3703 books match the query '19th Century' and 256 start with s

cover of Seeing New Worlds: Henry David Thoreau and Nineteenth-Century Natural Science

Seeing New Worlds

Henry David Thoreau and Nineteenth-Century Natural Science

Laura Dassow Walls

University of Wisconsin Press, 1995

Thoreau was a poet, a naturalist, a major American writer. Was he also a scientist? He was, Laura Dassow Walls suggests. Her book, the first to consider Thoreau as a serious and committed scientist, will change the way we understand his accomplishment and the place of science in American culture.
    Walls reveals that the scientific texts of Thoreau’s day deeply influenced his best work, from Walden to the Journal to the late natural history essays. Here we see how, just when literature and science were splitting into the “two cultures” we know now, Thoreau attempted to heal the growing rift. Walls shows how his commitment to Alexander von Humboldt’s scientific approach resulted in not only his “marriage” of poetry and science but also his distinctively patterned nature studies. In the first critical study of his “The Dispersion of Seeds” since its publication in 1993, she exposes evidence that Thoreau was using Darwinian modes of reasoning years before the appearance of Origin of Species.
    This book offers a powerful argument against the critical tradition that opposes a dry, mechanistic science to a warm, “organic” Romanticism. Instead, Thoreau’s experience reveals the complex interaction between Romanticism and the dynamic, law-seeking science of its day. Drawing on recent work in the theory and philosophy of science as well as literary history and theory, Seeing New Worlds bridges today’s “two cultures” in hopes of stimulating a fuller consideration of representations of nature.
   

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cover of Seeing Red: Anger, Sentimentality, and American Indians

Seeing Red

Anger, Sentimentality, and American Indians

Cari M. Carpenter

The Ohio State University Press, 2008

In Seeing Red, Cari M. Carpenter examines anger in the poetry and prose of three early American Indian writers: S. Alice Callahan, Pauline Johnson, and Sarah Winnemucca. In articulating a legitimate anger in the late nineteenth century, the first published indigenous women writers were met not only with stereotypes of “savage” rage but with social proscriptions against female anger. While the loss of land, life, and cultural traditions is central to the Native American literature of the period, this dispossession is only one side of the story. Its counterpart, indigenous claims to that which is threatened, is just as essential to these narratives. The first published American Indian women writers used a variety of tactics to protest such dispossession. Seeing Red argues that one of the most pervasive and intriguing of these is sentimentality.
 
Carpenter argues that while anger is a neglected element of a broad range of sentimental texts, it should be recognized as a particularly salient subject in early literature written by Native American women. To date, most literary scholars—whether they understand sentimentality in terms of sympathetic relations or of manipulative influence—have viewed anger as an obstacle to the genre. Placing anger and sentimentality in opposition, however, neglects their complex and often intimate relationship. This case study of three Native American women writers is not meant to fall easily into either the “pro” or “anti” sentimentality camp, but to acknowledge sentimentality as a fraught, yet potentially useful, mode for articulating indigenous women’s anger.
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cover of Seeing Underground: Maps, Models, and Mining Engineering in America

Seeing Underground

Maps, Models, and Mining Engineering in America

Eric C. Nystrom

University of Nevada Press, 2014

Digging mineral wealth from the ground dates to prehistoric times, and Europeans pursued mining in the Americas from the earliest colonial days. Prior to the Civil War, little mining was deep enough to require maps. However, the major finds of the mid-nineteenth century, such as the Comstock Lode, were vastly larger than any before in America. In Seeing Underground, Nystrom argues that, as industrial mining came of age in the United States, the development of maps and models gave power to a new visual culture and allowed mining engineers to advance their profession, gaining authority over mining operations from the miners themselves.

Starting in the late nineteenth century, mining engineers developed a new set of practices, artifacts, and discourses to visualize complex, pitch-dark three-dimensional spaces. These maps and models became necessary tools in creating and controlling those spaces. They made mining more understandable, predictable, and profitable. Nystrom shows that this new visual culture was crucial to specific developments in American mining, such as implementing new safety regulations after the Avondale, Pennsylvania fire of 1869 killed 110 men and boys; understanding complex geology, as in the rich ores of Butte, Montana; and settling high-stakes litigation, such as the Tonopah, Nevada, Jim Butler v. West End lawsuit, which reached the US Supreme Court.

Nystrom demonstrates that these neglected artifacts of the nineteenth and early twentieth centuries have much to teach us today. The development of a visual culture helped create a new professional class of mining engineers and changed how mining was done. Seeing Undergound is the winner of the 2015 Mining History Association’s Clark Spence Award for the best book on mining history.
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cover of Seeing to See: The Non-Teleological Poetics of Dickinson and Thoreau

Seeing to See

The Non-Teleological Poetics of Dickinson and Thoreau

Daniel A. Nelson

University of Massachusetts Press, 2025

Seeing to See focuses on two American authors who are notoriously hard to classify: Emily Dickinson and Henry David Thoreau. Dickinson proves challenging due to her short and obscure poems and Thoreau due to his insistence on capturing even the most seemingly mundane information. Daniel A. Nelson uncovers evidence that the works of these authors are often intentionally and painstakingly without aim or purpose. He argues that in their texts there is in fact an avoidance of teleological structures of writing and thinking, whereby a thing’s—or a word’s, or a text’s—value hinges on its relation to the world or other contexts.

In Nelson’s reading, Thoreau and Dickinson seem to be able to set aside all thought of distinct personal and professional goals, through which readers typically try to make an overarching sense out of, and to derive some form of profit from, disparate experiences, events, actions, and feelings. Further, both authors seem to be able to get outside of the worldview according to which the value and meaning of something, be it a natural object, a word, or an experience, is a function of its participation in a larger system. Examples of such systems include an ecosystem, taxonomic system, or syntactic system; a writer’s career, or life, or philosophy; even a single poem or journal entry. In the absence of such connections to broader categorical spheres, both writers force readers to contemplate the ineffable, constantly changing relation between words and the natural world. This contemporary reading of two iconic writers reframes their work and how readers think of nature, accepting, as these authors did, the potential freedom of the unknown.

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cover of Seeking Sakyamuni: South Asia in the Formation of Modern Japanese Buddhism

Seeking Sakyamuni

South Asia in the Formation of Modern Japanese Buddhism

Richard M. Jaffe

University of Chicago Press, 2019

Though fascinated with the land of their tradition’s birth, virtually no Japanese Buddhists visited the Indian subcontinent before the nineteenth century. In the richly illustrated Seeking Śākyamuni, Richard M. Jaffe reveals the experiences of the first Japanese Buddhists who traveled to South Asia in search of Buddhist knowledge beginning in 1873. Analyzing the impact of these voyages on Japanese conceptions of Buddhism, he argues that South Asia developed into a pivotal nexus for the development of twentieth-century Japanese Buddhism. Jaffe shows that Japan’s growing economic ties to the subcontinent following World War I fostered even more Japanese pilgrimage and study at Buddhism’s foundational sites. Tracking the Japanese travelers who returned home, as well as South Asians who visited Japan, Jaffe describes how the resulting flows of knowledge, personal connections, linguistic expertise, and material artifacts of South and Southeast Asian Buddhism instantiated the growing popular consciousness of Buddhism as a pan-Asian tradition—in the heart of Japan.
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cover of Seeking the One Great Remedy: Francis George Shaw and Nineteenth-Century Reform

Seeking the One Great Remedy

Francis George Shaw and Nineteenth-Century Reform

Lorien Foote

Ohio University Press, 2003

A radical abolitionist and early feminist, Francis George Shaw (1809–1882) was a prominent figure in American reform and intellectual circles for five decades. He rejected capitalism in favor of a popular utopian socialist movement; during the Civil War and Reconstruction, he applied his radical principles to the Northern war effort and to freedmen’s organizations.

A partnership with Henry George in the late 1870s provided an international audience for Shaw’s alternative vision of society. Seeking the One Great Remedy is the biography of this remarkable and influential man. In compelling detail, author Lorien Foote depicts the many aspects and exploits of the Shaw family. Their activities provide a perspective on the course of American reform that calls into question previous interpretations of the reform movement of this period.

