2285 books match the query 'Women' and 178 start with s

cover of Sex in Revolution: Gender, Politics, and Power in Modern Mexico

Sex in Revolution

Gender, Politics, and Power in Modern Mexico

Jocelyn Olcott, Mary Kay Vaughan, and Gabriela Cano, eds.

Duke University Press, 2006

Sex in Revolution challenges the prevailing narratives of the Mexican Revolution and postrevolutionary state formation by placing women at center stage. Bringing to bear decades of feminist scholarship and cultural approaches to Mexican history, the essays in this book demonstrate how women seized opportunities created by modernization efforts and revolutionary upheaval to challenge conventions of sexuality, work, family life, religious practices, and civil rights.

Concentrating on episodes and phenomena that occurred between 1915 and 1950, the contributors deftly render experiences ranging from those of a transgendered Zapatista soldier to upright damas católicas and Mexico City’s chicas modernas pilloried by the press and male students. Women refashioned their lives by seeking relief from bad marriages through divorce courts and preparing for new employment opportunities through vocational education. Activists ranging from Catholics to Communists mobilized for political and social rights. Although forced to compromise in the face of fierce opposition, these women made an indelible imprint on postrevolutionary society.

These essays illuminate emerging practices of femininity and masculinity, stressing the formation of subjectivity through civil-society mobilizations, spectatorship and entertainment, and locales such as workplaces, schools, churches, and homes. The volume’s epilogue examines how second-wave feminism catalyzed this revolutionary legacy, sparking widespread, more radically egalitarian rural women’s organizing in the wake of late-twentieth-century democratization campaigns. The conclusion considers the Mexican experience alongside those of other postrevolutionary societies, offering a critical comparative perspective.

Contributors. Ann S. Blum, Kristina A. Boylan, Gabriela Cano, María Teresa Fernández Aceves, Heather Fowler-Salamini, Susan Gauss, Temma Kaplan, Carlos Monsiváis, Jocelyn Olcott, Anne Rubenstein, Patience Schell, Stephanie Smith, Lynn Stephen, Julia Tuñón, Mary Kay Vaughan

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cover of Sexual Violence in Asia and Eastern Europe: The Silent Aftermaths of World War II

Sexual Violence in Asia and Eastern Europe

The Silent Aftermaths of World War II

Joohee Kim

Central European University Press, 2027

In the wake of ongoing global concern over conflict-related sexual violence (CRSV), this volume brings together innovative research on the gendered legacies of the Second World War across the “Global Easts.” Focusing on East Asia and the eastern parts of Europe, the book explores how sexual violence—ranging from the Japanese military’s “comfort women” system to the massive assaults committed by German and Soviet forces—has been remembered, silenced, or politicized in the decades that followed. The contributions span four thematic sections: from comparative analyses of wartime violence to postwar justice frameworks, patterns of selective remembrance, and media representations of gendered trauma. Edited by Joohee Kim and Maren Röger, renowned scholars of gender and memory studies in the respective regions, the volume connects these global areas through their shared histories of imperial domination, Cold War divisions, and the belated surfacing of survivors’ voices. By uncovering these entanglements, the book offers a new conceptual and geographical lens on the Global Easts.
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cover of Sexuality and Abortion in Interwar Poland: Maternity in Times of Crisis

Sexuality and Abortion in Interwar Poland

Maternity in Times of Crisis

Elisa-Maria Hiemer

Central European University Press, 2026

Women’s rights activism and the reformation of the legal thought in early twentieth-century Poland were deeply intertwined—sometimes contradictory, yet mutually dependent—shaping debates around the 1932 abortion law and challenging traditional views on female sexuality and motherhood. Set against political transformation, economic hardship, and societal pressure, this book explores the clash between liberal “moral reform” ideas and the ideal of the “traditional” Polish family. Through individual stories from rural Suwalki county, it reveals how precarity, gender roles, and state expectations influenced women’s choices, with abortion often serving as necessary healthcare and survival. Rich in legal case studies, it offers scholars and readers a comprehensive overview of interwar sexuality debates and timely reflections on how these issues resonate today. This interdisciplinary work highlights the enduring impact of the male gaze in decisions affecting women’s lives.
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cover of Shadow Girl: A Memoir Of Attachment

