3703 books match the query '19th Century' and 256 start with s

cover of States at War, Volume 5: A Reference Guide for Ohio in the Civil War

States at War, Volume 5

A Reference Guide for Ohio in the Civil War

Edited by Richard F. Miller

University Press of New England, 2015

While many Civil War reference books exist, there is no single compendium that contains important details about the combatant states (and territories) that Civil War researchers can readily access for their work. People looking for information about the organizations, activities, economies, demographics, and prominent personalities of Civil War States and state governments must assemble data from a variety of sources, with many key sources remaining unavailable online. This crucial reference book, the fifth in the States at War series, provides vital information on the organization, activities, economies, demographics, and prominent personalities of Ohio during the Civil War. Its principal sources include the Official Records, state adjutant-general reports, legislative journals, state and federal legislation, federal and state executive speeches and proclamations, and the general and special orders issued by the military authorities of both governments, North and South. Designed and organized for easy use by professional historians and amateurs, this book can be read in two ways: by individual state, with each chapter offering a stand-alone history of an individual state’s war years; or across states, comparing reactions to the same event or solutions to the same problems.
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cover of States at War, Volume 6: The Confederate States Chronology and a Reference Guide for South Carolina in the Civil War

States at War, Volume 6

The Confederate States Chronology and a Reference Guide for South Carolina in the Civil War

Edited by Richard F. Miller

University Press of New England, 2018

Although many Civil War reference books exist, Civil War researchers have until now had no single compendium to consult on important details about the combatant states (and territories). This crucial reference work, the sixth in the States at War series, provides vital information on the organization, activities, economies, demographics, and laws of Civil War South Carolina. This volume also includes the Confederate States Chronology. Miller enlists multiple sources, including the statutes, Journals of Congress, departmental reports, general orders from Richmond and state legislatures, and others, to illustrate the rise and fall of the Confederacy. In chronological order, he presents the national laws intended to harness its manpower and resources for war, the harsh realities of foreign diplomacy, the blockade, and the costs of states’ rights governance, along with mounting dissent; the effects of massive debt financing, inflation, and loss of credit; and a growing raggedness within the ranks of its army. The chronology provides a factual framework for one of history’s greatest ironies: in the end, the war to preserve slavery could not be won while 35 percent of the population was enslaved.
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cover of Stations in the Field: A History of Place-Based Animal Research, 1870-1930

Stations in the Field

A History of Place-Based Animal Research, 1870-1930

Raf De Bont

University of Chicago Press, 2015

When we think of sites of animal research that symbolize modernity, the first places that come to mind are grand research institutes in cities and near universities that house the latest in equipment and technologies, not the surroundings of the bird’s nest, the octopus’s garden in the sea, or the parts of inland lakes in which freshwater plankton reside. Yet during the late nineteenth and early twentieth centuries, a group of zoologists began establishing novel, indeed modern ways of studying nature, propagating what present-day ecologists describe as place-based research. 
           
Raf De Bont’s Stations in the Field focuses on the early history of biological field stations and the role these played in the rise of zoological place-based research. Beginning in the 1870s, a growing number of biological field stations were founded—first in Europe and later elsewhere around the world—and thousands of zoologists received their training and performed their research at these sites. Through case studies, De Bont examines the material and social context in which field stations arose, the actual research that was produced in these places, the scientific claims that were developed there, and the rhetorical strategies that were deployed to convince others that these claims made sense. From the life of parasitic invertebrates in northern France and freshwater plankton in Schleswig-Holstein, to migratory birds in East Prussia and pest insects in Belgium, De Bont’s book is fascinating tour through the history of studying nature in nature.
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cover of Stealing the Gila: The Pima Agricultural Economy and Water Deprivation, 1848-1921

Stealing the Gila

The Pima Agricultural Economy and Water Deprivation, 1848-1921

David H. DeJong

University of Arizona Press, 2009

By 1850 the Pima Indians of central Arizona had developed a strong and sustainable agricultural economy based on irrigation. As David H. DeJong demonstrates, the Pima were an economic force in the mid-nineteenth century middle Gila River valley, producing food and fiber crops for western military expeditions and immigrants. Moreover, crops from their fields provided an additional source of food for the Mexican military presidio in Tucson, as well as the U.S. mining districts centered near Prescott. For a brief period of about three decades, the Pima were on an equal economic footing with their non-Indian neighbors.

This economic vitality did not last, however. As immigrants settled upstream from the Pima villages, they deprived the Indians of the water they needed to sustain their economy. DeJong traces federal, territorial, and state policies that ignored Pima water rights even though some policies appeared to encourage Indian agriculture. This is a particularly egregious example of a common story in the West: the flagrant local rejection of Supreme Court rulings that protected Indian water rights. With plentiful maps, tables, and illustrations, DeJong demonstrates that maintaining the spreading farms and growing towns of the increasingly white population led Congress and other government agencies to willfully deny Pimas their water rights.

Had their rights been protected, DeJong argues, Pimas would have had an economy rivaling the local and national economies of the time. Instead of succeeding, the Pima were reduced to cycles of poverty, their lives destroyed by greed and disrespect for the law, as well as legal decisions made for personal gain.
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cover of Steam & Cinders: The Advent of Railroads in Wisconsin

Steam & Cinders

The Advent of Railroads in Wisconsin

Axel Lorenzsonn

Wisconsin Historical Society Press, 2009

Based on the author’s extensive research into the early history of Wisconsin’s rails, Steam and Cinders chronicles the boom and bust of the first railroads in the state, from the charters of the 1830s to the farm mortgages of the 1850s and consolidation of the railroads on the eve of the Civil War. Featuring more than 75 period photographs, historic maps, and drawings, Steam and Cinders preserves the legacy of early Wisconsin railroading for railroad buffs and armchair historians alike.
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cover of Steam City: Railroads, Urban Space, and Corporate Capitalism in Nineteenth-Century Baltimore

Steam City

Railroads, Urban Space, and Corporate Capitalism in Nineteenth-Century Baltimore

David Schley

University of Chicago Press, 2020

Anyone interested in the rise of American corporate capitalism should look to the streets of Baltimore. There, in 1827, citizens launched a bold new venture: a “rail-road” that would link their city with the fertile Ohio River Valley. They dubbed this company the Baltimore & Ohio Railroad (B&O), and they conceived of it as a public undertaking—an urban improvement, albeit one that would stretch hundreds of miles beyond the city limits.

Steam City tells the story of corporate capitalism starting from the street and moving outward, looking at how the rise of the railroad altered the fabric of everyday life in the United States. The B&O’s founders believed that their new line would remap American economic geography, but no one imagined that the railroad would also dramatically reshape the spaces of its terminal city. As railroad executives wrangled with city officials over their use of urban space, they formulated new ideas about the boundaries between public good and private profit. Ultimately, they reinvented the B&O as a private enterprise, unmoored to its home city. This bold reconception had implications not only for the people of Baltimore, but for the railroad industry as a whole. As David Schley shows here, privatizing the B&O helped set the stage for the rise of the corporation as a major force in the post-Civil War economy.

​Steam City examines how the birth and spread of the American railroad—which brought rapid communications, fossil fuels, and new modes of corporate organization to the city—changed how people worked, where they lived, even how they crossed the street. As Schley makes clear, we still live with the consequences of this spatial and economic order today.
 
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cover of Steam-Powered Knowledge: William Chambers and the Business of Publishing, 1820-1860

Steam-Powered Knowledge

William Chambers and the Business of Publishing, 1820-1860

Aileen Fyfe

University of Chicago Press, 2012

With the overwhelming amount of new information that bombards us each day, it is perhaps difficult to imagine a time when the widespread availability of the printed word was a novelty. In early nineteenth-century Britain, print was not novel—Gutenberg’s printing press had been around for nearly four centuries—but printed matter was still a rare and relatively expensive luxury. All this changed, however, as publishers began employing new technologies to astounding effect, mass-producing instructive and educational books and magazines and revolutionizing how knowledge was disseminated to the general public.

