8642 books match the query '20th century' and 572 start with s

cover of Survival at Treblinka: Geography, Gender, and Social Networks in Jewish Resistance

Survival at Treblinka

Geography, Gender, and Social Networks in Jewish Resistance

Chad S.A. Gibbs

University of Wisconsin Press, 2026

On August 2, 1943, prisoners at the Nazi extermination camp Treblinka, located in occupied Poland, launched an uprising against their captors, during which hundreds successfully escaped while guards killed as many in the process. In this groundbreaking work, Chad S.A. Gibbs draws upon recently discovered sources and novel research methods to fundamentally reassess Jewish resistance at Treblinka—both before and during the revolt.

Using the testimonies of revolt survivors, prior escapees, those who passed through the camp, and a handful of bystander witnesses and former SS guards, Gibbs sheds new light on the events of August 2 as well as many prior acts of resistance. Critical to these new interpretations of the revolt are the actions of women prisoners, who here assume a central place in this story for the first time.

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cover of Survival under Dictatorships: Life and Death in Nazi and Communist Regimes

Survival under Dictatorships

Life and Death in Nazi and Communist Regimes

László Borhi

Central European University Press, 2024

A complex array of individual responses to the abuse of power by the state is represented in this book in three horrific episodes in the history of East-Central Europe. The three events followed each other within a span of about ten years: the deportation and murder of Hungarian Jews in Nazi death and labor camps; the Arrow Cross terrorist rule in Budapest; and finally the Stalinist terror in Hungary and East-Central Europe. Through the prism of survival, László Borhi explores the relationship between the individual and power, attempting to understand the mechanism of oppression and terror produced by arbitrary, unbridled power through the experience of normal people.

Despite the obvious peculiarities of time and place, the Hungarian cases convey universal lessons about the Holocaust, Nazism, and Stalinism. In the author's conception, the National Socialist and Stalinist experiences are linked on several levels. Both regimes defended their visions of the future against social groups whom they saw as implacable enemies of those visions, and who therefore had to be destroyed for sake of social perfection. Furthermore, the social practices of National Socialism were passed on. And although Stalinism was imposed by a foreign power, some of the survival skills for coping with it were rehearsed under the previous hellish experience.

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cover of Surviving the Age of Virtual Reality

Surviving the Age of Virtual Reality

Thomas Langan

University of Missouri Press, 2000

As the technological phenomenon known as the worldwide web permeates civilization, it creates some cultures and destroys others. In this pioneering book, philosopher Thomas Langan explores "virtual reality"Can inherently contradictory phrase"and the effects of technology on our very being. In our present-day high- technology environment, making simple, everyday decisions is difficult because the virtual world we've created doesn't necessarily operate according to the old "common sense." To retain our intellectual fitness, we must, Langan argues, consider these essential questions: If virtual reality is, in fact, reality, what is this life that we are caught up in? What is being within the context of virtual reality? How can we establish a system for distinguishing truth from fiction?

Although technology minimizes distances between people and makes the information they seek more accessible, it simultaneously blurs the line dividing fact from falsehood and real from virtual. An individual's intellectual survival is threatened as technological advancement challenges our collective understanding of what reality is. Because much of the information that is presented as fact simply works to fulfill a specific agenda, we cannot accept as truth everything that appears on the internet or in the media. To survive, we must learn to manage our lives and resources despite the flood of information we are bombarded with daily.

Addressing the general educated reader, Surviving the Age of Virtual Reality expertly interweaves the worlds of technology and philosophy, pushing the analysis of this technological and human phenomenon to new depths.

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cover of Survivors: CAMBODIAN REFUGEES IN THE UNITED STATES

Survivors

CAMBODIAN REFUGEES IN THE UNITED STATES

Sucheng Chan

University of Illinois Press, 2004

In this clear, comprehensive, and unflinching study, Sucheng Chan invites us to follow the saga of Cambodian refugees striving to distance themselves from a series of cataclysmic events in their homeland. Survivors tracks not only the Cambodians' fight for life lives but also their battle for self-definition in new American surroundings.
 
