482 books match the query '17th century' and 121 start with t

cover of Telling Time: Clocks, Diaries, and English Diurnal Form, 1660-1785

Telling Time

Clocks, Diaries, and English Diurnal Form, 1660-1785

Stuart Sherman

University of Chicago Press, 1997

A revolution in clock technology in England during the 1660s allowed people to measure time more accurately, attend to it more minutely, and possess it more privately than previously imaginable. In Telling Time, Stuart Sherman argues that innovations in prose emerged simultaneously with this technological breakthrough, enabling authors to recount the new kind of time by which England was learning to live and work.

Through brilliant readings of Samuel Pepys's diary, Joseph Addison and Richard Steele's daily Spectator, the travel writings of Samuel Johnson and James Boswell, and the novels of Daniel Defoe and Frances Burney, Sherman traces the development of a new way of counting time in prose—the diurnal structure of consecutively dated installments—within the cultural context of the daily institutions which gave it form and motion. Telling Time is not only a major accomplishment for seventeenth- and eighteenth-century literary studies, but it also makes important contributions to current discourse in cultural studies.
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cover of Temptation in the Archives: Essays in Golden Age Dutch Culture

Temptation in the Archives

Essays in Golden Age Dutch Culture

Lisa Jardine

University College London, 2015

Temptation in the Archives is a collection of essays by Lisa Jardine, that takes readers on a journey through the Dutch Golden Age. Through the study of such key figures as Sir Constantjin Huygens, a Dutch polymath and diplomat, we begin to see the Anglo-Dutch cultural connections that formed during this period against the backdrop of unfolding political events in England.Temptation in the Archives paints a picture of a unique relationship between the Netherlands and England in the 17th century forged through a shared experience – and reveals the lessons we can learn from it today.
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cover of The Acoustic World of Early Modern England: Attending to the O-Factor

The Acoustic World of Early Modern England

Attending to the O-Factor

Bruce R. Smith

University of Chicago Press, 1999

We know how a Shakespeare play sounds when performed today, but what would listeners have heard within the wooden "O" of the Globe Theater in 1599? What sounds would have filled the air in early modern England, and what would these sounds have meant to people in that largely oral culture?

In this ear-opening journey into the sound-worlds of Shakespeare's contemporaries, Bruce R. Smith explores both the physical aspects of human speech (ears, lungs, tongue) and the surrounding environment (buildings, landscape, climate), as well as social and political structures. Drawing on a staggeringly wide range of evidence, he crafts a historical phenomenology of sound, from reconstructions of the "soundscapes" of city, country, and court to detailed accounts of the acoustic properties of the Globe and Blackfriars theaters and how scripts designed for the two spaces exploited sound very differently.

Critical for anyone who wants to understand the world of early modern England, Smith's pathbreaking "ecology" of voice and listening also has much to offer musicologists and acoustic ecologists.

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cover of The Afterlife of Pope Joan: Deploying the Popess Legend in Early Modern England

The Afterlife of Pope Joan

Deploying the Popess Legend in Early Modern England

Craig M. Rustici

University of Michigan Press, 2010

Amid the religious tumult of the sixteenth and seventeenth centuries, English scholars, preachers, and dramatists examined, debated, and refashioned tales concerning Pope Joan, a ninth-century woman who, as legend has it, cross-dressed her way to the papacy only to have her imposture exposed when she gave birth during a solemn procession.
 
The legend concerning a popess had first taken written form in the thirteenth century and for several hundred years was more or less accepted. The Reformation, however, polarized discussions of the legend, pitting Catholics, who denied the story’s veracity, against Protestants, who suspected a cover-up and instantly cited Joan as evidence of papal depravity. In this heated environment, writers reimagined Joan variously as a sorceress, a hermaphrodite, and even a noteworthy author.
 
The Afterlife of Pope Joan examines sixteenth- and seventeenth-century debates concerning the popess’s existence, uncovering the disputants’ historiographic methods, rules of evidence, rhetorical devices, and assumptions concerning what is probable and possible for women and transvestites. Author Craig Rustici then investigates the cultural significance of a series of notions advanced in those debates: the claim that Queen Elizabeth I was a popess in her own right, the charge that Joan penned a book of sorcery, and the curious hypothesis that the popess was not a disguised woman at all but rather a man who experienced a sort of spontaneous sex change.
  
The Afterlife of Pope Joan draws upon the discourses of religion, politics, natural philosophy, and imaginative literature, demonstrating how the popess functioned as a powerful rhetorical instrument and revealing anxieties and ambivalences about gender roles that persist even today. 
 
Craig M. Rustici is Associate Professor of English at Hofstra University.
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cover of The Age of Subtlety: Nature and Rhetorical Conceits in Early Modern Europe

The Age of Subtlety

Nature and Rhetorical Conceits in Early Modern Europe

Javier Patiño Loira

University of Delaware Press, 2024

A craze for intricate metaphors, referred to as conceits, permeated all forms of communication in seventeenth-century Italy and Spain, reshaping reality in highly creative ways. The Age of Subtlety: Nature and Rhetorical Conceits in Early Modern Europe situates itself at the crossroads of rhetoric, poetics, and the history of science, analyzing technical writings on conceits by such scholars as Baltasar Gracián, Matteo Peregrini, and Emanuele Tesauro against the background of debates on telescopic and microscopic vision, the generation of living beings, and the boundaries between the natural and the artificial. It contends that in order to understand conceits, we must locate them within the early modern culture of ingenuity that was also responsible for the engineer’s machines, the juggler’s sleight of hand, the wiles of the statesman, and the discovery of truths about nature. 
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cover of The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England

The Anonymous Renaissance

Cultures of Discretion in Tudor-Stuart England

Marcy L. North

University of Chicago Press, 2003

"The Anonymous Renaissance offers a paradigm-shifting look at print culture in early modern England. North demonstrates through sound historical discussions and readings that anonymity was one of the defining practices of Renaissance authorship. It is difficult to overstate the originality and importance of this new study."-Jennifer Summit, Stanford University

The Renaissance was in many ways the beginning of modern and self-conscious authorship, a time when individual genius was celebrated and an author's name could become a book trade commodity. Why, then, did anonymous authorship flourish during the Renaissance rather than disappear? In addressing this puzzle, Marcy L. North reveals the rich history and popularity of anonymity during this period.

The book trade, she argues, created many intriguing and paradoxical uses for anonymity, even as the authorial name became more marketable. Among ecclesiastical debaters, for instance, anonymity worked to conceal identity, but it could also be used to identify the moral character of the author being concealed. In court and coterie circles, meanwhile, authors turned name suppression into a tool for the preservation of social boundaries. Finally, in both print and manuscript, anonymity promised to liberate an authentic female voice, and yet made it impossible to authenticate the gender of an author. In sum, the writers and book producers who helped to create England's literary culture viewed anonymity as a meaningful and useful practice.

Written with clarity and grace, The Anonymous Renaissance will fill a prominent gap in the study of authorship and English literary history.
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cover of The Antinomian Controversy, 1636-1638: A Documentary History

The Antinomian Controversy, 1636-1638

A Documentary History

David D. Hall, ed.