Francis George Shaw is perhaps best known as the father of Robert Gould Shaw, subject of the movie Glory. Francis and his wife, Sarah Blake Shaw, achieved considerable notoriety for their activities, including their effort to shape public opinion during the Civil War. Turning the tragic death of their son into a public relations and propaganda triumph, they altered Northern opinion about the war and shaped a historical perception of the famous Massachusetts Fifty-fourth that continues today.

Seeking the One Great Remedy argues that social radicalism was pervasive among elite reformers before and after the Civil War and finds in the dramatic story of Francis George Shaw a model of that cause.

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cover of Seeking the Truth

Seeking the Truth

Richard Reinsch II

Catholic University of America Press, 2016

This anthology of essays from the great nineteenth-century thinker Orestes A. Brownson will engage the reader with key writings from one of the most compelling American Catholic intellectuals. Brownson was a spiritual seeker who migrated through Presbyterianism, Universalism, skepticism, Unitarianism, and Transcendentalist thought, and finally at age 41 to Catholicism. Politically he found himself anticipating socialism in the 1830s, then, turning into a disciple of John Calhoun's states rights constitutionalism, and later he incorporated his criticisms of mass democracy into a unique philosophical defense of the Constitution that emerged in full bloom during the Civil War.
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cover of Seeming Human: Artificial Intelligence and Victorian Realist Character

Seeming Human

Artificial Intelligence and Victorian Realist Character

Megan Ward

The Ohio State University Press, 2018

Offers a new theory of realist character through character’s unexpected afterlife: the intelligent machine.

In Seeming Human, Megan Ward contends that mid-twentieth-century versions of artificial intelligence (AI) offer a theory of verisimilitude omitted by traditional histories of character, which often focus on the development of interiority and the shift from “flat” to “round” characters in the Victorian era. Instead, by reading character through AI, Megan Ward’s Seeming Human argues that routinization, predictability, automation, and even flatness are all features of realist characters.

Early artificial intelligence movements such as cybernetics, information theory, and the Turing test define ways of seeming—rather than being—human. Using these theories of verisimilitude to read Victorian novelists such as Elizabeth Gaskell, Margaret Oliphant, Anthony Trollope, Thomas Hardy, and Henry James, Seeming Human argues that mechanicity has been perceived as anti-realist because it is the element that we least want to identify as human. Because AI produces human-like intelligence, it makes clear that we must actually turn to machines in order to understand what makes realist characters seem so human.
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cover of Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow

Segregating Sound

Inventing Folk and Pop Music in the Age of Jim Crow

Karl Hagstrom Miller

Duke University Press, 2010

In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits.

In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.

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cover of Selected Letters of Charles Baudelaire: The Conquest of Solitude

Selected Letters of Charles Baudelaire

The Conquest of Solitude

Charles Baudelaire

University of Chicago Press, 1986

Undeniably one of the modern world's greatest literary figures, Charles Baudelaire (1821-67) left behind a correspondence documenting in intimate detail a life as intense in its extremes as his poetry. This extensive selection of his letters—many translated for the first time into English—depicts a poet divided between despair and elation, thoughts of suicide and intimations of immortality; a man who could write to his mother, "We're obviously destined to love one another, to end our lives as honestly and gently as possible," and say in the next sentence, "I'm convinced that one of us will kill the other"; who courted and then suffered the controversy provoked by his masterpiece, Les Fleurs du mal; who struggled throughout his life with syphilis contracted in his youth, near-intolerable financial restrictions imposed by his stepfather, and conflicting feelings of failure and revolt dating from his school days.

Writing to family, friends, and lovers, Baudelaire reveals the incidents and passions that went into his poetry. In letters to editors, idols, and peers—Hugo, Flaubert, Vigny, Wagner, Cladel, among others—he elucidates the methods and concerns of his own art and criticism and comments tellingly on the arts and politics of his day. In all, ranging from childhood to days shortly before his death, these letters comprise a complex and moving portrait of the quintessential poet and his time.
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cover of Selected Letters of Stéphane Mallarmé

Selected Letters of Stéphane Mallarmé

Stéphane Mallarmé

University of Chicago Press, 1988

It is the reading world's good fortune that Stéphane Mallarmé's letters survived, allowing later generations an intimate look at the inner life of one of Europe's most important poets. Mallarmé (1842-98), often called the father of the Symbolists, has had an immense influence on the development of modern European poetry. It was his ambition to create a poetry pure of quotidian reality—autonomous, concentrated, linguistically inventive. His correspondence documents the evolution of this aim, the crafting of a poetics out of a life inescapably "real" in its pains and charms.
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cover of Selected Letters of Walt Whitman

Selected Letters of Walt Whitman

Edwin Haviland Miller

University of Iowa Press, 1990

There has never been an edition of the selected letters of Walt Whitman, a remarkable fact considering how accustomed we are to becoming acquainted with major writers through their letters. Now Edwin Haviland Miller, editor of the six-volume collected writings of Whitman, has used his intimate knowledge of the "good gray poet's" correspondence to produce this revealing selection of 250 letters, introduced and annotated concisely and evocatively. Whitman in these letters is simple, direct, colloquial, adding a counterpoint to his artistic voice and persona as a poet.

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cover of Selected Stories

Selected Stories

A. F. Veltman

Northwestern University Press, 2026

Five tales of social satire from a forgotten sensation of nineteenth-century Russian literature

In 1830s and ’40s Russia, A.  F. Veltman’s eccentric writings were a fixture on the bookshelves of the reading public. In his era, his work influenced writers including Pushkin, Gogol, and Dostoevsky. The five stories collected here, united by themes of social satire, display Veltman’s characteristic pivots between the tragic, comic, and grotesque. 

“Erotida” riffs on the genre of the society tale with linguistic puns and a bizarre plot resolution. In “Roland the Furious,” provincial officials mistake a traveler for a high-ranking government functionary. “Travel Impressions, and, among Other Things, a Pot of Geraniums” plays on the travelogue genre and includes what may be the first description in Russian literature of journey by railroad. “A Traveler from the Provinces; or, A Commotion in the Capital” parodies the Moscow literary salons of Veltman’s day. Finally, “It’s Not a House, but a Plaything!” toys with yet another storytelling convention of the time—the Russian folkloric tradition of “house spirits.”
 
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cover of Senator Thomas J. Walsh of Montana: Law and Public Affairs, from TR to FDR

Senator Thomas J. Walsh of Montana

Law and Public Affairs, from TR to FDR

J. Leonard Bates

University of Illinois Press, 1999

This is the first comprehensive biography of Thomas J. Walsh, the Democratic senator from Montana from 1913 to 1933 who was best known for his role in uncovering the Teapot Dome scandal. J. Leonard Bates places Walsh in his colorful and tumultuous times, illuminating Montana history and politics as well as national movements including Progressivism, internationalism, Prohibition, war, and so-called normalcy.
 
Walsh fought throughout his long career against corruption and monopoly power. During his early years as a lawyer-politician in Helena, he was often in conflict with the "Copper Kings" and other powerful figures. As a senator, he became an internationalist, working throughout the 1920s for naval disarmament, the World Court, the St. Lawrence Seaway, and the Kellogg-Briand Pact for the "outlawry" of war.
 
In his most celebrated coup, breaking open the Teapot Dome scandal of 1923-24, Walsh revealed that the secretary of the interior had accepted "loans" from oil men in return for leases of U.S. naval oil reserves. Working through the Public Lands Committee of the Senate, Walsh enjoyed support for his investigation from members of both parties, and the Supreme Court endorsed his interpretation of the scandal in 1927. Shortly before his death, he presided over the Democratic National Convention that nominated Franklin Roosevelt and served for a brief time as a key figure in the new leader's circle.
 
Drawing on archival sources of unprecedented depth, including personal letters between Walsh and his first wife, Elinor McClements Walsh, Bates's expansive study paints a richly detailed portrait of an influential and principled figure whose political career spanned world war, depression, and the administrations of six presidents.
 
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cover of Sensing Chicago: Noisemakers, Strikebreakers, and Muckrakers

Sensing Chicago

Noisemakers, Strikebreakers, and Muckrakers

Adam Mack

University of Illinois Press, 2015

A hundred years ago and more, a walk down a Chicago street invited an assault on the senses. Untiring hawkers shouted from every corner. The manure from thousands of horses lay on streets pooled with molasses and puddled with kitchen grease. Odors from a river gelatinous and lumpy with all manner of foulness mingled with the all-pervading stench of the stockyard slaughterhouses.

