Results by title

53 books match the query '1970-' and 5 start with t

cover of The Cynical Society: The Culture of Politics and the Politics of Culture in American Life

The Cynical Society

The Culture of Politics and the Politics of Culture in American Life

Jeffrey C. Goldfarb

University of Chicago Press, 1991

The Cynical Society is a study of the political despair and abdication of (individual) responsibility Goldfarb calls cynicism—a central but unexamined aspect of contemporary American political and social life. Goldfarb reveals with vivid strokes how cynicism undermines our capacity to think about society's strengths and weaknesses. Drawing on thinkers from Alexis de Tocqueville to Allan Bloom and on such recent works as Beloved, Bonfire of the Vanities, and Mississippi Burning, The Cynical Society celebrates cultural pluralism's role in democracy.
[more]
cover of The Fictional Christopher Nolan

The Fictional Christopher Nolan

By Todd McGowan

University of Texas Press, 2012

From Memento and Insomnia to the Batman films, The Prestige, and Inception, lies play a central role in every Christopher Nolan film. Characters in the films constantly find themselves deceived by others and are often caught up in a vast web of deceit that transcends any individual lies. The formal structure of a typical Nolan film deceives spectators about the events that occur and the motivations of the characters. While Nolan’s films do not abandon the idea of truth altogether, they show us how truth must emerge out of the lie if it is not to lead us entirely astray.

The Fictional Christopher Nolan discovers in Nolan’s films an exploration of the role that fiction plays in leading to truth. Through close readings of all the films through Inception, Todd McGowan demonstrates that the fiction or the lie comes before the truth, and this priority forces us to reassess our ways of thinking about the nature of truth. Indeed, McGowan argues that Nolan’s films reveal the ethical and political importance of creating fictions and even of lying. While other filmmakers have tried to discover truth through the cinema, Nolan is the first filmmaker to devote himself entirely to the fictionality of the medium, and McGowan discloses how Nolan uses its tendency to deceive as the basis for a new kind of philosophical filmmaking. He shows how Nolan’s insistence on the priority of the fiction aligns his films with Hegel’s philosophy and understands Nolan as a thoroughly Hegelian filmmaker.

[more]
cover of The Nail in the Tree: Essays on Art, Violence, and Childhood

The Nail in the Tree

Essays on Art, Violence, and Childhood

Carol Ann Davis

Tupelo Press, 2020

The Nail in the Tree meditates on crucial subjects in devastating circumstances, exploring how childhood can be violent and generative, how trauma integrates in art and daily life, and what the artist’s role is. In this part memoir, part art-historical treatise, Carol Ann Davis narrates her experience of raising two sons in Sandy Hook, Connecticut, on the day of and during the aftermath of the shooting there. She describes revelations her children come to in the weeks that follow, quietly echoes the words of a principal on that day, and recounts painful series of texts and calls to further and further distant family members. She writes in beautiful, devastating, poetic language.
[more]
cover of The Politics of the Trail: Reflexive Mountain Biking along the Frontier of Jerusalem

The Politics of the Trail

Reflexive Mountain Biking along the Frontier of Jerusalem

Oded Löwenheim

University of Michigan Press, 2014

Each day, as Oded Löwenheim commutes by mountain bike along dirt trails and wadis in the hills of Jerusalem to Hebrew University, he feels a strong emotional connection to his surroundings. But for him this connection also generates, paradoxically, feelings and emotions of confusion and estrangement.

In The Politics of the Trail, Löwenheim confronts this tension by focusing on his encounters with three places along the trail: the separation fence between Israel and the Palestinians; the ruins of the Palestinian village Qalunya, demolished in 1948; and the trail connecting the largest 9/11 memorial site outside of the U.S. with a top-secret nuclear-proof bunker for the Israeli cabinet. He shares the stories of the people he meets along the way and considers how his own subjectivity is shaped by the landscape and culture of conflict. Moreover, he deconstructs, challenges, and resists the concepts and institutions that constitute such a culture and invites conversation about the idea of conflict as a culture.

[more]
cover of The Social Origins of Human Rights: Protesting Political Violence in Colombia’s Oil Capital, 1919–2010

The Social Origins of Human Rights

Protesting Political Violence in Colombia’s Oil Capital, 1919–2010

Luis van Isschot

University of Wisconsin Press, 2015

Human rights activism is often associated with international organizations that try to affect the behavior of abusive states around the globe. In Barrancabermeja, Colombia, argues Luis van Isschot in The Social Origin of Human Rights, the struggle for rights has emerged more organically and locally, out of a long history of civil and social organizing. He offers deep insight into the lives of home-grown activists in a conflict zone, against the backdrop of major historical changes that shaped Latin America in the twentieth century.
            Built by Standard Oil in 1919, and home to the largest petroleum refinery in the country, Barrancabermeja has long been a critical battleground in Colombia’s armed conflict. One of the most militarized urban areas on earth, the city has been a regional base for the Colombian armed forces as well as for leftist guerrillas and a national paramilitary movement. In the midst of a dirty war in which the majority of victims were civilians, urban and rural social movements from Barrancabermeja and the surrounding area came together to establish a human rights movement. These frontline activists called upon the Colombian state to protect basic human rights and denounced the deeper socioeconomic inequalities they saw as sources of conflict. Through close study of the complex dynamics at work in Barrancabermeja, van Isschot shows how the efforts we describe as “human rights” activism derive in large part from these lived experiences of authoritarianism, war, poverty, and social exclusion. Through its social and historical approach, his analysis both complements and challenges the work of scholars who look at rights issues primarily through a legal lens.
[more]