Duke University Press, 1990

The Antinomian controversy—a seventeenth-century theological crisis concerning salvation—was the first great intellectual crisis in the settlement of New England. Transcending the theological questions from which it arose, this symbolic controversy became a conflict between power and freedom of conscience. David D. Hall’s thorough documentary history of this episode sheds important light on religion, society, and gender in early American history.
This new edition of the 1968 volume, published now for the first time in paperback, includes an expanding bibliography and a new preface, treating in more detail the prime figures of Anne Hutchinson and her chief clerical supporter, John Cotton. Among the documents gathered here are transcripts of Anne Hutchinson’s trial, several of Cotton’s writings defending the Antinomian position, and John Winthrop’s account of the controversy. Hall’s increased focus on Hutchinson reveals the harshness and excesses with which the New England ministry tried to discredit her and reaffirms her place of prime importance in the history of American women.
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cover of The Art of Describing: Dutch Art in the Seventeenth Century

The Art of Describing

Dutch Art in the Seventeenth Century

Svetlana Alpers

University of Chicago Press, 1984

"The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples. Professor Alpers puts forward a vividly argued thesis. There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters. . . . Italian art is the primary expression of a 'textual culture,' this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting. Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to 'read' a painting, and to read it in depth so as to elicit and construe its several levels of signification. The world of Dutch art, by the contrast, arises from and enacts a truly 'visual culture.' It serves and energises a system of values in which meaning is not 'read' but 'seen,' in which new knowledge is visually recorded."—George Steiner, Sunday Times

"There is no doubt that thanks to Alpers's highly original book the study of the Dutch masters of the seventeenth century will be thoroughly reformed and rejuvenated. . . . She herself has the verve, the knowledge, and the sensitivity to make us see familiar sights in a new light."—E. H. Gombrich, New York Review of Books
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cover of The Asian Trade Revolution: The East India Companies and the Decline of the Caravan Trade

The Asian Trade Revolution

The East India Companies and the Decline of the Caravan Trade

Niels Steensgaard

University of Chicago Press, 1975

In this work Neils Steensgaard combines an analytical economic approach with detailed historic scholarship to provide an imaginitive and important analysis of a central incident in modern world history. The event is the breaking of the Portuguese monopoly on Asian trade in the seventeenth century by English and Dutch mercantile interests. This change the author demonstrates, was not simply the triumph of the new powers over the old. Rather, the Dutch--English victory heralded a structural change in international trade: the triumph of entrepreneurial capitalism over the older economic mode of the "peddler-merchant."

Professor Steensgaard's study is divided into two major parts. The first examines the economic and political structure of the seventeenth century institutions in the Near East, Portugal, England, and the Netherlands. The author demonstrates that the rise to preeminence of the English and Dutch East India Companies over the Portuguese "State of India" was the result of the superior economic and bureaucratic organization of the former. The eclipse of Portuguese power in general, the author argues, is best understood as an institutional failure–an inability to adapt to changing patterns and demands of economic life.

The second part of Professor Steensgaard's study provides a detailed historical account of an important event in the fall of the Portuguese trading empire–the loss of the city of Hormuz in 1622. Hormuz, located at a strategic point at the entrance of the Persian Gulf, was a central port city on the Asian trade route. It fell to an English and Persian force. The author demonstrates why this event exemplifies the Portuguese institutional weaknesses that are discussed in the first part of the book.

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cover of The Best Effect: Theology and the Origins of Consequentialism

The Best Effect

Theology and the Origins of Consequentialism

Ryan Darr

University of Chicago Press, 2023

A theological history of consequentialism and a fresh agenda for teleological ethics.
 

Consequentialism—the notion that we can judge an action by its effects alone—has been among the most influential approaches to ethics and public policy in the Anglophone world for more than two centuries. In The Best Effect, Ryan Darr argues that consequentialist ethics is not as secular or as rational as it is often assumed to be. Instead, Darr describes the emergence of consequentialism in the seventeenth century as a theological and cosmological vision and traces its intellectual development and eventual secularization across several centuries. The Best Effect reveals how contemporary consequentialism continues to bear traces of its history and proposes in its place a more expansive vision for teleological ethics.
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cover of The Bishop's Burden: Reforming the Catholic Church in Early Modern Italy

The Bishop's Burden

Reforming the Catholic Church in Early Modern Italy

Celeste McNamara

Catholic University of America Press, 2020

In 1563, the Council of Trent published its Decrees, calling for significant reforms of the Catholic Church in response to criticism from both Protestants and Catholics alike. Bishops, according to the Decrees, would take the lead in implementing these reforms. They were tasked with creating a Church in which priests and laity were well educated, morally upright, and focused on worshipping God. Unfortunately for these bishops, the Decrees provided few practical suggestions for achieving the wide-ranging changes demanded. Reform was therefore an arduous and complex process, which many bishops struggled to accomplish or even refused to undertake fully. The Bishop’s Burden argues that reforming bishops were forced to be creative and resourceful to accomplish meaningful change, including creating strong diocesan governments, reforming clerical and lay behavior, educating priests and parishioners, and converting non-believers. The book explores this issue through a detailed case study of the episcopacy of Cardinal-Bishop Gregorio Barbarigo of Padua (bp. 1664-1697), asking how a dedicated bishop formulated a reform program that sought to achieve the Church’s goals. Barbarigo, like other reforming bishops, borrowed strategies from a variety of sources in the absence of clear guidance from Rome. He looked to both pre- and post-Tridentine bishops, the Society of Jesus, the Venetian government, and the Propaganda Fide, which he selectively emulated to address the problems he discovered in Padua. The book is based primarily on the detailed records of Barbarigo’s visitations of rural parishes and captures the rarely-heard voices of seventeenth-century Italian peasants. The Bishop's Burden helps us understand not only the changes experienced by early modern Catholics, but also how even the most sophisticated plans of central authorities could be frustrated by practical realities, which in turn complicates our understanding of state-building and social control.
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cover of The Black Widows of the Eternal City: The True Story of Rome's Most Infamous Poisoners

The Black Widows of the Eternal City

The True Story of Rome's Most Infamous Poisoners

Craig A. Monson

University of Michigan Press, 2020

The Black Widows of the Eternal City offers, for the first time, a book-length study of an infamous cause célèbre in seventeenth-century Rome, how it resonated then and has continued to resonate: the 1659 investigation and prosecution of Gironima Spana and dozens of Roman widows, who shared a particularly effective poison to murder their husbands. This notorious case has been frequently discussed over 350 years, but the earliest writers concentrated more on fortifying their reading constituency’s shared attitudes than accurately narrating facts.  Subsequent authors remained largely content to follow their predecessors or keen to improve upon them. Most recent writers and bloggers were unaware that their earlier sources were generally unconcerned with a correct portrayal of real events.

In the present study, Craig A. Monson takes advantage of a recent discovery—the 1,450-page notary’s transcript of the 1659 investigation.  It is supplemented here by many ancillary archival sources, unknown to all previous writers. Since the story of Gironima Spana and the would-be widows is partially about what people believed to be true, however, this investigation also juxtaposes some of the “alternative facts” from earlier, sensational accounts with what the notary’s transcript and other, more reliable archival documents reveal.

Written in a style that avoids arcane idioms and specialist jargon, the book can potentially speak to students and general readers interested in seventeenth-century social history and gender issues. It rewrites the life story of Gironima Spana (largely unknown until now), who has dominated all earlier accounts, usually in caricatures that reiterate the tropes of witchcraft. It also concentrates on the dozen other widows whose stories could be the most  recovered from archival sources and whom Spana had totally eclipsed in earlier accounts. Most were women “of a very ordinary sort” (prostitutes; beggars; wives of butchers, barbers, dyers, lineners, innkeepers), the kinds of women commonly lost to history. The book seeks to explain why some women were hanged (only six, in fact, most of whom may not have directly poisoned anyone), while dozens of others who did poison their husbands escaped the gallows and, in some cases, were not even interrogated. It also reveals what happened to these other alleged perpetrators, whose fates have remained unknown until now.  Other purported culprits, about whom less complete pictures emerge, are briefly discussed in an appendix.

The study incorporates illustrations of archival manuscripts to demonstrate the challenges of deciphering them and illustrates “scenes of the crime” and other important locations, identified on seventeenth-century, bird’s eye-perspective views of Rome and in modern photographs. It also includes GPS coordinates for any who might wish to revisit the sites.

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cover of The Body in Mystery: The Political Theology of the Corpus Mysticum in the Literature of Reformation England

The Body in Mystery

The Political Theology of the Corpus Mysticum in the Literature of Reformation England

Jennifer R. Rust

Northwestern University Press, 2013

In The Body in Mystery, Jennifer R. Rust engages the political concept of the mystical body of the commonwealth, the corpus mysticum of the medieval church. Rust argues that the communitarian ideal of sacramental sociality had a far longer afterlife than has been previously assumed. Reviving a critical discussion of the German historian Ernst Kantorowicz’s 1957 masterwork, The King’s Two Bodies: A Study in Mediaeval Political Theology, Rust brings to bear the latest scholarship. Her book expands the representation of the corpus mysticum through a range of literary genres as well as religious polemics and political discourses. Rust reclaims the concept as an essential category of social value and historical understanding for the imaginative life of literature from Reformation England. The Body in Mystery provides new ways of appreciating the always rich and sometimes difficult continuities between the secular and sacred in early modern England, and between the premodern and early modern periods.
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cover of The Body of the Artisan: Art and Experience in the Scientific Revolution

The Body of the Artisan

Art and Experience in the Scientific Revolution

Pamela H. Smith

University of Chicago Press, 2004

Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans.