In Steam-Powered Knowledge, Aileen Fyfe explores the activities of William Chambers and the W. & R. Chambers publishing firm during its formative years, documenting for the first time how new technologies were integrated into existing business systems. Chambers was one of the first publishers to abandon traditional skills associated with hand printing, instead favoring the latest innovations in printing processes and machinery: machine-made paper, stereotyping, and, especially, printing machines driven by steam power. The mid-nineteenth century also witnessed dramatic advances in transportation, and Chambers used proliferating railway networks and steamship routes to speed up communication and distribution. As a result, his high-tech publishing firm became an exemplar of commercial success by 1850 and outlived all of its rivals in the business of cheap instructive print. Fyfe follows Chambers’s journey from small-time bookseller and self-trained hand-press printer to wealthy and successful publisher of popular educational books on both sides of the Atlantic, demonstrating along the way the profound effects of his and his fellow publishers’ willingness, or unwillingness, to incorporate these technological innovations into their businesses.
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cover of Steamboat Modernity: Travel, Transport, and Social Transformation on the Lower Danube, 1830–1860

Steamboat Modernity

Travel, Transport, and Social Transformation on the Lower Danube, 1830–1860

Constantin Ardeleanu

Central European University Press, 2024

Through a skillful combination of economic and cultural history, this book describes the impact on Moldavia and Wallachia of steam navigation on the Danube. The Danube route integrated the two principalities into a dense network of European roads and waterways. From the 1830s to the 1860s, steamboat transport transformed time and space for the areas that benefited from regular services. River traffic accelerated urban development along the Lower Danube and contributed directly to institutional modernization in one of Europe’s peripheries.

Beyond technological advances and the transportation of goods on a trans-imperial waterway, steamboat travel revolutionized human interactions, too. The book offers a fascinating insight into the social and cultural milieu of the nineteenth century, drawing on first-hand accounts of Danube cruising. Describing the story of travelers who interacted, met, and visited the places they stopped, Constantin Ardeleanu creates a transnational history of travel up and down the Danube from Vienna to Constantinople. The pleasures and sometimes the travails of the travelers unfold against a backdrop of technical and economic transformation in the crucial period of modernization.

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cover of Steaming to the North: The First Summer Cruise of the US Revenue Cutter Bear, Alaska and Chukotka, Siberia, 1886

Steaming to the North

The First Summer Cruise of the US Revenue Cutter Bear, Alaska and Chukotka, Siberia, 1886

Katherine C. Donahue and David C. Switzer

University of Alaska Press, 2014

On a rugged frontier where the ocean was king, most laws came from those who ruled the sea—and few ships policed the western Arctic like the revenue cutter Bear. Commissioned into the organization that would eventually become the US Coast Guard, the Bear patrolled and charted the waters of Alaska and Siberia, bringing medical care, saving lives, and dealing out justice when needed. The ship’s crew and famous captain, the fiery Michael Healy, looked out for Natives and Americans alike in a time when Alaska was adjusting to its new status as a US territory.

Steaming to the North follows the Bear from May to October 1886 as it takes its first summer cruise from San Francisco up to Point Barrow and back again. This is the first book to exhibit the photographs taken by 3rd Lt. Charles Kennedy of New Bedford, introducing rarely seen photos of the last sail-and-steam whaling ships, capturing early interactions of Natives with white whalemen and explorers, and showing lives otherwise lost to time. Essays follow the logbook of the cruise and allow readers to vividly ride alongside the crew on a history-making voyage.
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cover of Stepchildren of Nature: Krafft-Ebing, Psychiatry, and the Making of Sexual Identity

Stepchildren of Nature

Krafft-Ebing, Psychiatry, and the Making of Sexual Identity

Harry Oosterhuis

University of Chicago Press, 2000

Psychiatrist Richard von Krafft-Ebing (1840-1902) played a key role in the construction of the modern concept of sexuality. As the author of the famous Psychopathia sexualis, he named and classified virtually all nonprocreative sexualities, synthesizing knowledge on sadism, masochism, fetishism, homosexuality, and exhibitionism. His influence on the study of sexuality cannot be overstated, but it is often misunderstood. In the wake of Michel Foucault's influential sexual histories, Krafft-Ebing is often maligned as a contributor to the repressed Victorian construction of sexual deviancy.

But in this powerful new cultural history Harry Oosterhuis invites us to reconsider the quality and extent of Krafft-Ebing's influence. Revisiting the case studies on which Krafft-Ebing based his findings, and thus drawing on the voices of his patients and informants, Oosterhuis finds that Krafft-Ebing was not the harsh judge of perversions that we think he was. He argues that Krafft-Ebing had a deep appreciation of the psyche, and that his work reveals an attempt to separate sexual deviancies from ideas of immorality. In the tradition of Freud, then, Krafft-Ebing should stand not as a villain, but as a contributor to more modern notions of sexual identity.
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cover of Stephen A. Douglas

Stephen A. Douglas

Robert W. Johannsen

University of Illinois Press, 1997

      Winner of the Francis Parkman Prize of the Society of American Historians
      For the quarter-century before 1860 Stephen A. Douglas was a dominant
        figure on the American political scene, far outshadowing Abraham Lincoln.
        This first paperback printing of Robert Johannsen's authoritative biography
        features a new preface.
      "At once a work of enormous scholarship and of deep insight. Here,
        for the first time, is the full story of a great career, told with such
        skill that we can now understand why Abraham Lincoln found the 'Little
        Giant' the most formidable political rival he ever faced." -- David
        H. Donald, author of Lincoln and two-time winner of the Pulitzer
        Prize
      "Well-organized and marvelously detailed. . . . The book demonstrates
        the virtues of large-scale, straightforward narrative biography at its
        best. Its completeness and objectivity will make it the standard authority
        for many years to come." -- Richard N. Current, The New York Times
        Book Review
      "Superb. . . . Will doubtless stand as the definitive biography
        of Stephen A. Douglas for this generation." -- Hans L. Trefousse,
        The Journal of American History
      "An impressive work--impressive in scope, in research, and in maturity
        of understanding. . . . Johannsen has constructed a biography that is
        rich in detail and full of conviction." -- James Z. Rabun, The
        Journal of Southern History
      "Should take its place in the tradition of magisterial biographies
        . . . in which so much of the best writing on American history is to be
        found." -- Harry V. Jaffa, National Review
      "The research is amazingly exhaustive and the writing is unusually
        readable. . . . Outstanding biography of a quality not often matched."
        -- LeRoy H. Fischer, Manuscripta
      Supported by the Dickerson Fund of the University of Illinois at Urbana-Champaign
 
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cover of Stephen Crane Remembered

Stephen Crane Remembered

Edited by Paul Sorrentino

University of Alabama Press, 2006

Revealing episodes in the life of the elusive writer, as told by acquaintances

This book collects reminiscences by contemporaries, friends, and associates of Stephen Crane that illuminate the life of this often misunderstood and misrepresented writer. Although Crane is widely regarded as a major American author, conclusions about his life, work, and thought remain obscure due to the difficulties in separating fact from fiction. His first biographer recorded mostly vague impressions and, to mythologize his subject, invented a multitude of the episodes and letters used in his account of Crane’s life. Subsequent biographies were either cursory summations or compendiums of verifiable facts. Crane himself was both reclusive and mercurial, protective of his inner life while projecting a variety of personae to suit others.

