18284 books match the query 'United States' and 1181 start with s

cover of Soldier Boy: The Civil War Letters of Charles O. Musser, 29th Iowa

Soldier Boy

The Civil War Letters of Charles O. Musser, 29th Iowa

Barry Popchock

University of Iowa Press, 2008

Blood and anger, bragging and pain, are all part of this young Iowa soldier's vigorous words about war and soldiering. A twenty-year-old farmer from Council Bluffs, Charles O. Musser was one of the 76,000 Iowans who enlisted to wear the blue uniform. He was a prolific writer, penning at least 130 letters home during his term of service with the 29th Iowa Volunteer Infantry.

Soldier Boy makes a significant contribution to the literature of the common soldier in the Civil War. Moreover, it takes a rare look at the Trans-Mississippi theater, which has traditionally been undervalued by historians.

Always Musser dutifully wrote and mailed his letters home. With a commendable eye for historical detail, he told of battles and marches, guerrilla and siege warfare, camp life and garrison soldiering, morale and patriotism, Copperheads and contraband, and Lincoln's reelection and assassination, creating a remarkable account of activities in this almost forgotten backwater of the war.
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cover of Soldier Field: A Stadium and Its City

Soldier Field

A Stadium and Its City

Liam T. A. Ford

University of Chicago Press, 2009

Sports fans nationwide know Soldier Field as the home of the Chicago Bears. For decades its signature columns provided an iconic backdrop for gridiron matches. But few realize that the stadium has been much more than that. Soldier Field: A Stadium and Its City explores how this amphitheater evolved from a public war memorial into a majestic arena that helped define Chicago.

Chicago Tribune staff writer Liam Ford led the reporting on the stadium’s controversial 2003 renovation—and simultaneously found himself unearthing a dramatic history. As he tells it, the tale of Soldier Field truly is the story of Chicago, filled with political intrigue and civic pride. Designed by Holabird and Roche, Soldier Field arose through a serendipitous combination of local tax dollars, City Beautiful boosterism, and the machinations of Mayor “Big Bill” Thompson. The result was a stadium that stood at the center of Chicago’s political, cultural, and sporting life for nearly sixty years before the arrival of Walter Payton and William “The Refrigerator” Perry.

Ford describes it all in the voice of a seasoned reporter: the high school football games, track and field contests, rodeos, and even NASCAR races. Photographs, including many from the Chicago Park District’s own collections, capture these remarkable scenes: the swelling crowds at ethnic festivals, Catholic masses, and political rallies. Few remember that Soldier Field hosted Billy Graham and Martin Luther King Jr., Judy Garland and Johnny Cash—as well as Grateful Dead’s final show.

Soldier Field captures the dramatic history of Chicago’s stadium on the lake and will captivate sports fans and historians alike.

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cover of Soldier of the Press: Covering the Front in Europe and North Africa, 1936-1943

Soldier of the Press

Covering the Front in Europe and North Africa, 1936-1943

Henry T. Gorrell, Edited & Intro by Kenneth Gorrell, & Foreword by John C. McManus

University of Missouri Press, 2009

Threatened by each side in the Spanish Civil War with death as a suspected spy, decorated for saving an airman’s life in a bullet-ridden B-24 Liberator over Greece, war correspondent Henry “Hank” Gorrell often found himself in the thick of the fighting he had been sent to cover. And in reporting on some of the world’s most dangerous stories, he held newspaper readers spellbound with his eyewitness accounts from battlefields across Europe, Africa, and the Middle East.
An “exclusive” United Press correspondent, Gorrell saw more than his share of war, even more than most reporters, as his beat took him from the siege of Madrid to the sands of North Africa. His memoir, left in an attic trunk for sixty years, is presented here in its entirety for the first time. As he risks life and limb on the front lines, Gorrell gives us new perspectives on the overall conflict—including some of World War II’s lesser-known battles—as well as insights into behind-the-lines intrigue.
Gorrell’s account first captures early Axis intervention in Spain and their tests of new weaponry and blitzkrieg tactics at the cost of millions of Spanish lives. While covering the Spanish Civil War, he was captured by forces from each side and saw many brave men die disillusioned, and his writings offer a contrast to other views of that conflict from writers like Hemingway. But Spain was just Hank’s training ground: before America even entered World War II, he was embedded with Allied forces from seven nations.
When war broke out, Gorrell was sent to Hungary, where in Budapest he witnessed pro-Axis enthusiasts toast the victory of Fascist armies. Later in Romania he watched Stalin kick over the Axis apple cart with his invasion of Bessarabia—forcing the Germans to deal with the Russian menace before they had planned. Then he saw twenty Italian divisions mauled in the mountains of Albania, marking the beginning of the end for Mussolini.
Combining the historian’s accuracy with the journalist’s on-the-spot reportage, Gorrell provides eyewitness impressions of what war looked, sounded, and felt like to soldiers on the ground. Soldier of the Press weaves personal adventures into the larger fabric of world events, plunging modern readers into the heat of battle while revealing the dangers faced by war correspondents in that bygone era.
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cover of Soldiers Back Home: The American Legion in Illinois, 1919-1939

Soldiers Back Home

The American Legion in Illinois, 1919-1939

Thomas B. Littlewood

Southern Illinois University Press, 2004

This first political and social history of the American Legion in Illinois from its formation in 1919 to the onset of World War II focuses on the organization’s influence on the two political parties and on public opinion at the state and local levels. Gauging the singular influence of the organization in a particularly turbulent time in Illinois and American history, Thomas B. Littlewood argues that the local orientation of individual posts was probably more important to most Legionnaires than the activities of the organization’s national leaders. At the same time, he shows how the conflicts within the Legion mirrored those in the larger society.

Soldiers Back Home: The American Legion in Illinois, 1919–1939 traces the origins of the organization nationally and in Illinois, showing it to be the biggest and most politically committed of the several organizations of World War I veterans. First and foremost a fraternal association of men whose military service set them apart, it was also a social mechanism through which veterans contained and redirected their anger and alienation. Littlewood details how the organization developed quickly into a vigorous pressure group working to influence public policy on behalf of veterans and their families. Concentrating at first on the welfare of children who had lost their fathers in the war, the Legion later became involved in a variety of community service activities and served as a political training ground.

World War I was the first conflict to be fought by a largely conscripted army. When the soldiers returned from the war, labor unions were pressing hard to organize American workers in rapidly growing concentrations of industry. Business enjoyed generally high esteem, but the ensuing social and economic turbulence led to a shattering of civil order in some parts of Illinois. Prohibition, bootleggers, and organized crime gave way to the crumbling of the economy and the lean, hard years of the Depression. While these events were unfolding in Illinois, rural citizens resisted the rebalancing of power caused by massive migrations of citizens from farm to city by refusing to reapportion legislative districts. 

Organized thematically, Soldiers Back Home traces the Legion’s impact on politics, community life, labor relations, race relations, and the struggle for veterans’ benefits in Illinois. Littlewood maintains that the Legion experienced significant divisions along regional lines, especially over the issues of the Ku Klux Klan and labor. Likewise, brutal sectional tensions grew between rural and urban populations. Littlewood looks at the role of the veteran in American politics and society, discussing the careers of famed Illinois leaders such as Scott Lucas, William Dawson, and Everett Dirksen and their involvement with the Legion. He also addresses issues of diversity and division within the organization.

Resisting the polemics of some contemporary interpretations of the American Legion and avoiding the tone of the sanitized official histories of the organization, Soldiers Back Home is a major contribution to the history of the interwar years—in Illinois and nationally—that will interest general readers and historians alike. The volume is augmented by thirteen illustrations.

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cover of Soldiers Once and Still: Ernest Hemingway, James Salter, and Tim O'Brien

Soldiers Once and Still

Ernest Hemingway, James Salter, and Tim O'Brien

Alex Vernon

University of Iowa Press, 2007

As the world enters a new century, as it embarks on new wars and sees new developments in the waging of war, reconsiderations of the last century’s legacy of warfare are necessary to our understanding of the current world order. In Soldiers Once and Still, Alex Vernon looks back through the twentieth century in order to confront issues of self and community in veterans’ literature, exploring how war and the military have shaped the identities of Ernest Hemingway, James Salter, and Tim O’Brien, three of the twentieth century’s most respected authors. Vernon specifically explores the various ways war and the military, through both cultural and personal experience, have affected social and gender identities and dynamics in each author’s work.