In Sensing Chicago, Adam Mack lets fresh air into the sensory history of Chicago in the nineteenth and early twentieth centuries by examining five case studies: the Chicago River, the Great Fire, the 1894 Pullman Strike, the publication of Upton Sinclair's The Jungle, and the rise and fall of the White City amusement park. His vivid recounting of the smells, sounds, and tactile miseries of city life reveals how input from the five human senses influenced the history of class, race, and ethnicity in the city. At the same time, he transports readers to an era before modern refrigeration and sanitation, when to step outside was to be overwhelmed by the odor and roar of a great city in progress.

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cover of Sensory Experiments: Psychophysics, Race, and the Aesthetics of Feeling

Sensory Experiments

Psychophysics, Race, and the Aesthetics of Feeling

Erica Fretwell

Duke University Press, 2020

In Sensory Experiments, Erica Fretwell excavates the nineteenth-century science of psychophysics and its theorizations of sensation to examine the cultural and aesthetic landscape of feeling in nineteenth-century America. Fretwell demonstrates how psychophysics—a scientific movement originating in Germany and dedicated to the empirical study of sensory experience—shifted the understandings of feeling from the epistemology of sentiment to the phenomenological terrain of lived experience. Through analyses of medical case studies, spirit photographs, perfumes, music theory, recipes, and the work of canonical figures ranging from Kate Chopin and Pauline Hopkins to James Weldon Johnson and Emily Dickinson, Fretwell outlines how the five senses became important elements in the biopolitical work of constructing human difference along the lines of race, gender, and ability. In its entanglement with social difference, psychophysics contributed to the racialization of aesthetics while sketching out possibilities for alternate modes of being over and against the figure of the bourgeois liberal individual. Although psychophysics has largely been forgotten, Fretwell demonstrates that its importance to shaping social order through scientific notions of sensation is central to contemporary theories of new materialism, posthumanism, aesthetics, and affect theory.
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cover of Sentimental Collaborations: Mourning and Middle-Class Identity in Nineteenth-Century America

Sentimental Collaborations

Mourning and Middle-Class Identity in Nineteenth-Century America

Mary Louise Kete

Duke University Press, 2000

During the 1992 Democratic Convention and again while delivering Harvard University’s commencement address two years later, Vice President Al Gore shared with his audience a story that showed the effect of sentiment in his life. In telling how an accident involving his son had provided him with a revelation concerning the compassion of others, Gore effectively reconstructed himself as a typical, middle-class American for whom sympathy can lead to salvation. This contemporary reiteration of mid-nineteenth-century American sentimental discourse proves to be a fruitful point of departure for Mary Louise Kete’s argument that sentimentality has been an important and recurring form of cultural narrative that has helped to shape middle-class American life.
Many scholars have written about the sentimental novel as a primarily female genre and have stressed its negative ideological aspects. Kete finds that in fact many men—from writers to politicians—participated in nineteenth-century sentimental culture. Importantly, she also recovers the utopian dimension of the phenomenon, arguing that literary sentimentality, specifically in the form of poetry, is the written trace of a broad cultural discourse that Kete calls “sentimental collaboration”—an exchange of sympathy in the form of gifts that establishes common cultural or intellectual ground. Kete reads the work of Ralph Waldo Emerson, Henry Wadsworth Longfellow, Mark Twain, Harriet Beecher Stowe, and Lydia Huntley Sigourney with an eye toward the deployment of sentimentality for the creation of Americanism, as well as for political and abolitionist ends. Finally, she locates the origins of sentimental collaboration in the activities of ordinary people who participated in mourning rituals—writing poetry, condolence letters, or epitaphs—to ease their personal grief.
Sentimental Collaborations significantly advances prevailing scholarship on Romanticism, antebellum culture, and the formation of the American middle class. It will be of interest to scholars of American studies, American literature, cultural studies, and women’s studies.
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cover of Sentimental Materialism: Gender, Commodity Culture, and Nineteenth-Century American Literature

Sentimental Materialism

Gender, Commodity Culture, and Nineteenth-Century American Literature

Lori Merish

Duke University Press, 2000

In Sentimental Materialism Lori Merish considers the intricate relationship between consumption and womanhood in the late eighteenth and nineteenth centuries. Taking as her starting point a diversity of cultural artifacts—from domestic fiction and philosophical treatises to advice literature and cigars—Merish explores the symbolic functions they served and finds that consumption evolved into a form of personal expressiveness that indicated not only a woman’s wealth and taste but also her race, class, morality, and civic values. The discursive production of this new subjectivity—the feminine consumer—was remarkably influential, helping to shape American capitalism, culture, and nation building.

The phenomenon of female consumption was capitalism’s complement to male production: It created what Merish calls the “Other Protestant Ethic,”a feminine and sentimental counterpart to Max Weber’s ethic of hard work, economic rationality, and self-control. In addition, driven by the culture’s effort to civilize the “cannibalistic” practices of ethnic, class, and national otherness, appropriate female consumerism, marked by taste and refinement, identified certain women and their families as proper citizens of the United States. The public nature of consumption, however, had curiously conflicting effects: While the achievement of cultured material circumstances facilitated women’s civic agency, it also reinforced stereotypes of domestic womanhood.

Sentimental Materialism’s inquiry into middle-class consumption and accompanying ideals of womanhood will appeal to readers in a variety of disciplines, including American studies, cultural studies, feminist theory, and cultural history.

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cover of Separate Spheres No More: Gender Convergence in American Literature, 1830-1930

Separate Spheres No More

Gender Convergence in American Literature, 1830-1930

Monika Elbert

University of Alabama Press, 2000

Examines the intersection of male and female spheres in American literature

Although they wrote in the same historical milieu as their male counterparts, women writers of the 19th- and early 20th-centuries have generally been "ghettoized" by critics into a separate canonical sphere. These original essays argue in favor of reconciling male and female writers, both historically and in the context of classroom teaching.

While some of the essays pair up female and male authors who write in a similar style or with similar concerns, others address social issues shared by both men and women, including class tensions, economic problems, and the Civil War experience. Rather than privileging particular genres or certain well-known writers, the contributors examine writings ranging from novels and poetry to autobiography, utopian fiction, and essays. And they consider familiar figures like Harriet Beecher Stowe, Emily Dickinson, and Ralph Waldo Emerson alongside such lesser-known writers as Melusina Fay Peirce, Susie King Taylor, and Mary Gove Nichols.

Each essay revises the binary notions that have been ascribed to males and females, such as public and private, rational and intuitive, political and domestic, violent and passive. Although they do not deny the existence of separate spheres, the contributors show the boundary between them to be much more blurred than has been assumed until now.

 

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cover of Settlement Folk: Social Thought and the American Settlement Movement, 1885-1930

Settlement Folk

Social Thought and the American Settlement Movement, 1885-1930

Mina Carson

University of Chicago Press, 1990

Mina Carson deftly merges social and intellectual history to reconsider the settlement movement—its Anglo-American roots and evolution, its conflicts and accomplishments. Carson focuses her study on the careers and ideas of settlement founders and leaders, among them Jane Addams, Robert Woods, Mary Simkhovitch, Lillian Wald, and Graham Taylor. She demonstrates how these influential, often charismatic leaders appropriated and adapted certain Victorian values—such as the Social Gospel and the religion of character—to their visions of urban reform through action and experimentation.