Shadow Girl

A Memoir Of Attachment

Deb Abramson

University of Iowa Press, 2002

As the good little girl in an unhappy family who hid her darker troubles, Deb Abramson felt like she was living with another girl, a shadowy being who would neither leave nor make herself known. Crushed beneath the burden of her parents‘ rigid expectations yet driven to satisfy their needs, Abramson becomes bulimic, then severely depressed and suicidal, retreating more and more from the troubling outside world to the seeming haven of home, to a cycle of comfort from and competition with her depressed mother, to the frightening but alluring intimacy of her father's affections. Her struggle to extricate herself from the “impermeable, immutable knot” of her family forms the heart of her dazzling book.

In this psychological portrait of a family bound together by the uneasy permutations of love, Abramson relies not on sensationalist narrative but on a collection of the many small moments that glitter along the bumpy path of her life. Now and then she provides a broader, connecting perspective by stepping out of her story to reflect on the meaning of it all from the standpoint of the insightful, healed person she has managed—against all odds—to become.

Rich in metaphor and intimate detail, this is a lyrical story about moving from isolation toward connection, about seeing childhood not as a crippling refuge but as a point of departure, about discovering that it is possible to “have your shadows as well as your light.”
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cover of Shadow Lives: The Forgotten Women of the War on Terror

Shadow Lives

The Forgotten Women of the War on Terror

Victoria Brittain

Pluto Press, 2013

Shadow Lives reveals the unseen side of the '9/11 wars': their impact on the wives and families of men incarcerated in Guantanamo, or in prison or under house arrest in Britain and the US. Victoria Brittain shows how these families have been made socially invisible and a convenient scapegoat for the state in order to exercise arbitrary powers under the cover of the 'War on Terror'.

A disturbing exposé of the perilous state of freedom and democracy in our society, the book reveals how a culture of intolerance and cruelty has left individuals at the mercy of the security services’ unverifiable accusations and punitive punishments.

Both a j'accuse and a testament to the strength and humanity of the families, Shadow Lives shows the methods of incarceration and social control being used by the British state and gives a voice to the families whose lives have been turned upside down. In doing so it raises urgent questions about civil liberties which no one can afford to ignore.

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cover of Shadow Traces: Seeing Japanese/American and Ainu Women in Photographic Archives

Shadow Traces

Seeing Japanese/American and Ainu Women in Photographic Archives

Elena Tajima Creef

University of Illinois Press, 2022

Images of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection’s range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography.

Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method for using such materials in interdisciplinary research.

[more]
cover of Shadowed Dreams: Women's Poetry of the Harlem Renaissance

Shadowed Dreams

Women's Poetry of the Harlem Renaissance

McKay, Nellie

Rutgers University Press, 2006

The first edition of Shadowed Dreams was a groundbreaking anthology that brought to light the contributions of women poets to the Harlem Renaissance. This revised and expanded version contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new voices to the collection to once again strike new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet.

Shadowed Dreams features new poems by Gwendolyn Bennett, Anita Scott Coleman, Mae Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Fauset, Angelina Weld Grimké, Gladys Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from newly discovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others.

Covering the years 1918 through 1939 and ranging across the period’s major and minor journals, as well as its anthologies and collections, Shadowed Dreams provides a treasure trove of poetry from which to mine deeply buried jewels of black female visions in the early twentieth century.

[more]
cover of Shakespeare's Women: A Playscript for Performance and Analysis

Shakespeare's Women

A Playscript for Performance and Analysis

Libby Appel and Michael Flachmann

Southern Illinois University Press, 1986

Serves both as a script for performance and as a text for high school and college theater and English classes.

This self-contained script brings together different scenes from Shake­speare’s plays to portray women “in all their infinite variety.” Two narrators, a man and a woman, introduce and com­ment on these scenes, weaving together the different characters and situations.

This book combines literary and theat­rical techniques in examining Shake­speare’s women. Its promptbook format provides clear, helpful stage directions on pages facing each of the scenes. Also help­ful are concise glosses and footnotes to define difficult words and phrases plus a commentary to explain each scene in its dramatic context.