Hemingway, Salter, and O’Brien form the core of Soldiers Once and Still because each represents a different warring generation of twentieth-century America: World War I with Hemingway, World War II and Korea with Salter, and Vietnam with O’Brien. Each author also represents a different literary voice of the twentieth century, from modern to mid-century to postmodern, and each presents a different battlefield experience: Hemingway as noncombatant, Salter as air force fighter pilot, and O’Brien as army grunt.

War’s pervasive influence on the individual means that, for veterans-turned-writers like Hemingway, Salter, and O’Brien, the war experience infiltrates their entire body of writing—their works can be seen not only as war literature but also as veterans’ literature. As such, their entire postwar oeuvre, regardless of whether an individual work explicitly addresses the war or the military, is open to Vernon’s exploration of war, society, gender, and literary history.

Vernon’s own experiences as a soldier, a veteran, a writer, and a critic inform this enlightening critique of American literature, offering students and scholars of American literature and war studies an invaluable tool for understanding war’s effects on the veteran writer and his society.
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cover of Soldiers and Statesmen: Reflections on Leadership

Soldiers and Statesmen

Reflections on Leadership

John S. D. Eisenhower

University of Missouri Press, 2012

Which generals were most influential in World War II? Did Winston Churchill really see himself as culturally "half American"? What really caused the break between Harry S. Truman and Dwight Eisenhower? In Soldiers and Statesmen, John S. D. Eisenhower answers these questions and more, offering his personal reflections on great leaders of our time.
The son of President Dwight D. Eisenhower, John S. D. Eisenhower possesses an expert perspective on prominent political and military leaders, giving readers a matchless view on relationships between powerful figures and the president. Eisenhower also had a long military career, coincidentally beginning with his graduation from West Point on D-Day. His unique position as a young Army staff officer and close relationship with his father gave him insider's access to leaders such as Winston Churchill, Harry Truman, George Patton, Douglas MacArthur, Omar Bradley, John Foster Dulles, Mark Clark, Terry Allen, and Matthew Ridgway. He combines personal insight with the specialized knowledge of a veteran soldier and accomplished historian to communicate exclusive perspectives on U. S. foreign relations and leadership.
Eisenhower's observations of various wartime leaders began in June 1944, just after the Allied landings in Normandy. On orders from General George C. Marshall, Army chief of staff, Eisenhower sailed from New York aboard the British-liner-turned-American-troopship Queen Maryto join his father, Supreme Commander of the Allied Expeditionary Force, in London, where he stayed for over two weeks. A year later, at the end of the war, Eisenhower accompanied his father as a temporary aide on trips where Ike's former associates were present. In the mid-1950s, Eisenhower's perspective was broadened by his service in a room next to the White House Oval Office during his father's tenure as president.
On the light side, Eisenhower has added a special appendix called "Home Movies," in which he reveals amusing and often irreverent vignettes from his life in military service. Eisenhower gives readers both a taste of history from the inside and a rich and relatable memoir filled with compelling remembrances.
 
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cover of Soldiers of Misfortune: The Somervell and Mier Expeditions

Soldiers of Misfortune

The Somervell and Mier Expeditions

By Sam W. Haynes

University of Texas Press, 1990

The Somervell and Mier Expeditions of 1842, culminating in the famous "black bean episode" in which Texas prisoners drew white or black beans to determine who would be executed by their Mexican captors, still capture the public imagination in Texas. But were the Texans really martyrs in a glorious cause, or undisciplined soldiers defying their own government? How did the Mier Expedition affect the border disputes between the Texas Republic and Mexico? What role did Texas President Sam Houston play? These are the questions that Sam Haynes addresses in this very readable book, which includes many dramatic excerpts from the diaries and letters of expedition participants.

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cover of Soldiers of the Pen: The Writers' War Board in World War II

Soldiers of the Pen

The Writers' War Board in World War II

Thomas Howell

University of Massachusetts Press, 2019

From 1942 to 1945, a small, influential group of media figures willingly volunteered their services to form the Writers' War Board (WWB), accepting requests from government agencies to create propaganda. Members included mystery writer Rex Stout, Pulitzer and Nobel Prize winner Pearl S. Buck, novelist and sports writer Paul Gallico, Book-of-the-Month Club editor and popular radio host Clifton Fadiman, and Broadway lyricist Oscar Hammerstein II. The WWB mobilized thousands of other writers across the country to spread its campaigns through articles, public appearances, radio broadcasts, and more.

The WWB received federal money while retaining its status as a private organization that could mount campaigns without government oversight. Historian Thomas Howell argues that this unique position has caused its history to fall between the cracks, since it was not recognized as an official part of the government's war effort. Yet the WWB's work had a huge impact on the nation's wartime culture, and this fascinating history will inform contemporary thinking on propaganda, the media, and American society.
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cover of Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation

Solidarity Cities

Confronting Racial Capitalism, Mapping Transformation

Maliha Safri

University of Minnesota Press, 2025

Mapping the transformative effects of America’s urban solidarity economies

Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.

 

Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.

 

Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities.

 

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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cover of Solidarity and Fragmentation: Working People and Class Consciousness in Detroit, 1875-1900

Solidarity and Fragmentation

Working People and Class Consciousness in Detroit, 1875-1900

Richard Jules Oestreicher

University of Illinois Press, 1985

How did the interplay between class and ethnicity play out within the working class during the Gilded Age? Richard Jules Oestreicher illuminates the immigrant communities, radical politics, worker-employer relationships, and the multiple meanings of workers' affiliations in Detroit at the end of the nineteenth century.
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cover of Solidarity in Strategy: Making Business Meaningful in American Trade Associations

Solidarity in Strategy

Making Business Meaningful in American Trade Associations

Lyn Spillman

University of Chicago Press, 2012

Popular conceptions hold that capitalism is driven almost entirely by the pursuit of profit and self-interest. Challenging that assumption, this major new study of American business associations shows how market and non-market relations are actually profoundly entwined at the heart of capitalism.

In Solidarity in Strategy, Lyn Spillman draws on rich documentary archives and a comprehensive data set of more than four thousand trade associations from diverse and obscure corners of commercial life to reveal a busy and often surprising arena of American economic activity. From the Intelligent Transportation Society to the American Gem Trade Association, Spillman explains how business associations are more collegial than cutthroat, and how they make capitalist action meaningful not only by developing shared ideas about collective interests but also by articulating a disinterested solidarity that transcends those interests.

Deeply grounded in both economic and cultural sociology, Solidarity in Strategy provides rich, lively, and often surprising insights into the world of business, and leads us to question some of our most fundamental assumptions about economic life and how cultural context influences economic.

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cover of Solitary Confinement: Social Death and Its Afterlives

Solitary Confinement

Social Death and Its Afterlives

Lisa Guenther

University of Minnesota Press, 2013

Prolonged solitary confinement has become a widespread and standard practice in U.S. prisons—even though it consistently drives healthy prisoners insane, makes the mentally ill sicker, and, according to the testimony of prisoners, threatens to reduce life to a living death. In this profoundly important and original book, Lisa Guenther examines the death-in-life experience of solitary confinement in America from the early nineteenth century to today’s supermax prisons. Documenting how solitary confinement undermines prisoners’ sense of identity and their ability to understand the world, Guenther demonstrates the real effects of forcibly isolating a person for weeks, months, or years.

Drawing on the testimony of prisoners and the work of philosophers and social activists from Edmund Husserl and Maurice Merleau-Ponty to Frantz Fanon and Angela Davis, the author defines solitary confinement as a kind of social death. It argues that isolation exposes the relational structure of being by showing what happens when that structure is abused—when prisoners are deprived of the concrete relations with others on which our existence as sense-making creatures depends. Solitary confinement is beyond a form of racial or political violence; it is an assault on being.