These extraordinary individuals left an enduring legacy of beliefs about professional and voluntary responsibility for welfare services. As Carson shows, however, their genius for image creation and their myriad connections with other intellectual and social leaders extended the influence of the settlement ideology in many directions: fostering new attitudes toward the American city and the equality of the sexes, initiating a new social-scientific approach to social problems, and shaping the self-definition of the American educated middle class.
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cover of Settling Ohio: First Peoples and Beyond

Settling Ohio

First Peoples and Beyond

Timothy G. Anderson and Brian Schoen

Ohio University Press, 2023

Scholars working in archaeology, education, history, geography, and politics tell a nuanced story about the people and dynamics that reshaped this region and determined who would control it. The Ohio Valley possesses some of the most resource-rich terrain in the world. Its settlement by humans was thus consequential not only for shaping the geographic and cultural landscape of the region but also for forming the United States and the future of world history. Settling Ohio begins with an overview of the first people who inhabited the region, who built civilizations that moved massive amounts of earth and left an archaeological record that drew the interest of subsequent settlers and continues to intrigue scholars. It highlights how, in the eighteenth century, Native Americans who migrated from the East and North interacted with Europeans to develop impressive trading networks and how they navigated complicated wars and sought to preserve national identities in the face of violent attempts to remove them from their lands. The book situates the traditional story of Ohio settlement, including the Northwest Ordinance, the dealings of the Ohio Company of Associates, and early road building, into a far richer story of contested spaces, competing visions of nationhood, and complicated relations with Indian peoples. By so doing, the contributors provide valuable new insights into how chaotic and contingent early national politics and frontier development truly were. Chapters highlighting the role of apple-growing culture, education, African American settlers, and the diverse migration flows into Ohio from the East and Europe further demonstrate the complex multiethnic composition of Ohio’s early settlements and the tensions that resulted. A final theme of this volume is the desirability of working to recover the often-forgotten history of non-White peoples displaced by the processes of settler colonialism that has been, until recently, undervalued in the scholarship.
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cover of Seven Gothic Dramas, 1789–1825: 1789-1825

Seven Gothic Dramas, 1789–1825

1789-1825

Jeffrey N. Cox

Ohio University Press, 1994

The Gothic drama came at a critical moment in the history of the theater, of British culture, and of European politics in the shadow of France’s revolution and the fall of Napoleon. It offered playwrights a medium to express the prevailing ideological tensions of romanticism and revolution, and also responded to a growing and changing theater audience.

In a wide-ranging introduction, Cox explores Gothic drama’s links with romanticism and its relation to other social and ideological shifts of the day. The texts are presented so as to reflect the dual life of dramatic works—on the stage and on the page. The plays are annotated and accompanied by biographic and bibliographic sketches.

Includes The Kentish Barons, by Francis North; Julia of Louvain; or, Monkish Cruelty, by J.C. Cross; The Castle Spectre, by Matthew G. Lewis; The Captive, by Matthew G. Lewis; De Monfort, by Joanna Baillie; Bertram; or, The Castle of St. Aldobrand, by C.R. Maturin; and Presumption; or, The Fate of Frankenstein, by R.B. Peake.

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cover of Seven Stories of Threatening Speech: Women's Suffrage Meets Machine Code

Seven Stories of Threatening Speech

Women's Suffrage Meets Machine Code

Ruth A. Miller

University of Michigan Press, 2012

Ruth A. Miller demonstrates the potential of taking nonhuman linguistic activity—such as the running of machine code—as an analytical model. Via a lively discussion of 19th-century pro- and antisuffragists, Miller tells a new computational story in which language becomes a thing that executes physically or mechanically through systems, networks, and environments, rather than a form for human recognition or representation. Language might be better understood as something that operates but never communicates, that sorts, stores, or reproduces information but never transmits meaning. Miller makes a compelling case that the work that speech has historically done is in need of reevaluation. She severs the link between language and human as well as nonhuman agency, between speech acts and embodiment, and she demonstrates that current theories of electoral politics have missed a key issue: the nonhuman, informational character of threatening linguistic activity.

This book thus represents a radical methodological initiative not just for scholars of history and language but for specialists in law, political theory, political science, gender studies, semiotics, and science and technology studies. It takes posthumanist scholarship to an exciting and essential, if sometimes troubling, conclusion.

“It is an erudite work by a scholar of enormous talent, who advances a thesis that is richly insightful and deeply provocative.”
—Mary Hawkesworth, Rutgers University
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cover of Sex Changes with Kleist

Sex Changes with Kleist

Katrin Pahl

Northwestern University Press, 2019

Sex Changes with Kleist analyzes how the dramatist and poet Heinrich von Kleist (1777–1811) responded to the change in the conception of sex and gender that occurred in the eighteenth century. Specifically, Katrin Pahl shows that Kleist resisted the shift from a one-sex to the two-sex and complementary gender system that is still prevalent today. With creative close readings engaging all eight of his plays, Pahl probes Kleist’s appreciation for incoherence, his experimentation with alternative symbolic orders, his provocative understanding of emotion, and his camp humor. Pahl demonstrates that rather than preparing modern homosexuality, Kleist puts an end to modern gender norms even before they take hold and refuses the oppositional organization of sexual desire into homosexual and heterosexual that sprouts from these norms.

Focusing on the theatricality of Kleist’s interventions in the performance of gender, sexuality, and emotion and examining how his dramatic texts unhinge major tenets of classical European theater, Sex Changes with Kleist is vital reading for anyone interested in queer studies, feminist studies, performance studies, literary studies, or emotion studies. This book changes our understanding of Kleist and breathes new life into queer thought.
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cover of Sex Radicals and the Quest for Women's Equality

Sex Radicals and the Quest for Women's Equality

Joanne E. Passet

University of Illinois Press, 2003

Questioning the commonplace view of the late nineteenth century as a period of passionless women and so-called Victorian sexuality, this study examines the spread of sex radical thought and notions of free love through American society in the second half of the nineteenth century. During this period a grass-roots movement of women and men, uncomfortable with the social, economic, and political inequalities they saw as inherent to the institution of marriage, participated in frank discussions about the relationship between sexuality and women’s rights.
In charting the growth of the sex radical movement, Joanne E. Passet draws on a host of documents from the period -- letters, periodicals, lectures, and pamphlets -- to establish a strong link between the rise of print culture and the freedom of citizens, especially women, to build geographically dispersed communities of ideas. She also advances models of sexuality that challenge the restrictive mores of society at large and shows that the majority of correspondents who participated in the sex radical movement resided in the Midwest and the Great Plains states, where ideas of individual freedom and sovereignty resonated particularly strongly.
Passet vividly demonstrates how this sex radical movement laid the foundations upon which later generations of women’s rights crusaders and feminists would build, placing discussions of sex and sexuality squarely in the public arena.
 
[more]
cover of Sex Scandal: The Private Parts of Victorian Fiction

Sex Scandal

The Private Parts of Victorian Fiction

William A. Cohen

Duke University Press, 1996

Never has the Victorian novel appeared so perverse as it does in these pages—and never his its perversity seemed so fundamental to its accomplishment. Whether discussing George Eliot’s lesbian readers, Anthony Trollope’s whorish heroines, or Charles Dickens’s masturbating characters, William A. Cohen’s study explodes the decorum of mainstream nineteenth-century fiction. By viewing this fiction alongside the most alarming public scandals of the day, Cohen exposes both the scandalousness of this literature and its sexiness.
Scandal, then as now, makes public the secret indiscretions of prominent people, engrossing its audience in salacious details that violate the very code of propriety it aims to enforce. In narratives ranging from Great Expectations to the Boulton and Park sodomy scandal of 1870–71, from Eliot’s and Trollope’s novels about scandalous women to Oscar Wilde’s writing and his trials for homosexuality, Cohen shows how, in each instance, sexuality appears couched in coded terms. He identifies an assortment of cunning narrative techniques used to insinuate sex into Victorian writing, demonstrating that even as such narratives air the scandalous subject, they emphasize its unspeakable nature.
Written with an eye toward the sex scandals that still whet the appetites of consumers of news and novels, this work is suggestive about our own modes of imagining sexuality today and how we arrived at them. Sex Scandal will appeal to scholars and general readers interested in Victorian literature, the history of sexuality, gender studies, nineteenth-century Britain, and gay, lesbian, and queer studies.
[more]
cover of Sex Trafficking, Scandal, and the Transformation of Journalism, 1885-1917

Sex Trafficking, Scandal, and the Transformation of Journalism, 1885-1917

Gretchen Soderlund

University of Chicago Press, 2013

In Sex Trafficking, Scandal, and the Transformation of Journalism, Gretchen Soderlund offers a new way to understand sensationalism in both newspapers and reform movements. By tracing the history of high-profile print exposés on sex trafficking by journalists like William T. Stead and George Kibbe Turner, Soderlund demonstrates how controversies over gender, race, and sexuality were central to the shift from sensationalism to objectivity—and crucial to the development of journalism in the early twentieth century.
[more]
cover of Sex Work, Text Work: Mapping Prostitution in the Nineteenth-Century French Novel

Sex Work, Text Work

Mapping Prostitution in the Nineteenth-Century French Novel

Jessica Tanner

Northwestern University Press, 2027

Though male French authors plotted prostitution to make their names—mimicking the surveillance of municipal authorities—the sex workers in their books manage to evade efforts to contain them

While prostitutes in nineteenth-century Paris were subject to municipal laws that policed their bodies and movements, writers of the era enlisted them to stake their own claims on both the city and the novel as literary territory. Sex Work, Text Work: Mapping Prostitution in the Nineteenth-Century French Novel explores how prostitutes depicted by Émile Zola, Joris-Karl Huysmans, Edmond de Goncourt, Adolphe Tabarant, and Charles-Louis Philippe “write back,” confounding civil and literary efforts to contain them in space and in narrative.