Other features include sheet music for each song in the play, a bibliography on the topic of women in Shakespeare’s plays, and suggestions for directors who wish to stage the play.

[more]
cover of Shall Not Be Denied: Women Fight for the Vote

Shall Not Be Denied

Women Fight for the Vote

Library of Library of Congress

Rutgers University Press, 2019

Official Companion to the Library of Congress Exhibition.

The campaign for women’s suffrage—considered the largest reform movement in American history—lasted more than seven decades. The struggle was not for the fainthearted. For years, determined women organized, lobbied, paraded, petitioned, lectured, picketed, and faced imprisonment in pursuit of the right to vote. Drawing from the Library’s extensive collections of photographs, personal papers, and the organizational records of such figures as Susan B. Anthony, Elizabeth Cady Stanton, Mary Church Terrell, Carrie Chapman Catt, the National Woman’s Party, and the National American Woman Suffrage Association, Shall Not Be Denied traces the movement leading to the women’s rights convention at Seneca Falls, the contributions of suffragists who worked to persuade women that they deserved the same rights as men, the divergent political strategies and internal divisions they overcame, the push for a federal women’s suffrage amendment, and the legacy of the movement.
 
A companion to the exhibition staged by the Library of Congress, which opened on June 4, 2019—the 100th anniversary of the US Senate’s passage of the suffrage amendment that would become the 19th amendment—Shall Not Be Denied: Women Fight for the Vote is part of the national commemoration of the 100th anniversary of women’s suffrage.

Published by Rutgers University Press in association with the Library of Congress.
 

[more]
cover of Shaping Tradition: Women's Roles in Ceremonial Rituals of the Agwagune

Shaping Tradition

Women's Roles in Ceremonial Rituals of the Agwagune

David Uru Iyam

University of Wisconsin Press, 2021

Agwagune women in southeastern Nigeria contribute to the cultural construction of their societies in deep and systematic ways. This reality is often concealed, misrepresented, or unexamined in studies that do not consciously set out to address female agency and authority. Most recently women have reshaped traditional male-centered village practices behind the scenes, such as when they updated the premarital ritual of fattening prospective brides, and when they ended female circumcision. Women use their status to direct and influence male leadership on matters of war, finance, education, and political stability.

Using this community as a case study, David Uru Iyam asserts that these women are not stereotypically submissive, oppressed, or passive. Agwagune women participate in male ceremonies by pretending to be unaware of them, concealing their authority under a veneer of secrecy. Instead of focusing on obvious male political power, Iyam highlights the overlooked domestic and public contributions of women that uphold—and change—entire social systems.
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cover of Shaping the Public Good: Women Making History in the Pacific Northwest

Shaping the Public Good

Women Making History in the Pacific Northwest

Sue Armitage

Oregon State University Press, 2015

Carved into a rock overlooking the Columbia River stands the arresting image of Tsagaglalal, or “She Who Watches,” an ancient female chief. As the Wishram people recount, when men replaced women in positions of power, Tsagaglalal was turned to stone by Coyote so that she could forever guide her community and guard its development.

Using the story of She Who Watches as her guide, Armitage shows that even though  women were barred from positions of public authority until recently, they have always worked quietly and informally to assure the stability and security of their families and communities. Women’s community-building and cooperative skills have been decisive in developing the societies of the Pacific Northwest—Washington, Oregon, Idaho, western Montana, and British Columbia. Like She Who Watches, women have never been mere observers, but watchful guardians and active shapers of the public good.

Drawing on her three decades of research and teaching and based on hundreds of secondary sources, Armitage’s account explores the varied ways in which, beginning in the earliest times and continuing to the present, women of all races and ethnicities have made the history of our region. An accessible introduction for general readers and scholars alike, Shaping the Public Good restores a missing piece of Pacific Northwest history by demonstrating the part that women—“the famous, the forgotten, and all the women in between”—have always played in establishing their families and building communities.
[more]
cover of She Devils at the Door

She Devils at the Door

Eliza Smith Brown

Carnegie Mellon University Press, 2023

The true story of the Gilded Age’s “political twins” who brought women’s suffrage and political reform to the city of Pittsburgh.