A flamboyant personality and close friend of writers such as William Dean Howells, Henry James, and Joseph Conrad, Crane made telling impressions on his contemporaries. They often constitute the best assessments of Crane’s own personality and work. The 90 reminiscences gathered here offer a much-needed account of Crane’s life from a variety of viewpoints, as well as important information about the contributors themselves.

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cover of Steppin' Out: New York Nightlife and the Transformation of American Culture

Steppin' Out

New York Nightlife and the Transformation of American Culture

Lewis A. Erenberg

University of Chicago Press, 1984

The evolution of New York nightlife from the Gay Nineties through the Jazz Age was, as Lewis A. Erenberg shows, both symbol and catalyst of America's transition out of the Victorian period. Cabaret culture led the way to new styles of behavior and consumption, dissolving conventional barriers between classes, races, the sexes—even between life and art. A fabulous era of chorus girls, jazz players, lobster palaces, and hip flasks—the age of Sophie Tucker, Irene and Vernon Castle, and Gilda Gray—tangos through the pages of this ground-breaking, as well as entertaining, cultural history.
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cover of Still the Arena of Civil War: Violence and Turmoil in Reconstruction Texas, 1865-1874

Still the Arena of Civil War

Violence and Turmoil in Reconstruction Texas, 1865-1874

Kenneth W. Howell

University of North Texas Press, 2012

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cover of Stories of Tonality in the Age of François-Joseph Fétis

Stories of Tonality in the Age of François-Joseph Fétis

Thomas Christensen

University of Chicago Press, 2019

Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
 
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cover of Storm of Words: Science, Religion, and Evolution in the Civil War Era

Storm of Words

Science, Religion, and Evolution in the Civil War Era

Monte Harrell Hampton

University of Alabama Press, 2014

A study of the ways that southern Presbyterians in the wake of the Civil War contended with a host of cultural and theological questions

Southern Presbyterian theologians enjoyed a prominent position in antebellum southern culture. Respected for both their erudition and elite constituency, these theologians identified the southern society as representing a divine, Biblically ordained order. Beginning in the 1840s, however, this facile identification became more difficult to maintain, colliding first with antislavery polemics, then with Confederate defeat and reconstruction, and later with women’s rights, philosophical empiricism, literary criticisms of the Bible, and that most salient symbol of modernity, natural science.

As Monte Harrell Hampton shows in Storm of Words, modern science seemed most explicitly to express the rationalistic spirit of the age and threaten the Protestant conviction that science was the faithful “handmaid” of theology. Southern Presbyterians disposed of some of these threats with ease. Contemporary geology, however, posed thornier problems. Ambivalence over how to respond to geology led to the establishment in 1859 of the Perkins Professorship of Natural Science in Connexion with Revealed Religion at the seminary in Columbia, South Carolina. Installing scientist-theologian James Woodrow in this position, southern Presbyterians expected him to defend their positions.

Within twenty-five years, however, their anointed expert held that evolution did not contradict scripture. Indeed, he declared that it was in fact God’s method of creating. The resulting debate was the first extended evolution controversy in American history. It drove a wedge between those tolerant of new exegetical and scientific developments and the majority who opposed such openness. Hampton argues that Woodrow believed he was shoring up the alliance between science and scripture—that a circumscribed form of evolution did no violence to scriptural infallibility. The traditionalists’ view, however, remained interwoven with their identity as defenders of the Lost Cause and guardians of southern culture.

The ensuing debate triggered Woodrow’s dismissal. It also capped a modernity crisis experienced by an influential group of southern intellectuals who were grappling with the nature of knowledge, both scientific and religious, and its relationship to culture—a culture attempting to define itself in the shadow of the Civil War and Reconstruction.

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cover of Stowe in Her Own Time: A Biographical Chronicle of Her Life, Drawn from Recollections, Interviews, and Memoirs by Family, F

Stowe in Her Own Time

A Biographical Chronicle of Her Life, Drawn from Recollections, Interviews, and Memoirs by Family, F

Susan Belasco

University of Iowa Press, 2009

One of the first celebrity authors, Harriet Beecher Stowe (1811–1896) became famous almost overnight when Uncle Tom’s Cabin—which sold more than 300,000 copies in its first year of publication—appeared in 1852. Known by virtually all famous writers in the United States and many in England and regarded by many women writers as a role model because of her influence in the literary marketplace, Stowe herself was the subject of many books, articles, essays, and poems during her lifetime.

This volume brings together for the first time a range of primary materials about Stowe’s private and public life written by family members, friends, and fellow writers who knew or were influenced by her before and after Uncle Tom’s Cabin catapulted her to fame. Included are periodical articles by Fanny Fern and Charles Dudley Warner; biographical essays by Sarah Josepha Hale and Rose Terry Cooke; letters by Oliver Wendell Holmes, Elizabeth Barrett Browning, and Harriet Jacobs; recollections by Frederick Douglass, Annie Adams Fields, Isabella Beecher Hooker, and Charles Beecher; and poems by Paul Laurence Dunbar and John Greenleaf Whittier. An introduction at the beginning of each essay connects it to its historical and cultural context, explanatory notes provide information about people and places, and the book includes a detailed introduction and a chronology of Stowe’s life. 

The thirty-eight recollections gathered in Stowe in Her Own Time form a biographical narrative designed to provide several perspectives on the famous author, sometimes in conflict and sometimes in agreement but always perceptive. The figure who emerges from this insightful, analytical collection is far more complex than the image she helped construct in her lifetime.
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cover of Strained Sisterhood: Gender and Class in the Boston Female Anti-Slavery Society

Strained Sisterhood

Gender and Class in the Boston Female Anti-Slavery Society

Debra Gold Hansen

University of Massachusetts Press, 1993

Why do some feminists advocate male-female equality while others remain committed to gender difference? What are the sociocultural foundations of these seemingly opposing gender constructs and why has the American feminist movement failed to articulate an ideology that encompasses both?

Debra Gold Hansen explores the origins of the equality-versus-difference debate by examining the Boston Female Anti-Slavery Society, which disbanded in 1840 over this very issue. After establishing a historical framework for women's lives in early nineteenth-century Boston, Hansen analyzes the membership of the Society along the lines of race, religion, and socioeconomic status. Through her findings, she concludes that many of the issues that estranged female abolitionists in antebellum Boston continue to divide women today, testifying not to the strength of the bonds between women but to the fragility of those ties.
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cover of Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914

Strange Duets

Impresarios and Actresses in the American Theatre, 1865-1914

Kim Marra

University of Iowa Press, 2006

Autocratic male impresarios increasingly dominated the American stage between 1865 and 1914. Many rose from poor immigrant roots and built their own careers by making huge stars out of “undiscovered,” Anglo-identified actresses. Reflecting the antics of self-made industrial empire-builders and independent, challenging New Women, these theatrical potentates and their protégées gained a level of wealth and celebrity comparable to that of Hollywood stars today. In her engaging and provocative Strange Duets, Kim Marra spotlights three passionate impresario-actress relationships of exceptional duration that encapsulated the social tensions of the day and strongly influenced the theatre of the twentieth century. Augustin Daly and Ada Rehan, Charles Frohman and Maude Adams, and David Belasco and Mrs. Leslie Carter reigned over “legitimate” Broadway theatre, the venue of greatest social cachet for the monied classes. Unlike impresarios and actresses in vaudeville and burlesque, they produced full-length spoken drama that involved special rigors of training and rehearsal to sustain a character’s emotional “truth” as well as a high level of physical athleticism and endurance. Their efforts compelled fascination at a time when most people believed women’s emotions were seated primarily in the reproductive organs and thus were fundamentally embodied and sexual in nature. While the impresario ostensibly exercised full control over his leading lady, showing fashionable audiences that the exciting but unruly New Woman could be both tamed and enjoyed, she acquired a power of her own that could bring him to his knees.Kim Marra combines methods of cultural, gender, and sexuality studies with theatre history to explore the vexed mutual dependency between these status-seeking Svengalis and their alternately willing and resistant leading ladies. She illuminates how their on- and off-stage performances, highly charged in this Darwinian era with “racial” as well as gender, sexual, and class dynamics, tapped into the contradictory fantasies and aspirations of their audiences. Played out against a backdrop of enormous cultural and institutional transformation, the volatile romance of Daly and Rehan, closeted homosexuality of Frohman and Adams, and carnal expiations of Belasco and Carter produced strange duets indeed.
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cover of Strange Science: Investigating the Limits of Knowledge in the Victorian Age

