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America is haunted. Ghosts from its violent history—the genocide of Indigenous peoples, slavery, the threat of nuclear annihilation, and traumatic wars—are an inescapable and unsettled part of the nation’s heritage. Not merely in the realm of metaphor but present and tangible, urgently calling for contact, these otherworldly visitors have been central to our national identity. Through times of mourning and trauma, artists have been integral to visualizing ghosts, whether national or personal, and in doing so have embraced the uncanny and the inexplicable. This stunning catalog, accompanying the first major exhibition to assess the spectral in American art, explores the numerous ways American artists have made sense of their own experiences of the paranormal and the supernatural, developing a rich visual culture of the intangible.

​Featuring artists from James McNeill Whistler and Kerry James Marshall to artist/mediums who made images with spirits during séances, this catalog covers more than two hundred years of the supernatural in American art. Here we find works that explore haunting, UFO sightings, and a broad range of experiential responses to other worldly contact.

Surreal Geographies recovers a forgotten archive of Holocaust representation. Examining art, literature, and film produced from the immediate postwar period up to the present moment, Kathryn L. Brackney investigates changing portrayals of Jewish victims and survivors. In so doing, she demonstrates that the Holocaust has been understood not only through the documentary realism and postmodern fragmentation familiar to scholars but also through a surreal mode of meaning making. From an otherworldly “Planet Auschwitz” to the spare, intimate spaces of documentary interviews, Brackney shows that the humanity of victims has been produced, undermined, and guaranteed through evolving scripts for acknowledging and mourning mass violence.

Brackney offers a new look at familiar works by authors and artists such as Claude Lanzmann, W. G. Sebald, and Paul Celan, while making surprising connections to contemporary scholars like Timothy Snyder and Donna Haraway, and events such as the Space Race. In the process, she maps out a decades-long process through which transnational conventions of mourning have emerged in Western Europe, North America, and Israel, functioning to constitute Jewish victimization as “grievable life.” Ultimately, she shows how the Holocaust has developed into a figure for the destabilization and reformulation of the category of humanity and the problem of mourning across difference.

In Survival of a Perverse Nation, Tamar R. Shirinian traces two widespread rhetorics of perversion—sexual and moral—in postsocialist Armenia, showing how they are tied to anxieties about the nation’s survival. In her fieldwork with Armenians, Shirinian found that right-wing nationalists’ focus on sexual perversion centers the figure of the homosexual, while questions of moral perversion surround oligarchs and other members of the political-economic elite. While the homosexual is seen as non- or improperly reproductive, the oligarch’s moral deviations from the caring and paternalistic expectations associated with national leadership also endanger Armenia’s survival. Shirinian shows how both figures threaten the nation’s proper social reproduction, a source of great anxiety for a nation whose primary point of identity is surviving genocide. In the existential threat posed by these forms of perversion Shirinian finds paths where nonsurvival might mean the creation of futures that are queerer and more just. Detailing how the language of perversion offers trenchant critiques of capitalism as a perversion of life, Shirinian presents a new queer theory of political economy.