Results by title

When viewed from our turbulent times, the Minneapolis of fifty years ago might seem serene, but Minneapolis schoolteachers of the day remember it quite differently. It was, author William D. Green said of their recollections, as if they’d been through war. This book recreates twenty days in April 1970 when a then-illegal strike by Minneapolis’s public school teachers marked a singular moment of cultural upheaval—and forever changed the city’s politics, labor law, educational climate, and the right to collective bargaining.

Since the inception of public education in Minnesota, teachers were expected to pursue their vocation out of civic spirit, with low wages, no benefits, and no job security. Strike! describes the history and circumstances leading to the teachers’ extraordinary action, which pitted the progressive and conservative teachers’ unions against each other—and both against the all-powerful school district, a hostile governor and state legislature, and a draconian Minnesota law. Capturing the intense emotions and heated rivalries of the strike, Green profiles the many actors involved, the personal and professional stakes, and the issues of politics, law, and the business of education. 

Informed by interviews, firsthand accounts, news reports, and written records, Strike! brings to life a pivotal moment not just for Minneapolis’s teachers but for the city itself, whose government, school system, and culture would, in a complex but inexorable way, change course for good.

During the first half of the twentieth century, the introduction of cheap or free recreation to the workplace provided a metaphorical place where ordinary working-class people of all races and genders gained access to physical leisure and developed bonds of camaraderie in the anti-fascist labor movement. Strikes and Strikeouts: Sports and the Labor Movement in the Mid-Twentieth-Century United States illustrates how this largely forgotten Labor Sports movement was critical in helping unions become forces for larger cultural change and essential to understanding the potency of the 1930-40s labor movement. Drawing from ten different labor and leftist social movement archives, Robinson strives to reconstruct the “people’s history." At its height, from the late 1930s to the early 1950s, the Labor Sports movement presented a real alternative to both apolitical and conservative sports and involved millions of working-class people. It was a key part of improving the lives of average Americans and helped build an anti-racist, anti-fascist, working class counterculture that helped change the United States through a strong labor movement. This movement brought higher living standards for working class people and the end of racial segregation in sports, which in turn aided the Civil Rights movement.

To celebrate Oregon's 150th birthday, the Oregon Library Association has chosen one book for all Oregonians to read: Stubborn Twig. Lauren Kessler's award-winning book, the selection for the statewide Oregon Reads program, is a classic story of immigrants making their way in a new land. It is a living work of social history that rings with the power of truth and the drama of fiction, a moving saga about the challenges of becoming an American.

Masuo Yasui traveled from Japan across the other Oregon Trail — the one that spanned the Pacific Ocean — in 1903. Like most immigrants, he came with big dreams and empty pockets. Working on the railroads, in a cannery, and as a houseboy before settling in Hood River, Oregon, he opened a store, raised a large family, and became one of the area's most successful orchardists.

As Masuo broke the race barrier in the local business community, his American-born children broke it in school, scouts and sports, excelling in most everything they tried. For the Yasuis' first-born son, the constraints and contradictions of being both Japanese and American led to tragedy. But his seven brothers and sisters prevailed, becoming doctors, lawyers, teachers, and farmers. It was a classic tale of the American dream come true — until December 7, 1941, changed their lives forever.

The Yasuis were among the 120,000 people of Japanese ancestry along the West Coast who were forced from their homes and interned in vast inland "relocation camps." Masuo was arrested as a spy and imprisoned for the rest of the war; his family was shamed and broken. Yet the Yasuis endured, as succeeding generations took up the challenge of finding their identity as Americans. Stubborn Twig is their story — a story at once tragic and triumphant, one that bears eloquent witness to both the promise and the peril of America.

Students played a critical role in the Sandinista struggle in Nicaragua, helping to topple the US-backed Somoza dictatorship in 1979—one of only two successful social revolutions in Cold War Latin America. Debunking misconceptions, Students of Revolution provides new evidence that groups of college and secondary-level students were instrumental in fostering a culture of insurrection—one in which societal groups, from elite housewives to rural laborers, came to see armed revolution as not only legitimate but necessary.