Strange Science

Investigating the Limits of Knowledge in the Victorian Age

Edited by Lara Karpenko and Shalyn Claggett

University of Michigan Press, 2017

The essays in Strange Science examine marginal, fringe, and unconventional forms of scientific inquiry, as well as their cultural representations, in the Victorian period. Although now relegated to the category of the pseudoscientific, fields like mesmerism and psychical research captured the imagination of the Victorian public. Conversely, many branches of science now viewed as uncontroversial, such as physics and botany, were often associated with unorthodox methods of inquiry. Whether ultimately incorporated into mainstream scientific thought or categorized by 21st century historians as pseudo- or even anti-scientific, these sciences generated conversation, enthusiasm, and controversy within Victorian society.
 
To date, scholarship addressing Victorian pseudoscience tends to focus either on a particular popular science within its social context or on how mainstream scientific practice distinguished itself from more contested forms. Strange Science takes a different approach by placing a range of sciences in conversation with one another and examining the similar unconventional methods of inquiry adopted by both now-established scientific fields and their marginalized counterparts during the Victorian period. In doing so, Strange Science reveals the degree to which scientific discourse of this period was radically speculative, frequently attempting to challenge or extend the apparent boundaries of the natural world. This interdisciplinary collection will appeal to scholars in the fields of Victorian literature, cultural studies, the history of the body, and the history of science.

 

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cover of Strata: William Smith’s Geological Maps

Strata

William Smith’s Geological Maps

Edited by the Oxford University Museum of Natural History

University of Chicago Press, 2020

Lavishly illustrated with full-color geological maps, tables of strata, geological cross-sections, photographs, and fossil illustrations from the archives of the Oxford University Museum of Natural History, the Geological Society, the London Natural History Museum, and others, Strata provides the first complete presentation of the revolutionary work of nineteenth-century geologist William Smith, the so-called father of English geology. It illustrates the story of his career, from apprentice to surveyor for hire and fossil collector, from his 1799 geological map of Bath and table of strata to his groundbreaking 1815 geological strata map, and from his imprisonment for debt to his detailed stratigraphical county maps.
 
This sumptuous volume begins with an introduction by Douglas Palmer that places Smith’s work in the context of earlier, concurrent, and subsequent ideas regarding the structure and natural processes of the earth, geographical mapping, and biostratigraphical theories. The book is then organized into four parts, each beginning with four sheets from Smith’s hand-colored, 1815 strata map, accompanied by related geological cross-sections and county maps, and followed by fossil illustrations by Smith contemporary James Sowerby, all organized by strata. Essays between each section explore the aims of Smith’s work and its application in the fields of mining, agriculture, cartography and hydrology. Strata concludes with reflections on Smith’s later years as an itinerant geologist and surveyor, plagiarism by a rival, receipt of the first Wollaston Medal in recognition of his achievements, and the influence of his geological mapping and biostratigraphical theories on the sciences—all of which culminated in the establishment of the modern geological timescale.
 
Featuring a foreword by Robert Macfarlane, Strata is a glorious testament to the lasting geological and illustrative genius of William Smith, a collection as colossal and awe-inspiring as the layers of the Earth themselves.
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cover of Street Occupations: Urban Vending in Rio de Janeiro, 1850–1925

Street Occupations

Urban Vending in Rio de Janeiro, 1850–1925

By Patricia Acerbi

University of Texas Press, 2017

Winner, Warren Dean Memorial Prize, Conference on Latin American History (CLAH), 2018

Street vending has supplied the inhabitants of Rio de Janeiro with basic goods for several centuries. Once the province of African slaves and free blacks, street commerce became a site of expanded (mostly European) immigrant participation and shifting state regulations during the transition from enslaved to free labor and into the early post-abolition period. Street Occupations investigates how street vendors and state authorities negotiated this transition, during which vendors sought greater freedom to engage in commerce and authorities imposed new regulations in the name of modernity and progress.

Examining ganhador (street worker) licenses, newspaper reports, and detention and court records, and considering the emergence of a protective association for vendors, Patricia Acerbi reveals that street sellers were not marginal urban dwellers in Rio but active participants in a debate over citizenship. In their struggles to sell freely throughout the Brazilian capital, vendors asserted their citizenship as urban participants with rights to the city and to the freedom of commerce. In tracing how vendors resisted efforts to police and repress their activities, Acerbi demonstrates the persistence of street commerce and vendors’ tireless activity in the city, which the law eventually accommodated through municipal street commerce regulation passed in 1924.

A focused history of a crucial era of transition in Brazil, Street Occupations offers important new perspectives on patron-client relations, slavery and abolition, policing, the use of public space, the practice of free labor, the meaning of citizenship, and the formality and informality of work.

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cover of Streets, Railroads, and the Great Strike of 1877

Streets, Railroads, and the Great Strike of 1877

David O. Stowell

University of Chicago Press, 1999

For one week in late July of 1877, America shook with anger and fear as a variety of urban residents, mostly working class, attacked railroad property in dozens of towns and cities. The Great Strike of 1877 was one of the largest and most violent urban uprisings in American history.

Whereas most historians treat the event solely as a massive labor strike that targeted the railroads, David O. Stowell examines America's predicament more broadly to uncover the roots of this rebellion. He studies the urban origins of the Strike in three upstate New York cities—Buffalo, Albany, and Syracuse. He finds that locomotives rumbled through crowded urban spaces, sending panicked horses and their wagons careening through streets. Hundreds of people were killed and injured with appalling regularity. The trains also disrupted street traffic and obstructed certain forms of commerce. For these reasons, Stowell argues, The Great Strike was not simply an uprising fueled by disgruntled workers. Rather, it was a grave reflection of one of the most direct and damaging ways many people experienced the Industrial Revolution.

"Through meticulously crafted case studies . . . the author advances the thesis that the strike had urban roots, that in substantial part it represented a community uprising. . . .A particular strength of the book is Stowell's description of the horrendous accidents, the toll in human life, and the continual disruption of craft, business, and ordinary movement engendered by building railroads into the heart of cities."—Charles N. Glaab, American Historical Review
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cover of Strindberg's Letters

Strindberg's Letters

August Strindberg

University of Chicago Press, 1992

This is the first major collection in English of August Strindberg's letters, the most vital and wide-ranging body of correspondence in Scandinavian literature. Of ten thousand surviving letters, Michael Robinson has selected and translated more than five hundred of the most important, which trace Strindberg's development and provide a comprehensive view of the life and work of this towering figure in European literary and theatrical Modernism.

Strindberg's plays, novels, and short stories, which influenced film and theatre artists from Artaud and the German Expressionists to Ingmar Bergman and Woody Allen, chart an artistic evolution from Naturalism to the revolt against realism that issued in Expressionist drama. These letters help to explain Strindberg's seminal force and testify to the broad range of his interests, energies, and imaginative instincts. An essential part of their author's oeuvre, the letters provide invaluable insight into Strindberg the artist, the political thinker, and the person, and were regarded by Strindberg himself as an integral component of his autobiographical project.