A searing and unforgettable indictment, Solitary Confinement reveals what the devastation wrought by the torture of solitary confinement tells us about what it means to be human—and why humanity is so often destroyed when we separate prisoners from all other people.

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cover of Solitary Song: An Autobiography

Solitary Song

An Autobiography

Pauline Koner

Duke University Press, 1989

In this well-illustrated work, Pauline Koner “traces the course” of her remarkable career from her days as a student of Michel Fokine in the 1920s, through further studies with Angel Cansino and the brilliantly influential Michio Ito, to a period as a dance soloist before World War II that make her reputation. After the war she entered a productive collaboration with Doris Humphrey, and then began the epochal performances with Jose Limon. She continued to perform until 1972, and her influence as a teacher and choreographer is still widely felt. Her book is an instructive and charming chronicle of this remarkable career, as well as a record of performances and interpretations that have gone far to mold modern dance into its present state of grace.
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cover of Solitude: Art And Symbolism In The National Basque Monument

Solitude

Art And Symbolism In The National Basque Monument

Carmelo Urza

University of Nevada Press, 1993

Urza discusses the genesis of the National Basque Monument to the Basque Sheepherder that is located in Reno, Nevada. He also describes the competition held to determine the monument's design and the debates arising from the modern sculpture created by renowned Basque artist Nestor Basterrextea. Urza examines the arguments of those who favored the selection of a figurative, traditional symbol and those who preferred a modern, forward-looking symbol. He utilizes this discussion to explore the evolution of Basque ethnicity and its relationship to society.

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cover of Soloveitchik's Children: Irving Greenberg, David Hartman, Jonathan Sacks, and the Future of Jewish Theology in America

Soloveitchik's Children

Irving Greenberg, David Hartman, Jonathan Sacks, and the Future of Jewish Theology in America

Daniel Ross Goodman

University of Alabama Press, 2023

A revealing account of the three main disciples of Rabbi Joseph B. Soloveitchik, an essential figure in Orthodox Judaism in America

Orthodox Judaism is one of the fastest-growing religious communities in contemporary American life. Anyone who wishes to understand more about Judaism in America will need to consider the tenets and practices of Orthodox Judaism: who its adherents are, what they believe in, what motivates them, and to whom they turn for moral, intellectual, and spiritual guidance.

Among those spiritual leaders none looms larger than Rabbi Joseph B. Soloveitchik, heir to the legendary Talmudic dynasty of Brisk and a teacher and ordainer of thousands of rabbis during his time as a Talmud teacher at Yeshiva University from the Second World War until the 1980s. Soloveitchik was not only a Talmudic authority but a scholar of Western philosophy. While many books and articles have been written about Soloveitchik’s legacy and his influence on American Orthodoxy, few have looked carefully at his disciples in Torah and Talmud study, and even fewer at his disciples in Jewish thought and philosophy.

Soloveitchik’s Children: Irving Greenberg, David Hartman, Jonathan Sacks, and the Future of Jewish Theology in America is the first book to study closely three of Soloveitchik’s major disciples in Jewish thought and philosophy: Rabbis Irving (“Yitz”) Greenberg, David Hartman, and Jonathan Sacks. Daniel Ross Goodman narrates how each of these three major modern Jewish thinkers learned from and adapted Soloveitchik’s teachings in their own ways, even while advancing his philosophical and theological legacy.

The story of religious life and Judaism in contemporary America is incomplete without an understanding of how three of the most consequential Jewish thinkers of this generation adapted the teachings of one of the most consequential Jewish thinkers of the previous generation. Soloveitchik’s Children tells this gripping intellectual and religious story in a learned and engaging manner, shining a light on where Jewish religious thought in the United States currently stands—and where it may be heading in future generations.

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cover of Some Degree of Power: From Hired Hand to Union Craftsman in the Preindustrial American Printing Trades 1778-1815

Some Degree of Power

From Hired Hand to Union Craftsman in the Preindustrial American Printing Trades 1778-1815

Mark Lause

University of Arkansas Press, 1991

Louse argues that the printers, who organized to combat their immediate concerns, were also part of a larger network connecting other skilled workers into associations that not only supported their societies but also helped to shape their ideology.
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cover of Some Nightmares Are Real: The Haunting Truth Behind Alabama’s Supernatural Tales

Some Nightmares Are Real

The Haunting Truth Behind Alabama’s Supernatural Tales

by Kelly Kazek, illustrated by Sarah Cotton

University of Alabama Press, 2024

Southern writer and folklorist Kelly Kazek’s collection of eerie and enigmatic Alabama ghost stories

Dark secrets lurk beneath the sleepy surface of Alabama. Ghosts and grisly creatures haunt the towns and forests. In the great Southern ghost-story tradition, famed Alabama storyteller Kelly Kazek weaves a gothic tapestry of ten stories drawn from real people and legendary creatures, cursed places, and harrowing events.

Each story or legend takes readers to a different place in Alabama. Read about the bestial Wolf Woman who terrified Mobilians in the haunted old port city. In the northern city of Huntsville, visit the Dead Children’s Playground in gloomy Maple Hill Cemetery. In Jacksonville, feel the cold grip of the Old Mill Witch, rumored to protect the workers at the rickety cotton yarn mill. Hear about the mysterious green light that drifts along the Alabama River in the Black Belt hamlet of Gee’s Bend and learn about the role the Gee’s Bend Ferry played in the Civil Rights Movement.

Unlike most ghost-story collections, Some Nightmares Are Real includes an appendix of facts, historical resources, and information about how to visit the locations. These contemporary stories embrace a beloved Southern folkloric tradition for a new generation of young readers. The tales will terrify and ensnare ghost-story lovers of all ages. So settle in, pull the covers up tight, and maybe turn on the light, because the truth is: Some Nightmares Are Real.

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cover of Some Nightmares Are True: Ghosts of America's Deadliest Disasters

Some Nightmares Are True

Ghosts of America's Deadliest Disasters

by Kelly Kazek, illustrated by Sarah Cotton

University of Alabama Press, 2025

Digging up the eerie aftermath of America’s deadliest disasters—where ghost stories take root, history lingers in the shadows, and the past refuses to stay buried.

In this haunting follow-up to Some Nightmares Are Real: The Haunting Truth Behind Alabama’s Supernatural Tales, journalist and storyteller Kelly Kazek investigates supernatural folklore grounded in historical catastrophe. This time, she ventures far beyond Alabama, unearthing the eerie legends born from their aftermath of nine of America’s most infamous disasters. From the strangling suffocation of the Boston Molasses Flood and the terror of Galveston’s notorious Great Storm, to flames blasting from the Triangle Shirtwaist Factory disaster, Some Nightmares Are True examines ghost stories that have haunted communities long after the news headlines stopped.

Each spooky story blends vivid storytelling with meticulous research, connecting real events to the ghostly lore they inspired. Kazek explores not just the moment of disaster, but how grief, resilience, and remembrance shape the way stories live on—through newspaper archives, folklore, and generations of retelling.

With both wry Southern sensibility and journalistic rigor, Kazek explores how moments of tragedy like the Dixie Tornado Outbreak in Alabama, the capsizing of the SS Eastland in Chicago, and the haunting aftermath of the Schoolchildren’s Blizzard in Nebraska leave lasting imprints on generational memory. These sites of devastation become more than historical footnotes; they transform into hallowed grounds where grief lingers, legends remain, and the line between fact and folklore dissolves.

For ghost hunters, or simply those brave enough to follow their curiosity into learning more about the stories’ historical facts, Kazek has compiled a robust appendix that provides context, source materials, and location details, making this a perfect pick to toss in the car for that late-night road trip adventure. But remember, Some Nightmares Are True.