In city-regulated brothels, brasseries à femmes, Haussmannian boulevards, and the novel itself, working-class prostitutes served to reinforce the boundaries of social inclusion and exclusion. And yet, Jessica Tanner contends, even the novels that most explicitly aligned with the disciplinary logic of regulated prostitution make space for a distinctly literary form of resistance: these women elude or disrupt the mapping that would claim them as literary territory, revealing their authors’ failure to secure their narratives as property. Tanner pushes back against the critical tendency to attribute agency only to courtesans who became published authors and forwards a new framework for understanding the political work novels engage in as they circulate. Observing that debates about the regulation of prostitution surfaced in tandem with racialized anxieties about the boundaries of the French nation, Tanner ultimately expands that framework to the history of French colonialism and the politics of immigration in the current day. This book shows that while sex workers have been recruited to mark the borders of civic and moral life, prostitution can also make space for more inclusive forms of community, both in the novel and in the world beyond its bounds.
[more]
cover of Sex and Death on the Western Emigrant Trail: The Biology of Three American Tragedies

Sex and Death on the Western Emigrant Trail

The Biology of Three American Tragedies

Donald K. Grayson

University of Utah Press, 2018

During the winter of 1846–1847, members of the Donner Party found themselves stuck in the snows of the Sierra Nevada on their journey to California, losing many in their group to severe cold and starvation. Those who survived did so by cannibalizing their dead comrades. Today the Donner Party may be the most famous of American overland emigrant groups, but it was not the only one to face extreme conditions. Ten years after the Donner Party, two groups sponsored by the Mormon Church, the Willie and Martin handcart companies ran into similar difficulties. Unlike the Donner Party, however, these people were following a well-traveled path, but they were doing it in a novel way—pushing and pulling their goods and children in handcarts some 1,300 miles from Iowa to Utah. Caught in early winter storms in Wyoming, 200 members of these two companies died along the trail.

The plights of these emigrant groups have been addressed by different historians in different ways; this book is the first to examine the tragedies in terms of biology. Grayson shows that who lived or died can largely be explained by age, sex, and family ties. His investigation reveals what happens when our cultural mechanisms for dealing with famine and extreme cold are reduced to only what our bodies can provide within structured social contexts. His results are surprising and not always intuitive as he investigates who survived in these life threatening situations. 
[more]
cover of Sex, Celibacy, and Deviance: The Victorians and the Song of Songs

Sex, Celibacy, and Deviance

The Victorians and the Song of Songs

Duc Dau

The Ohio State University Press, 2024

Finalist for the American Academy of Religion's Award for Excellence in Textual Studies

Sex, Celibacy, and Deviance is the first major study to explore the Song of Songs (or Song of Solomon) in Victorian literature and art. As the Bible’s only erotic poem, the Song of Songs is the canonical Judeo-Christian book about love, furnishing the Victorians with an authoritative and literary language for love, marriage, sex, mourning, and religious celibacy.

Duc Dau adopts a queer and feminist lens to consider how Victorians employed and interpreted the Song of Songs in their work. How did writers and artists fashion and, most importantly, challenge the norms of gender, romantic love, and marriage? Spanning the early Victorian era through the first two decades of the twentieth century, Sex, Celibacy, and Deviance considers the works of Charlotte Brontë, Thomas Hardy, Christina Rossetti, John Gray, Michael Field, Edward Burne-Jones, and Simeon Solomon alongside two lesser-known figures: Irish-born Scottish artist Phoebe Anna Traquair and the Catholic religious leader Augusta Theodosia Drane. By addressing the relevance of the Song of Songs in light of shifting and conflicting religious and social contexts, Dau provides a fresh perspective on Victorian literature, religion, and culture.
[more]
cover of Sex, Sickness, and Slavery: Illness in the Antebellum South

Sex, Sickness, and Slavery

Illness in the Antebellum South

Marli F. Weiner with Mazie Hough

University of Illinois Press, 2014

Marli F. Wiener skillfully integrates the history of medicine with social and intellectual history in this study of how race and sex complicated medical treatment in the antebellum South. Sex, Sickness, and Slavery argues that Southern physicians' scientific training and practice uniquely entitled them to formulate medical justification for the imbalanced racial hierarchies of the period. Challenged with both helping to preserve the slave system (by acknowledging and preserving clear distinctions of race and sex) and enhancing their own authority (with correct medical diagnoses and effective treatment), doctors sought to understand bodies that did not necessarily fit into neat dichotomies or agree with suggested treatments. 
 
Focusing on Southern states from Virginia to Alabama, Weiner examines medical and lay perspectives on the body through a range of sources, including medical journals, notes, diaries, daybooks, and letters. These personal and revealing sources show how physicians, medical students, and patients--both free whites and slaves--felt about vulnerability to disease and mental illnesses, how bodily differences between races and sexes were explained, and how emotions, common sense, working conditions, and climate were understood to have an effect on the body.
 
Physicians' authority did not go uncontested, however. Weiner also describes the ways in which laypeople, both black and white, resisted medical authority, clearly refusing to cede explanatory power to doctors without measuring medical views against their own bodily experiences or personal beliefs. Expertly drawing the dynamic tensions during this period in which Southern culture and the demands of slavery often trumped science, Weiner explores how doctors struggled with contradictions as medicine became a key arena for debate over the meanings of male and female, sick and well, black and white, North and South.
[more]
cover of Sex, Skulls, and Citizens: Gender and Racial Science in Argentina (1860-1910)

Sex, Skulls, and Citizens

Gender and Racial Science in Argentina (1860-1910)

Ashley Elizabeth Kerr

Vanderbilt University Press, 2020

PROSE Awards Subject Category Finalist—Biological Anthropology, Ancient History, and Archaeology, 2021

Best Nineteenth-Century Book Award, Latin American Studies Association Nineteenth-Century Section, 2021​

Analyzing a wide variety of late-nineteenth-century sources, Sex, Skulls, and Citizens argues that Argentine scientific projects of the era were not just racial encounters, but were also conditioned by sexual relationships in all their messy, physical reality.

The writers studied here (an eclectic group of scientists, anthropologists, and novelists, including Estanislao Zeballos, Lucio and Eduarda Mansilla, Ramón Lista, and Florence Dixie) reflect on Indigenous sexual practices, analyze the advisability and effects of interracial sex, and use the language of desire to narrate encounters with Indigenous peoples as they try to scientifically pinpoint Argentina's racial identity and future potential.

Kerr's reach extends into history of science, literary studies, and history of anthropology, illuminating a scholarly time and place in which the lines betwixt were much blurrier, if they existed at all.

[more]
cover of Shade-Grown Slavery: The Lives of Slaves on Coffee Plantations in Cuba

Shade-Grown Slavery

The Lives of Slaves on Coffee Plantations in Cuba

William C. Van Norman

Vanderbilt University Press, 2013

Within the world of Cuban slave-holding plantations, all enslaved people had to negotiate a life defined by forces beyond their control, and indeed beyond the control of their masters. Slaves on coffee farms survived in ways that allowed them to marry, have children, and maintain and redefine cultural practices that they passed on to their children. Slaves were an important factor in creating a nascent Afro-Cuban culture and identity.

In this broad, interdisciplinary study, William Van Norman describes how each type of plantation and the amount of manual labor it required directly influenced the nature of slave life in that community. Slaves on coffee plantations lived in a unique context in comparison to that of their fellow slaves on sugar plantations, one that gave them greater flexibility in cultural and artistic creativity. To gain a deeper understanding of plantation slavery in Cuba, Van Norman explores what life and labor was like for coffee slaves and how it was different from what sugar slaves experienced. Shade-Grown Slavery reconstructs their world and in turn deconstructs the picture we now have of Cuba in the late eighteenth and early nineteenth centuries.