Drawing on student archives, state and university records, and oral histories, Claudia Rueda reveals the tactics by which young activists deployed their age, class, and gender to craft a heroic identity that justified their political participation and to help build cross-class movements that eventually paralyzed the country. Despite living under a dictatorship that sharply curtailed expression, these students gained status as future national leaders, helping to sanctify their right to protest and generating widespread outrage while they endured the regime’s repression. Students of Revolution thus highlights the aggressive young dissenters who became the vanguard of the opposition.

Shilyh Warren reopens this understudied period and links it to a neglected era of women's filmmaking that took place from 1920 to 1940, another key period of thinking around documentary, race, and gender. Drawing women’s cultural expression during these two explosive times into conversation, Warren reconsiders key debates about subjectivity, feminism, realism, and documentary and their lasting epistemological and material consequences for film and feminist studies. She also excavates the lost ethnographic history of women's documentary filmmaking in the earlier era and explores the political and aesthetic legacy of these films in more explicitly feminist periods like the Seventies.

Filled with challenging insights and new close readings, Subject to Reality sheds light on a profound and unexamined history of feminist documentaries while revealing their influence on the filmmakers of today.

Subaltern studies, the study of non-elite or underrepresented people, have revolutionized the writing of Middle Eastern history. Subversives and Mavericks in the Muslim Mediterranean represents the next step in this transformation. The book explores the lives of eleven nonconformists who became agents of political and social change, actively organizing new forms of resistance—against either colonial European regimes or the traditional societies in which they lived—that disrupted the status quo, in some cases, with dramatic results. These case studies highlight cross-border connections in the Mediterranean world, exploring how these channels were navigated.

Chapters in the book examine the lives of subversives and mavericks, such as Tawhida ben Shaykh, the first Arab woman to receive a medical degree; Mokhtar al-Ayari, a radical Tunisian labor leader; Nazli Hanem, Kmar Bayya, and Khiriya bin Ayyad, three aristocractic women who resisted the patriarchal structures of their societies by organizing and participating in intellectual salons for men and women and advocating social reform; Qaid Najim al-Akhsassi, an ex-slave and military officer, who fought against French and Spanish colonial expansion; and Boubeker al-Ghandjawi, a nearly illiterate trader who succeeded, though his diverse connections, in establishing important relations between the Moroccan sultan and the representative of the British government. Although based on individual and local perspectives, Subversives and Mavericks in the Muslim Mediterranean reveals new and unrecognized trans-local connections across the Muslim world, illuminating our understanding of these societies beyond narrow elite circles.

In this historical monograph on non-urban communist Albania, Artan Hoxha discusses the ambitious development project that turned a swampland into a site of sugar production after 1945. The author seeks to free the history of Albanian communism from the stereotypes that still circulate about it with stigmas of an aberration, paranoia, extreme nationalism, and xenophobia.

This micro-history of the agricultural and industrial transformation of a zone in southeastern Albania, explores a wide range of issues including modernization, development, and social, cultural, and economic policies. In addition to analyzing the collectivization of agriculture, Hoxha shows how communism affected the lives of ordinary rural people. As elsewhere in the Communist Bloc, the Albanian regime borrowed developmental projects from the past and implemented them using social mobilization and a command economy. The abundant archival resources along with interviews in the field attest to the authorities’ efforts to increase consumption and to radically transform people’s tastes. But the book argues that despite the repressive environment, people involved in the sugar project were not simply passive receivers of models from the nation's capital. The author also describes that—in defiance of Cold War bipolarity—technological requirements and social policy considerations required a degree of engagement with the broader world.

Annette White-Parks offers the first full-length biography of the woman now remembered as North America's first published Asian writer. White-Parks reveals an author who defied the in vogue style of "yellow peril" literature to show Chinatowns and their inhabitants as complex, feeling human beings. Her insider's sympathy focused in particular on Chinese American women and children. Confronted with social divisions and discrimination, Sui Sin Far experimented with trickster characters and irony, sharing the coping mechanisms used by other writers who struggled to overcome the marginalization forced on them because of their race, gender, or class.

