 'War' and 19 start with s

cover of Sand, Wind, and War: Memoirs of a Desert Explorer

Sand, Wind, and War

Memoirs of a Desert Explorer

Ralph A. Bagnold

University of Arizona Press, 1990

Sand, Wind, and War records the work, travels and adventures of one of the last of the great British explorers, a man who served in both world wars and carved out a special niche in science through his studies of desert sands.
 
Ralph Alger Bagnold was born in 1896 into a military family and educated as an engineer. Posted to Egypt in 1926, he was one of a group of officers who adapted Model T Fords to desert travel and in 1932 made the first east-west crossing—6,000 miles—of the Libyan desert. Bagnold established such a name for himself that in World War II he was again posted to Egypt where he founded and trained the Long Range Desert Group that was to confound the German and Italian armies.
 
Bagnold’s fascination with the desert included curiosity over the formation of dunes, and beginning in 1935 he conducted wind tunnel experiments with sand that led to the book The Physics of Blown Sand and Desert Dunes. Eventually, he was to see his findings called on by NASA to interpret data on the sands of Mars. He devoted subsequent research to particle flow in fluids, and also served as a consultant to Middle Eastern governments concerned with the interference of sand flow in oil drilling.

Sand, Wind, and War is the life story of a man who not only helped shape events in one part of the world but also contributed to our understanding of it. It is a significant benchmark not only in the history of science, but also in the annals of adventure.
 
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cover of Savage Ecology: War and Geopolitics at the End of the World

Savage Ecology

War and Geopolitics at the End of the World

Jairus Victor Grove

Duke University Press, 2019

Jairus Victor Grove contends that we live in a world made by war. In Savage Ecology he offers an ecological theory of geopolitics that argues that contemporary global crises are better understood when considered within the larger history of international politics. Infusing international relations with the theoretical interventions of fields ranging from new materialism to political theory, Grove shows how political violence is the principal force behind climate change, mass extinction, slavery, genocide, extractive capitalism, and other catastrophes. Grove analyzes a variety of subjects—from improvised explosive devices and drones to artificial intelligence and brain science—to outline how geopolitics is the violent pursuit of a way of living that comes at the expense of others. Pointing out that much of the damage being done to the earth and its inhabitants stems from colonialism, Grove suggests that the Anthropocene may be better described by the term Eurocene. The key to changing the planet's trajectory, Grove proposes, begins by acknowledging both the earth-shaping force of geopolitical violence and the demands apocalypses make for fashioning new ways of living.
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cover of Scapegoats of September 11th: Hate Crimes & State Crimes in the War on Terror

Scapegoats of September 11th

Hate Crimes & State Crimes in the War on Terror

Welch, Michael

Rutgers University Press, 2006

From its largest cities to deep within its heartland, from its heavily trafficked airways to its meandering country byways, America has become a nation racked by anxiety about terrorism and national security. In response to the fears prompted by the tragedy of September 11th, the country has changed in countless ways. Airline security has tightened, mail service is closely examined, and restrictions on civil liberties are more readily imposed by the government and accepted by a wary public.

The altered American landscape, however, includes more than security measures and ID cards. The country's desperate quest for security is visible in many less obvious, yet more insidious ways. In Scapegoats of September 11th, criminologist Michael Welch argues that the "war on terror" is a political charade that delivers illusory comfort, stokes fear, and produces scapegoats used as emotional relief. Regrettably, much of the outrage that resulted from 9/11 has been targeted at those not involved in the attacks on the Pentagon or the Twin Towers. As this book explains, those people have become the scapegoats of September 11th. Welch takes on the uneasy task of sorting out the various manifestations of displaced aggression, most notably the hate crimes and state crimes that have become embarrassing hallmarks both at home and abroad.