Unparalleled in scope, Survivors begins with the Cambodians' experiences under the brutal Khmer Rouge regime, following them through escape to refugee camps in Thailand and finally to the United States, where they try to build new lives in the wake of massive trauma. Their struggle becomes primarily economic as they continue to negotiate new cultures and deal with rapidly changing gender and intergenerational relations within their own families. Poverty, crime, and racial discrimination all have an impact on their experiences in America, and each is examined in depth.  
 
Although written as a history, this is a thoroughly multidisciplinary study, and Chan makes use of research from anthropology, sociology, psychology, medicine, social work, linguistics and education. She also captures the perspective of individual Cambodians. Drawing on interviews with more than fifty community leaders, a hundred government officials, and staff members in volunteer agencies, Survivors synthesizes the literature on Cambodian refugees, many of whom come from varying socioeconomic backgrounds.
 
A major scholarly achievement, Survivors is unique in the Asian American canon for its memorable presentation of cutting-edge research and its interpretation of both sides of the immigration process.
 
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cover of Susan Glaspell in Context: American Theater, Culture, and Politics, 1915-48

Susan Glaspell in Context

American Theater, Culture, and Politics, 1915-48

J. Ellen Gainor

University of Michigan Press, 2003


Susan Glaspell in Context not only discusses the dramatic work of this key American author -- perhaps best known for her short story "A Jury of Her Peers" and its dramatic counterpart, Trifles -- but also places it within the theatrical, cultural, political, social, historical, and biographical climates in which Glaspell's dramas were created: the worlds of Greenwich Village and Provincetown bohemia, of the American frontier, and of American modernism.
J. Ellen Gainor is Professor of Theatre, Women's Studies, and American Studies, Cornell University. Her other books include Performing America: Cultural Nationalism in American Theater (co-edited with Jeffrey D. Mason) from the University of Michigan Press.
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cover of Susan Glaspell's Poetics and Politics of Rebellion

Susan Glaspell's Poetics and Politics of Rebellion

Emeline Jouve

University of Iowa Press, 2017

A pioneer of American modern drama and founding member of the Provincetown Players, Susan Glaspell (1876–1948) wrote plays of a kind that Robert Brustein defines as a “drama of revolt,” an expression of the dramatists’ discontent with the prevailing social, political, and artistic order. Her works display her determination to put an end to the alienating norms that, in her eyes and those of her bohemian peers, were stifling American society. This determination both to denounce infringements on individual rights and to reform American life through the theatre shapes the political dimension of her drama of revolt.

Analyzing plays from the early Trifles (1916) through Springs Eternal (1943) and the undated, incomplete Wings, author Emeline Jouve illustrates the way that Glaspell’s dramas addressed issues of sexism, the impact of World War I on American values, and the relationship between individuals and their communities, among other concerns. Jouve argues that Glaspell turns the playhouse into a courthouse, putting the hypocrisy of American democracy on trial. In staging rebels fighting for their rights in fictional worlds that reflect her audience’s extradiegetic reality, she explores the strategies available to individuals to free themselves from oppression. Her works envisage a better future for both her fictive insurgents and her spectators, whom she encourages to consider which modes of revolt are appropriate and effective for improving the society they live in. The playwright defines social reform in terms of collaboration, which she views as an alternative to the dominant, alienating social and political structures. Not simply accusing but proposing solutions in her plays, she wrote dramas that enacted a positive revolt.

A must for students of Glaspell and her contemporaries, as well as scholars of American theatre and literature of the first half of the twentieth century.
 
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cover of Susan Sontag: A Biography

Susan Sontag

A Biography

Daniel Schreiber; Translated from the German by David Dollenmayer

Northwestern University Press, 2014

While known primarily as a cultural critic and novelist, Sontag was also a filmmaker, stage director, and dramatist. It was her status as a pop icon that was unusual for an American intellectual: she was filmed by Andy Warhol and Woody Allen, photographed by Annie Leibovitz and Diane Arbus, and her likeness adorned advertisements for Absolut vodka. Drawing on newly available sources, including interviews with Nadine Gordimer, Robert Wilson, and Sontag’s son, David Rieff, as well as on myriad interviews given by Sontag and her extensive correspondence with her friend and publisher Roger Straus, Schreiber explores the roles that Sontag played in influencing American public cultural and political conversations.