Ultimately, Shade-Grown Slavery reveals the lives of enslaved Africans on Cuban coffee plantations and shows how they were able to maintain and transform their cultural traditions in spite of slavery.

[more]
cover of Shades of Blue and Gray: An Introductory Military History of the Civil War

Shades of Blue and Gray

An Introductory Military History of the Civil War

Herman Hattaway

University of Missouri Press, 1997

An introductory military history of the American Civil War, Shades of Blue and Gray places the 1861-1865 conflict within the broad context of evolving warfare. Emphasizing technology and its significant impact, Hattaway includes valuable material on land and sea mines, minesweepers, hand grenades, automatic weapons, the Confederate submarine, and balloons. The evolution of professionalism in the American military serves as an important connective theme throughout. Hattaway extrapolates from recent works by revisionists William Skelton and Roy Roberts to illustrate convincingly that the development of military professionalism is not entirely a post-Civil War phenomenon.

The author also incorporates into his work important new findings of recent scholars such as Albert Castel (on the Atlanta Campaign), Reid Mitchell (on soldiers' motivation), Mark Grimsley (on "hard war"), Brooks D. Simpson (on Ulysses S. Grant), and Lauren Cook Burgess (on women who served as soldiers, disguised as men). In addition, Hattaway comments on some of the best fiction and nonfiction available in his recommended reading lists, which will both enlighten and motivate readers.

Informative and clearly written, enhanced by graceful prose and colorful anecdotes, Shades of Blue and Gray will appeal to all general readers.

[more]
cover of Shadows Over Sunnyside: An Arkansas Plantation in Transition, 1830-1945

Shadows Over Sunnyside

An Arkansas Plantation in Transition, 1830-1945

Jeannie M. Whayne

University of Arkansas Press, 1993

This remarkable collection of essays addresses social, historical, cultural, and labor issues as they affect a Southern plantation. The heart of the book is an examination of a "great experiment" to import Italian laborers to Sunnyside Plantation. From the crucible of tensions that this experiment produced, the reader obtains a concrete understanding of the implications of U.S. immigration policy, of changing labor relations following Reconstruction, and of a minority culture's introduction into the Delta.
[more]
cover of Shadows in the Valley: A Cultural History of Illness, Death, and Loss in New England, 1840-1916

Shadows in the Valley

A Cultural History of Illness, Death, and Loss in New England, 1840-1916

Alan Swedlund

University of Massachusetts Press, 2010

How does the experience of sickness, death, and loss change over time? We know that the incidence and virulence of particular diseases have varied from one period to another, as has their medical treatment. But what was it like for the individuals who suffered and died from those illnesses, for the health practitioners and institutions that attended to them, and for the families who buried and mourned them?

In Shadows in the Valley, Alan Swedlund addresses these questions by closely examining the history of mortality in several small communities in western Massachusetts from the mid-nineteenth to the early twentieth century—from just before the acceptance of the germ theory of disease through the early days of public health reform in the United States. This was a time when most Americans lived in rural areas or small towns rather than large cities. It was also a time when a wide range of healing practices was available to the American public, and when the modern form of Western medicine was striving for dominance and authority. As Swedlund shows, this juncture of competing practices and ideologies provides a rich opportunity for exploring the rise of modern medicine and its impact on the everyday lives of ordinary Americans.

To indicate how individuals in different stages of their lives were exposed to varying assaults on their health, the book is structured in a way that superimposes what the author calls “life-course time” onto chronological time. Thus the early chapters look at issues of infancy and childhood in the 1840s and 1850s and the last chapters at the problems of old age after 1900. The reader becomes familiar with specific individuals and families as they cope with the recurrent loss of children, struggle to understand the causes of new contagions, and seek to find meaning in untimely death. By using a broad time frame and a narrow geographical lens, Swedlund is able to engage with both the particularities and generalities of evolving medical knowledge and changing practice, and to highlight the differences in personal as well as collective responses to illness and loss.

[more]
cover of Shaker Vision: Seeing Beauty in Early America

Shaker Vision

Seeing Beauty in Early America

Joseph Manca

University of Massachusetts Press, 2019

The Shakers are known for self-denial and austerity in everyday living and their material world, as embodied by the heavenly simplicity and purity of their chairs and blanket chests. Yet the believers also enjoyed a diversity of visual pleasures, from flowers, sunsets, rainbows, and the northern lights as seen at home to waterfalls, ocean waves, and dramatic cliffs viewed while traveling across America.

In Shaker Vision, Joseph Manca explores original texts, especially diaries and travel journals, and material culture to demonstrate that Shakers enjoyed a remarkably deep experience of the visual world. Shakers shared tastes with mainstream Americans and often employed a similar aesthetic vocabulary, but all within a belief system that made them distinct. In addition to their well-known ascetic architecture, furniture, and handicraft styles, they expressed themselves through ornate and detailed spiritual art and in vivid, visionary experiences. Based on firsthand accounts of the believers themselves, this richly illustrated volume will dramatically change how we assess the visual world of this uniquely American religious sect.
[more]
cover of Shakers at the Center: Manifesting Spirits & Spectacles in Nineteenth-Century America

Shakers at the Center

Manifesting Spirits & Spectacles in Nineteenth-Century America

Edited by Douglas L. Winiarski

University of Massachusetts Press, 2026

Exploring the theological, social, and cultural dimensions of one of America’s most ambitious prophetic movements 

The Shakers’ Era of Manifestations ranks among the most astounding events in American religious history. During the 1840s, members of the United Society of Believers in Christ’s Second Appearing embarked on an audacious project of receiving visions, revelations, and other manifestations from the spirit world and convincing both themselves and the world’s people of their reality. Gifted Shakers known as “instruments” surrendered their bodies to possessing spirits and celestial beings who, in turn, provided the Believers with an unimaginable number of revelatory communications that collapsed time and space, rewrote the Bible, and vastly expanded traditional Protestant beliefs and practices. The fruits of Shaker spiritualism would gain a permanent place in America’s public consciousness. 

Hundreds of volumes and thousands of pages of inspired writings, music, and art from the New Era or period of Mother's Work, as the Shakers called it, crowd the shelves of a half dozen major research libraries. The archive is so vast, so extraordinary, so seemingly bizarre that few scholars have dared tackle it in its totality. The authors of this volume, specialists in nineteenth-century American religious studies, have collaborated to produce an extensive analysis of Mother Ann’s Work. They examine a fascinating range of topics: speaking with the dead; the spectacle of Shaker rituals; race, gender, and family life; and the material culture of physical and spiritual things; as well as manuscripts, books, songs, objects, and art produced during the New Era. 

Shakers at the Center brings the sprawling elements of the Era of Manifestations together in a single volume. Written for students, scholars, and general readers alike, it will stand for years as the definitive history of the Shakers’ most fascinating and vexing historical period. 

Contributors include the volume editor as well as Emily Suzanne Clark, Brett Malcolm Grainger, Sonia Hazard, Dana Logan, Carol Medlicott, Sally M. Promey, Erik R. Seeman, Ryan K. Smith, and David Walker. 

[more]
cover of Shall Not Be Denied: Women Fight for the Vote

Shall Not Be Denied

Women Fight for the Vote

Library of Library of Congress

Rutgers University Press, 2019

Official Companion to the Library of Congress Exhibition.

The campaign for women’s suffrage—considered the largest reform movement in American history—lasted more than seven decades. The struggle was not for the fainthearted. For years, determined women organized, lobbied, paraded, petitioned, lectured, picketed, and faced imprisonment in pursuit of the right to vote. Drawing from the Library’s extensive collections of photographs, personal papers, and the organizational records of such figures as Susan B. Anthony, Elizabeth Cady Stanton, Mary Church Terrell, Carrie Chapman Catt, the National Woman’s Party, and the National American Woman Suffrage Association, Shall Not Be Denied traces the movement leading to the women’s rights convention at Seneca Falls, the contributions of suffragists who worked to persuade women that they deserved the same rights as men, the divergent political strategies and internal divisions they overcame, the push for a federal women’s suffrage amendment, and the legacy of the movement.
 