Drawing on topics such as ethnic profiling, the Abu Ghraib scandal, Guantanamo Bay, and the controversial Patriot Act, Welch looks at the significance of knowledge, language, and emotion in a post-9/11 world. In the face of popular and political cheerleading in the war on terror, this book presents a careful and sober assessment, reminding us that sound counterterrorism policies must rise above, rather than participate in, the propagation of bigotry and victimization.
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cover of Secrets I Won't Take with Me: Home, War, and the Struggle for Peace in Israel

Secrets I Won't Take with Me

Home, War, and the Struggle for Peace in Israel

Yossi Beilin

University of Alabama Press, 2025

An Israeli political leader’s riveting first-hand account of pivotal moments from recent Israeli history, including the Oslo Peace Accords, the founding of the Birthright Initiative, the assassination of Yitzhak Rabin, the rise of the Israeli far right, and more

In Secrets I Won't Take with Me, Yossi Beilin, a key Israeli political and ministerial leader, offers an intimate and candid memoir that chronicles pivotal events in the nation’s recent history. From the crucible of its founding to the complexities of the modern era, Beilin reveals an insider’s perspective and previously undocumented insights about the events that have and continue to shape Israel.

Beginning his career as an academic and a journalist, Beilin became the spokesperson of the Labor Party in 1977. Among his many career highlights include the chairmanship of the Meretz-Yachad Party, Minister of Justice, Minister of Religious Affairs, and Deputy Finance Minister, and perhaps most significantly, as Deputy Foreign Minister during the Israel-PLO Oslo Peace Accords. As a key architect of the Oslo Peace Accords, he shares unprecedented details of the negotiations that defined an era.

Beyond diplomacy, Beilin illuminates his role in shaping Israel’s identity, from steering Israel away from its alliance with apartheid South Africa to the foundation of the influential Birthright program. With unflinching honesty, Beilin navigates the triumphs and tragedies of a nation, from the euphoria of the Six-Day War to the heartbreak of Yitzhak Rabin’s assassination. A deeply personal memoir of one man’s life interwoven with a nation’s, Beilin’s stunning account of his career serves as a masterful tour d’horizon of Israel’s recent past and evolving future.

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cover of Secular Morality and International Security: American and British Decisions about War

Secular Morality and International Security

American and British Decisions about War

Maria Fanis

University of Michigan Press, 2011

“[Fanis] demonstrates an impressive ability to travel nimbly between abstract theoretical concepts and a messy reality. In each one of the case study chapters, her analysis is rich, thoughtful, and imaginative.”
—Ido Oren, University of Florida

Combining insights from cultural studies, gender studies, and social history, Maria Fanis shows the critical importance of national identity in decisions about war and peace. She challenges conventional approaches by demonstrating that domestic ethical codes influence perceptions of threat from abroad. With an in-depth study of U.S.-British relations in the first half of the nineteenth century, and with an application to the recent War in Iraq, she ties changes in U.S. and British national interest to shifts in these nations’ domestic codes of morality.
 
Fanis’s findings have important implications for contemporary international relations theory. Apart from its relevance to current events, her work also makes a contribution to the literatures on foreign policy—specifically American and British foreign policies—and the causes of war.
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cover of Shadow Lives: The Forgotten Women of the War on Terror

Shadow Lives

The Forgotten Women of the War on Terror

Victoria Brittain

Pluto Press, 2013

Shadow Lives reveals the unseen side of the '9/11 wars': their impact on the wives and families of men incarcerated in Guantanamo, or in prison or under house arrest in Britain and the US. Victoria Brittain shows how these families have been made socially invisible and a convenient scapegoat for the state in order to exercise arbitrary powers under the cover of the 'War on Terror'.

A disturbing exposé of the perilous state of freedom and democracy in our society, the book reveals how a culture of intolerance and cruelty has left individuals at the mercy of the security services’ unverifiable accusations and punitive punishments.

Both a j'accuse and a testament to the strength and humanity of the families, Shadow Lives shows the methods of incarceration and social control being used by the British state and gives a voice to the families whose lives have been turned upside down. In doing so it raises urgent questions about civil liberties which no one can afford to ignore.