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cover of Some Other Blues: New Perspectives on Amiri Baraka

Some Other Blues

New Perspectives on Amiri Baraka

Edited by Jean-Philippe Marcoux

The Ohio State University Press, 2021

This collection of original essays brings together some of the most important critics and scholars of Amiri Baraka’s oeuvre. Some Other Blues consists of career-spanning conversations on the many trajectories, bifurcations, and intersections in and of Baraka’s black art. Every chapter is grounded in the desire to illuminate Baraka’s multilayered creative output—whether through critical analyses, literary historiographies, or musicological and biographical reassessments of his work. Every contributor attempts, in their own unique ways, to delineate how the contours of poems, short stories, essays, and editorials reveal the poetics and politics of Amiri Baraka. At the same time, every chapter looks outward at what Baraka saw as the fractures and fissures of our society—moments in the history of African America that have needed repair and relief. For the first time in one book, two generations of scholars and friends of the Baraka family converge to assess the legacy and the imprint of the writer, activist, and cultural worker who has reshaped and redefined what is means to be a black public intellectual and poet.
 
(Include contributors if space allows) Contributors: Tony Bolden, Jeremy Glick, William J. Harris, Benjamin Lee, Aidan Levy, John Lowney, Jean-Philippe Marcoux, Kim McMillon, Fred Moten, Michael New, Aldon Lynn Nielsen, Amy Abugo Ongiri, Gregory Pierrot, Howard Rambsy II, Emily Ruth Rutter, Anthony Reed, Lauri Scheyer, Kathy Lou Schultz, Michael Simanga, James Smethurst, Laura Vrana, Tyrone Williams, Kalamu ya Salaam.
 
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cover of Some Strange Corners of Our Country

Some Strange Corners of Our Country

Charles F. Lummis; Foreword by Lawrence Clark Powell

University of Arizona Press, 1989

Lummis's prose portraits of the Grand Canyon, Petrified Forest, Montezuma Castle, and other sites reflect the author's knowledge of Southwest anthropology and history.
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cover of Some Things Don’t Burn: Art, Activism, and Arson at the Bugle American

Some Things Don’t Burn

Art, Activism, and Arson at the Bugle American

Aurore Sibley

Wisconsin Historical Society Press, 2026

A fierce, vibrant portrait of a newspaper that refused to go up in smoke.

From 1970 to 1978, the Bugle American wasn’t just an alternative newspaper―it was the sparkplug that propelled Milwaukee’s emergence as an influential cultural hub. With its incisive political coverage, razor-sharp cartoons, and in-depth reporting on the city’s explosive music scene, the Bugle American was a lifeline for artists, activists, and readers from Milwaukee to Madison hungry for independent journalism. 

Then, on a cold night in February 1975, everything nearly ended. A firebomb ripped through the Bugle American offices, endangering the lives of staff and burning the building to the ground. The crime was never solved. But the paper didn’t die. Supported by a stunned but determined community―and high-profile allies including Leonard Cohen and George Reedy―the Bugle American rose from the ashes to publish the very next week.

In Some Things Don’t Burn: Art, Activism, and Arson at the Bugle American, author Aurore Sibley tells the full story of this influential underground paper: its founding ideals, its creative energy, its brushes with fame, and its lasting impact. With access to rare materials and family insights―her parents met at the Bugle American, and her father served as one of its editors―Sibley layers investigative research with personal narrative, exploring how revisiting the past helped her reconcile with her father’s complicated life and death. 

Featuring dozens of photographs and illustrations, including cartoons and sketches by renowned underground artist and Bugle American co-founder Denis Kitchen, this book brings readers inside the quirky, passionate, and often chaotic world of a newsroom fighting to stay alive and independent. 

A gripping story of art, activism, community, and resilience, Some Things Don’t Burn reminds us that while buildings can be destroyed, the ideals that ignite a movement are much harder to extinguish.

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cover of Some White Folks: The Interracial Politics of Sympathy, Suffering, and Solidarity

Some White Folks

The Interracial Politics of Sympathy, Suffering, and Solidarity

Jennifer Chudy

University of Chicago Press, 2024

A pioneering exploration of the unexamined roots and effect of racial sympathy within American politics.

There is racial inequality in America, and some people are distressed over it while others are not. This is a book about white people who feel that distress. For decades, political scientists have studied the effects of white racial prejudice, but Jennifer Chudy shows that white racial sympathy for Black Americans’ suffering is also a potent force in modern American politics. Grounded in the history of Black-white relations in America, racial sympathy is unique. It is not equivalent to a low level of racial prejudice or sympathy for other marginalized groups. Some White Folks reveals how racial sympathy shapes a significant number of white Americans’ opinions on policy areas ranging from the social welfare state to the criminal justice system. Under certain circumstances, it can also spur action—although effects on political behavior are weaker and less consistent, for reasons Chudy examines.

Drawing on diverse quantitative and qualitative evidence and integrating insights from multiple disciplines, Chudy explores the origins, importance, and complexity of racial sympathy, as well as the practical implications for political and movement leaders. A companion to the rich literature on prejudice, Some White Folks demonstrates the multifaceted role of race in American politics and public opinion.

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cover of Some of the Dead Are Still Breathing: Living in the Future

Some of the Dead Are Still Breathing

Living in the Future

By Charles Bowden

University of Texas Press, 2018

The third book in Charles Bowden’s “accidental trilogy” that began with Blood Orchid and Blues for Cannibals, Some of the Dead Are Still Breathing attempts to resolve the overarching question: “How can a person live a moral life in a culture of death?” As humanity moves further into the twenty-first century, Bowden continues to interrogate our roles in creating the ravaged landscapes and accumulated death that still surround us, as well as his own childhood isolation, his lust for alcohol and women, and his waning hope for a future. We witness post-Katrina New Orleans and terrorist-bombed Bali; we encounter our shared actions with the animal world and the desirous need for consumption; we see the clash and erosion of our physical and figurative borders, the savagery of our own civilization. A man of his time and out of time, Bowden seeks acceptance and a will to endure what may lie ahead.

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cover of Some of the People Who Ate My Barbecue Didn't Vote for Me: The Life of Georgia Governor Marvin Griffin

Some of the People Who Ate My Barbecue Didn't Vote for Me

The Life of Georgia Governor Marvin Griffin

Scott E. Buchanan

Vanderbilt University Press, 2011

Marvin Griffin was Georgia's seventy-second governor. Apart from that simple fact, virtually everything else about his career is the subject of controversy. Griffin governed at a point in the late 1950s when the state was undergoing a profound political transition from a rural-dominated, segregationist culture to a more urban landscape. As he attempted to guide Georgia through years of tumultuous change and upheaval throughout the South, Griffin developed a reputation for being inflammatory on racial issues and merciless to his political enemies

.
In "Some of the People Who Ate My Barbecue Didn't Vote for Me," Scott Buchanan portrays Marvin Griffin as a Yellow Dog Democrat struggling against inevitable change. Griffin was viewed by many as a charismatic voice of resistance in the Georgia and the South in the wake of Brown v. Board of Education. He combined a staunch segregationist approach with economically progressive policies, assisting in Georgia's transformation from an agrarian economy to a more industrialized one.


Ironically, it was these efforts and the larger shift in politics that doomed Griffin's career, ensuring his administration would last only one term. In many ways, Griffin stands as a clear dividing line between the Old South and the New.

[more]
cover of Somebody Told Me: The Newspaper Stories of Rick Bragg

Somebody Told Me

The Newspaper Stories of Rick Bragg

Rick Bragg

University of Alabama Press, 2000

One of the South’s most loved authors
 
Over the past twenty years, writer Rick Bragg has earned legions of fans with his award-winning newspaper stories and with his critically aclaimed memoir All Over but the Shoutin'. His unique storytelling talent and his sympathy for the day-to-day struggles of everyday people set him apart from journalists who focus on political intrigue and the foibles of the rich and famous.
 
This collection showcases Bragg's talent for turning seemingly ordinary situations into extraordinary stories by bringing together more than sixty of his most recent feature articles, most of them written for the New York Times. Bragg explores such questions as: What happens to someone released from prison for a crime he didn't commit? Who takes care of the graves of poor people? What keeps an elderly woman from selling her land for a tidy profit? Bragg's curiosity often leads him to society's margins, where he wins the confidence of those who have good reason to mistrust others.
 