Sometimes troublemakers emerge from the most unlikely of places. This true story follows the lives of two daughters of the Gilded Age—Lucy and Eliza Kennedy—who were educated at Vassar College and became leaders of the suffrage movement. Then, after the Nineteenth Amendment was passed in 1920, they spent the next forty years fighting corruption in politics and government.

Tenacious, smart, and witty, they captivated crowds, disarmed their opponents, and instilled particular dread among the corrupt politicians who were the unfortunate targets of their nonpartisan crusade. Their entry across the threshold of Pittsburgh’s City-County Building would reportedly invoke a flurry of hushed warnings through the halls: “The She Devils are at the door!” Together, Lucy and Eliza fought for the vote, empowered women to use it wisely, forced a mayor out of office in disgrace, took control of the city budget, exposed a series of scandals, spearheaded police reform, and launched a campaign that would eventually clear Pittsburgh of its smoky veil.

Featuring the true story of two powerful women, this book comes at a propitious time, reminding us how far women have come and how vigilant we must remain.
 
[more]
cover of She Said No: The Gender of Consent from Fairy Tales to #MeToo

She Said No

The Gender of Consent from Fairy Tales to #MeToo

Jennifer Tamas

University of Delaware Press, 2027

She Said NO investigates the gender inequality in the authority to speak—and therefore to refuse—that prevailed in the establishment and interpretation of the French classics. By selecting authors deemed essential to French cultural heritage and erasing the works of women writers, this biased canon has systematically undervalued female agency—even in well-known works by both men and women, such as Beauty and the Beast, The Princess of Clèves, and "Little Red Riding Hood." With this book, Jennifer Tamas fills a striking gap in early modern French studies by conceptualizing consent in a society where being a woman made it structurally difficult to say "no." Yet, women did refuse. The history Tamas explores is one of forgotten, erased, misunderstood, or inadmissible refusals, and how they have been obscured. The #MeToo movement has brought questions of female agency and consent to the fore, and this book retraces an "archive of refusal" to serve as a source of inspiration for contemporary feminist discourse and to change our reception of the French canon. 

[more]
cover of She's Got a Gun

She's Got a Gun

Nancy Floyd

Temple University Press, 2008

In 1991 Nancy Floyd bought her first handgun.  Soon she was participating in Ladies Day at her local shooting range and reading Women & Guns magazine.  In 1993 she began interviewing and photographing women who were fellow gun owners.  In 1997 she started researching "gun women" from the past to see how they were represented in the popular imagination.  Now she has brought her work together in a riveting new book, filled with remarkable photographs and candid first-person stories, accompanied by an eye-opening illustrated history of female gun ownership in America.

Sympathetic but unsentimental, Floyd presents gun-toting women young and old, including an eleven-year-old girl competing in her first gun competition, a woman whose grandmother was killed by an intruder, and a war veteran who experienced firefights while stationed in Iraq.  Whatever you might think about gun-toting women before you open this book, your preconceptions are sure to be shattered by the end.
[more]
cover of She's the Boss: The Rise of Women’s Entrepreneurship since World War II

She's the Boss

The Rise of Women’s Entrepreneurship since World War II

Debra Michals

Rutgers University Press, 2025

In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies. 

She’s the Boss chronicles the forces that made entrepreneurship attractive to women. In rich detail, Debra Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship.
[more]
cover of Short Call: Snippets from the Smallest Places in Texas, 1935-2000

Short Call

Snippets from the Smallest Places in Texas, 1935-2000

Joyce Gibson Roach

University of North Texas Press, 2014

[more]
cover of Side Dishes: Latina American Women, Sex, and Cultural Production

Side Dishes

Latina American Women, Sex, and Cultural Production

Fitch, Melissa A

Rutgers University Press, 2009

Moving beyond the "main dishes" of traditional literary works, Side Dishes offers a provocative and delicious new understanding of Latin American women's authorship and activism. The book illuminates a wealth of creative and intellectual work by Latin American women—editors, directors, cartoonists, academics, performance artists, and comedians—and explores them in light of their treatment of women's sexuality.