From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
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cover of The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England

The Book of the Play

Playwrights, Stationers, and Readers in Early Modern England

Marta Straznicky

University of Massachusetts Press, 2006

The Book of the Play is a collection of essays that examines early modern drama in the context of book history. Focusing on the publication, marketing, and readership of plays opens fresh perspectives on the relationship between the cultures of print and performance and more broadly between drama and the public sphere. Marta Straznicky's introduction offers a survey of approaches to the history of play reading in this period, and the collection as a whole consolidates recent work in textual, bibliographic, and cultural studies of printed drama.

Individually, the essays advance our understanding of play reading as a practice with distinct material forms, discourses, social settings, and institutional affiliation. Part One, “Real and Imagined Communities,” includes four essays on play-reading communities and the terms in which they are distinguished from the reading public at large. Cyndia Clegg surveys the construction of readers in prefaces to published plays; Lucy Munro traces three separate readings of a single play, Edward Sharpham's The Fleer; Marta Straznicky studies women as readers of printed drama; and Elizabeth Sauer describes how play reading was mobilized for political purposes in the period of the Civil War. 

In Part Two, “Play Reading and the Book Trade,” five essays consider the impact of play reading on the public sphere through the lens of publishing practices. Zachary Lesser offers a revisionist account of black-letter typeface and the extent to which it may be understood as an index of popular culture; Alan Farmer examines how the emerging news trade of the 1620s and 1630s affected the marketing of printed drama; Peter Berek traces the use of generic terms on title pages of plays to reveal their intersection with the broader culture of reading; Lauren Shohet demonstrates that the Stuart masque had a parallel existence in the culture of print; and Douglas Brooks traces the impact print had on eclipsing performance as the medium in which the dramatist could legitimately lay claim to having authored his text.

The individual essays focus on selected communities of readers, publication histories, and ideologies and practices of reading; the collection as a whole demonstrates the importance of textual production and reception to understanding the place of drama in the early modern public sphere.

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cover of The Chinese in Maritime Southeast Asia: Trade and Merchant Communities in 17th-century Insulindia

The Chinese in Maritime Southeast Asia

Trade and Merchant Communities in 17th-century Insulindia

Marie-Sybille de Vienne

National University of Singapore Press, 2025

An in-depth exploration of the Dutch East-India Company and what its history reveals about the Chinese community in the Dutch East Indies.

Connections between Asian and European markets increased dramatically in the seventeenth century, indicating a turning point in the global history of trade.  The Dutch East-India Company (or VOC) was central to this process; however, counter to the VOC’s aims, the winners of the game in maritime Southeast Asia were often Chinese merchants. As this book shows, at the time, these merchants were the only economic agents capable of trading both in major Southeast Asian commercial hubs and developing exchanges with China and Japan. The Chinese operated with a flexibility of means and a fluidity of management that allowed them to react rapidly and quickly gain returns on investment. In Batavia, as in other Southeast Asian emporiums, the increasingly numerous and diverse Chinese elites assumed direct responsibility for the management of their community; this made them the most important non-European free community in the city during the second half of the seventeenth century.

The Chinese in Maritime Southeast Asia tells this remarkable story through an examination of the VOC’s abundant sources, which record relations between the Chinese minority and the Dutch rulers who relied upon them.
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cover of The Christian Tradition: A History of the Development of Doctrine, Volume 2: The Spirit of Eastern Christendom (600-1700)

The Christian Tradition

A History of the Development of Doctrine, Volume 2: The Spirit of Eastern Christendom (600-1700)

Jaroslav Pelikan

University of Chicago Press, 1974

The line that separated Eastern Christendom from Western on the medieval map is similar to the "iron curtain" of recent times. Linguistic barriers, political divisions, and liturgical differences combined to isolate the two cultures from each other. Except for such episodes as the schism between East and West or the Crusades, the development of non-Western Christendom has been largely ignored by church historians. In The Spirit of Eastern Christendom, Jaroslav Pelikan explains the divisions between Eastern and Western Christendom, and identifies and describes the development of the distinctive forms taken by Christian doctrine in its Greek, Syriac, and early Slavic expression.

"It is a pleasure to salute this masterpiece of exposition. . . . The book flows like a great river, slipping easily past landscapes of the utmost diversity—the great Christological controversies of the seventh century, the debate on icons in the eighth and ninth, attitudes to Jews, to Muslims, to the dualistic heresies of the high Middle Ages, to the post-Reformation churches of Western Europe. . . . His book succeeds in being a study of the Eastern Christian religion as a whole."—Peter Brown and Sabine MacCormack, New York Review of Books

"The second volume of Professor Pelikan's monumental work on The Christian Tradition is the most comprehensive historical treatment of Eastern Christian thought from 600 to 1700, written in recent years. . . . Pelikan's reinterpretation is a major scholarly and ecumenical event."—John Meyendorff

"Displays the same mastery of ancient and modern theological literature, the same penetrating analytical clarity and balanced presentation of conflicting contentions, that made its predecessor such an intellectual treat."—Virgina Quarterly Review

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cover of The Christian Tradition: A History of the Development of Doctrine, Volume 4: Reformation of Church and Dogma (1300-1700)

The Christian Tradition

A History of the Development of Doctrine, Volume 4: Reformation of Church and Dogma (1300-1700)

Jaroslav Pelikan

University of Chicago Press, 1984

This penultimate volume in Pelikan's acclaimed history of Christian doctrine—winner with Volume 3 of the Medieval Academy's prestigious Haskins Medal—encompasses the Reformation and the developments that led to it.

"Only in America, and in this case from a Lutheran scholar, could we expect an examination so lacking in parti pris, a survey so perceptive, so free—and, one must say, the result of so much immense labor, so rewardingly presented."—John M. Todd, New York Times Book Review

"Never wasting a word or losing a plot line, Pelikan builds on an array of sources that few in our era have the linguistic skill, genius or ambition to master."—Martin E. Marty, America

"The use of both primary materials and secondary sources is impressive, and yet it is not too formidable for the intelligent layman."—William S. Barker, Eternity
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cover of The Complete Fables of Jean de la Fontaine

The Complete Fables of Jean de la Fontaine

Jean de la Fontaine, edited and with a rhymed verse translation by Norman B. Spector

Northwestern University Press, 1988

This edition of The Complete Fables of Jean de la Fontaine includes an English translation published alongside the French text. Norman Spector adapted the French text from the 1883–85 edition by Henri Régnier, adding four tales from the 1962 edition by Georges Couton. Spector’s translation is in rhymed verse, and remains faithful to the original not only in metrical patterns and rhyme schemes but also in tone: wit and le mot juste are skillfully and wonderfully combined. This translation gives the reader of English a chance to enjoy the grace, wit, and versatility of La Fontaine.
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cover of The Complete Writings and Selected Correspondence of John Dickinson: Volume 2

The Complete Writings and Selected Correspondence of John Dickinson

Volume 2

Jane E. Calvert

University of Delaware Press, 2021

John Dickinson’s entry into public life in Delaware and Pennsylvania is a highlight of the ninety-eight documents written over four years printed in Volume Two of The Complete Writings and Selected Correspondence of John Dickinson. The volume opens with Dickinson’s legal notes as he established himself as one of the most prominent and learned lawyers in colonial British North America. His cases dealt with, among other issues, interpretation of wills, disputes over land, sailors suing for wages, a fine on a Quaker who refused military service, and a notorious murder in a prominent Philadelphia family. It concludes with Dickinson offering thoughtful advice to a young man who was considering the arduous work in becoming a lawyer. “I think,” he wrote, “those must be infinitely the most happy, whose fatigues are softend by a conscious Benevolence of mind wishing & endeavouring to [pro]mote the Happiness of others as well as their own.”
 
