1713 books match the query '21st century' and 315 start with t

cover of Taboo Memories, Diasporic Voices

Taboo Memories, Diasporic Voices

Ella Shohat

Duke University Press, 2006

Taboo Memories, Diasporic Voices brings together for the first time a selection of trailblazing essays by Ella Shohat, an internationally renowned theorist of postcolonial and cultural studies of Iraqi-Jewish background. Written over the past two decades, these twelve essays—some classic, some less known, some new—trace a powerful intellectual trajectory as Shohat rigorously teases out the consequences of a deep critique of Eurocentric epistemology, whether to rethink feminism through race, nationalism through ethnicity, or colonialism through sexuality.

Shohat’s critical method boldly transcends disciplinary and geographical boundaries. She explores such issues as the relations between ethnic studies and area studies, the paradoxical repercussions for audio-visual media of the “graven images” taboo, the allegorization of race through the refiguring of Cleopatra, the allure of imperial popular culture, and the gender politics of medical technologies. She also examines the resistant poetics of exile and displacement; the staging of historical memory through the commemorations of the two 1492s, the anomalies of the “national” in Zionist discourse, the implications of the hyphen in the concept “Arab-Jew,” and the translation of the debates on orientalism and postcolonialism across geographies. Taboo Memories, Diasporic Voices not only illuminates many of the concerns that have animated the study of cultural politics over the past two decades; it also points toward new scholarly possibilities.

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cover of Tactical Inclusion: Difference and Vulnerability in U.S. Military Advertising

Tactical Inclusion

Difference and Vulnerability in U.S. Military Advertising

Jeremiah Favara

University of Illinois Press, 2024

The revolution in military recruitment advertising to people of color and women played an essential role in making the US military one of the most diverse institutions in the United States. Starting at the dawn of the all-volunteer era, Jeremiah Favara illuminates the challenges at the heart of military inclusion by analyzing recruitment ads published in three commercial magazines: Sports Illustrated, Cosmopolitan, and Ebony. Favara draws on Black feminism, critical race theory, and queer of color critique to reveal how the military and advertisers affected change by deploying a set of strategies and practices called tactical inclusion. As Favara shows, tactical inclusion used representations of servicemembers in the new military to connect with people susceptible to recruiting efforts and rendered these new audiences vulnerable to, valuable to, and subject to state violence.

Compelling and eye-opening, Tactical Inclusion combines original analysis with personal experience to chart advertising’s role in building the all-volunteer military.

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cover of Talk Poetry: Poems and Interviews with Nine American Poets

Talk Poetry

Poems and Interviews with Nine American Poets

David Baker

University of Arkansas Press, 2012

What is more direct and intimate than one-to-one conversation? Here two forces in American poetry, the Kenyon Review and the University of Arkansas Press, bring together discussions between one of America's leading poets and editors, David Baker, and nine of the most exciting poets of our day. The poets, who represent a wide array of vocations and aesthetic positions, open up about their writing processes, their reading and education, their hopes for and discontents with the contemporary scene, and much more, treating readers to a view of the range and capacity of contemporary American poetry.
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cover of Talkative Polity: Radio, Domination, and Citizenship in Uganda

Talkative Polity

Radio, Domination, and Citizenship in Uganda

Florence Brisset-Foucault

Ohio University Press, 2019

For the first decade of the twenty-first century, every weekend, people throughout Uganda converged to participate in ebimeeza, open debates that invited common citizens to share their political and social views. These debates, also called “People’s Parliaments,” were broadcast live on private radio stations until the government banned them in 2009. In Talkative Polity, Florence Brisset-Foucault offers the first major study of ebimeeza, which complicate our understandings of political speech in restrictive contexts and force us to move away from the simplistic binary of an authoritarian state and a liberal civil society.

Brisset-Foucault conducted fieldwork from 2005 to 2013, primarily in Kampala, interviewing some 150 orators, spectators, politicians, state officials, journalists, and NGO staff. The resulting ethnography invigorates the study of political domination and documents a short-lived but highly original sphere of political expression. Brisset-Foucault thus does justice to the richness and depth of Uganda’s complex political and radio culture as well as to the story of ambitious young people who didn’t want to behave the way the state expected them to. Positioned at the intersection of media studies and political science, Talkative Polity will help us all rethink the way in which public life works.

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cover of Tarell Alvin McCraney: Theater, Performance, and Collaboration

Tarell Alvin McCraney

Theater, Performance, and Collaboration

Edited by Sharrell D. Luckett, David Román, and Isaiah Matthew Wooden

Northwestern University Press, 2020

This is the first book to dedicate scholarly attention to the work of Tarell Alvin McCraney, one of the most significant writers and theater-makers of the twenty-first century. Featuring essays, interviews, and commentaries by scholars and artists who span generations, geographies, and areas of interest, the volume examines McCraney’s theatrical imagination, his singular writerly voice, his incisive cultural critiques, his stylistic and formal creativity, and his distinct personal and professional trajectories.
 
Contributors consider McCraney’s innovations as a playwright, adapter, director, performer, teacher, and collaborator, bringing fresh and diverse perspectives to their observations and analyses. In so doing, they expand and enrich the conversations on his much-celebrated and deeply resonant body of work, which includes the plays Choir Boy, Head of Passes, Ms. Blakk for President, The Breach, Wig Out!, and the critically acclaimed trilogy The Brother/Sister Plays: In the Red and Brown Water, The Brothers Size, and Marcus; Or the Secret of Sweet, as well as the Oscar Award–winning film Moonlight, which was based on his play In Moonlight Black Boys Look Blue.
 