The letters, some of them published here for the first time, have been meticulously edited and are supported by an extensive introduction and notes.
[more]
cover of Strindberg's Letters, Volume 1: 1862-1892

Strindberg's Letters, Volume 1

1862-1892

August Strindberg

University of Chicago Press, 1992

This is the first major collection in English of August Strindberg's letters, the most vital and wide-ranging body of correspondence in Scandinavian literature. Of ten thousand surviving letters, Michael Robinson has selected and translated more than five hundred of the most important, which trace Strindberg's development and provide a comprehensive view of the life and work of this towering figure in European literary and theatrical Modernism.
[more]
cover of Strindberg's Letters, Volume 2: 1892-1912

Strindberg's Letters, Volume 2

1892-1912

August Strindberg

University of Chicago Press, 1992

This is the first major collection in English of August Strindberg's letters, the most vital and wide-ranging body of correspondence in Scandinavian literature. Of ten thousand surviving letters, Michael Robinson has selected and translated more than five hundred of the most important, which trace Strindberg's development and provide a comprehensive view of the life and work of this towering figure in European literary and theatrical Modernism.
[more]
cover of Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 1: Resonances, 1836-1849

Strong on Music

The New York Music Scene in the Days of George Templeton Strong, Volume 1: Resonances, 1836-1849

Vera Brodsky Lawrence

University of Chicago Press, 1995

In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century.

Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin.

On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review

On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
[more]
cover of Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 2: Reverberations, 1850-1856

Strong on Music

The New York Music Scene in the Days of George Templeton Strong, Volume 2: Reverberations, 1850-1856

Vera Brodsky Lawrence

University of Chicago Press, 1995

In this second volume of Strong on Music, Vera Brodsky Lawrence carries into the 1850s her landmark account of the nineteenth-century New York music scene. Using music entries from George Templeton Strong's famous journals—most published here for the first time—as a point of departure, Lawrence provides a vivid portrait of a vibrant musical culture.

Each chapter presents one year in the musical life of New York City, with Lawrence's extensive commentary enriched both by excerpts from Strong's diaries and a lavish selection of little-known music criticism and comment from the period. The reviews, written by an often truculent, sometimes venal tribe of music journalists, cover the entire world of music—from opera to barrel organ, salon to saloon.

In this New York, operas performed by renowned artists are parodied by blackface minstrels; performances of the Philharmonic Society are drowned by the raucous chatter of flirtatious adolescents, who turn concerts into a noisy singles' hangout; and irate critics trash the first performances of Verdi operas, calling the plots indecent and the scores noisy and unmelodic. In this volatile atmosphere, a native musical culture is born; its whose first faltering efforts are dubiously received, and the first American composers begin to emerge.
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cover of Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 3: Repercussions, 1857-1862

Strong on Music

The New York Music Scene in the Days of George Templeton Strong, Volume 3: Repercussions, 1857-1862

Vera Brodsky Lawrence

University of Chicago Press, 1999

In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons.

Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings.

Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis.

Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin.

On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review

On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
[more]
cover of Struggle for the Gulf Borderlands: The Creek War and the Battle of New Orleans, 1812-1815

Struggle for the Gulf Borderlands

The Creek War and the Battle of New Orleans, 1812-1815

Frank L. Owsley

University of Alabama Press, 2000

Examination of the Creek War which integrates that struggle into the larger conflict that broke out in 1812 between Great Britain and the United States.

Using American, British, and Spanish documents, many previously unknown, Frank Owsley’s study establishes the Creek War and the struggle to control the Gulf borderlands as integral parts of the War of 1812. The war between the United States and a large part of the Creek nation is usually studied as local or regional history. These documentary sources, however, show the larger picture. They show Spain to have been a major influence in the Creek War and indicate the extent to which the British were aiding the Indians and using them to redirect American troops. On the other hand, Andrew Jackson, in charge of the American forces on the Gulf Coast, emerged from the conflict as a first-rate military commander. His victories on the Gulf gave the West a leader and aided in shifting political power from the eastern seaboard to the South and West.

Owsley concludes that the victories in the Gulf region were of sufficient magnitude to justify the claim that the War of 1812 was not a draw but a decisive American victory and that had there been a general of Jackson's caliber on the northern frontier, the United States might have had a clear-cut victory there.

As a result of the war, the United States held its claim on Louisiana, annexed the Mobile district, forced Spain out of Florida, and broke the power of the southern Indians, thus opening vast lands for settlement from the new nation on the eastern seaboard.
 

 
 

[more]
cover of Studying Wisconsin: The Life of Increase Lapham, early chronicler of plants, rocks, rivers, mounds and all things Wisconsin

Studying Wisconsin

The Life of Increase Lapham, early chronicler of plants, rocks, rivers, mounds and all things Wisconsin

Martha Bergland

Wisconsin Historical Society Press, 2014


With masterful storytelling, Bergland and Hayes demonstrate how Lapham blended his ravenous curiosity with an equable temperament and a passion for detail to create a legacy that is still relevant today.
—John Gurda

In this long overdue tribute to Wisconsin’s first scientist, authors Martha Bergland and Paul G. Hayes explore the remarkable life and achievements of Increase Lapham (1811–1875). Lapham’s ability to observe, understand, and meticulously catalog the natural world marked all of his work, from his days as a teenage surveyor on the Erie Canal to his last great contribution as state geologist.

Self-taught, Lapham mastered botany, geology, archaeology, limnology, mineralogy, engineering, meteorology, and cartography. A prolific writer, his 1844 guide to the territory was the first book published in Wisconsin. Asked late in life which field of science was his specialty, he replied simply, “I am studying Wisconsin.”

Lapham identified and preserved thousands of botanical specimens. He surveyed and mapped Wisconsin’s effigy mounds. He was a force behind the creation of the National Weather Service, lobbying for a storm warning system to protect Great Lakes sailors. Told in compelling detail through Lapham’s letters, journals, books, and articles, Studying Wisconsin chronicles the life and times of Wisconsin’s pioneer citizen-scientist.

[more]
cover of Style and Music: Theory, History, and Ideology

Style and Music

Theory, History, and Ideology

Leonard B. Meyer

University of Chicago Press, 1997

Leonard Meyer proposes a theory of style and style change that relates the choices made by composers to the constraints of psychology, cultural context, and musical traditions. He explores why, out of the abundance of compositional possibilities, composers choose to replicate some patterns and neglect others.

Meyer devotes the latter part of his book to a sketch-history of nineteenth-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into our own time.

"A monumental work. . . . Most authors concede the relation of music to its cultural milieu, but few have probed so deeply in demonstrating this interaction."—Choice

"Probes the foundations of musical research precisely at the joints where theory and history fold into one another."—Kevin Korsyn, Journal of American Musicological Society

"A remarkably rich and multifaceted, yet unified argument. . . . No one else could have brought off this immense project with anything like Meyer's command."—Robert P. Morgan, Music Perception

"Anyone who attempts to deal with Romanticism in scholarly depth must bring to the task not only musical and historical expertise but unquenchable optimism. Because Leonard B. Meyer has those qualities in abundance, he has been able to offer fresh insight into the Romantic concept."—Donal Henahan, New York Times


[more]
cover of Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siècle Vienna