Bragg has reported on some of the most newsworthy tragedies in the nation, and his unfolding coverage of events such as the Oklahoma City bombing and the Susan Smith child murders is included here. Once again, though, his special ability to connect with people allows him accesss and perspectives that many other reporters do not achieve.
 
Whether he's profiling the sheriff who broke the Smith case or relating the efforts of Alabama churchgoers to understand a Sunday morning tornado strike, Bragg writes with genuine compassion and sentiment but without being sensationalist. He looks where others don’t and gets behind the headlines to the people standing there stunned and often, until he finds them, voiceless. When asked how he came up with his remarkable stories, Bragg has his answer down pat: “Somebody told me.”
 
[more]
cover of Somebody's Children: The Politics of Transracial and Transnational Adoption

Somebody's Children

The Politics of Transracial and Transnational Adoption

Laura Briggs

Duke University Press, 2012

In Somebody's Children, Laura Briggs examines the social and cultural forces—poverty, racism, economic inequality, and political violence—that have shaped transracial and transnational adoption in the United States during the second half of the twentieth century and the first decade of the twenty-first. Focusing particularly on the experiences of those who have lost their children to adoption, Briggs analyzes the circumstances under which African American and Native mothers in the United States and indigenous and poor women in Latin America have felt pressed to give up their children for adoption or have lost them involuntarily.

The dramatic expansion of transracial and transnational adoption since the 1950s, Briggs argues, was the result of specific and profound political and social changes, including the large-scale removal of Native children from their parents, the condemnation of single African American mothers in the context of the civil rights struggle, and the largely invented "crack babies" scare that inaugurated the dramatic withdrawal of benefits to poor mothers in the United States. In Guatemala, El Salvador, and Argentina, governments disappeared children during the Cold War and then imposed neoliberal economic regimes with U.S. support, making the circulation of children across national borders easy and often profitable. Concluding with an assessment of present-day controversies surrounding gay and lesbian adoptions and the struggles of immigrants fearful of losing their children to foster care, Briggs challenges celebratory or otherwise simplistic accounts of transracial and transnational adoption by revealing some of their unacknowledged causes and costs.

[more]
cover of Someone to Watch Over Me: The Life and Music of Ben Webster

Someone to Watch Over Me

The Life and Music of Ben Webster

Frank Büchmann-Møller

University of Michigan Press, 2010

For a half century, Ben Webster, one of the "big three" of swing tenors-along with Coleman Hawkins and Lester Young-was one of the best-known and most popular saxophonists.

Early in his career, Webster worked with many of the greatest orchestras of the time, including those led by Willie Bryant, Cab Calloway, Benny Carter, Fletcher Henderson, Andy Kirk, Bennie Moten, and Teddy Wilson. In 1940 Webster became Duke Ellington's first major tenor soloist, and during the next three years he played on many famous recordings, including "Cotton Tail."

Someone to Watch Over Me tells, for the first time, the complete story of Ben Webster's brilliant and troubled career. For this comprehensive study of Webster, author Frank Büchmann-Møller interviewed more than fifty people in the United States and Europe, and he includes numerous translated excerpts from European periodicals and newspapers, none previously available in English. In addition, the author studies every known Webster recording and film, including many private recordings from Webster's home collection not available to the public.

Exhaustively researched, this is a much needed and long overdue study of the life and music of one of jazz's most important artists.
[more]
cover of Something Ain't Kosher Here: The Rise of the 'Jewish' Sitcom

Something Ain't Kosher Here

The Rise of the 'Jewish' Sitcom

Brook, Vincent

Rutgers University Press, 2003

From 1989 through 2002 there was an unprecedented surge in American sitcoms featuring explicitly Jewish lead characters, thirty-two compared to seven in the previous forty years.  Several of these—Mad About You, The Nanny, and Friends—were among the most popular and influential of all shows over this period; one program—Seinfeld—has been singled out as the “defining” series of the nineties.  In addition, scriptwriters have increasingly created “Jewish” characters, although they may not be perceived to be by the show’s audience, Rachel Green on Friends being only one example.

In Something Ain’t Kosher Here, Vincent Brook asks two key questions: Why has this trend appeared at this particular historical moment and what is the significance of this phenomenon for Jews and non-Jews alike?  He takes readers through three key phases of the Jewish sitcom trend: The early years of television before and after the first Jewish sitcom, The Goldbergs’, appeared; the second phase in which America found itself “Under the Sign of Seinfeld”; and the current era of what Brook calls “Post- Jewishness.”

Interviews with key writers, producers, and “showrunners” such as David Kohan, (Will and Grace), Marta Kauffman (Friends and Dream On), Bill Prady (Dharma and Greg), Peter Mehlman and Carol Leifer (Seinfeld), and close readings of individual episodes and series provoke the inescapable conclusion that we have entered uncharted “post-Jewish” territory.  Brook reveals that the acceptance of Jews in mainstream white America at the very time when identity politics have put a premium on celebrating difference reinforces and threatens the historically unique insider/outsider status of Jews in American society. This paradox upsets a delicate balance that has been a defining component of American Jewish identity.

The rise of the Jewish sitcom represents a broader struggle in which American Jews and the TV industry, if not American society as a whole, are increasingly operating at cross-purposes—  torn between the desire to celebrate unique ethnic identities, yet to assimilate: to assert independence, yet also to build a consensus to appeal to the widest possible audience.   No reader of this book will ever be able to watch these television programs in quite the same way again.

[more]
cover of Something All Our Own: The Grant Hill Collection of African American Art

Something All Our Own

The Grant Hill Collection of African American Art

Grant Hill

Duke University Press, 2003

Since 1990, Grant Hill has thrilled sports fans with his artistry on the basketball court, first as an All-American player at Duke University and then as a six-time NBA All-Star for the Detroit Pistons and the Orlando Magic. During these years, Hill has amassed a collection of art by African Americans that he now shares with the public through this book, which accompanies a traveling exhibition.
The forty-six pieces documented here include thirteen works that span the career of the great Romare Bearden, from his 1941 gouache painting Serenade to the important collages of the 1980s. Hill’s fascination with artists’ depiction of women is represented in Elizabeth Catlett’s lithographs, many of them from the 1992 series “For My People,” and her sculptures in stone, bronze, and onyx. In addition to these two giants of twentieth-century art, the Hill Collection features pieces by Phoebe Beasley, Arthello Beck Jr., John Biggers, Malcolm Brown, John Coleman, Edward Jackson, and Hughie Lee Smith.
Hill began collecting art in the early 1990s after learning from his parents to appreciate artworks not only as objects of beauty but as expressions of heritage and culture. According to the internationally known curator Alvia J. Wardlaw, he is part of an emerging group of young African American collectors who have “raised the bar for others.” Hill writes, “Getting to know yourself means understanding your background and appreciating those who have come before you. My father has a saying he uses in speeches: ‘To be ignorant of your past is to remain a boy. ‘The interest in my heritage as an African American is reflected in this collection.”
Something All Our Own features Wardlaw’s essay on the history of African American collecting. It also features articles about Bearden and Catlett by the scholars Elizabeth Alexander and Beverly Guy-Sheftall and reflections about Hill by the historian John Hope Franklin, Duke’s basketball coach Mike Krzyzewski, and the sportswriter William C. Rhoden. Hill and his father, the NFL great Calvin Hill, contribute a dialogue that explores their motivations for collecting art.
At the heart of the book are the exquisite color photographs of the forty-six artworks included in the exhibition, with commentary by Wardlaw and by Hill himself.
As a star athlete, Grant Hill is well aware that African Americans who excel in sports and entertainment are more broadly recognized than their counterparts in artistic fields. He strives to inspire young people to explore their heritage and broaden their concept of excellence by learning more about African American art. By sharing his artworks with collectors and fans, Hill reminds us that while the jump shot is ephemeral, art is enduring.
[more]
cover of Something Completely Different: British Television And American Culture

Something Completely Different

British Television And American Culture

Jeffrey S. Miller

University of Minnesota Press, 2000

The first comprehensive study of the influence British programming had on American television.