Side Dishes considers feminist pornography and literary representations of masturbation, bisexuality, lesbianism, and sexual fantasies; the treatment of lust in stand-up comedy and science fiction; critical issues in leading feminist journals; and portrayals of sexuality in four contemporary Latin American films. Melissa A. Fitch concludes with a look at the rise of women's and gender studies programs in Latin America.

[more]
cover of Side Dishes: Latina American Women, Sex, and Cultural Production

Side Dishes

Latina American Women, Sex, and Cultural Production

Fitch, Melissa A

Rutgers University Press, 2009

Moving beyond the "main dishes" of traditional literary works, Side Dishes offers a provocative and delicious new understanding of Latin American women's authorship and activism. The book illuminates a wealth of creative and intellectual work by Latin American women—editors, directors, cartoonists, academics, performance artists, and comedians—and explores them in light of their treatment of women's sexuality.

Side Dishes considers feminist pornography and literary representations of masturbation, bisexuality, lesbianism, and sexual fantasies; the treatment of lust in stand-up comedy and science fiction; critical issues in leading feminist journals; and portrayals of sexuality in four contemporary Latin American films. Melissa A. Fitch concludes with a look at the rise of women's and gender studies programs in Latin America.

[more]
cover of Signs: Journal of Women in Culture and Society, volume 45 number 2 (Winter 2020)

Signs

Journal of Women in Culture and Society, volume 45 number 2 (Winter 2020)

The University of Chicago Press

University of Chicago Press Journals, 2020

This is volume 45 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 45 number 3 (Spring 2020)

Signs

Journal of Women in Culture and Society, volume 45 number 3 (Spring 2020)

The University of Chicago Press

University of Chicago Press Journals, 2020

This is volume 45 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 45 number 4 (Summer 2020)

Signs

Journal of Women in Culture and Society, volume 45 number 4 (Summer 2020)

The University of Chicago Press

University of Chicago Press Journals, 2020

This is volume 45 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 46 number 1 (Autumn 2020)

Signs

Journal of Women in Culture and Society, volume 46 number 1 (Autumn 2020)

The University of Chicago Press

University of Chicago Press Journals, 2020

This is volume 46 issue 1 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 46 number 2 (Winter 2021)

Signs

Journal of Women in Culture and Society, volume 46 number 2 (Winter 2021)

The University of Chicago Press

University of Chicago Press Journals, 2021

This is volume 46 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 46 number 3 (Spring 2021)

Signs

Journal of Women in Culture and Society, volume 46 number 3 (Spring 2021)

The University of Chicago Press

University of Chicago Press Journals, 2021

This is volume 46 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 46 number 4 (Summer 2021)

Signs

Journal of Women in Culture and Society, volume 46 number 4 (Summer 2021)

The University of Chicago Press

University of Chicago Press Journals, 2021

This is volume 46 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 47 number 1 (Autumn 2021)

Signs

Journal of Women in Culture and Society, volume 47 number 1 (Autumn 2021)

The University of Chicago Press

University of Chicago Press Journals, 2021

This is volume 47 issue 1 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 47 number 2 (Winter 2022)

Signs

Journal of Women in Culture and Society, volume 47 number 2 (Winter 2022)

The University of Chicago Press

University of Chicago Press Journals, 2022

This is volume 47 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 47 number 3 (Spring 2022)

Signs

Journal of Women in Culture and Society, volume 47 number 3 (Spring 2022)

The University of Chicago Press

University of Chicago Press Journals, 2022

This is volume 47 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 47 number 4 (Summer 2022)

Signs

Journal of Women in Culture and Society, volume 47 number 4 (Summer 2022)

The University of Chicago Press

University of Chicago Press Journals, 2022

This is volume 47 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 48 number 1 (Autumn 2022)

Signs

Journal of Women in Culture and Society, volume 48 number 1 (Autumn 2022)

The University of Chicago Press

University of Chicago Press Journals, 2022

This is volume 48 issue 1 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 48 number 2 (Winter 2023)