 

 

 

 

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cover of Sustaining Air: The Life of Larry Eigner

Sustaining Air

The Life of Larry Eigner

Jennifer Bartlett

University of Alabama Press, 2023

The biography of a poet seminal to postwar American poetry

The poet Larry Eigner (1927–1996) was a key figure in New American poetry, which grew out of the Black Mountain School and San Francisco Renaissance, and a major influence on the Language poets. Eigner also had cerebral palsy as the result of an accident at birth. It is fortuitous that the poet lived his life in two locations vibrant in both poetics and disability activism. Except for brief periods attending camp and school, he lived with his parents in Swampscott, Massachusetts, until the age of 51. Later, he moved to Berkeley, California, at the height of the disability rights movement. In the 1950s, Eigner attended Camp Jened, which later became famous in the film Crip Camp.

Bartlett’s biography covers every significant phase of Eigner’s life: his childhood and young adulthood when he began typing poems with one finger on the manual typewriter that was a bar mitzvah gift; his first publications and the maturation of his poetic interests through correspondence with poets of the era; and after his move to Berkeley, the ever-expanding circle of friends, poets, caretakers, and collaborators he established there. The result is a deeply insightful account of an utterly distinctive voice whose influence widens and deepens with each new generation that encounters him.
 

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cover of Sweatshop Capital: Profit, Violence, and Solidarity Movements in the Long Twentieth Century

Sweatshop Capital

Profit, Violence, and Solidarity Movements in the Long Twentieth Century

Beth Robinson

Duke University Press, 2025

In Sweatshop Capital, Beth Robinson examines the brutal sweatshop labor conditions that produced American consumer goods from the late nineteenth through the early twenty-first centuries, as well as the labor and social movements that contested them. Arguing that sweatshop labor is a persistent feature of capitalism, she shows how manufacturers used both their influence in government and their mobility to sidestep US labor laws, maximize profits, and perpetuate abuses. She outlines how workers and their allies routinely confronted manufacturers by building solidarity networks across race, class, and national lines. Drawing on activists’ literature, news accounts, archival sources, and oral histories, Robinson presents the long history of the antisweatshop movements that responded to American capital’s pursuit of profit through hyperexploitation with a wide range of protest, legal action, and creativity. Beginning with the sweatshops and reformers of the Progressive Era, Robinson moves through the Great Depression and the activism of the Popular Front, the “free trade” globalization of the 1990s and its discontents, and, finally, the global cyber and gig economies of the twenty-first century and the growing movements to rein them in.
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cover of Sweeping Beauty: Contemporary Women Poets Do Housework

Sweeping Beauty

Contemporary Women Poets Do Housework

Pamela Gemin

University of Iowa Press, 2005

Thankless, mundane, and “never done,” housework continues to be seen as women's work, and contemporary women poets are still writing the domestic experience sometimes resenting its futility and lack of social rewards, sometimes celebrating its sensory delights and immediate gratification, sometimes cherishing the undeniable link it provides to their mothers and grandmothers. In Sweeping Beauty, a number of these poets illustrate how housekeeping's repetitive motions can free the imagination and release the housekeeper's muse. For many, housekeeping provides the key to a state of mind approaching meditation, a state of mind also conducive to making poems. The more than eighty contributors to Sweeping Beauty embrace this state and confirm that women are pioneers and inventors as well as life-givers and nurturers. “My fingers are forks, my tongue is a rose . . . / I turn silver spoons into rabbit stew / make quinces my thorny upholstery . . . / how else could the side of beef walk / with the sea urchin roe?” sings the cook in Natasha Sajé's ode to kitchen alchemy.“I love the notion that we can take our most poisonous angers, our most despairing or humiliated or stalemated moments, and make something good of them--something tensile and enduring,” says Leslie Ullman. Whether we are fully present in our tasks or “gone in the motion” of performing them, whether our stovetops are home to “stewpots of discontent” or grandmother's favorite jam, something is always cooking.
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cover of Sweet Air: Modernism, Regionalism, and American Popular Song

Sweet Air

Modernism, Regionalism, and American Popular Song

Edward Comentale

University of Illinois Press, 2013

Sweet Air rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life. Comentale examines these rural genres as they translated the traumas of local experience--the racial violence of the Delta, the mass exodus from the South, the Dust Bowl of the Texas panhandle--into sonic form. Considering the accessibility of these popular music forms, he asserts the value of music as a source of progressive cultural investment, linking poor, rural performers and audiences to an increasingly vast network of commerce, transportation, and technology.