A companion to the exhibition staged by the Library of Congress, which opened on June 4, 2019—the 100th anniversary of the US Senate’s passage of the suffrage amendment that would become the 19th amendment—Shall Not Be Denied: Women Fight for the Vote is part of the national commemoration of the 100th anniversary of women’s suffrage.

Published by Rutgers University Press in association with the Library of Congress.
 

[more]
cover of Shame and Endurance: The Untold Story of the Chiricahua Apache Prisoners of War

Shame and Endurance

The Untold Story of the Chiricahua Apache Prisoners of War

H. Henrietta Stockel

University of Arizona Press, 2004

Many readers may be familiar with the wartime exploits of the Apaches; this book relates the untold story of their postwar fate. It tells of the Chiricahua Apaches’ 27 years of imprisonment as recorded in American dispatches, reports, and news items: documents that disclose the confusion, contradictions, and raw emotions expressed by government and military officials regarding the Apaches while revealing the shameful circumstances in which they were held.

First removed from Arizona to Florida, the prisoners were eventually relocated to Mount Vernon Barracks in Alabama, where, in the words of one Apache, "We didn’t know what misery was until they dumped us in those swamps." Pulmonary disease took its toll—by 1894, disease had killed nearly half of the Apaches—and after years of pressure from Indian rights activists and bureaucratic haggling, Fort Sill in Oklahoma was chosen as a more healthful location. Here they were given the opportunity to farm, and here Geronimo, who eventually converted to Christianity, died of pneumonia in 1909 at the age of 89, still a prisoner of war. In the meantime, many Apache children had been removed to Carlisle, Pennsylvania, for education—despite earlier promises that families would not be split up—and most eventually lost their cultural identity.

Henrietta Stockel has combed public records to reconstruct this story of American shame and Native endurance. Unabashedly speaking on behalf of the Apaches, she has framed these documents within a readable narrative to show how exasperated public officials, eager to openly demonstrate their superiority over "savages" who had successfully challenged the American military for years, had little sympathy for the consequences of their confinement. Although the Chiricahua Apaches were not alone in losing their ancestral homelands, they were the only American Indians imprisoned for so long a time in an environment that continually exposed them to illnesses against which they had no immunity, devastating families even more than warfare. Shame and Endurance records events that ought never to be repeated—and tells a story that should never be forgotten.
[more]
cover of Shanghai and the Edges of Empires

Shanghai and the Edges of Empires

Meng Yue

University of Minnesota Press, 2006

Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan cities such as Suzhou and Yangzhou and Shanghai’s early twentieth-century rise, the overlapping cultural edges of a failing Chinese royal order and the encroachment of Western imperialists converged. Simultaneously appropriating and resisting imposing forces, Shanghai opened itself to unruly, subversive practices, becoming a crucible of creativity and modernism. 

Calling into question conventional ways of conceptualizing modernity, colonialism, and intercultural relations, Meng Yue examines such cultural practices as the work of the commercial press, street theater, and literary arts, and shows that what appear to be minor cultural changes often signal the presence of larger political and economic developments. Engaging theories of modernity and postcolonial and global cultural studies, Meng Yue reveals the paradoxical interdependence between imperial and imperialist histories and the retranslation of culture that characterized the most notable result of China’s urban relocation—the emergence of the international city of Shanghai. 

Meng Yue is assistant professor of East Asian languages and literature at the University of California, Irvine.
[more]
cover of Shaping the Discourse on Space: Charity and Its Wards in Nineteenth-Century San Juan, Puerto Rico

Shaping the Discourse on Space

Charity and Its Wards in Nineteenth-Century San Juan, Puerto Rico

By Teresita Martínez-Vergne

University of Texas Press, 1999

As an inchoate middle class emerged in Puerto Rico in the early nineteenth century, its members sought to control not only public space, but also the people, activities, and even attitudes that filled it. Their instruments were the San Juan town council and the Casa de Beneficencia, a state-run charitable establishment charged with responsibility for the poor.

In this book, Teresita Martínez-Vergne explores how municipal officials and the Casa de Beneficencia shaped the discourse on public and private space and thereby marginalized the worthy poor and vagrants, "liberated" Africans, indigent and unruly women, and destitute children. Drawing on extensive and innovative archival research, she shows that the men who comprised the San Juan ayuntamiento and the board of charity regulated the public discourse on topics such as education, religious orthodoxy, hygiene, and family life, thereby establishing norms for "correct" social behavior and chastising the "deviant" lifestyles of the working poor.

This research clarifies the ways in which San Juan's middle class defined itself in the midst of rapid social and economic change. It also offers new insights into notions of citizenship and the process of nation-building in the Caribbean.

[more]
cover of Shared Secrets: The Queer World of Newbery Medalist Charles J. Finger

Shared Secrets

The Queer World of Newbery Medalist Charles J. Finger

Elizabeth Findley Shores

University of Arkansas Press, 2021

Winner, 2023 Booker Worthern Literary Prize

For nearly a century, British expatriate Charles Joseph Finger (1867–1941) was best known as an award-winning author of children’s literature. In Shared Secrets, Elizabeth Findley Shores relates Finger’s untold story, exploring the secrets that connected the author to an international community of twentieth-century queer literati.

As a young man, Finger reveled in the easy homosociality of his London polytechnical school, where he launched a student literary society in the mold of the city’s private men’s clubs. Throughout his life, as he wandered from England to Patagonia to the United States, he tried to recreate similarly open spaces—such as Gayeta, his would-be art colony in Arkansas. But it was through his idiosyncratic magazine All’s Well that he constructed his most successful social network, writing articles filled with coded signals and winking asides for an inner circle of understanding readers.

Capitalizing on the publishing opportunities of the day, Finger used every means available to express his twin loves—literature and men. He produced an enormous body of work, and his short, semiautobiographical fiction won some critical acclaim. Ultimately, the children’s book that won Finger a Newbery Medal ushered him into the public eye, ending his development as an author of serious queer literature.

Shared Secrets is both the story of Finger’s remarkable, adventurous life and a rare look at a community of gay writers and artists who helped shaped twentieth-century American culture, even as they artfully concealed their own identities.

[more]
cover of Shared Traditions: SOUTHERN HISTORY AND FOLK CULTURE

Shared Traditions

SOUTHERN HISTORY AND FOLK CULTURE

Charles Joyner

University of Illinois Press, 1999

Grounded in Charles Joyner's unique blend of rigorous scholarship and genuine curiosity, these thoughtful and incisive essays by the eminent southern historian and folklorist explore the South's extraordinary amalgam of cultural traditions.
By examining the mutual influence of history and folk culture, Shared Traditions reveals the essence of southern culture in the complex and dynamic interactions of descendants of Europeans, Africans, and Native Americans. The book covers a broad spectrum of southern folk groups, folklore expressions, and major themes of southern history, including antebellum society, slavery, the coming of the Civil War, economic modernization in the Appalachians and the Sea Islands, immigration, the civil rights movement, and the effects of cultural tourism.
Joyner addresses the convergence of African and European elements in the Old South and explores how specific environmental and demographic features shaped the acculturation process. He discusses divergent practices in worship services, funeral and burial services, and other religious ceremonies. He examines links between speech patterns and cultural patterns, the influence of Irish folk culture in the American South, and the southern Jewish experience. He also investigates points of intersection between history and legend and relations between the new social history and folklore.
Ranging from rites of power and resistance on the slave plantation to the creolization of language to the musical brew of blues, country, jazz, and rock, Shared Traditions reveals the distinctive culture born of a sharing by black and white southerners of their deep-rooted and diverse traditions.
 
[more]
cover of Shareholder Democracies?: Corporate Governance in Britain and Ireland before 1850

Shareholder Democracies?

Corporate Governance in Britain and Ireland before 1850

Mark Freeman, Robin Pearson, and James Taylor

University of Chicago Press, 2011

Understanding the challenges of corporate governance is central to our comprehension of the economic dynamics driving corporations today. Among the most important institutions in capitalism today, corporations and joint-stock companies had their origins in Europe during the seventeenth and eighteenth centuries. And as they became more prevalent, the issue of internal governance became more pressing. At stake—and very much contested—was the allocation of rights and obligations among shareholders, directors, and managers.