The first comprehensive study of the influence British programming had on American television.

Between Emma Peel and the Ministry of Silly Walks, British television had a significant impact on American popular culture in the 1960s and 1970s. In Something Completely Different, Jeffrey Miller offers the first comprehensive study of British programming on American television, discussing why the American networks imported such series as The Avengers and Monty Python’s Flying Circus; how American audiences received these uniquely British shows; and how the shows’ success reshaped American television.Miller’s lively analysis covers three genres: spy shows, costume dramas, and sketch comedies. In addition to providing his close readings of the series themselves, Miller considers the networks’ packaging of the programs for American viewers and the influences that led to their acceptance, including the American television industry’s search for new advertising revenue and the creation of PBS.Something Completely Different concludes with a discussion of the American programs and genres that owed their existence to British progenitors. Miller convincingly argues that much of what came to define American television by 1980 was in fact British in origin, a contention that casts a new light on traditional discussions of American cultural imperialism.ISBN 0-8166-3240-5 Cloth £31.00 $44.95xxISBN 0-8166-3241-3 Paper £12.50 $17.95x208 Pages 17 black-and-white photos 5 7/8 x 9 JanuaryTranslation inquiries: University of Minnesota Press
[more]
cover of Something Incredibly Wonderful Happens: Frank Oppenheimer and His Astonishing Exploratorium

Something Incredibly Wonderful Happens

Frank Oppenheimer and His Astonishing Exploratorium

K. C. Cole

University of Chicago Press, 2012

How do we reclaim our innate enchantment with the world? And how can we turn our natural curiosity into a deep, abiding love for knowledge? Frank Oppenheimer, the younger brother of the physicist J. Robert Oppenheimer, was captivated by these questions, and used his own intellectual inquisitiveness to found the Exploratorium, a powerfully influential museum of human awareness in San Francisco, that encourages play, creativity, and discovery—all in the name of understanding.
 
In this elegant biography, K. C. Cole investigates the man behind the museum with sharp insight and deep sympathy. The Oppenheimers were a family with great wealth and education, and Frank, like his older brother, pursued a career in physics. But while Robert was unceasingly ambitious, and eventually came to be known for his work on the atomic bomb, Frank’s path as a scientist was much less conventional. His brief fling with the Communist Party cost him his position at the University of Minnesota, and he subsequently spent a decade ranching in Colorado before returning to teaching. Once back in the lab, however, Frank found himself moved to create something to make the world meaningful after the bombing of Hiroshima and Nagasaki. He was inspired by European science museums, and he developed a dream of teaching Americans about science through participatory museums. Thus was born the magical world of the Exploratorium, forever revolutionizing not only the way we experience museums, but also science education for years to come.
 
Cole has brought this charismatic and dynamic figure to life with vibrant prose and rich insight into Oppenheimer as both a scientist and an individual.
 
[more]
cover of Something Old, Something Bold: Bridal Showers and Bachelorette Parties

Something Old, Something Bold

Bridal Showers and Bachelorette Parties

Montemurro, Beth

Rutgers University Press, 2006

Weddings in the United States are often extravagant, highly ritualized, and costly affairs.  In this book, Beth Montemurro takes a fresh look at the wedding process, offering a perspective not likely to be found in the many planning books and magazines readily available to the modern bride.  Montemurro draws upon years of ethnographic research to explore what prenuptial events mean to women participants and what they tell us about the complexity and ambiguity of gender roles. Through the bachelorette party and the bridal shower, the bride-to-be is initiated into the role of wife by her friends and family, who present elaborate scenarios that demonstrate both what she is sacrificing and what she is gaining.

            Montemurro argues that American society at the turn of the twenty-first century is still married to traditional conceptions of masculinity and femininity and that prenuptial rituals contribute to the stabilization of gender inequalities
[more]
cover of Something We Have That They Don't: British and American Poetic Relations since 1925

Something We Have That They Don't

British and American Poetic Relations since 1925

Steve & Mark Clark & Ford

University of Iowa Press, 2004

There is some connexion
(I like the way the English spell it
They’re so clever about some things
Probably smarter generally than we are
Although there is supposed to be something
We have that they don’'t—'don’t ask me
What it is. . . .)
—John Ashbery, “Tenth Symphony”

Something We Have That They Don’t presents a variety of essays on the relationship between British and American poetry since 1925. The essays collected here all explore some aspect of the rich and complex history of Anglo-American poetic relations of the last seventy years. Since the dawn of Modernism poets either side of the Atlantic have frequently inspired each other’s developments, from Frost’s galvanizing advice to Edward Thomas to rearrange his prose as verse, to Eliot’s and Auden’s enormous influence on the poetry of their adopted nations (“whichever Auden is,” Eliot once replied when asked if he were a British or an American poet, “I suppose, I must be the other”); from the impact of Charles Olson and other Black Mountain poets on J. H. Prynne and the Cambridge School, to the widespread influence of Frank O'Hara and Robert Lowell on a diverse range of contemporary British poets. Clark and Ford’s study aims to chart some of the currents of these ever-shifting relations. Poets discussed in these essays include John Ashbery, W. H. Auden, Elizabeth Bishop, T. S. Eliot, Mark Ford, Robert Graves, Thom Gunn, Lee Harwood, Geoffrey Hill, Michael Hofmann, Susan Howe, Robert Lowell, and W. B. Yeats.

“Poetry and sovereignty,” Philip Larkin remarked in an interview of 1982, “are very primitive things”: these essays consider the ways in which even seemingly very “unprimitive” poetries can be seen as reflecting and engaging with issues of national sovereignty and self-interest, and in the process they pose a series of fascinating questions about the national narratives that currently dominate definitions of the British and American poetic traditions.

This innovative and exciting new collection will be of great interest to students and scholars of British and American poetry and comparative literature.
[more]
cover of Something for Everyone: Memories of Lauerman Brothers Department Store

Something for Everyone

Memories of Lauerman Brothers Department Store

Michael Leanah

Wisconsin Historical Society Press, 2013

In 1890 the Lauerman brothers opened a general store in the lumber-boom town of Marinette, Wisconsin. The business prospered, and soon the brothers abandoned their small quarters on Main Street for a magnificent department store on Dunlap Square in the heart of Marinette. Thanks to the Lauermans’ devotion to offering diverse merchandise, superior customer service, and loyalty to their employees, the store would remain a lively, vital part of the Marinette fabric for one hundred years.

This book traces the history of the Lauerman enterprise and its importance to the community of Marinette and dozens of counties in northern Wisconsin and the UP. The author takes readers on a tour of the store’s most memorable and delightful features, from the plethora of merchandise offered to the record-listening booths to the famous frosted malt cones. Along the way we hear the recollections of dozens of former customers and employees whose memories form a unique tapestry of family, business, and community story. As it brings to life the people who worked and shopped at Lauermans, Something for Everyone will have readers fondly recalling their own favorite shopping destinations during the golden age of department stores.
[more]
cover of Somos Latinas: Voices of Wisconsin Latina Activists

Somos Latinas

Voices of Wisconsin Latina Activists

Andrea-Teresa Arenas

Wisconsin Historical Society Press, 2018

Twenty-five Latina agents of change share their inspirational stories.

Celebrated Latina civil rights activist Dolores Huerta once said, “Every moment is an organizing opportunity, every person a potential activist, every minute a chance to change the world.” These are the stories of some of the Latina activists from Wisconsin who have lived Huerta’s words. Somos Latinas shares the powerful narratives of 25 activists—from outspoken demonstrators to collaborative community-builders to determined individuals working for change behind the scenes—providing proof of the long-standing legacy of Latina activism throughout Wisconsin. 

Somos Latinas draws on activist interviews conducted as part of the Somos Latinas Digital History Project, housed at the Wisconsin Historical Society, and looks deep into the life and passion of each woman. Though Latinas have a rich history of community activism in the state and throughout the country, their stories often go uncelebrated. Somos Latinas is essential reading for scholars, historians, activists, and anyone curious about how everyday citizens can effect change in their communities.  
 