Style and Seduction

Jewish Patrons, Architecture, and Design in Fin de Siècle Vienna

Elana Shapira

Brandeis University Press, 2016

A recent surge of interest in Jewish patronage during the golden years of Vienna has led to the question, Would modernism in Vienna have developed in the same fashion had Jewish patrons not been involved? This book uniquely treats Jewish identification within Viennese modernism as a matter of Jews active fashioning of a new language to convey their aims of emancipation along with their claims of cultural authority. In this provocative reexamination of the roots of Viennese modernism, Elana Shapira analyzes the central role of Jewish businessmen, professionals, and writers in the evolution of the city’s architecture and design from the 1860s to the 1910s. According to Shapira, these patrons negotiated their relationship with their non-Jewish surroundings and clarified their position within Viennese society by inscribing Jewish elements into the buildings, interiors, furniture, and design objects that they financed, produced, and co-designed. In the first book to investigate the cultural contributions of the banker Eduard Todesco, the steel tycoon Karl Wittgenstein, the textile industrialist Fritz Waerndorfer, the author Peter Altenberg, the tailor Leopold Goldman, and many others, Shapira reconsiders theories identifying the crisis of Jewish assimilation as a primary creative stimulus for the Jewish contribution to Viennese modernism. Instead, she argues that creative tensions between Jews and non-Jews—patrons and designers who cooperated and arranged well-choreographed social encounters with one another—offer more convincing explanations for the formation of a new semantics of modern Viennese architecture and design than do theories based on assimilation. This thoroughly researched and richly illustrated book will interest scholars and students of Jewish studies, Vienna and Viennese culture, and modernism.
[more]
cover of Subject Lessons: The Western Education of Colonial India

Subject Lessons

The Western Education of Colonial India

Sanjay Seth

Duke University Press, 2007

Subject Lessons offers a fascinating account of how western knowledge “traveled” to India, changed that which it encountered, and was itself transformed in the process. Beginning in 1835, India’s British rulers funded schools and universities to disseminate modern, western knowledge in the expectation that it would gradually replace indigenous ways of knowing. From the start, western education was endowed with great significance in India, not only by the colonizers but also by the colonized, to the extent that today almost all “serious” knowledge about India—even within India—is based on western epistemologies. In Subject Lessons, Sanjay Seth’s investigation into how western knowledge was received by Indians under colonial rule becomes a broader inquiry into how modern, western epistemology came to be seen not merely as one way of knowing among others but as knowledge itself.

Drawing on history, political science, anthropology, and philosophy, Seth interprets the debates and controversies that came to surround western education. Central among these were concerns that Indian students were acquiring western education by rote memorization—and were therefore not acquiring “true knowledge”—and that western education had plunged Indian students into a moral crisis, leaving them torn between modern, western knowledge and traditional Indian beliefs. Seth argues that these concerns, voiced by the British as well as by nationalists, reflected the anxiety that western education was failing to produce the modern subjects it presupposed. This failure suggested that western knowledge was not the universal epistemology it was thought to be. Turning to the production of collective identities, Seth illuminates the nationalists’ position vis-à-vis western education—which they both sought and criticized—through analyses of discussions about the education of Muslims and women.

[more]
cover of Subjects on Display: Psychoanalysis, Social Expectation, and Victorian Femininity

Subjects on Display

Psychoanalysis, Social Expectation, and Victorian Femininity

Beth Newman

Ohio University Press, 2004

Subjects on Display explores a recurrent figure at the heart of many nineteenth-century English novels: the retiring, self-effacing woman who is conspicuous for her inconspicuousness. Beth Newman draws upon both psychoanalytic theory and recent work in social history as she argues that this paradoxical figure, who often triumphs over more dazzling, eye-catching rivals, is a response to the forces that made personal display a vexed issue for Victorian women. Chief among these is the changing socioeconomic landscape that made the ideal of the modest woman outlive its usefulness as a class signifier even as it continued to exert moral authority.

This problem cannot be grasped in its full complexity, Newman shows, without considering how the unstable social meanings of display interacted with psychical forces-specifically, the desire to be seen by others that is central to both masculine and feminine subjectivity. This desire raises an issue that feminist theorists have been reluctant to address: the importance of pleasure in being the object of the look. Their reluctance is characteristic of cultural theory, which has tended to equate subjectivity with the position of the observer rather than the observed.

Through a consideration of fiction by Charlotte Brontë, Charles Dickens, George Eliot, and Henry James, Newman shifts the inquiry toward the observed in the experience of being seen. In the process she reopens the question of the gaze and its relation to subjectivity.

Subjects on Display will appeal to scholars and students in several disciplines as it returns psychoanalysis to a central position within literary and cultural studies.

[more]
cover of Subsurface

Subsurface

Karen Pinkus

University of Minnesota Press, 2023

A bold new consideration of climate change between narratives of the Earth’s layers and policy of the present

 

Long seen as a realm of mystery and possibility, the subsurface beneath our feet has taken on all-too-real import in the era of climate change. Can reading narratives of the past that take imaginative leaps under the surface better attune us to our present knowledge of a warming planet?

In Subsurface, Karen Pinkus looks below the surface of texts by Edgar Allan Poe, Arthur Conan Doyle, George Sand, E. T. A. Hoffmann, and Jules Verne to find the buried origins of capitalist fantasies in which humans take what they want from the earth. Putting such texts into conversation with narrative theory, critical theory, geology, and climate policy, she shows that the subsurface has been, in our past, a place of myth and stories of male voyages down to gain knowledge—but it is also now the realm of fossil fuels. How do these two modes intertwine?

A highly original take on evocative terms such as extraction, burial, fossils, deep time, and speculative futurity, Subsurface questions the certainty of comfortable narrative arcs. It asks us to read literature with and against the figure of the geological column, with and against fossil fuels and the emissions warming our planet. As we see our former selves move into the distance, what new modes of imagination might we summon?

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cover of Suburban Plots: Men at Home in Nineteenth-Century American Print Culture

Suburban Plots

Men at Home in Nineteenth-Century American Print Culture

Maura D'Amore

University of Massachusetts Press, 2014

In the middle of the nineteenth century, as Americans contended with rapid industrial and technological change, readers relied on periodicals and books for information about their changing world. Within this print culture, a host of writers, editors, architects, and reformers urged men to commute to and from their jobs in the city, which was commonly associated with overcrowding, disease, and expense. Through a range of materials, from pattern books to novels and a variety of periodicals, men were told of the restorative effects on body and soul of the natural environment, found in the emerging suburbs outside cities such as New York, Boston, and Philadelphia. They were assured that the promise of an ideal home, despite its association with women's work, could help to motivate them to engage in the labor and commute that took them away from it each day.

In Suburban Plots, Maura D'Amore explores how Henry David Thoreau, Henry Ward Beecher, Donald Grant Mitchell, Nathaniel Hawthorne, Nathaniel Parker Willis, and others utilized the pen to plot opportunities for a new sort of male agency grounded, literarily and spatially, in a suburbanized domestic landscape. D'Amore uncovers surprising narratives that do not fit easily into standard critical accounts of midcentury home life. Taking men out of work spaces and locating them in the domestic sphere, these writers were involved in a complex process of portraying men struggling to fulfill fantasies outside of their professional lives, in newly emerging communities. These representations established the groundwork for popular conceptions of suburban domestic life that remain today.
[more]
cover of Subversives and Mavericks in the Muslim Mediterranean: A Subaltern History

Subversives and Mavericks in the Muslim Mediterranean

A Subaltern History

Edited by Odile Moreau and Stuart Schaar; preface by Edmund Burke III

University of Texas Press, 2016

Subaltern studies, the study of non-elite or underrepresented people, have revolutionized the writing of Middle Eastern history. Subversives and Mavericks in the Muslim Mediterranean represents the next step in this transformation. The book explores the lives of eleven nonconformists who became agents of political and social change, actively organizing new forms of resistance—against either colonial European regimes or the traditional societies in which they lived—that disrupted the status quo, in some cases, with dramatic results. These case studies highlight cross-border connections in the Mediterranean world, exploring how these channels were navigated.