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cover of Shadow of Things to Come

Shadow of Things to Come

Kossi Efoui

Seagull Books, 2013

Now in paperback, The Shadow of Things to Come and its catastrophic and carnivalesque dreamscape speak out against political rhetoric and the destruction of meaning by government.

In an unnamed African nation, the people are subject to a state of perpetual warfare and to an Orwellian abuse of language that strips from language its meaning and renders life senseless. And in a bare room lit only by moonlight, a young man hides, waiting for the mysterious crocodile-men to come and help him escape from the violent tyranny of the state. While he waits, he tells his story.

This is Kossi Efoui’s catastrophic and carnivalesque dreamscape, the dark setting of The Shadow of Things to Come. Here, men and women are taken in the night, spirited away from their families, and sent to plantation penal colonies to be worked to the edge of madness. When they return, they are empty shells, their lost time referred to as the “Time of Annexation.” But though his parents were taken, our protagonist survived, first in the care of a quirky benefactress named Mama Maize, then under the wing of the state itself, as a student at one of its elite schools. When he meets a bookseller named Axis Kemal, however, he has found a surrogate father, an eccentric and wise man who can bring him out of the meaningless confusion and tell him the truth about the society he lives in.

Through his characters, Efoui speaks out against atrocity and the abuse of power, but more, he writes against political rhetoric and the destruction of meaning by government. This novel is a love letter to language and, in Chris Turner’s dazzling translation, it becomes a stunning introduction for English-language readers to an exciting new talent.
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cover of Shelby’s Expedition to Mexico: An Unwritten Leaf of the War

Shelby’s Expedition to Mexico

An Unwritten Leaf of the War

John R. Edwards

University of Arkansas Press, 2007

Confederate general Joseph O. Shelby and his legendary Iron Brigade refused to acknowledge the end of the Civil War. Instead, they fought their way to Mexico in search of a place where they could continue to defy the U.S. government. These veteran Missouri cavalrymen clawed their way for fifteen hundred miles, fighting Juaristas, Indians, desperados, and disgruntled gringos. They disbanded only after they had offered their services to Emperor Maximilian and were turned down.

Shelby’s adjutant, journalist John N. Edwards, first published his story of the exploits of this superb mounted brigade and its quixotic final march in 1872. Conger Beasley provides a lively introduction that includes the first biographical sketch of the author. The 1969 movie The Undefeated starring John Wayne and Rock Hudson was based upon Shelby’s expedition.

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cover of Shooting for Change: Korean Photography after the War

Shooting for Change

Korean Photography after the War

Jung Joon Lee

Duke University Press, 2024

In Shooting for Change, Jung Joon Lee examines postwar Korean photography across multiple genres and practices, including vernacular, art, documentary, and archival photography. Tracing the history of Korean photography while considering what is disguised or lost by framing the history of photography through nationhood, Lee considers the role of photography in shaping memory of historical events, representing the ideal national family, and motivating social movements. Further, through an investigation of what it means to practice photography under the normalized conditions of militarism, Lee treats the transnational militarism of Korea as a lens through which to probe the officially and culturally sanctioned readings of images when returning to them at different times. Among other themes, Lee draws on photography of militarized sex work, political protest in the military era, war orphans, and mass protests. Ultimately, Lee treats the formative periods in nation building and transnational militarization as both backdrops and cultivators for photographic works.
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cover of Snake's Daughter: The Roads in and out of War

Snake's Daughter

The Roads in and out of War

Gail Hosking Gilberg

University of Iowa Press, 1997

Gail Hosking Gilberg's father was a hero, a valiant soldier decorated posthumously with the Medal of Honor, a man who served his country throughout his entire adult life. But Charles Hosking was a mystery to his daughter. He was killed in Vietnam a week after her seventeenth birthday. She buried the war, the protests, the medal, and her military upbringing along with her father, so much so that she felt cut off from herself. It took more than twenty years for her to recognize the stirrings of a father and a daughter not yet at peace.