Dickinson’s hard work on behalf of his clients brought him success in other areas of his public life. In October 1759, he was elected to his first public position as a representative for Kent County, Del., the following year he was elevated to the position of speaker, and in 1762, he became a representative for Philadelphia County, Pa. As a legislator in two colonies, learning his craft as a global war unfolded, he contributed to bills on military and defense, Indian relations, infrastructure improvements and city management, and served on various committees. The death of George II occasioned debates over laws and judges, in which Dickinson participated. This era concludes with Dickinson playing a central role in managing the unfolding Paxton Riots, in which frontiersmen massacred peaceful Indians and threatened the Quaker leadership of Pennsylvania.
 
In private, Dickinson lost the two most prominent male figures in his life in 1760, his father, Samuel, and soon thereafter, his mentor, colleague, and friend, John Moland. In honor of Moland, Dickinson published a poem and became a proxy head to Moland’s large family. Though his extant correspondence during this period is small, he exchanged letters with Mary Cadwalader Dickinson, Israel Pemberton, William Allason, George Read, Thomas McKean, and others. Perhaps most significant, he wrote a lengthy, unpublished essay on the flag-of-truce trade and also maintained commonplace books as he considered his place within the British Empire, opening up the next phase in Dickinson’s life as a leader of the resistance against Britain.

Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
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cover of The Corporate Commonwealth: Pluralism and Political Fictions in England, 1516-1651

The Corporate Commonwealth

Pluralism and Political Fictions in England, 1516-1651

Henry S. Turner

University of Chicago Press, 2016

The Corporate Commonwealth traces the evolution of corporations during the English Renaissance and explores the many types of corporations that once flourished. Along the way, the book offers important insights into our own definitions of fiction, politics, and value.    

Henry S. Turner uses the resources of economic and political history, literary analysis, and political philosophy to demonstrate how a number of English institutions with corporate associations—including universities, guilds, towns and cities, and religious groups—were gradually narrowed to the commercial, for-profit corporation we know today, and how the joint-stock corporation, in turn, became both a template for the modern state and a political force that the state could no longer contain. Through innovative readings of works by Thomas More, William Shakespeare, Francis Bacon, and Thomas Hobbes, among others, Turner tracks the corporation from the courts to the stage, from commonwealth to colony, and from the object of utopian fiction to the subject of tragic violence. A provocative look at the corporation’s peculiar character as both an institution and a person, The Corporate Commonwealth uses the past to suggest ways in which today’s corporations might be refashioned into a source of progressive and collective public action.
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cover of The Correspondence between Princess Elisabeth of Bohemia and René Descartes

The Correspondence between Princess Elisabeth of Bohemia and René Descartes

Princess Elisabeth of Bohemia and René Descartes

University of Chicago Press, 2007

Between the years 1643 and 1649, Princess Elisabeth of Bohemia (1618–80) and René Descartes (1596–1650) exchanged fifty-eight letters—thirty-two from Descartes and twenty-six from Elisabeth. Their correspondence contains the only known extant philosophical writings by Elisabeth, revealing her mastery of metaphysics, analytic geometry, and moral philosophy, as well as her keen interest in natural philosophy. The letters are essential reading for anyone interested in Descartes’s philosophy, in particular his account of the human being as a union of mind and body, as well as his ethics. They also provide a unique insight into the character of their authors and the way ideas develop through intellectual collaboration.

Philosophers have long been familiar with Descartes’s side of the correspondence. Now Elisabeth’s letters—never before available in translation in their entirety—emerge this volume, adding much-needed context and depth both to Descartes’s ideas and the legacy of the princess. Lisa Shapiro’s annotated edition—which also includes Elisabeth’s correspondence with the Quakers William Penn and Robert Barclay—will be heralded by students of philosophy, feminist theorists, and historians of the early modern period.

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cover of The Crafting of the 10,000 Things: Knowledge and Technology in Seventeenth-Century China

The Crafting of the 10,000 Things

Knowledge and Technology in Seventeenth-Century China

Dagmar Schäfer

University of Chicago Press, 2011

The last decades of the Ming dynasty, though plagued by chaos and destruction, saw a significant increase of publications that examined advances in knowledge and technology. Among the numerous guides and reference books that appeared during this period was a series of texts by Song Yingxing (1587–1666?), a minor local official living in southern China. His Tiangong kaiwu, the longest and most prominent of these works, documents the extraction and processing of raw materials and the manufacture of goods essential to everyday life, from yeast and wine to paper and ink to boats, carts, and firearms.

            
In The Crafting of the 10,000 Things, Dagmar Schäfer probes this fascinating text and the legacy of its author to shed new light on the development of scientific thinking in China, the purpose of technical writing, and its role in and effects on Chinese history. Meticulously unfolding the layers of Song’s personal and cultural life, Schäfer chronicles the factors that motivated Song to transform practical knowledge into written culture. She then examines how Song gained, assessed, and ultimately presented knowledge, and in doing so articulates this era’s approaches to rationality, truth, and belief in the study of nature and culture alike.  Finally, Schäfer places Song’s efforts in conjunction with the work of other Chinese philosophers and writers, before, during, and after his time, and argues that these writings demonstrate collectively a uniquely Chinese way of authorizing technology as a legitimate field of scholarly concern and philosophical knowledge.


Offering an overview of a thousand years of scholarship, The Crafting of the 10,000 Things explains the role of technology and crafts in a culture that had an outstandingly successful tradition in this field and was a crucial influence on the technical development of Europe on the eve of the Industrial Revolution.

[more]
cover of The Culture of Merit: Nobility, Royal Service, and the Making of Absolute Monarchy in France, 1600-1789

The Culture of Merit

Nobility, Royal Service, and the Making of Absolute Monarchy in France, 1600-1789

Jay M. Smith

University of Michigan Press, 1996

The eighteenth century's critique of privilege and its commitment to the idea of advancement by merit are widely regarded as sources of modernity. But if meritocratic values were indeed the product of the Enlightenment and the French Revolution, how do we explain earlier attention to merit--especially the nobility whose values the Revolution rejected? The Culture of Merit probes this paradox by analyzing changing perceptions of merit among the old nobility from the age of Louis XIII to the eve of the French Revolution.
Jay M. Smith argues that the early modern nobility instinctively drew a correlation between the meaning of merit and an image of the "sovereign's gaze." In the early seventeenth century, merit meant the qualities traditionally associated with aristocratic values: generosity, fidelity, and honor. Nobles sought to display those qualities before the appreciative gaze of the king himself. But the expansion of the monarchy forced the routinization of the sovereign's gaze, and Louis XIV began to affirm and reward new qualities--talent and application--besides those thought innately noble.
The contradictions implicit within the absolute monarchy's culture of merit are demonstrated by the eighteenth-century French army, which was dominated by the nobility, but also committed to efficiency and expertise. Smith shows that the army's continuous efforts to encourage and reward "merit" led to a clash of principles. The ever-growing emphasis on talent and discipline led reformers--the great majority of them noble--to attack the most egregious examples of privilege and favoritism in the army. Smith's analysis of the long-term evolution in conceptions of royal service suggests a new explanation for the shift in values signified by the French Revolution. The transition away from the "personal" gaze of the king toward the "public" gaze of the monarchy and nation foretold the triumph of a new culture of merit in which noble birth would have no meaning.
The Culture of Merit will interest historians and other social scientists concerned with issues of aristocratic identity, state formation, professionalization, and the changing political culture of pre-Revolutionary France.
Jay M. Smith is Assistant Professor of History, University of North Carolina, Chapel Hill.
[more]
cover of The Devil and the Land of the Holy Cross: Witchcraft, Slavery, and Popular Religion in Colonial Brazil

The Devil and the Land of the Holy Cross

Witchcraft, Slavery, and Popular Religion in Colonial Brazil

By Laura de Mello e Souza

University of Texas Press, 2004

Originally published in Brazil as O Diabo e a Terra de Santa Cruz, this translation from the Portuguese analyzes the nature of popular religion and the ways it was transferred to the New World in the sixteenth and seventeenth centuries. Using richly detailed transcripts from Inquisition trials, Mello e Souza reconstructs how Iberian, indigenous, and African beliefs fused to create a syncretic and magical religious culture in Brazil.