Chapters in the book examine the lives of subversives and mavericks, such as Tawhida ben Shaykh, the first Arab woman to receive a medical degree; Mokhtar al-Ayari, a radical Tunisian labor leader; Nazli Hanem, Kmar Bayya, and Khiriya bin Ayyad, three aristocractic women who resisted the patriarchal structures of their societies by organizing and participating in intellectual salons for men and women and advocating social reform; Qaid Najim al-Akhsassi, an ex-slave and military officer, who fought against French and Spanish colonial expansion; and Boubeker al-Ghandjawi, a nearly illiterate trader who succeeded, though his diverse connections, in establishing important relations between the Moroccan sultan and the representative of the British government. Although based on individual and local perspectives, Subversives and Mavericks in the Muslim Mediterranean reveals new and unrecognized trans-local connections across the Muslim world, illuminating our understanding of these societies beyond narrow elite circles.

[more]
cover of Success Depends on the Animals: Emigrants, Livestock, and Wild Animals on the Overland Trails, 1840–1869

Success Depends on the Animals

Emigrants, Livestock, and Wild Animals on the Overland Trails, 1840–1869

Diana L. Ahmad

University of Nevada Press, 2016

Between 1840 and 1869, thousands of people crossed the American continent looking for a new life in the West. Success Depends on the Animals explores the relationships and encounters that these emigrants had with animals, both wild and domestic, as they traveled the Overland Trail. In the longest migration of people in history, the overlanders were accompanied by thousands of work animals such as horses, oxen, mules, and cattle. These travelers also brought dogs and other companion animals, and along the way confronted unknown wild animals.

Ahmad’s study is the first to explore how these emigrants became dependent upon the animals that traveled with them, and how, for some, this dependence influenced a new way of thinking about the human-animal bond. The pioneers learned how to work with the animals and take care of them while on the move. Many had never ridden a horse before, let alone hitched oxen to a wagon. Due to the close working relationship that the emigrants were forced to have with these animals, many befriended the domestic beasts of burden, even attributing human characteristics to them.

Drawing on primary sources such as journals, diaries, and newspaper accounts, Ahmad explores how these new experiences influenced fresh ideas about the role of animals in pioneer life. Scholars and students of western history and animal studies will find this a fascinating and distinctive analysis of an understudied topic.

[more]
cover of Sudden Deaths in St. Louis: Coroner Bias in the Gilded Age

Sudden Deaths in St. Louis

Coroner Bias in the Gilded Age

Sarah E. Lirley

Southern Illinois University Press, 2024

Honorable Mention, 2025 Society of Midland Authors Award in History!

A social history of death investigations in the urban Midwest


The scene of myriad grisly deaths, late nineteenth-century St. Louis was a hotbed for homicide, suicide, alcoholism, abortion, and workplace accidents. The role of the city’s Gilded Age coroners has not been fully examined, contextualized, or interrogated until now. Sarah E. Lirley investigates the process in which these outcomes were determined, finding coroners’ rulings were not uniform, but rather varied by who was conducting the inquest. These fascinating case studies explore the lives of the deceased, as well as their families, communities, press coverage of the events, and the coroners themselves.

Sudden Deaths in St. Louis is a study of 120 coroners’ inquests conducted between 1875 and 1885. Each chapter analyzes the typical versus the atypical in verdicts of death. At the time, inaccurate findings and cursory investigations fueled criticisms of coroner’s offices for employing poorly trained laymen. The coroners featured in this book had the power to shape public perception of the deceased, and they often relied on preexisting reputations to determine cause of death. For instance, women who worked as prostitutes were likely to be ruled as suicides, whether or not that was actually the case, and women who were respected members of their communities, particularly mothers, frequently received rulings of suicide caused by insanity. Verdicts also depended in part on availability of witnesses, including family members, to determine whether another person could be held liable for the death. Lirley’s book highlights the stories of ordinary men and women whose lives were tragically cut short, and the injustice they received even after death.

[more]
cover of Sugarcane and Rum: The Bittersweet History of Labor and Life on the Yucatán Peninsula

Sugarcane and Rum

The Bittersweet History of Labor and Life on the Yucatán Peninsula

John R. Gust and Jennifer P. Mathews

University of Arizona Press, 2020

While the Yucatán Peninsula of Mexico may conjure up images of vacation getaways and cocktails by the sea, these easy stereotypes hide a story filled with sweat and toil. The story of sugarcane and rum production in the Caribbean has been told many times. But few know the bittersweet story of sugar and rum in the jungles of the Yucatán Peninsula during the nineteenth century. This is much more than a history of coveted commodities. The unique story that unfolds in John R. Gust and Jennifer P. Mathews’s new history Sugarcane and Rum is told through the lens of Maya laborers who worked under brutal conditions on small haciendas to harvest sugarcane and produce rum.

Gust and Mathews weave together ethnographic interviews and historical archives with archaeological evidence to bring the daily lives of Maya workers into focus. They lived in a cycle of debt, forced to buy all of their supplies from the company store and take loans from the hacienda owners. And yet they had a certain autonomy because the owners were so dependent on their labor at harvest time. We also see how the rise of cantinas and distilled alcohol in the nineteenth century affected traditional Maya culture and that the economies of Cancún and the Mérida area are predicated on the rum-influenced local social systems of the past. Sugarcane and Rum brings this bittersweet story to the present and explains how rum continues to impact the Yucatán and the people who have lived there for millennia.

[more]
cover of Sui Sin Far / Edith Maude Eaton: A Literary Biography

Sui Sin Far / Edith Maude Eaton

A Literary Biography

Annette White-Parks; Foreward by Roger Daniels

University of Illinois Press, 1995

The eldest daughter of a Chinese mother and British father, Edith Maude Eaton was born in the United Kingdom in 1865. Her family moved to Quebec, where she was removed from school at age ten to help support her parents and twelve siblings. In the 1880s and 1890s, Eaton worked as a stenographer, journalist, and fiction writer in Montreal, often writing under the name Sui Sin Far (Water Lily). She lived briefly in Jamaica and then settled in the United States, where she published her one book, Mrs. Spring Fragrance.

Annette White-Parks offers the first full-length biography of the woman now remembered as North America's first published Asian writer. White-Parks reveals an author who defied the in vogue style of "yellow peril" literature to show Chinatowns and their inhabitants as complex, feeling human beings. Her insider's sympathy focused in particular on Chinese American women and children. Confronted with social divisions and discrimination, Sui Sin Far experimented with trickster characters and irony, sharing the coping mechanisms used by other writers who struggled to overcome the marginalization forced on them because of their race, gender, or class.

[more]
cover of Sukeroku’s Double Identity: The Dramatic Structure of Edo Kabuki

Sukeroku’s Double Identity

The Dramatic Structure of Edo Kabuki

Barbara E. Thornbury

University of Michigan Press, 1982

The aim of this book is to show that seemingly illogical double identity of the townsman, Sukeroku, and the samurai, Soga Goro, in the play Sukeroku is a surviving element of what was once a complex and coherent structure based on a traditional performance calendar.
To show how the calendar function and what Sukeroku's double identity signifies, the book is divided into two parts. Part One studies the structure of Edo kabuki. The first chapter, which outlines that structure, is based for the most part on writings of the Tokugawa period. The second chapter then looks at the concepts of sekai, "tradition," and shuko, "innovation." Kabuki was the product of material that had become a familiar part of Japanese culture by repeated use and dramatization over long periods of time, starting before kabuki began, and material that was relatively new and was used to transform the older, set material. The double identity in Sukeroku came about as a result of this interplay between what was received by way of traditional and what was added by way of innovation.
Part Two considers the significance of the double identity. The author concludes that Sukeroku's double identity gave Edo audiences a hero who was an idealization of the contemporary Tokugawa townsman and at the same time a transformation of a samurai god-hero of the past. The first chapter of Part Two traces the development of Sukeroku's Soga Goro/samurai identity, from its origins in the early dramatic forms of no, kowaka, and ko-joruri, to the representation of Soga Goro in kabuki by Ichikawa Danjuro I. The seconds then looks at the transformation of Soga Gorointo Sukeroku by discussing the origins of Sukeroku and its introductions to Edo kabuki by Ichikawa Danjuro I and his son, Danjuro II, since their work was the basis of all later developments.
[more]
cover of Sullivanesque: Urban Architecture and Ornamentation