Gilberg began a journey—two journeys really—to find out who her father was and in the process to find herself. She explored her buried rage, shame, and silence, and examined how war had shaped her life. In studying the photo albums that her father had left behind, Gilberg found that the photographs demanded that she give voice to her feelings, then release her silent words, words that had no meaning in war for her father yet had all the meaning in the world for her. The result was an epiphany. The photographs became the roads she took in and out of war, and her words brought her father home. Snake's Daughter reveals the crossroads where a soldier father's life and a daughter's life connect.

Snake's Daughter is an arresting and anguished narrative that gives voice to an experience Gail Hosking Gilberg shares with thousands of Americans, including military “brats” whose parents served their country and often gave their lives in the process.

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cover of Socialism and War: Essays, Documents, Reviews

Socialism and War

Essays, Documents, Reviews

F. A. Hayek

University of Chicago Press, 1997

Throughout the twentieth century socialism and war were intimately connected. The unprecedented upheavals wrought by the two world wars and the Great Depression provided both opportunity and impetus for a variety of socialist experiments. This volume in The Collected Works of F. A. Hayek documents the evolution of Hayek's thought on socialism and war during the dark decades of the 1930s and 1940s.

Opening with Hayek's arguments against market socialism, the volume continues with his writings on the economics of war, many in response to the proposals made in John Maynard Keynes's famous pamphlet, How to Pay for the War. The last section presents articles that anticipated The Road to Serfdom, Hayek's classic meditation on the dangers of collectivism. An appendix contains a number of topical book reviews written by Hayek during this crucial period, and a masterful introduction by the volume editor, Bruce Caldwell, sets Hayek's work in context.

Socialism and War will interest not just fans of The Road to Serfdom, but anyone concerned with the ongoing debates over the propriety of government intervention in the economy.

"When he wrote The Road to Serfdom, [Hayek's] was a voice in the wilderness. Now the fight [has] been taken up by people all over the world, by institutions and movements, and the ideas that seemed so strange to many in 1944 can be found from scholarly journals to television programs."—Thomas Sowell, Forbes

"Intellectually [Hayek] towers like a giant oak in a forest of saplings."—Chicago Tribune

"Each new addition to The Collected Works of F. A. Hayek, the University of Chicago's painstaking series of reissues and collections, is a gem."—Liberty on Volume IX of The Collected Works of F. A. Hayek
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cover of Specters of War: Hollywood's Engagement with Military Conflict

Specters of War

Hollywood's Engagement with Military Conflict

Bronfen, Elisabeth

Rutgers University Press, 2012

Specters of War looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century and into the twenty-first. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate.

Such cultural reflection is particularly poignant when it deals with America’s traumatic history of war. The nation has no direct access to war as a horrific experience of carnage and human destruction; we understand our relation to it through images and narratives that transmit and interpret it for us. Bronfen does not discuss actual conflicts but the films by which we have come to know and remember them, including All Quiet on the Western Front, The Best Years of Our Lives, Miracle at St. Anna, The Deer Hunter, and Flags of Our Fathers. Battles and campaigns, the home front and women-who-wait narratives, war correspondents, and court martials are also explored as instruments of cultural memory. Bronfen argues that we are haunted by past wars and by cinematic re-conceptualizations of them, and reveals a national iconography of redemptive violence from which we seem unable to escape.

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cover of Specters of War: The Battle of Mourning in Postconflict Central America

Specters of War

The Battle of Mourning in Postconflict Central America

Ignacio Sarmiento

University of Arizona Press, 2025

Specters of War explores mourning practices in postwar Central America, particularly in El Salvador and Guatemala. Ignacio Sarmiento delves into the intricate dynamics of grieving through an interdisciplinary lens, analyzing expressions of mourning in literature, theater, and sites of memory. At the heart of this analysis is the contention over who has the right to mourn, how mourning is performed, and who is included in this process. Sarmiento reveals mourning not as a private affair but as a battleground where different societal factions vie for the possibility of grieving the dead.