Focusing on sorcery, the author argues that European traditions of witchcraft combined with practices of Indians and African slaves to form a uniquely Brazilian set of beliefs that became central to the lives of the people in the colony. Her work shows how the Inquisition reinforced the view held in Europe (particularly Portugal) that the colony was a purgatory where those who had sinned were exiled, a place where the Devil had a wide range of opportunities. Her focus on the three centuries of the colonial period, the multiple regions in Brazil, and the Indian, African, and Portuguese traditions of magic, witchcraft, and healing, make the book comprehensive in scope.

Stuart Schwartz of Yale University says, "It is arguably the best book of this genre about Latin America...all in all, a wonderful book." Alida Metcalf of Trinity University, San Antonio, says, "This book is a major contribution to the field of Brazilian history...the first serious study of popular religion in colonial Brazil...Mello e Souza is a wonderful writer."

[more]
cover of The Disordered Police State: German Cameralism as Science and Practice

The Disordered Police State

German Cameralism as Science and Practice

Andre Wakefield

University of Chicago Press, 2009

Probing the relationship between German political economy and everyday fiscal administration, The Disordered Police State focuses on the cameral sciences—a peculiarly German body of knowledge designed to train state officials—and in so doing offers a new vision of science and practice during the seventeenth and eighteenth-centuries. Andre Wakefield shows that the cameral sciences were at once natural, technological, and economic disciplines, but, more important, they also were strategic sciences, designed to procure patronage for their authors and good publicity for the German principalities in which they lived and worked. Cameralism, then, was the public face of the prince's most secret affairs; as such, it was an essentially dishonest enterprise.

In an entertaining series of case studies on mining, textiles, forestry, and universities, Wakefield portrays cameralists in their own gritty terms. The result is a revolutionary new understanding about how the sciences created and maintained an image of the well-ordered police state in early modern Germany. In raising doubts about the status of these German sciences of the state, Wakefield ultimately questions many of our accepted narratives about science, culture, and society in early modern Europe.

[more]
cover of The Dream of Absolutism: Louis XIV and the Logic of Modernity

The Dream of Absolutism

Louis XIV and the Logic of Modernity

Hall Bjørnstad

University of Chicago Press, 2021

The Dream of Absolutism examines the political aesthetics of power under Louis XIV.

What was absolutism, and how did it work? What was the function of the ostentatious display surrounding Louis XIV at Versailles? What is gained—and what is lost—by approaching such expressions of absolutism as propaganda, as present-day scholars tend to do?
 
In this sweeping reconsideration of absolutist culture, Hall Bjørnstad argues that the exuberance of Louis XIV’s reign was not top-down propaganda in any modern sense, but rather a dream dreamt collectively, by king, court, image-makers, and nation alike. Bjørnstad explores this dream through a sustained close analysis of a corpus of absolutist artifacts, ranging from Charles Le Brun’s famous paintings in the Hall of Mirrors at Versailles via the king’s secret Mémoires to two little-known particularly extravagant verbal and textual celebrations of the king. The dream of absolutism, Bjørnstad concludes, lives at the intersection of politics and aesthetics. It is the carrier of a force that emerges as a glorious image; a participatory emotional reality that requires reality to conform to it. It is a dream, finally, that still shapes our collective political imaginary today.
[more]
cover of The Duchess of Suffolk

The Duchess of Suffolk

Thomas Drue. Edited and with an Introduction by Richard Dutton and Steven K. Galbraith

The Ohio State University Press, 2015

With the inaugural edition of the Early Modern Drama Texts series, Richard Dutton and Steven K. Galbraith illuminate the only surviving work of playwright and actor Thomas Drue. First performed by the Palsgrave’s Men at the Fortune Theater in 1624, The Duchess of Suffolk dramatizes the exile of Protestant noblewoman Katherine Willoughby (1519–80) during the reign of Catholic Queen Mary I (1516–58). Drawing from popular accounts in works by John Foxe and Thomas Deloney, Drue created a narrative of exaggerated peril, as the Duchess and her companions are chased across the continent. The embellished history evokes many iconic figures of the Reformation, from the celebrated Oxford Martyrs Hugh Latimer, Thomas Cranmer, and Nicholas Ridley to Bishop Edmund Bonner, whose infamous reputation had earned him the soubriqet “bloody Bonner.” A tragicomic history, The Duchess of Suffolk still resonated when it was written and performed in early seventeenth-century England some seventy years later.
 
With this volume, Dutton and Galbraith provide a critical apparatus that situates The Duchess of Suffolk in historical context and suggests an explanation for its continued resonance. They account for the play’s censorship in 1624 by detailing how it evoked contemporary parallels to the controversial foreign policy of King James I. More specifically, the editors offer an introduction that includes a historical overview of the author, staging, printing, and reception. Facing facsimiles of the original are pages with the updated text, complete with annotations to clarify language and staging details. This edition of The Duchess of Suffolk will have something to offer to early modern drama scholars as well as scholars of book history.
[more]
cover of The Economy and Material Culture of Russia, 1600-1725

The Economy and Material Culture of Russia, 1600-1725

Richard Hellie

University of Chicago Press, 1999

In this extraordinary and definitive study of the Russian economy from 1600-1725, Richard Hellie offers a glimpse of the material life of the people of Muscovy during that tumultuous period—how they lived, what they ate, how they were taxed, what their wages allowed them to enjoy. Making these determinations required more than a decade of work and analysis of over 107,000 records. The resulting book devotes chapters to each category of consumer goods, in which transactions involving the product are summarized. Hellie further provides notes and commentary on the transactions to locate their place in the full Russian economy.

Impressive in scope and data analysis, Economy and Material Culture of Russia, 1600-1725 will be an invaluable resource and reference work for all readers interested in economic history and the history of material culture. Since there is no comparable one-volume work for any other society at any other time in history, Hellie's is a truly unique and profound achievement.

[more]
cover of The Emperor’s New Epistemology: Music, Empire, and Empiricism in Early Modern China

The Emperor’s New Epistemology

Music, Empire, and Empiricism in Early Modern China

Lester Hu

University of Chicago Press, 2027

An innovative account of listening and empire-building in 17th- and 18th-century China.

The Emperor’s New Epistemology explores how listening shaped knowledge and empire-building in seventeenth- and eighteenth-century China. As the Manchu dynasty expanded deep into Inner Asian territories deemed foreign by the majority-Han population, the Qing Empire’s musical culture encompassed the sounds of Mongols, Uyghurs, and Tibetans, as well as Western music brought by Jesuit and other Christian missionaries. Lester Hu reveals that this diversity transformed not only Qing court culture but the very grounds on which knowledge and power could be established.

In one revealing episode from 1692, the Kangxi Emperor (1654–1722) misinterpreted a key term of Classical Chinese music after studying European music with the Jesuits. Hu situates this anecdote within the political, social, and epistemic shifts that transformed late-imperial China. As Hu shows, listening was an instrument of Qing imperial authority: Knowledge about music, language, and even the universe could only be verified through the emperor’s ears. Furthermore, listening facilitated new theories of empirical knowledge, which both lent themselves to Qing-imperial ideology and generated new epistemic tensions. By exploring their echoes in similar shifts in early modern Europe, Hu’s book brings a global perspective to the study of music in the early modern world and reconsiders the transcendental ground on which such comparative and intercultural knowledge is possible.

[more]
cover of The English Civil Wars in the Literary Imagination

The English Civil Wars in the Literary Imagination

Edited by Claude J. Summers & Ted-Larry Pebworth

University of Missouri Press, 1999

The English civil wars loom large in seventeenth-century history and literature. This period, which culminated in the execution of a king, the dismantling of the Established Church, the inauguration of a commonwealth, and the assumption of rule by a lord protector, was one of profound change and disequilibrium. Focusing on writers as major as Milton, Marvell, Herrick, and Vaughan, and as misunderstood as Fane, Overton, and the poet Eliza, the fifteen essays in this collection discuss not only the representation of the civil wars but also the ways in which the civil wars were anticipated, refigured, and refracted in the century's literary imagination.