[more]
cover of Son of Southern Illinois: Glenn Poshard’s Life in Politics and Education

Son of Southern Illinois

Glenn Poshard’s Life in Politics and Education

Carl Walworth with Glenn Poshard

Southern Illinois University Press, 2023

A life of principles, service, and faith  

This first biography of Glenn Poshard traces the life of a young man who rose from rural poverty in Southern Illinois to become a United States congressman and president of the Southern Illinois University system. This profound portrait unveils a life and career dedicated to making higher education affordable and improving the quality of life for the community of Southern Illinois.  

Beginning with his childhood in a two-room home near Herald, Illinois and the early, tragic loss of his sister, this biography navigates Poshard’s service in the military, his time as a state senator and United States congressman, his run for governor, his years at Southern Illinois University, and the establishment of the Poshard Foundation for Abused Children. Intimacies of his personal life are disclosed, such as his struggles with and treatment for depression, his passion for education, and the lasting bonds he formed with his teachers. His unpopular decision to refuse PAC donations is also highlighted, along with the work that went into sponsoring the Illinois Wilderness Act, and his relationship with civil rights activist John Lewis. Glenn Poshard’s efforts for the Wilderness Act designated Southern Illinois’s famous Garden of the Gods as a National Wilderness Preservation System, which continues to attract visitors from around the world. 

Poshard’s path from poverty was riddled with hardship, but his perseverance and family values ultimately allowed for longstanding personal and civic growth. From an admirable work ethic to a steadfast commitment to problem-solving, this biography illuminates the life and accomplishments of an impressive and generous leader.

[more]
cover of Song of Sampo Lake

Song of Sampo Lake

William Durbin

University of Minnesota Press, 2011

For fifteen-year-old Matti Ojala and his family, Finnish immigrants in Minnesota in 1900, starting a new life in America is both a hardship and an opportunity. After a tragic mining accident kills their beloved uncle, the family turns away from on the iron mines to pursue the dream of owning a homestead in the wilderness. This means constant hard work and new challenges for the entire family. But will it also allow Matti, the in-between child, the chance to escape from his older brother’s shadow and gain the approval of his father, which he so desperately desires?
[more]
cover of Song of the Hammer and Drill: The Colorado San Juans, 1860-1914

Song of the Hammer and Drill

The Colorado San Juans, 1860-1914

Duane A. Smith

University Press of Colorado, 2000

As one of the great mining regions of Colorado and the United States, the San Juan Mountains provide insight into the development of both the industry and the state. First published in 1982, Song of the Hammer and Drill, with the help of more than 100 historical photographs, traces the mining and urban history of the San Juans from 1860-1914 through the lives of the people who opened, settled, and developed the beautiful but rugged mineral-rich peaks of southwestern Colorado.
[more]
cover of Songbooks: The Literature of American Popular Music

Songbooks

The Literature of American Popular Music

Eric Weisbard

Duke University Press, 2021

In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
[more]
cover of Songs in Black and Lavender: Race, Sexual Politics, and Women's Music

Songs in Black and Lavender

Race, Sexual Politics, and Women's Music

Eileen M. Hayes, Foreword by Linda Tillery

University of Illinois Press, 2010

Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and candor, longtime feminist activist Hayes elucidates why this music scene matters. Veteran vocalist, percussionist, producer, and cultural historian Linda Tillery provides a foreword.
[more]
cover of Songs of the Caged, Songs of the Free: Music and the Vietnamese Refugee Experience

Songs of the Caged, Songs of the Free

Music and the Vietnamese Refugee Experience

Adelaida Reyes

Temple University Press, 1999

Sad songs and love songs. For Vietnamese refugees who fled Vietnam after the 1975 takeover by the Viet Cong, the predominant music of choice falls into these two general categories rather than any particular musical genre. In fact, Adelaida Reyes discovers, music that exiles call "Vietnamese music" -- that is, music sung in Vietnamese and almost exclusively written before 1975 -- includes such varied influences as Western rock, French-derived valse, Latin chacha, tango, bolero, an d paso doble.

The Vietnamese refugee experience calls attention to issues commonly raised by migration: the redefinition of group relations, the reformulation of identity, and the reconstruction of social and musical life in resettlement. Fifteen years ago, Adelaida Reyes began doing fieldwork on the musical activities of Vietnamese refugees. She entered the emotion-driven world of forced migrants through expressive culture; learned to see the lives of refugee-resettlers through the music they made and enjoyed; and, in turn, gained a deeper understanding of their music through knowledge of their lives.

In Songs of the Caged, Songs of the Free, Reyes brings history, politics, and decades of research to her study of four resettlement communities, including refugee centers in Palawan and Bataan; the early refugee community in New Jersey; and the largest of all Vietnamese communities -- Little Saigon, in southern California's Orange County.

Looking closely at diasporic Vietnamese in each location, Reyes demonstrates that expressive culture provides a valuable window into the refugee experience. Showing that Vietnamese immigrants deal with more than simply a new country and culture in these communities, Reyes considers such issues as ethnicity, socio-economic class, and differing generations. She considers in her study music of all kinds -- performed and recorded, public and private -- and looks at music as listened to and performed by all age groups, including church music, club music, and music used in cultural festivals. Moving from traditional folk music to elite and modern music and from the recording industry to pirated tapes. Reyes looks at how Vietnamese in exile struggled, in different ways, to hold onto a part of their home culture and to assimilate into their  new, most frequently American, culture.

Songs of the Caged, Songs of the Free will attract the attention of readers in Asian American studies, Asian studies, music, and ethnomusicology.
[more]
cover of Songs of the Michigan Lumberjacks

Songs of the Michigan Lumberjacks

Earl Clifton Beck

University of Michigan Press, 1941

Songs of the Michigan Lumberjacks
[more]
cover of Songs of the Unsung: The Musical and Social Journey of Horace Tapscott

Songs of the Unsung

The Musical and Social Journey of Horace Tapscott

Horace Tapscott

Duke University Press, 2001

Despite his importance and influence, jazz musician, educator, and community leader Horace Tapscott remains relatively unknown to most Americans. In Songs of the Unsung Tapscott shares his life story, recalling his childhood in Houston, moving with his family to Los Angeles in 1943, learning music, and his early professional career. He describes forming the Pan Afrikan Peoples Arkestra in 1961 and later the Union of God's Musicians and Artists Ascension to preserve African American music and serve the community. Tapscott also recounts his interactions with the Black Panthers and law enforcement, the Watts riots, his work in Hollywood movie studios, and stories about his famous musician-activist friends. Songs of the Unsung is the captivating story of one of America’s most unassuming heroes as well as the story of L.A.'s cultural and political evolution over the last half of the twentieth century.
[more]
cover of Sonia Johnson: A Mormon Feminist

Sonia Johnson

A Mormon Feminist

Christine Talbot

University of Illinois Press, 2024

Few figures in the history of the Church of Jesus Christ of Latter-day Saints provoke such visceral responses as Sonia Johnson. Her unrelenting public support of the Equal Rights Amendment (ERA) made her the face of LDS feminism while her subsequent excommunication roiled the faith community.

Christine Talbot tells the story of Sonia’s historic confrontation with the Church within the context of the faith’s first large-scale engagement with the feminist movement. A typical if well-educated Latter-day Saints homemaker, Sonia was moved to action by the all-male LDS leadership’s opposition to the ERA and a belief the Church should stay out of politics. Talbot uses the activist’s experiences and criticisms to explore the ways Sonia’s ideas and situation sparked critical questions about LDS thought, culture, and belief. She also illuminates how Sonia’s excommunication shaped LDS feminism, the Church’s antagonism to feminist critiques, and the Church itself in the years to come.

A revealing and long-overdue account, Sonia Johnson explores the life, work, and impact of the LDS feminist.