Through meticulous research and theoretical nuance, Specters of War sheds light on the politics of mourning in postconflict societies. Sarmiento argues that mourning is not merely a personal experience but a deeply political act intertwined with power struggles and societal divisions. From victims of state terrorism to military elites, various groups engage in a complex dance of grief, revealing the fraught nature of public mourning in postwar Central America. By examining cultural artifacts and memorialization projects, Sarmiento uncovers the multifaceted nature of mourning and its implications for memory, justice, and reconciliation.

This groundbreaking work is essential reading for scholars, students, and professionals interested in Central American history and culture, as well as post-authoritarian societies. Specters of War promises to deepen our understanding of postwar Central America and the legacy of loss in shaping collective identities and narratives of the past.

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cover of Stains on My Name, War in My Veins: Guyana and the Politics of Cultural Struggle

Stains on My Name, War in My Veins

Guyana and the Politics of Cultural Struggle

Brackette F. Williams

Duke University Press, 1991

Burdened with a heritage of both Spanish and British colonization and imperialism, Guyana is today caught between its colonial past, its efforts to achieve the consciousness of nationhood, and the need of its diverse subgroups to maintain their own identity. Stains on My Name, War in My Veins chronicles the complex struggles of the citizens of Guyana to form a unified national culture against the pulls of ethnic, religious, and class identities.
Drawing on oral histories and a close study of daily life in rural Guyana, Brackette E. Williams examines how and why individuals and groups in their quest for recognition as a “nation” reproduce ethnic chauvinism, racial stereotyping, and religious bigotry. By placing her ethnographic study in a broader historical context, the author develops a theoretical understanding of the relations among various dimensions of personal identity in the process of nation building.
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cover of Stalin's Italian Prisoners of War

Stalin's Italian Prisoners of War

Maria Teresa Giusti

Central European University Press, 2021

This book reconstructs the fate of Italian prisoners of war captured by the Red Army between August 1941 and the winter of 1942-43. On 230.000 Italians left on the Eastern front almost 100.000 did not come back home. Testimonies and memoirs from surviving veterans complement the author's intensive work in Russian and Italian archives. 
The study examines Italian war crimes against the Soviet civilian population and describes the particularly grim fate of the thousands of Italian military internees who after the 8 September 1943 Armistice had been sent to Germany and were subsequently captured by the Soviet army to be deported to the USSR. The book presents everyday life and death in the Soviet prisoner camps and explains the particularly high mortality among Italian prisoners. Giusti explores how well the system of prisoner labor, personally supervised by Stalin, was planned, starting in 1943. A special focus of the study is antifascist propaganda among prisoners and the infiltration of the Soviet security agencies in the camps. Stalin was keen to create a new cohort of supporters through the mass political reeducation of war prisoners, especially middle-class intellectuals and military élite. 
The book ends with the laborious diplomatic talks in 1946 and 1947 between USSR, Italy, and the Holy See for the repatriation of the surviving prisoners.
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cover of Stark Decency: German Prisoners of War in a New England Village

Stark Decency

German Prisoners of War in a New England Village

Allen V. Koop

Dartmouth College Press, 1988

Stark Decency is a window into the events of two vastly different worlds: German combat veterans captured in North Africa and Normandy, and the small New Hampshire logging town which found itself hosting the prison camp. Each side was forced to confront its prejudices and fears, and examine the merits and flaws of its ideology. Then, an astonishing thing happened: in their rural isolation, sharing harsh weather conditions and the pinch of wartime rationing, friendships began to develop. Prisoners and their guards sometimes even worked together to meet the daily pulpwood quotas, and little handmade gifts to the local villagers cemented friendships that continue to this day.
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cover of State of War: The Violent Order of Fourteenth-Century Japan