Although all of the essays are historically grounded and critically based, they vary widely in their historical perspectives and critical techniques, as well as in their scope and area of concentration. Six of the essays are on Royalist literary figures, six are on figures traditionally associated with the Parliamentarian side of the civil wars, two consider both, and the remaining essay examines how Royalist writers refashioned a puritan literary trope.

Unified through the contributors' concentration on "moderate" voices and their recurrent concerns with the ambiguities of literary response, The English Civil Wars in the Literary Imagination provides an important understanding of the English civil wars' manifold and sometimes indirect presence in the literature of the period.

[more]
cover of The English Virtuoso: Art, Medicine, and Antiquarianism in the Age of Empiricism

The English Virtuoso

Art, Medicine, and Antiquarianism in the Age of Empiricism

Craig Ashley Hanson

University of Chicago Press, 2009

Contrary to twentieth-century criticism that cast them as misguided dabblers, English virtuosi in the seventeenth and early eighteenth centuries were erudite individuals with solid grounding in the classics, deep appreciation for the arts, and sincere curiosity about the natural world. Reestablishing their broad historical significance, The English Virtuoso situates this polymathic group at the rich intersection of the period’s art, medicine, and antiquarianism.
            At the heart of this profoundly interdisciplinary study lies the Royal Society of London for the Improvement of Natural Knowledge, which from its founding in 1660 served as the major professional organization for London’s leading physicians, many of them prominent virtuosi. Craig Ashley Hanson reveals that a vital art audience emerged from the Royal Society—whose members assembled many of the period’s most important nonaristocratic collections—a century before most accounts date the establishment of an institutional base for the arts in England. Unearthing the fascinating stories of an impressive cast of characters, Hanson establishes a new foundation for understanding both the relationship between British art and science and the artistic accomplishments of the late eighteenth and nineteenth centuries.
[more]
cover of The Fake Husband, A Comedy

The Fake Husband, A Comedy

Flaminio Scala

Iter Press, 2020

Scala’s The Fake Husband offers readers and performers an accessible English script which captures the comic brilliance of the commedia dell’arte. Expanded from an earlier scenario, Il marito (The Husband), the play presents characters originally created by members of the Gelosi troupe, in particular the stars Isabella Andreini and Sylvia Roncagli. Scala’s ability to capture the individual artistry of these women makes this script especially exciting and shows his appreciation of the towering contribution made by the female performers who joined the troupes in the 1560s. Also included is a comprehensive study of Scala’s place in the theatrical world and beyond.

The Other Voice in Early Modern Europe - The Toronto Series, volume 75
[more]
cover of The First Fleets: Colonial Navies of the British Atlantic World, 1630–1775

The First Fleets

Colonial Navies of the British Atlantic World, 1630–1775

Benjamin C. Schaffer

University of Alabama Press, 2025

A revealing study on the little-known and misunderstood provincial navies established by North American British colonists.

In The First Fleets, Benjamin C. Schaffer reveals how, contrary to widespread beliefs, the American colonies had a long tradition of independent naval defense decades before the Revolution. He demonstrates that Anglo-American governments established and maintained significant provincial naval forces and that the history of provincial navies illuminates broader aspects of colonial history and the colonies’ ultimate break with the British Crown.

Based on meticulous research, Schaffer recounts the sea-borne threats that American colonies faced from the French, Spanish, pirates, and others. He reviews colonial governance and the relationships between colonial governments and Great Britain. Highlighting Britain’s scant naval power in North America, Schaffer demonstrates how the vulnerable coastal colonies undertook their own self-defense.

Schaffer’s readable study offers many fascinating episodes from colonial history. Establishing a navy was controversial in pacifist-minded, Quaker-dominated Pennsylvania. South Carolina deployed its scout-boat navy to pursue enslaved Africans who fled colonial capture. The first paper money issued in North America was an initiative to pay for a naval expedition against French Quebec in 1690. These and other episodes show the intimate connection between these little-known provincial navies and the major sociopolitical developments of their day.

The First Fleets will be of great interest to historians and readers of early American history, particularly colonial maritime and naval activities. Readers interested in the political and military dynamics of pre-Revolutionary America, as well as enthusiasts of naval history and maritime trade, will find The First Fleets both a valuable resource and an engrossing narrative.

[more]
cover of The Gendering of Men, 1600–1750: The English Phallus

The Gendering of Men, 1600–1750

The English Phallus

Thomas A. King

University of Wisconsin Press, 2004

    Taking on nothing less than the formation of modern genders and sexualities, Thomas A. King develops a history of the political and performative struggles that produced both normative and queer masculinities in the seventeenth and eighteenth centuries. The result is a major contribution to gender studies, gay studies, and theater and performance history.
    The Gendering of Men, 1600–1750 traces the transition from a society based on alliance, which had subordinated all men, women, and boys to higher ranked males, to one founded in sexuality, through which men have embodied their claims to personal and political privacy. King proposes that the male body is a performative production marking men’s resistance to their subjection within patriarchy and sovereignty. Emphasizing that categories of gender must come under historical analysis, The Gendering of Men explores men’s particpation in an ongoing struggle for access to a universal manliness transcending other biological and social differentials.

This is volume one of two projected volumes.

[more]
cover of The Glorious Revolution and the Continuity of Law

The Glorious Revolution and the Continuity of Law

Richard S. Kay

Catholic University of America Press, 2014

The Glorious Revolution and the Continuity of Law explores the relationship between law and revolution. Revolt - armed or not - is often viewed as the overthrow of legitimate rulers. Historical experience, however, shows that revolutions are frequently accompanied by the invocation rather than the repudiation of law. No example is clearer than that of the Glorious Revolution of 1688-89. At that time the unpopular but lawful Catholic king, James II, lost his throne and was replaced by his Protestant son-in-law and daughter, William of Orange and Mary, with James's attempt to recapture the throne thwarted at the Battle of the Boyne in Ireland. The revolutionaries had to negotiate two contradictory but intensely held convictions. The first was that the essential role of law in defining and regulating the activity of the state must be maintained. The second was that constitutional arrangements to limit the unilateral authority of the monarch and preserve an indispensable role for the houses of parliament in public decision-making had to be established. In the circumstances of 1688-89, the revolutionaries could not be faithful to the second without betraying the first. Their attempts to reconcile these conflicting objectives involved the frequent employment of legal rhetoric to justify their actions. In so doing, they necessarily used the word "law" in different ways. It could denote the specific rules of positive law; it could simply express devotion to the large political and social values that underlay the legal system; or it could do something in between. In 1688-89 it meant all those things to different participants at different times. This study adds a new dimension to the literature of the Glorious Revolution by describing, analyzing and elaborating this central paradox: the revolutionaries tried to break the rules of the constitution and, at the same time, be true to them.
[more]
cover of The Good Life in the Scientific Revolution: Descartes, Pascal, Leibniz, and the Cultivation of Virtue

The Good Life in the Scientific Revolution

Descartes, Pascal, Leibniz, and the Cultivation of Virtue

Matthew L. Jones

University of Chicago Press, 2006

Amid the unrest, dislocation, and uncertainty of seventeenth-century Europe, readers seeking consolation and assurance turned to philosophical and scientific books that offered ways of conquering fears and training the mind—guidance for living a good life.

The Good Life in the Scientific Revolution presents a triptych showing how three key early modern scientists, René Descartes, Blaise Pascal, and Gottfried Leibniz, envisioned their new work as useful for cultivating virtue and for pursuing a good life. Their scientific and philosophical innovations stemmed in part from their understanding of mathematics and science as cognitive and spiritual exercises that could create a truer mental and spiritual nobility.  In portraying the rich contexts surrounding Descartes’ geometry, Pascal’s arithmetical triangle, and Leibniz’s calculus, Matthew L. Jones argues that this drive for moral therapeutics guided important developments of early modern philosophy and the Scientific Revolution.