[more]
cover of Sonic Persuasion: Reading Sound in the Recorded Age

Sonic Persuasion

Reading Sound in the Recorded Age

Greg Goodale

University of Illinois Press, 2011

Sonic Persuasion: Reading Sound in the Recorded Age critically analyzes a range of sounds on vocal and musical recordings, on the radio, in film, and in cartoons to show how sounds are used to persuade in subtle ways. Greg Goodale explains how and to what effect sounds can be "read" like an aural text, demonstrating this method by examining important audio cues such as dialect, pausing, and accent in presidential recordings at the turn of the twentieth century. Goodale also shows how clocks, locomotives, and machinery are utilized in film and literature to represent frustration and anxiety about modernity, and how race and other forms of identity came to be represented by sound during the interwar period. In highlighting common sounds of industry and war in popular media, Sonic Persuasion also demonstrates how programming producers and governmental agencies employed sound to evoke a sense of fear in listeners. Goodale provides important links to other senses, especially the visual, to give fuller meaning to interpretations of identity, culture, and history in sound.
[more]
cover of Sonora: A Description of the Province

Sonora

A Description of the Province

Ignaz Pfefferkorn; Foreword by Bernard L. Fontana; Translated and Annotated by Theodore E. Treutlein

University of Arizona Press, 1989

"The bloodsucking bat, construction of bows and arrows, the punishment for adultery among the Apaches... all was grist that dropped into the industrious mill of Father Pfefferkorn's eyes, ears, and brain."—Saturday Review

"To be read for enjoyment; nevertheless, the historian will find in it a wealth of information that has been shrewdly appraised, carefully sifted, and creditably related."—Catholic Historical Review

"Of interest not only to the historian but to the geographer and anthropologist."—Pacific Historical Review
 
[more]
cover of Sonoran Desert Bestiary: A More-than-Natural History

Sonoran Desert Bestiary

A More-than-Natural History

Text by Gary Paul Nabhan; Illustrations by Robert J. Long

University of Arizona Press, 2026

The Sonoran Desert has many marvelous and well-known creatures such as the javelina and the coyote, often found on postcards and lawn ornaments. But what about the lesser-known creatures—the ones that are underfoot yet unseen, that lurk only in the shadows and in our imaginations? In this collection of essays, prose poems, and illustrations, naturalist Gary Paul Nabhan and artist Robert J. Long team up to celebrate these unsung beings of the Sonoran Desert.

This desert bestiary includes creatures whose existence lies largely in traditional story and belief, as well as creatures whose life cycles are so cryptic they seem mythic, such as the walking catfish and the carbunco. Positioned at the dynamic intersection of folklore and natural history, the book reflects on the reasons why human imaginations over the ages have reached into this realm of seldom seen but often intuited animals. Focusing on small animals and charismatic mini-fauna, Nabhan expands our understanding of the natural world by delightfully describing the interactions between animals and plants.

This more-than-natural history is for anyone who finds joy in the marvels of the natural world.

[more]
cover of Sonoran Desert Journeys: Ecology and Evolution of Its Iconic Species

Sonoran Desert Journeys

Ecology and Evolution of Its Iconic Species

Theodore H. Fleming

University of Arizona Press, 2022

Lizards dashing rapidly between plants. Songbirds and woodpeckers flying to and from their nests. Hawks perched on saguaros. What kinds of journeys have these and many other animals and plants and their ancestors taken in space and time to arrive in the Sonoran Desert? How long have these species been living together here?

In Sonoran Desert Journeys ecologist Theodore H. Fleming discusses two remarkable journeys. First, Fleming offers a brief history of our intellectual and technical journey over the past three centuries to understand the evolution of life on Earth. Next, he applies those techniques on a journey of discovery about the evolution and natural history of some of the Sonoran Desert’s most iconic animals and plants. Fleming details the daily lives of a variety of reptiles, birds, mammals, and plants, describing their basic natural and evolutionary histories and addressing intriguing issues associated with their lifestyles and how they cope with a changing climate. Finally, Fleming discusses the complexity of Sonoran Desert conservation.

This book explores the evolution and natural history of iconic animals and plants of the northern Sonoran Desert through the eyes of a curious naturalist and provides a model of how we can coexist with the unique species that call this area home.
 
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cover of Sophia Peabody Hawthorne: A Life, Volume 2, 1848-1871

Sophia Peabody Hawthorne

A Life, Volume 2, 1848-1871

Patricia Dunlavy Valenti

University of Missouri Press, 2015

As is often the case with spouses of celebrities, Sophia Peabody Hawthorne was overshadowed by her husband. While Nathaniel Hawthorne is renowned for numerous publications, including The Scarlet Letter, that staple in high school English curricula, Sophia’s remarkable life and career did not receive the recognition they deserve. She was, however, a source for many of Nathaniel’s stories and responsible for much that he accomplished. Sophia was an artist, one of the first in America to earn income from her painting and decorative arts; she was also a writer and traveler to foreign countries at a time when women typically confined their activities to the home. Patricia Dunlavy Valenti began to tell this story in Sophia Peabody Hawthorne: A Life, Volume 1, 1809-1847 (2004). This biography concludes now in a second volume, which details the less examined and more surprising second half of Sophia’s life.
Valenti’s thorough research culminates in a compelling, revealing account of Sophia’s travels to Britain and Europe and her intense personal relationships outside her marriage with men and women, among them notable figures in American history and literature. As an impoverished widow, Sophia dealt resourcefully with the consequences of her husband’s financial carelessness; as a mother, her liberal practices resulted in unintended, sometimes unfortunate consequences. Throughout every vicissitude, her relentless optimism prevailed.
With the publication of Sophia Peabody Hawthorne: A Life, Volume 2, 1848-1871, Sophia emerges forever from the shadow cast by her husband. Historians and general readers alike will be drawn to this riveting account of an interesting, important woman and what her life reveals about American history and culture at a moment of national conflict, emerging class divisions, and evolving gender roles.
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cover of Sophia Peabody Hawthorne: A Life, Volume I, 1809-1847

Sophia Peabody Hawthorne

A Life, Volume I, 1809-1847

Patricia Dunlavy Valenti

University of Missouri Press, 2004

Sophia Peabody Hawthorne is known almost exclusively in her role as the wife of Nathaniel Hawthorne, who portrayed her as the fragile, ethereal, infirm “Dove.” That image, invented by Nathaniel to serve his needs and affirm his manhood, was passed on by his biographers, who accepted their subject’s perception without question. In fact, the real Sophia was very different from Nathaniel’s construction of her.
 
An independent, sensuous, daring woman, Sophia was an accomplished artist before her marriage to Nathaniel. Moreover, what she brought to their union inspired Nathaniel’s imagination beyond the limits of his previously confined existence. In Sophia Peabody Hawthorne, Patricia Dunlavy Valenti situates the story of Sophia’s life within its own historical, philosophical, and cultural background, as well as within the context of her marriage. Valenti begins with parallel biographies that present Sophia, and then Nathaniel, at comparable periods in their lives.

Sophia was born into an expansive, somewhat chaotic home in which women provided financial as well as emotional sustenance. She was a precocious, eager student whose rigorous education, in her mother’s and her sisters’ schools, began her association with the children of New England’s elite. Sophia aspired to become a professional, self-supporting painter, exhibiting her art and seeking criticism from established mentors. She relished an eighteen-month sojourn in Cuba. Nathaniel’s reclusive family, his reluctant early education, his anonymous pursuit of a career, and his relatively circumscribed life contrast markedly with the experience of the woman who became his wife and the mother of his children. Those differences resulted in a creative abrasion that ignited his fiction during the first years of their marriage.
 
Volume 1 of this biography concludes with Sophia’s negotiation of the Hawthornes’ departure from the Old Manse and the birth of their second child. This period also coincides with the conclusion of Nathaniel’s major phase of short story writing.
 
Sophia Peabody Hawthorne is an engrossing story of a nineteenth-century American life. It analyzes influences upon authorship and questions the boundaries of intellectual property in the domestic sphere. The book also offers fresh interpretations of Nathaniel Hawthorne’s fiction, examining it through the lens of Sophia’s vibrant personality and diverse interests. Students and scholars of American literature, literary theory, feminism, and cultural history will find much to enrich their understanding of this woman and this era.
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