Signs

Journal of Women in Culture and Society, volume 48 number 2 (Winter 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 48 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 48 number 3 (Spring 2023)

Signs

Journal of Women in Culture and Society, volume 48 number 3 (Spring 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 48 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 48 number 4 (Summer 2023)

Signs

Journal of Women in Culture and Society, volume 48 number 4 (Summer 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 48 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 49 number 1 (Autumn 2023)

Signs

Journal of Women in Culture and Society, volume 49 number 1 (Autumn 2023)

The University of Chicago Press

University of Chicago Press Journals, 2023

This is volume 49 issue 1 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 49 number 2 (Winter 2024)

Signs

Journal of Women in Culture and Society, volume 49 number 2 (Winter 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 49 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 49 number 3 (Spring 2024)

Signs

Journal of Women in Culture and Society, volume 49 number 3 (Spring 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 49 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 49 number 4 (Summer 2024)

Signs

Journal of Women in Culture and Society, volume 49 number 4 (Summer 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 49 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 50 number 1 (Autumn 2024)

Signs

Journal of Women in Culture and Society, volume 50 number 1 (Autumn 2024)

The University of Chicago Press

University of Chicago Press Journals, 2024

This is volume 50 issue 1 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 50 number 2 (Winter 2025)

Signs

Journal of Women in Culture and Society, volume 50 number 2 (Winter 2025)

The University of Chicago Press

University of Chicago Press Journals, 2025

This is volume 50 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 50 number 3 (Spring 2025)

Signs

Journal of Women in Culture and Society, volume 50 number 3 (Spring 2025)

The University of Chicago Press

University of Chicago Press Journals, 2025

This is volume 50 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 50 number 4 (Summer 2025)

Signs

Journal of Women in Culture and Society, volume 50 number 4 (Summer 2025)

The University of Chicago Press

University of Chicago Press Journals, 2025

This is volume 50 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 51 number 1 (Autumn 2025)

Signs

Journal of Women in Culture and Society, volume 51 number 1 (Autumn 2025)

The University of Chicago Press

University of Chicago Press Journals, 2025

This is volume 51 issue 1 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 51 number 2 (Winter 2026)

Signs

Journal of Women in Culture and Society, volume 51 number 2 (Winter 2026)

The University of Chicago Press

University of Chicago Press Journals, 2026

This is volume 51 issue 2 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 51 number 3 (Spring 2026)

Signs

Journal of Women in Culture and Society, volume 51 number 3 (Spring 2026)

The University of Chicago Press

University of Chicago Press Journals, 2026

This is volume 51 issue 3 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Signs: Journal of Women in Culture and Society, volume 51 number 4 (Summer 2026)

Signs

Journal of Women in Culture and Society, volume 51 number 4 (Summer 2026)

The University of Chicago Press

University of Chicago Press Journals, 2026

This is volume 51 issue 4 of Signs: Journal of Women in Culture and Society. Recognized as the leading international journal in women's studies, Signs is at the forefront of new directions in feminist scholarship. The journal publishes pathbreaking articles, review essays, comparative perspectives, and retrospectives of interdisciplinary interest addressing gender, race, culture, class, nation, and sexuality. Special issue and section topics cover a broad range of geopolitical processes, conditions, and effects; cultural and social configurations; and scholarly and theoretical developments.
[more]
cover of Silence and Power: A Reevaluation of Djuna Barnes

Silence and Power

A Reevaluation of Djuna Barnes

Edited by Mary Lynn Broe. Afterword by Catharine Stimpson

Southern Illinois University Press, 1991

Roughly chronological, these essays explore Barnes’ early work in the New York newspaper world of the ‘teens, proceed through the 1954 publication of The Antiphon, and include several approaches to such works as Ryder, Ladies Almanack, and Nightwood. This judicious mix of essays—many of them illustrated by photographs and drawings—presents a comprehensive picture of the creative imagination of Djuna Barnes.