State of War

The Violent Order of Fourteenth-Century Japan

Thomas Donald Conlan

University of Michigan Press, 2003

State of War represents a fundamental revision of Japanese history. By illuminating Japan through the lens of war, Thomas Conlan provides insight into how state and society functioned, as opposed to how they were portrayed in ideal. Conlan recreates the experience of war from the perspective of one warrior and then reconstructs how war was fought through statistical analysis of surviving casualty records. State of War also shows that tThe battles of the 14th century mark a watershed in Japanese history. The fiscal exigencies of waging war led to a devolution of political power to the provinces. Furthermore, the outbreak of war caused social status to become performative, based upon the ability to fight autonomously, rather than being prescriptive, or determined by edicts of investiture.
TBridging the intellectual gulf between the 14th and 20th centuries, Conlan also explores how the seemingly contradictory categories of “religion” and “war” were integrally related. The 14th-century belief that the outcome of battle was determined by the gods meant that religious institutions warred both ritually and physically, and that religious attitudes frequently underpinned warrior behavior.
Based on diverse sources, including documents, picture scrolls, medical and religious texts, and chronicles, State of War rehabilitates warfare as a focal point of historical inquiry and provides a fascinating new overview of premodern Japanese history.
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cover of Sticks and Stones: Living with Uncertain Wars

Sticks and Stones

Living with Uncertain Wars

Padraig O'Malley

University of Massachusetts Press, 2006

Albert Einstein famously remarked that he did not know what weapons would be used in World War III, but World War IV would be fought with sticks and stones. In this volume, a distinguished group of scholars, government officials, politicians, journalists, and statesmen examine what can be learned from the wars of the twentieth century and how that knowledge might help us as we step ever so perilously into the twenty-first.

Following an introduction by Padraig O'Malley, the book is divided into four sections: "Understanding the World as We Have Known It"; "Global Uncertainties"; "Whose Values? Whose Justice?"; and "Shaping a New World." The first section reviews what we have learned about war and establishes benchmarks for judging whether that knowledge is being translated into changes in the behavior of our political cultures. It suggests that the world's premier superpower, in its effort to promote Western-style democracy, has taken steps that have inhibited rather than facilitated democratization.

The second section examines the war on terror and the concept of global war. From the essays in this section emerges a consensus that democracy as practiced in the West cannot be exported to countries with radically different cultures, traditions, and values. The third section visits the question of means and ends in the context of varying value systems and of theocracy, democracy, and culture. In the final section, the focus shifts to our need for global institutions to maintain order and assist change in the twenty-first century.

Although each contributor comes from a different starting point, speaks with a different voice, and has a different ideological perspective, the essays reach startlingly similar conclusions. In sum, they find that the West has not absorbed the lessons from the wars of the last century and is inadequately prepared to meet the new challenges that now confront us.

Contributors to the volume include J. Brian Atwood, Susan J. Atwood, John Cooley, Romeo Dallaire, Ramu Damodaran, Valerie Epps, Michael J. Glennon, Stanley Heginbotham, Robert Jackson, Winston Langley, Alfred W. McCoy, Greg Mills, Jonathan Moore, Chris Patten, Gwyn Prins, Jonathan Schell, John Shattuck, Cornelio Sommargua, Brian Urquhart, Stephen Van Evera, and Robert Weiner.
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cover of Street Fight: Mean America and the War on Sesame Street

Street Fight

Mean America and the War on Sesame Street

Michael Davis

Rutgers University Press, 2027

Street Fight is muscularly reported journalism trained on the people and events that shaped Sesame Street from the 1990s to the present. Expanding from Street Gang, Michael Davis’s acclaimed origin story of the series, this revelatory new book probes deeply into the decisions made by Sesame Workshop, the New York-based corporate non-profit that has weathered political and financial storms, all while upholding aspirational values instilled in the late-1960s. 

Hundreds of eyewitnesses provide on-the-record recollections of the show’s evolution in the narrative and a series of chapter-ending oral histories.

Interwoven are passages of time-tested alliances, courtships and marriages, the back stories of the artists who provided the show’s melodies and lyrics. That, plus plenty of dish about the performers behind Muppets of Sesame Street, and how Jim Henson, decades after his shocking passing in 1990, is a spectral figure quite powerful in spirit.

Laughter and tears – in equal measure – await readers.
 

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