[more]
cover of The Heavenly Contract: Ideology and Organization in Pre-Revolutionary Puritanism

The Heavenly Contract

Ideology and Organization in Pre-Revolutionary Puritanism

David Zaret

University of Chicago Press, 1985

The idea of a heavenly contract, uniting God and humanity in a bargain of salvation, emerged as the keystone of Puritan theology in early modern England. Yet this concept, with its connotations of exchange and reciprocity, runs counter to other tenets of Calvinism, such as predestination, that were also central to Puritan thought. With bold analytic intelligence, David Zaret explores this puzzling conflict between covenant theology and pure Calvinism. In the process he demonstrates that popular beliefs and activities had tremendous influence on Puritan religion.
[more]
cover of The Heretic of Cacheu: Crispina Peres and the Struggle over Life in Seventeenth-Century West Africa

The Heretic of Cacheu

Crispina Peres and the Struggle over Life in Seventeenth-Century West Africa

Toby Green

University of Chicago Press, 2025

Tells the extraordinary story of seventeenth-century West African slave trader Crispina Peres to explore the shifting, sophisticated world in which she lived.
 
In 1665, Crispina Peres, the most powerful trader in the West African slave-trafficking port of Cacheu, was arrested by the Portuguese Inquisition. Her enemies had conspired to denounce her for taking treatments prescribed by Senegambian healers, the djabakós. But who was Peres? And why was the Inquisition so concerned with policing the faith of a West African woman in today’s Guinea-Bissau?
 
In The Heretic of Cacheu, award-winning historian Toby Green takes us to the heart of this conundrum, immersing us in the atmosphere of an otherwise distant setting. We learn how people in seventeenth-century Cacheu built their houses; styled their clothes; healed themselves from illness; and worshipped, worked, and played. Green renders the haunting realities of the growing slave trade and the rise of European empires in shocking detail. By the 1650s, the relationships between Europe, West Africa, and the Americas were already old and tangled, with slaving ports, colonies, and military bases having intermingled over many generations. But Cacheu also profoundly troubled this dynamic. It was globally connected to places ranging from China and India to Brazil and Colombia, and women such as Crispina Peres ran the town and challenged the patriarchy of empire.
 
For the first time, through surviving documents recording Peres’s case, The Heretic of Cacheu lets readers experience the reality of this unique place and time through a remarkable act of historical recovery.
[more]
cover of The Historical Renaissance: New Essays on Tudor and Stuart Literature and Culture

The Historical Renaissance

New Essays on Tudor and Stuart Literature and Culture

Edited by Heather Dubrow and Richard Strier

University of Chicago Press, 1988

The Historical Renaissance both exemplifies and examines the most influential current in contemporary studies of the English Renaissance: the effort to analyze the interplay between literature, history, and politics. The broad and varied manifestations of that effort are reflected in the scope of this collection. Rather than merely providing a sampler of any single critical movement, The Historical Renaissance represents the range of ways scholars and critics are fusing what many would once have distinguished as "literary" and "historical" concerns

The volume includes studies of mid-Tudor culture as well as of Elizabethan and Stuart periods.
The scope of the collection is also manifest in its list of contributors. They include historians and literary critics, and their work spans he spectrum from more traditional methods to those characteristic of what has been termed "New Historicism."One aim of the book is to investigate the apparent division between these older and more current approaches. Heather Dubrow and Richard Strier evaluate the contemporary interest in historical studies of the Renaissance, relating it to previous developments in the field, surveying its achievements and limitations, and suggesting new directions for future work.
[more]
cover of The Holy Spirit in Puritan Faith and Experience

The Holy Spirit in Puritan Faith and Experience

Geoffrey F. Nuttall

University of Chicago Press, 1992

Geoffrey F. Nuttall establishes the primacy of the doctrines of the Holy Spirit in seventeenth-century English Puritanism and demonstrates the continuity of the Reformation tradition from the more conservative views of Luther to the more radical interpretations of the Quakers. Nuttall illuminates prominent spokesmen, including Richard Sibbes, Richard Baxter, John Owen, Walter Cradock, Morgan Llwyd, and George Fox.

In a new Introduction, Peter Lake discusses the relevance of Nuttall's book to, and its influence on, major works in seventeenth-century English history written since 1946.
[more]
cover of The Information Master: Jean-Baptiste Colbert's Secret State Intelligence System

The Information Master

Jean-Baptiste Colbert's Secret State Intelligence System

Jacob Soll

University of Michigan Press, 2011

"Colbert has long been celebrated as Louis XIV's minister of finance, trade, and industry. More recently, he has been viewed as his minister of culture and propaganda. In this lively and persuasive book, Jake Soll has given us a third Colbert, the information manager."
---Peter Burke, University of Cambridge

"Jacob Soll gives us a road map drawn from the French state under Colbert. With a stunning attention to detail Colbert used knowledge in the service of enhancing
royal power. Jacob Soll's scholarship is impeccable and his story long
overdue and compelling."
---Margaret Jacob, University of California, Los Angeles

"Nowadays we all know that information is the key to power, and that the masters of information rule the world. Jacob Soll teaches us that Jean-Baptiste Colbert had grasped this principle three and a half centuries ago, and used it to construct a new kind of state. This imaginative, erudite, and powerfully written book re-creates the history of libraries and archives in early modern Europe, and ties them in a novel and convincing way to the new statecraft of Europe's absolute monarchs."
---Anthony Grafton, Princeton University

"Brilliantly researched, superbly told, and timely, Soll's story is crucial for the history of the modern state."
---Keith Baker, Stanford University

When Louis XIV asked his minister Jean-Baptiste Colbert---the man who was to oversee the building of Versailles and the Royal Academy of Sciences, as well as the navy, the Paris police force, and French industry---to build a large-scale administrative government, Colbert created an unprecedented information system for political power. In The Information Master, Jacob Soll shows how the legacy of Colbert's encyclopedic tradition lies at the very center of the rise of the modern state and was a precursor to industrial intelligence and Internet search engines.

Soll's innovative look at Colbert's rise to power argues that his practice of collecting knowledge originated from techniques of church scholarship and from Renaissance Italy, where merchants recognized the power to be gained from merging scholarship, finance, and library science. With his connection of interdisciplinary approaches---regarding accounting, state administration, archives, libraries, merchant techniques, ecclesiastical culture, policing, and humanist pedagogy---Soll has written an innovative book that will redefine not only the history of the reign of Louis XIV and information science but also the study of political and economic history.

Jacob Soll is Associate Professor of History at Rutgers University and the author of Publishing The Prince: History, Reading, and the Birth of Political Criticism (University of Michigan Press, 2005), and winner of the 2005 Jacques Barzun Prize from the American Philosophical Society and a 2009 Guggenheim Fellowship. Soll edited a special issue of Journal of the History of Ideas titled "The Uses of Historical Evidence in Early Modern Europe"; has cofounded the online journal Republics of Letters; and is editor, along with Anthony Grafton and Ann Blair, of the series Cultures of Knowledge in the Early Modern World.