Essayists include Mary Lynn Broe, Nancy J. Levine, Ann Larabee, Joan Retallack, Carolyn Allen, Carolyn Burke, Sheryl Stevenson, Marie Ponsot, Frances M. Doughty, Susan Sniader Lanser, Frann Michel, Karla Jay, Jane Marcus, Judith Lee, Julie L. Abraham, Meryl Altman, Lynda Curry, Louise A. DeSalvo, and Catharine Stimpson. Individuals sharing personal recollections of Barnes are Ruth Ford, James B. Scott, Alex Gildzen, Hank O’Neal, Chester Page, Andrew Field, and Frances McCullough. Janice Thom and Kevin Engel provide an updated bibliography.

From The Book of Repulsive Women to The Antiphon, Barnes challenged old gender dichotomies as she shaped radical sociopolitical views. Her textual methods celebrated a multiplicity of voices, heterodox forms, and genres, transgressing those tenets of modernism that privilege the “high art” of a single, unified textual identity or a discrete discourse. These essays offer various critical approaches and sinuous readings of the full range of Barnes’ achievement. Interwoven through the essays and reminiscences is a lively commentary from Barnes’ friends and contemporaries as well as Barnes herself.

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cover of Silenced Resistance: Women, Dictatorships, and Genderwashing in Western Sahara and Equatorial Guinea

Silenced Resistance

Women, Dictatorships, and Genderwashing in Western Sahara and Equatorial Guinea

Joanna Allan

University of Wisconsin Press, 2021

Spain’s former African colonies—Equatorial Guinea and Western Sahara—share similar histories. Both are under the thumbs of heavy-handed, postcolonial regimes, and are known by human rights organizations as being among the worst places in the world with regard to oppression and lack of civil liberties. Yet the resistance movement in one is dominated by women, the other by men. In this innovative work, Joanna Allan demonstrates why we should foreground gender as key for understanding both authoritarian power projection and resistance. She brings an ethnographic component to a subject that has often been looked at through the lens of literary studies to examine how concerns for equality and women’s rights can be co-opted for authoritarian projects. She reveals how Moroccan and Equatoguinean regimes, in partnership with Western states and corporations, conjure a mirage of promoting equality while simultaneously undermining women’s rights in a bid to cash in on oil, minerals, and other natural resources. This genderwashing, along with historical local, indigenous, and colonially imposed gender norms mixed with Western misconceptions about African and Arab gender roles, plays an integral role in determining the shape and composition of public resistance to authoritarian regimes.
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cover of Silent Looms: Women and Production in a Guatemalan Town

Silent Looms

Women and Production in a Guatemalan Town

By Tracy Bachrach Ehlers

University of Texas Press, 2000

Based on new fieldwork in 1997, Tracy Bachrach Ehlers has updated her classic study of the effects of economic development on the women weavers of San Pedro Sacatepéquez. Revisiting many of the women she interviewed in the 1970s and 1980s and revising her earlier hopeful assessment of women's entrepreneurial opportunities, Ehlers convincingly demonstrates that development and commercial growth in the region have benefited men at the expense of women.

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cover of Silent Observer

Silent Observer

Christy MacKinnon

Gallaudet University Press, 1993

Rendered in lovely, full-color illustrations, Silent Observer traces the early life of author Christy MacKinnon in Nova Scotia at the turn of the century. Born in 1889, the author lost her hearing from “the Winter fever” at the age of two. Her story tells of a simple, charming life on her family’s farm by the bay and in the schoolhouse where her father taught her in their hometown of Boisdale.

Silent Observer is an affectionate, poignant memoir of childhood as seen through the eyes of a vivacious young girl. Teachers, parents, and children will share in their enjoyment of this beautiful, sensitive story of a harder but wonderful time that has passed.
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cover of Simone de Beauvoir

Simone de Beauvoir

Lisa Appignanesi

Haus Publishing, 2019

Simone de Beauvoir was a member of the intellectual elite of philosopher-writers whose feminist ideas revolutionised conventional thinking. She is known primarily for her monumental work: The Second Sex, (1949) a scholarly and passionate seminal work, which became a classic of feminist literature but also for her partnership with the philosopher Jean-Paul Sartre, France's most celebrated and unconventional intellectual couplings.
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