This comprehensive account of the development of corporate governance in Britain and Ireland during its earliest stages highlights the role of political factors in shaping the evolution of corporate governance as well as the important debates that arose about the division of authority and responsibility. Political and economic institutions confronted similar issues, including the need for transparency and accountability in decision making and the roles of electors and the elected, and this book emphasizes how political institutions—from election procedures to assemblies to annual reporting—therefore provided apt models upon which companies drew readily. Filling a gap in the literature on early corporate economy, this book provides insight into the origins of many ongoing modern debates.

[more]
cover of Sheer Presence: The Veil in Manet’s Paris

Sheer Presence

The Veil in Manet’s Paris

Marni Reva Kessler

University of Minnesota Press, 2006

Tamar’s instrument of seduction in the Hebrew Bible, Penelope’s shroud in Homer’s Odyssey, accessory of brides as well as widows, and hallmark of the religious and the wealthy, the veil has historically been an intriguing signifier. Initially donned in France for liturgical purposes and later for masked balls and as a sun- and windscreen at the seashore, face-covering veils were adopted for fashionable urban use during the reign of Napoleon III. In Sheer Presence, Marni Reva Kessler demonstrates how this ubiquitous garment and its visual representations knot together many of the precepts of Parisian life. Considering the period from the beginning of Napoleon III’s rule in 1852 to 1889, when the Paris Universal Exhibition displayed veiled North African Muslims and other indigenous colonial peoples, Kessler deftly connects the increased presence of the veil on the streets and on canvas to Haussmann’s massive renovation of Paris. The fashion of veil wearing, she argues, was imbricated with broader concerns: fears of dust and disease fueled by Haussmannization and class mixing on the city streets, changes in ideals of youth and beauty, attempts to increase popular support for imperialism, and the development of modernist art practices. A veil was protection for the proper woman from the vices associated with the modern city, preserving—at least on the surface—her femininity and class superiority. Kessler explores these themes with close readings of paintings by Gustave Caillebotte, Edgar Degas, and Edouard Manet—including Manet’s perplexing portraits of artist Berthe Morisot—as well as photographs, images from the popular press, engravings, lithographs, and academic paintings. She also mines French fashion journals, etiquette books, novels, and medical publications for clues to the veil’s complex meanings during the period.Positioning the veil directly at the intersection of feminist, formalist, and social art history, Kessler offers a fresh perspective on period discourses of public health, seduction and sexuality, colonial stereotypes, and, ultimately, an emerging modernity.Marni Reva Kessler is assistant professor of art history at the University of Kansas.
[more]
cover of Shelley and His Readers: Beyond Paranoid Politics

Shelley and His Readers

Beyond Paranoid Politics

Kim Wheatley

University of Missouri Press, 1999

In Shelley and His Readers, the first full-length critical analysis of the dialogue between Shelley's poetry and its contemporary reviewers, Kim Wheatley argues that Shelley's idealism can be recovered through the study of his poetry's reception. Incorporating extensive research in major early-nineteenth-century British periodicals, Wheatley integrates a reception-based methodology with careful textual analysis to demonstrate that the early reception of Shelley's work registers the immediate impact of the poet's increasingly idealistic passion for reforming the world.

Wheatley examines Shelley's poetry within the context of Romantic-era "paranoid politics," a simultaneously empowering and disabling dynamic in which the reviewers employ a heightened language of defensiveness and persecution that paints their adversaries as Satanic rebels against orthodoxy. This "paranoid style" displays a preoccupation with the efficacy of the printed word and singles out radical writers such as Shelley as sources of social contamination.

Using Shelley's Queen Mab to illustrate his early radicalism, Wheatley demonstrates that the poet, like his contemporary reviewers, is caught up in paranoid rhetoric. Failing to challenge the assumptions underlying the paranoid style-conspiracy and contagion-in this poem Shelley takes merely a defiant, oppositional stance. However, Shelley's later poems, exemplified by Prometheus Unbound and Adonais, circumvent the reviewers' rhetoric through their boldly experimental language, a process registered by the reviewers' own responses. These less explicitly political poems transcend the dynamics of cultural paranoia by shifting to an apolitical conception of the aesthetic. In collaboration with its early readers, Shelley's poetry thus moves momentarily beyond paranoid politics.

The final chapter of this study argues that the posthumous reception of Adonais uniquely replicates the elegiac moves and complex idealism of the poem, concluding with a discussion of how the Shelley circle aestheticized the poet after his death.

Shelley and His Readers offers a new approach to the question of how to recuperate Romantic idealism in the face of challenges from both deconstructive and historicist criticism. Its innovative use of reception-based analysis will make this book invaluable not only to specialists of the Romantic period but also to anyone interested in new developments in literary criticism.

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cover of Shelley's Ghost: Reshaping the Image of a Literary Family

Shelley's Ghost

Reshaping the Image of a Literary Family

Stephen Hebron and Elizabeth C. Denlinger

Bodleian Library Publishing, 2010

It is difficult to think of a family more endowed with literary genius than the Shelley family—from the Romantic poet Percy Bysshe Shelley and his wife, novelist Mary Shelley, to Mary’s parents, William Godwin and Mary Wollstonecraft—all were authors in their own right. Using extensive archival material, Shelley’s Ghost explores the making of this remarkable literary family’s reputation.

            Drawing on the Bodleian Library’s outstanding collection of letters, poetry manuscripts, rare printed books, portraits, and other personalia—including Shelley’s working notebooks, Keats’s letters to Shelley, William Godwin’s diary, and the original manuscript of Mary Shelley’s Frankenstein—Stephen Hebron charts the history of this talented yet troubled family. After Percy Bysshe Shelley’s drowning in 1822, Mary published various manuscripts relating to both her husband’s and her father’s lives, and passed this historical legacy to her son, Sir Percy Florence Shelley and his wife, Lady Jane Shelley. As guardians of the archive until they bequeathed it to the Bodleian in 1892, Sir Percy Florence and Lady Jane helped shape the posthumous reputations of these writers. An afterword by Elizabeth Denlinger of the New York Public Library offers an additional perspective, exploring material relating to the Shelley family that slipped beyond the family’s control.

            An unparalleled look at one of the most significant families of British Romantic literature, Shelley’s Ghost will be welcomed by scholars and the many fans of this enduring literacy legacy.

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cover of Shellfish for the Celestial Empire: The Rise and Fall of Commercial Abalone Fishing in California

Shellfish for the Celestial Empire

The Rise and Fall of Commercial Abalone Fishing in California

Todd J. Braje

University of Utah Press, 2016

In the 1800s, when California was captivated by gold fever, a small group of Chinese immigrants recognized the fortune to be made from the untapped resources along the state’s coast, particularly from harvesting the black abalone of southern and Baja California. These immigrants, with skills from humble beginnings in a traditional Chinese fishing province, founded California’s commercial abalone industry, and led its growth and expansion for several decades. By the turn of the twentieth century, however, their successful livelihood was stolen from them through targeted legislation of the U.S. and California governments.

Today, the physical evidence of historical Chinese abalone fishing on the mainland has been erased by development. On California’s Channel Islands, however, remnants of temporary abalone collecting and processing camps lie scattered along the coastlines. These sites hold a treasure trove of information, stories, lifeways, and history. Braje has excavated many of these sites and uses them to explore the history of Chinese abalone fishing, presenting a microcosm of the broader history of Chinese immigrants in America—their struggles, their successes, the institutionalized racism they faced, and the unique ways in which they helped to shape the identity of the United States. 

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cover of Sherlock Holmes, Esq., and John H. Watson, M.D.: An Encyclopaedia of Their Affairs

Sherlock Holmes, Esq., and John H. Watson, M.D.

An Encyclopaedia of Their Affairs

Orlando Park

Northwestern University Press, 1962

This encyclopedia serves as a guide to the fifty-six stories and four novels that comprise the Sherlock Holmes canon. Arranged alphabetically, Orlando Park provides entries on all manner of people, places, and objects from Arthur Conan Doyle’s novels and stories, as well as thorough treatments of the traits and opinions of Holmes and Watson. Throughout Park intends not only to answer questions but to stimulate curiosity, making the book an engaging guide for both the Sherlock Holmes aficionado and the reader new to Holmes's world.
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