Jacket illustration: Jean Baptiste Colbert (1619–1683), Philippe de Champaigne, 1655, The Metropolitan Museum of Art, Gift of the Wildenstein Foundation, Inc., 1951 (51.34). Photograph © 2003 The Metropolitan Museum of Art.
[more]
cover of The Involuntary American: A Scottish Prisoner's Journey to the New World

The Involuntary American

A Scottish Prisoner's Journey to the New World

Carol R. Gardner

Westholme Publishing, 2024

A Common Man’s Survival After Being Captured at the Battle of Dunbar and Sold into Servitude in America 
In the winter of 1650–51, one hundred fifty ragged and hungry Scottish prisoners of war arrived at Massachusetts Bay Colony, where they were sold as indentured laborers for 20 to 30 pounds each. Among them was Thomas Doughty, a common foot soldier who had survived the Battle of Dunbar, a forced marched of 100 miles without food or water, imprisonment in Durham Cathedral, and a difficult Atlantic crossing. An ordinary individual who experienced extraordinary events, Doughty was among some 420 Scottish soldiers who were captured during the War of the Three Kingdoms, transported to America, and sold between 1650 and 1651. Their experiences offer a fresh perspective on seventeenth-­century life. 
The Involuntary American: A Scottish Prisoner’s Journey to the New World by Carol Gardner describes Doughty’s life as a soldier, prisoner of war, exile, servant, lumberman, miller, and ultimately free landowner. It follows him and his peers through critical events: the apex of the Little Ice Age, the War of the Three Kingdoms, the colonization of New England, the burgeoning transatlantic trade in servants and slaves, King Philip’s and King William’s wars, and the Salem witch crisis. First­person accounts of individuals who lived through those events—Scottish, English, Puritan, Native American, wealthy, poor, working class, educated or not— provide rich period detail and a variety of perspectives. 
The Involuntary American demonstrates how even indi­viduals of humble circumstances were swept into the mael­strom of the First Global Age. It expands our understanding of immigration to the colonies, colonial servitude, the link­ages and tensions between Europe, Massachusetts Bay, and America’s northeastern frontier, and of New England socie­ty in the early colonial period.
[more]
cover of The Irish Franciscans in Prague 1629-1786

The Irish Franciscans in Prague 1629-1786

Jan Parez and Hedvika Kucharová

Karolinum Press, 2015

At the end of the sixteenth century, Queen Elizabeth I forced the Irish Franciscans into exile. Of the four continental provinces to which the Irish Franciscans fled, the Prague Franciscan College of the Immaculate Conception of the Virgin Mary was the largest in its time. This monograph documents this intense point of contact between two small European lands, Ireland and Bohemia. The Irish exiles changed the course of Bohemian history in significant ways, both positive—the Irish students and teachers of medicine who contributed to Bohemia’s culture and sciences—and negative—the Irish officers who participated in the murder of Albrecht of Valdštejn and their successors who served in the Imperial forces.
            Dealing with a hitherto largely neglected theme, Parez and Kucharová attempt to place the Franciscan College within Bohemian history and to document the activities of its members. This wealth of historical material from the Czech archives, presented in English for the first time, will be of great aid for international researchers, particularly those interested in Bohemia or the Irish diaspora.
[more]
cover of The Letters of the First Duchess of Ormonde

The Letters of the First Duchess of Ormonde

Elizabeth Butler

Iter Press, 2022

This volume is the first to bring together the entire extant correspondence of one of the most significant women in early modern Ireland, Elizabeth Butler, first Duchess of Ormonde. She was the wife of James Butler, twelfth Earl and first Duke of Ormonde, who, as Ireland’s only duke and three times its lord lieutenant, was a figure of considerable importance in seventeenth-century Ireland. But far from being overshadowed by her powerful husband, Butler was a person of significant power and influence in her own right. Descended from the tenth Earl of Ormonde, she brought a hefty portion of the Ormonde estate to the marriage. As Countess, Marchioness, then Duchess of Ormonde, as well as three times vicereine and a high-status courtier, she sat at the pinnacle of Irish and English society, unmatched by any other Irish woman of the period in terms of her wealth, social standing, and power. Her surviving correspondence reveals her importance within the Ormonde-Butler family and in the social, cultural, and political life of seventeenth-century Ireland.

The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources.
 
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cover of The Lima Inquisition: The Plight of Crypto-Jews in Seventeenth-Century Peru

The Lima Inquisition

The Plight of Crypto-Jews in Seventeenth-Century Peru

Ana E. Schaposchnik

University of Wisconsin Press, 2017

Established in Peru in 1570, the Holy Office of the Inquisition operated there until 1820, prosecuting, torturing, and sentencing alleged heretics. Ana Schaposchnik offers a deeply researched history of the Inquisition's tribunal in the capital city of Lima, with a focus on cases of crypto-Judaism—the secret adherence to Judaism while publicly professing Christianity.

Delving into the records of the tribunal, Schaposchnik brings to light the experiences of individuals on both sides of the process. Some prisoners, she discovers, developed a limited degree of agency as they managed to stall trials or mitigate the most extreme punishments. Training her attention on the accusers, Schaposchnik uncovers the agendas of specific inquisitors in bringing the condemned from the dungeons to the 1639 Auto General de Fe ceremony of public penance and execution. Through this fine-grained study of the tribunal's participants, Schaposchnik finds that the Inquisition sought to discipline and shape culture not so much through frequency of trials or number of sentences as through the potency of individual examples.

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cover of The Limits of Matter: Chemistry, Mining, and Enlightenment

The Limits of Matter

Chemistry, Mining, and Enlightenment

Hjalmar Fors

University of Chicago Press, 2014

During the seventeenth and eighteenth centuries, Europeans raised a number of questions about the nature of reality and found their answers to be different from those that had satisfied their forebears. They discounted tales of witches, trolls, magic, and miraculous transformations and instead began looking elsewhere to explain the world around them. In The Limits of Matter, Hjalmar Fors investigates how conceptions of matter changed during the Enlightenment and pins this important change in European culture to the formation of the modern discipline of chemistry.
           
Fors reveals how, early in the eighteenth century, chemists began to view metals no longer as the ingredients for “chrysopoeia”—or gold making—but as elemental substances, or the basic building blocks of matter. At the center of this emerging idea, argues Fors, was the Bureau of Mines of the Swedish State, which saw the practical and profitable potential of these materials in the economies of mining and smelting.

By studying the chemists at the Swedish Bureau of Mines and their networks, and integrating their practices into the wider European context, Fors illustrates how they and their successors played a significant role in the development of our modern notion of matter and made a significant contribution to the modern European view of reality.
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cover of The Madness of Vision: On Baroque Aesthetics

The Madness of Vision

On Baroque Aesthetics

Christine Buci-Glucksmann

Ohio University Press, 2013

Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality.

In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.

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cover of The Making of Shakespeare's First Folio

The Making of Shakespeare's First Folio

Emma Smith

Bodleian Library Publishing, 2015

Shakespeare is synonymous with English literature. Well-loved the world over, his work endures for its ability to speak powerfully to the follies and foibles of human nature. We endlessly debate not only the finer points of each of his plays and sonnets but also the identity of the Bard himself. Yet no fanfare surrounded the initial publication of Shakespeare’s First Folio—no queue of eager readers, no launch to the top of the best seller list. It wasn’t until four hundred years after Shakespeare’s death that the book would be the subject of a national book tour.
           
The Making of Shakespeare’s First Folio offers the first comprehensive biography of the earliest collected edition of Shakespeare’s plays. In November 1623, the book arrived in the bookshop of the London publisher Edward Blount at the Black Bear. Long in the making, Master William Shakespeare’s Comedies, Histories, and Tragedies—as the First Folio was then known—appeared seven years after Shakespeare’s death. Nearly one thousand pages in length, the collection comprised thirty-six plays, half of which had never been previously published. Emma Smith tells the story of the First Folio’s origins, locating it within the social and political context of Jacobean London and bringing in the latest scholarship on the seventeenth-century book trade.
           
Extensively illustrated, The Making of Shakespeare’s First Folio is a landmark addition to the copious literature on Shakespeare. It will shed much-needed light on the birth of the First Folio—of which fewer than 250 copies remain—and the birth of Shakespeare’s towering reputation.
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cover of The Marital Knot: Agunot in the Ashkenazi Realm, 1648–1850

The Marital Knot

Agunot in the Ashkenazi Realm, 1648–1850

Noa Shashar

Brandeis University Press, 2024

A long overdue study of agunot based on exhaustive research in rabbinic sources, memoirs, and communal records.
 
Noa Shashar sheds light on Jewish family life in the early modern era and on the activity of rabbis whose Jewish legal rulings determined the fate of agunot, literally “chained women,” who were often considered a marginal group. Who were these men and women? How did Jewish society deal with the danger of a woman’s becoming an agunah? What kind of reality was imposed on women who found themselves agunot, and what could they do to extricate themselves from their plight? How did rabbinic decisors discharge their task during this period, and what were the outcomes given the fact that the agunot were dependent on the male rabbinic establishment?
 
This study describes the lives of agunot, and by reexamining the halakhic activity concerning agunot in this period, proposes a new assessment of the attitude that decisors displayed toward the freeing of agunot.
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