Sullivanesque

Urban Architecture and Ornamentation

Ronald E. Schmitt

University of Illinois Press, 2001

Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing
[more]
cover of Sundays at Sinai: A Jewish Congregation in Chicago

Sundays at Sinai

A Jewish Congregation in Chicago

Tobias Brinkmann

University of Chicago Press, 2012

First established 150 years ago, Chicago Sinai is one of America’s oldest Reform Jewish congregations. Its founders were upwardly mobile and civically committed men and women, founders and partners of banks and landmark businesses like Hart Schaffner & Marx, Sears & Roebuck, and the giant meatpacking firm Morris & Co. As explicitly modern Jews, Sinai’s members supported and led civic institutions and participated actively in Chicago politics. Perhaps most radically, their Sunday services, introduced in 1874 and still celebrated today, became a hallmark of the congregation.
In Sundays at Sinai, Tobias Brinkmann brings modern Jewish history, immigration, urban history, and religious history together to trace the roots of radical Reform Judaism from across the Atlantic to this rapidly growing American metropolis.  Brinkmann shines a light on the development of an urban reform congregation, illuminating Chicago Sinai’s practices and history, and its contribution to Christian-Jewish dialogue in the United States. Chronicling Chicago Sinai’s radical beginnings in antebellum Chicago to the present, Sundays at Sinai is the extraordinary story of a leading Jewish Reform congregation in one of America’s great cities.
[more]
cover of Supplying Custer: The Powder River Supply Depot, 1876

Supplying Custer

The Powder River Supply Depot, 1876

Gerald R. Clark

University of Utah Press, 2014

The Battle of the Little Bighorn is one of the best-known events in the history of the American West. Questions surrounding Custer’s fate have been discussed and researched at length, but details about the transportation and logistics of military supplies have not been thoroughly investigated. Archaeologist Gerald Clark stumbled upon the remnants of a supply depot while surveying the area near the confluence of the Yellowstone and Powder Rivers. It turned out to have been established by General Terry during the Sioux War and utilized by Custer and part of the 7th Calvary.
     The book details the items recovered archaeologically, including ale and soda bottles, cartridges, packing crates, and a horseshoe and ceramic doll. It also addresses the army’s knowledge of this area and how the supply depot fit into the broader military campaign. This book connects archaeology and history to explore how the American military planned, maneuvered, and operated on the northern plains from the end of the Civil War through 1876.
[more]
cover of Surprised by Shame: Dostoevsky's Liars and Narrative Exposure

Surprised by Shame

Dostoevsky's Liars and Narrative Exposure

Deborah A. Martinsen

The Ohio State University Press, 2003

In Surprised by Shame, Deborah A. Martinsen combines shame studies and literary criticism. She begins with a discussion of shame dynamics, including the tendency of those who witness shame to feel shame themselves. Because Dostoevsky identified shame as a fundamental source of lying, Martinsen focuses on scenes when liars are exposed. She argues that by making readers witness such scandal scenes, Dostoevsky surprises them with shame, thereby collapsing the distance between readers and characters and viscerally involving them in his message of human interconnection.

Treating Dostoevsky’s liars as case studies, Surprised by Shame discusses varieties of shame and shamelessness; it also illustrates how Dostoevsky uses lying to indicate and expose subconscious processes. In addition, Martinsen demonstrates how Dostoevsky plucks shame from the realm of character trait and plot motive and embeds it in the narrative dynamics of The Idiot, Demons, and The Brothers Karamazov, thereby plunging readers into fictional experience and ethically transforming them.

By focusing on shame, this book uncovers new perspectives on Dostoevsky as writer and psychologist. By exposing how shame dynamics implicate readers in texts’ ethical actions, it enriches understanding of his tremendous influence on twentieth-century thinkers and writers. Finally, reading Dostoevsky as a prophet of shame-begotten violence reveals his universal relevance in a twenty-first century already scarred by acts of violence.

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cover of Surveillance and Spies in the Civil War: Exposing Confederate Conspiracies in America’s Heartland

Surveillance and Spies in the Civil War

Exposing Confederate Conspiracies in America’s Heartland

Stephen E. Towne

Ohio University Press, 2015

Surveillance and Spies in the Civil War represents pathbreaking research on the rise of U.S. Army intelligence operations in the Midwest during the American Civil War and counters long-standing assumptions about Northern politics and society. At the beginning of the rebellion, state governors in Ohio, Indiana, and Illinois cooperated with federal law enforcement officials in various attempts—all failed—to investigate reports of secret groups and individuals who opposed the Union war effort. Starting in 1862, army commanders took it upon themselves to initiate investigations of antiwar sentiment in those states. By 1863, several of them had established intelligence operations staffed by hired civilian detectives and by soldiers detailed from their units to chase down deserters and draft dodgers, to maintain surveillance on suspected persons and groups, and to investigate organized resistance to the draft. By 1864, these spies had infiltrated secret organizations that, sometimes in collaboration with Confederate rebels, aimed to subvert the war effort. Stephen E. Towne is the first to thoroughly explore the role and impact of Union spies against Confederate plots in the North. This new analysis invites historians to delve more deeply into the fabric of the Northern wartime experience and reinterpret the period based on broader archival evidence.
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cover of Surveying in Early America: The Point of Beginning, An Illustrated History

Surveying in Early America

The Point of Beginning, An Illustrated History

Dan Patterson; Clinton Terry

Ohio University Press, 2020

Published by the University of Cincinnati Press

In Surveying in Early America: The Point of Beginning, An Illustrated History, award-winning photographer Dan Patterson and American historian Clinton Terry vividly examine the profession of surveying in the eighteenth century. Retracing the steps Washington and other surveyors took to map the Ohio River Valley, readers are immersed in historically accurate details of early surveying techniques and practices. Terry's narrative describes the practice of land and survey measurement—methods that did not substantially change until the invention of GPS technology 200 years later. Over 100 full color photographs exclusively shot for the book depict authentic and historically accurate reproductions of tools along with early American reenactors to provide an interpretive look at surveying as a primary means to building the American nation. Working with the Department of the Geographer, Patterson restages actual expeditions, brilliantly displaying the techniques and instruments Washington would have employed 260 years ago. Through the lens of Patterson's camera and Terry's accompanying narrative, readers see what Washington saw as he learned his trade, explored the vast American wilderness, and occasionally laid personal claim to great expanses of land along the way.

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cover of Surviving Southampton: African American Women and Resistance in Nat Turner's Community

Surviving Southampton

African American Women and Resistance in Nat Turner's Community

Vanessa M. Holden

University of Illinois Press, 2021

The local community around the Nat Turner rebellion

The 1831 Southampton Rebellion led by Nat Turner involved an entire community. Vanessa M. Holden rediscovers the women and children, free and enslaved, who lived in Southampton County before, during, and after the revolt. Mapping the region's multilayered human geography, Holden draws a fuller picture of the inhabitants, revealing not only their interactions with physical locations but also their social relationships in space and time. Her analysis recasts the Southampton Rebellion as one event that reveals the continuum of practices that sustained resistance and survival among local Black people. Holden follows how African Americans continued those practices through the rebellion’s immediate aftermath and into the future, showing how Black women and communities raised children who remembered and heeded the lessons absorbed during the calamitous events of 1831.

A bold challenge to traditional accounts, Surviving Southampton sheds new light on the places and people surrounding Americas most famous rebellion against slavery.

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