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cover of Sweet Dreams: Contemporary Art and Complicity

Sweet Dreams

Contemporary Art and Complicity

Johanna Drucker

University of Chicago Press, 2005

Johanna Drucker's "sweet dream" is for a new and more positive approach to contemporary art. Calling for a revamping of the academic critical vocabulary used to discuss art into one more befitting current creative practices, Drucker argues that contemporary art is fully engaged with material culture—yet still struggling to escape the oppositional legacy of the early twentieth-century avant-garde.

Drucker shows that artists today are aware of working within the ideologies of mainstream culture and have replaced avant-garde defiance with eager complicity. Finding their materials at flea markets or exploring celebrity culture, contemporary artists have created a vibrantly participatory movement that exudes enthusiasm and affirmation—all while critics continue to cling to an outmoded vocabulary of opposition and radical negativity that defined modernism's avant-garde. At the cutting edge of new media research, Drucker surveys a wide range of exciting contemporary artists, demonstrating their clear departure from the past and petitioning viewers and critics to shift their terms and sensibilities as well. Sweet Dreams is a testament to the creative processes and self-conscious heterogeneity of art today as well as a revolutionary effort to solicit collaboration that will encourage the production of imaginative thought and contribute to contemporary life.
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cover of Sweet Tyranny: Migrant Labor, Industrial Agriculture, and Imperial Politics

Sweet Tyranny

Migrant Labor, Industrial Agriculture, and Imperial Politics

Kathleen Mapes

University of Illinois Press, 2008

In this innovative grassroots to global study, Kathleen Mapes explores how the sugar beet industry transformed the rural Midwest by introducing large factories, contract farming, and foreign migrant labor. Identifying rural areas as centers for modern American industrialism, Mapes contributes to an ongoing reorientation of labor history from urban factory workers to rural migrant workers. She engages with a full range of individuals, including Midwestern family farmers, industrialists, Eastern European and Mexican immigrants, child laborers, rural reformers, Washington politicos, and colonial interests. Engagingly written, Sweet Tyranny demonstrates that capitalism was not solely a force from above but was influenced by the people below who defended their interests in an ever-expanding imperialist market.
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cover of Swift Viewing: The Popular Life of Subliminal Influence

Swift Viewing

The Popular Life of Subliminal Influence

Charles R. Acland

Duke University Press, 2012

Since the late 1950s, the idea that hidden, imperceptible messages could influence mass behavior has been debated, feared, and ridiculed. In Swift Viewing, Charles R. Acland reveals the secret story of subliminal influence, showing how an obscure concept from experimental psychology became a mainstream belief about our vulnerability to manipulation in an age of media clutter. He chronicles the enduring popularity of the dubious claims about subliminal influence, tracking their migration from nineteenth-century hypnotism to twentieth-century front-page news. His expansive history of popular concern about subliminal messages shows how the notion of “hidden persuaders” became a vernacular media critique, one reflecting anxiety about a rapidly expanding media environment. Through a deep archive of eclectic examples, including educational technology in the American classroom, mind-control tropes in science fiction, Marshall McLuhan’s media theories, and sensational claims in the late 1950s about subliminal advertising, Acland establishes the subliminal as both a product of and a balm for information overload.
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cover of Swingin' at the Savoy

Swingin' at the Savoy

Norma Miller

Temple University Press, 1996

Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/Film actress and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that "spread the power of swing across the world like Wildfire."