The story of how the American South became the most incarcerated region in the world’s most incarcerated nation.

Sunbelt Capitalism and the Making of the Carceral State examines the evolution of southern criminal punishment from Jim Crow to the dawn of mass incarceration, charting this definitive era of carceral transformation and expansion in the southern United States. The demise of the county chain gang, the professionalization of police, and the construction of large-scale prisons were among the sweeping changes that forever altered the southern landscape and bolstered the region’s capacity to punish. What prompted this southern revolution in criminal punishment?

Kirstine Taylor argues that the crisis in the cotton fields and the arrival of Sunbelt capitalism in the south’s rising metropolises prompted lawmakers to build expansive, modern criminal punishment systems in response to Brown v. Board of Education and the Black freedom movements of the 1960s and ‘70s. Taking us inside industry-hunting expeditions, school desegregation battles, the sit-in movement, prisoners’ labor unions, and policy commissions, Taylor tells the story of how a modernizing south became the most incarcerated region in the globe’s most incarcerated nation.

In the decades between the two World Wars, Greek writers and artists adopted surrealism both as an avant-garde means of overturning the stifling traditions of their classical heritage and also as a way of responding to the extremely unstable political situation in their country. Despite producing much first-rate work throughout the rest of the twentieth century, Greek surrealists have not been widely read outside of Greece. This volume seeks to remedy that omission by offering authoritative translations of the major works of the most important Greek surrealist writers.

Nikos Stabakis groups the Greek surrealists into three generations: the founders (such as Andreas Embirikos, Nikos Engonopoulos, and Nicolas Calas), the second generation, and the Pali Group, which formed around the magazine Pali. For each generation, he provides a very helpful introduction to the themes and concerns that animate their work, as well as concise biographies of each writer. Stabakis anthologizes translations of all the key surrealist works of each generation—poetry, prose, letters, and other documents—as well as a selection of rarer texts. His introduction to the volume places Greek surrealism within the context of the international movement, showing how Greek writers and artists used surrealism to express their own cultural and political realities.

Beginning in Paris in the 1920s, women poets, essayists, painters, and artists in other media have actively collaborated in defining and refining surrealism's basic project—achieving a higher, open, and dynamic consciousness, from which no aspect of the real or the imaginary is rejected. Indeed, few artistic or social movements can boast as many women forebears, founders, and participants—perhaps only feminism itself. Yet outside the movement, women's contributions to surrealism have been largely ignored or simply unknown.

This anthology, the first of its kind in any language, displays the range and significance of women's contributions to surrealism. Letting surrealist women speak for themselves, Penelope Rosemont has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. She opens the book with a succinct summary of surrealism's basic aims and principles, followed by a discussion of the place of gender in the movement's origins. She then organizes the book into historical periods ranging from the 1920s to the present, with introductions that describe trends in the movement during each period. Rosemont also prefaces each surrealist's work with a brief biographical statement.

On the road to Survival City, Tom Vanderbilt maps the visible and invisible legacies of the cold war, exhuming the blueprints for the apocalypse we once envisioned and chronicling a time when we all lived at ground zero. In this road trip among ruined missile silos, atomic storage bunkers, and secret test sites, a lost battleground emerges amid the architecture of the 1950s, accompanied by Walter Cotten’s stunning photographs. Survival City looks deep into the national soul, unearthing the dreams and fears that drove us during the latter half of the twentieth century.

“A crucial and dazzling book, masterful, and for me at least, intoxicating.”—Dave Eggers

“A genuinely engaging book, perhaps because [Vanderbilt] is skillful at conveying his own sense of engagement to the reader.”—Los Angeles Times

“A retracing of Dr. Strangelove as ordinary life.”—Greil Marcus, Bookforum