A dance contest winner by 14, Norma Miller became a member of Herbert White's Lindy Hoppers and a celebrated Savoy Ballroom Lindy Hop champion. Swingin' at the Savoy chronicles a significant period in American cultural history and race relations, as it glorifies the home of the Lindy Hop and he birthplace of memorable dance hall fads. Miller shares fascinating anecdotes about her youthful encounters with many of the greatest jazz legends in music history, including Ella Fitzgerald, Count Basie, Benny Goodman, Billie Holiday, Artie Shaw, Duke Ellington, Ethel Waters, and even boxer Joe Louis. Readers will experience the legend of the celebrated Harlem ballroom and the phenomenal Swing generation that changed music and dance history forever.
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cover of Swinging Single: Representing Sexuality in the 1960s

Swinging Single

Representing Sexuality in the 1960s

Hilary Radner

University of Minnesota Press, 1999

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cover of Swinging the Machine: Modernity, Technology, and African American Culture between the World Wars

Swinging the Machine

Modernity, Technology, and African American Culture between the World Wars

Joel Dinerstein

University of Massachusetts Press, 2003

In any age and any given society, cultural practices reflect the material circumstances of people's everyday lives. According to Joel Dinerstein, it was no different in America between the two World Wars—an era sometimes known as the “machine age”—when innovative forms of music and dance helped a newly urbanized population cope with the increased mechanization of modern life. Grand spectacles such as the Ziegfeld Follies and the movies of Busby Berkeley captured the American ethos of mass production, with chorus girls as the cogs of these fast, flowing pleasure vehicles. 

Yet it was African American culture, Dinerstein argues, that ultimately provided the means of aesthetic adaptation to the accelerated tempo of modernity. Drawing on a legacy of engagement with and resistance to technological change, with deep roots in West African dance and music, black artists developed new cultural forms that sought to humanize machines. In “The Ballad of John Henry,” the epic toast “Shine,” and countless blues songs, African Americans first addressed the challenge of industrialization. Jazz musicians drew on the symbol of the train within this tradition to create a set of train-derived aural motifs and rhythms, harnessing mechanical power to cultural forms. Tap dance and the lindy hop brought machine aesthetics to the human body, while the new rhythm section of big band swing mimicked the industrial soundscape of northern cities. In Dinerstein's view, the capacity of these artistic innovations to replicate the inherent qualities of the machine-speed, power, repetition, flow, precision-helps explain both their enormous popularity and social function in American life.

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cover of Symbolic Violence: Conversations with Bourdieu

Symbolic Violence

Conversations with Bourdieu

Michael Burawoy

Duke University Press, 2019

In Symbolic Violence Michael Burawoy brings Pierre Bourdieu into an extended debate with Marxism—a tradition Bourdieu ostensibly avoided. While Bourdieu's expansive body of work stands as a critique of Marx's inadequate account of cultural domination, Burawoy shows how Bourdieu's eschewal and rejection of Marxism led him to miss out on a number of productive theoretical engagements. In eleven “conversations,” Burawoy outlines the intellectual and biographical parallels and divergences between Bourdieu and the work of preeminent Marxist thinkers. Among many topics, Burawoy examines Bourdieu's appropriation and silencing of Beauvoir and her theory of masculine domination; the commonalities as well as differences in Bourdieu's and Fanon's thought on colonialism and revolution; the extent to which Gramsci's theory of hegemony aligns with Bourdieu's notion of symbolic violence; and both how Freire and Bourdieu understood education as the site of oppression. In showing how Bourdieu has more in common with these thinkers than Bourdieu himself cared to admit, Burawoy offers a critical assessment of Bourdieu's work that illuminates its paradoxes and reaffirms its significance for the twenty-first century.
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cover of Symbolism and Folk Imagery in Early Egyptian Political Caricatures: The Wafd Election Campaign, 1920–1923

Symbolism and Folk Imagery in Early Egyptian Political Caricatures

The Wafd Election Campaign, 1920–1923

Byron D. Cannon, Foreword by Samir Toubassy

University of Utah Press, 2019

Art is politics and politics is art in this study of post–World War I caricature art in Egypt and Egyptian politics. This book explores the complex meaning and significance of caricature art drawn to support the ascendant Egyptian Wafdpolitical party and its push for independence from British colonial control. The works of previously neglected Egyptian lithographers are also explored, especially those who adopted sophisticated European techniques while experimenting with a variety of new styles during a remarkable period in Egyptian history.

Caricature art by Wafd party artists was almostsui generis. It is distinguished especially by its sincere use of iconic, folkloric imagery, intended to rally nationalistic sentiments among an emerging Egyptian electorate that included many nonliterate citizens. Cannon’s research breathes new life into an influential yet largely forgotten artistic movement in Egypt, one that deserves recognition for its contribution to Egypt’s share of modern Middle East cultural history. Includes full color reproductions.
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cover of Symptoms of the Self: Tuberculosis and the Making of the Modern Stage

Symptoms of the Self

Tuberculosis and the Making of the Modern Stage

Roberta Barker

University of Iowa Press, 2022

2023 Le Prix Ann Saddlemyer Award, Winner

Symptoms of the Self offers the first full study of the stage consumptive. In the nineteenth and early twentieth centuries in France, Britain, and North America, tuberculosis was a leading killer. Its famous dramatic and operatic victims—Marguerite Gautier in La Dame aux Camélias and her avatar Violetta in La Traviata, Mimì in La Bohème, Little Eva in Uncle Tom’s Cabin, and Edmund Tyrone in Long Day’s Journey into Night, to name but a few—are among the most iconic figures of the Western stage. Its classic symptoms, the cough and the blood-stained handkerchief, have become global performance shorthand for life-threatening illness.

The consumptive character became a vehicle through which standards of health, beauty, and virtue were imposed; constructions of class, gender, and sexuality were debated; the boundaries of nationhood were transgressed or maintained; and an exceedingly fragile whiteness was held up as a dominant social ideal. By telling the story of tuberculosis on the transatlantic stage, Symptoms of the Self uncovers some of the wellsprings of modern Western theatrical practice—and of ideas about the self that still affect the way human beings live and die.
 
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cover of Syncopations: The Stress of Innovation in Contemporary American Poetry

Syncopations

The Stress of Innovation in Contemporary American Poetry

Jed Rasula

University of Alabama Press, 2004

Makes a case for innovation as the generative and thematic force in American poetry of the late 20th century

Syncopations is an analysis of the sustaining vitality behind contemporary American poetry from 1975 to the present day by one of the most astute observers and critics in the field. The 12 essays reflect Jed Rasula’s nearly 30 years of advocacy on behalf of “opening the field” of American poetry.

From the Beats and the Black Mountain poets in the 1950s and 1960s to the impact of language poetry, the specter of an avant-garde has haunted the administrative centers of poetic conservatism. But the very concept of avant-garde is misleading, implying organized assault. Incentives for change can be traced to other factors, including the increased participation of women, critical theory’s self-reflection, and a growing interest in the book as a unit of composition. Syncopations addresses these and other issues evident in the work of such poets and critics as Clayton Eshleman, Marjorie Perloff, Ronald Johnson, Clark Coolidge, Nathaniel Mackey, and Robin Blaser. Its chapters range in modes and include close readings, sociological analysis, philosophical-aesthetic meditations, and career appraisals.

By examining both exemplary innovators and the social context in which innovation is either resisted, acclaimed, or taken for granted, Rasula delivers an important conceptual chronicle of the promise of American poetry.
 
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cover of Systems, Institutions, and Values in East and West: Engaging with János Kornai's Scholarship

Systems, Institutions, and Values in East and West

Engaging with János Kornai's Scholarship

Miklós Rosta

Central European University Press, 2020

Leading social scientists, empirical analysts, and policy practitioners demonstrate the various ways in which the insights of János Kornai, a renowned early analyst and critic of the command economies of Eastern European communist states, are stirring academic and policy discussions about current challenges. While dissecting the economic theories and practices in the Soviet Bloc, Kornai devised and applied concepts such as soft-budget constraints, rush versus harmonic growth, surplus versus shortage economy, non-Walrasian equilibrium, bureaucratic coordination, and the invisible power of the communist party. These concepts are commonly applied to a variety of issues in the contexts of fundamental transformation. The cases discussed in this volume include the transitional paths of post-communist economies, the pitfalls of East European market-building, economic repercussions of the dissolution of Yugoslavia, and the process of integration in the Eurozone.

In conclusion János Kornai’s thoughts on a variety of research topics as well as the value of democracy are included as he delivered at the conference celebrating his 90th birthday in 2018.

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