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cover of Teaching in the Terrordome: Two Years in West Baltimore with Teach for America

Teaching in the Terrordome

Two Years in West Baltimore with Teach for America

Heather Kirn Lanier

University of Missouri Press, 2012

Only 50 percent of kids growing up in poverty will earn a high school diploma. Just one in ten will graduate college. Compelled by these troubling statistics, Heather Kirn Lanier joined Teach For America (TFA), a program that thrusts eager but inexperienced college graduates into America’s most impoverished areas to teach, asking them to do whatever is necessary to catch their disadvantaged kids up to the rest of the nation. 
            With little more than a five-week teacher boot camp and the knowledge that David Simon referred to her future school as “The Terrordome,” the altruistic and naïve Lanier devoted herself to attaining the program’s goals but met obstacles on all fronts. The building itself was in such poor condition that tiles fell from the ceiling at random. Kids from the halls barged into classes all day, disrupting even the most carefully planned educational activities. In the middle of one lesson, a wandering student lit her classroom door on fire. Some colleagues, instantly suspicious of TFA’s intentions, withheld their help and supplies. (“They think you’re trying to ‘save’ the children,” one teacher said.) And though high school students can be by definition resistant, in west Baltimore they threw eggs, slashed tires, and threatened teachers’ lives. Within weeks, Lanier realized that the task she was charged with—achieving quantifiable gains in her students’ learning—would require something close to a miracle. 
            Superbly written and timely, Teaching in the Terrordome casts an unflinching gaze on one of America’s “dropout factory” high schools. Though Teach For America often touts its most successful teacher stories, Lanier’s powerful memoir illuminates a more common experience of “Teaching For America” with thoughtful complexity, a poet’s eye, and an engaging voice. As hard as Lanier worked to become a competent teacher, she found that in “The Terrordome”, idealism wasn’t enough. To persevere, she had to rely on grit, humility, a little comedy, and a willingness to look failure in the face. As she adjusted to a chaotic school administration, crumbling facilities, burned-out colleagues, and students who perceived their school for the failure it was, she gained perspective on the true state of the crisis TFA sets out to solve. Ultimately, she discovered that contrary to her intentions, survival in the so-called Charm City was a high expectation.
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cover of Technology and Literacy in the 21st Century: The Importance of Paying Attention

Technology and Literacy in the 21st Century

The Importance of Paying Attention

Cynthia L. Selfe. Foreword by Hugh Burns

Southern Illinois University Press, 1999

Part critique of existing policy and practice, part call-to-action, Technology and Literacy in the Twenty-First Century explores the complex linkage between technology and literacy that has come to characterize American culture and its public educational system at the end of the twentieth century.

 

To provide a specific case study of this complex cultural formation, award-winning educator Cynthia L. Selfe discusses the Technology Literacy Challenge, an official, federally sponsored literacy project begun in 1996 that has changed—at fundamentally important levels—the definition of literacy and the practices recognized as constituting literate behavior in America. Selfe tries to identify the effects of this new literacy agenda, focusing specifically on what she calls "serious and shameful" inequities it fosters in our culture and in the public education system: among them, the continuing presence of racism, poverty, and illiteracy. 

 

She describes how the national project to expand technological literacy came about, what effects it has yielded, why the American public has supported this project, and how teachers of English, language arts, and composition have contributed to this project, despite their best intentions.

 

A primary goal of this study is to make teachers of English and composition increasingly aware of the new literacy agenda and to suggest how they might positively influence its shape and future direction, both in the classroom and in the community. This awareness is an integral part of educators' larger professional responsibility to understand the way in which our culture thinks about and values literacy. Perhaps even more important, argues Selfe, this awareness is part of teachers' ethical responsibility to understand how literacy and literacy instruction directly and continually affect the lived experiences of the individuals and families with whom teachers interact.

 

 

 

 

 

 

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cover of Technology and the Historian: Transformations in the Digital Age

Technology and the Historian

Transformations in the Digital Age

Adam Crymble

University of Illinois Press, 2021

Charting the evolution of practicing digital history

Historians have seen their field transformed by the digital age. Research agendas, teaching and learning, scholarly communication, the nature of the archive—all have undergone a sea change that in and of itself constitutes a fascinating digital history. Yet technology's role in the field's development remains a glaring blind spot among digital scholars.

Adam Crymble mines private and web archives, social media, and oral histories to show how technology and historians have come together. Using case studies, Crymble merges histories and philosophies of the field, separating issues relevant to historians from activities in the broader digital humanities movement. Key themes include the origin myths of digital historical research; a history of mass digitization of sources; how technology influenced changes in the curriculum; a portrait of the self-learning system that trains historians and the problems with that system; how blogs became a part of outreach and academic writing; and a roadmap for the continuing study of history in the digital era.

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cover of Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Activists

Television and the Afghan Culture Wars

Brought to You by Foreigners, Warlords, and Activists

Wazhmah Osman

University of Illinois Press, 2020

Portrayed in Western discourse as tribal and traditional, Afghans have in fact intensely debated women's rights, democracy, modernity, and Islam as part of their nation building in the post-9/11 era. Wazhmah Osman places television at the heart of these public and politically charged clashes while revealing how the medium also provides war-weary Afghans with a semblance of open discussion and healing. After four decades of gender and sectarian violence, she argues, the internationally funded media sector has the potential to bring about justice, national integration, and peace.

Fieldwork from across Afghanistan allowed Osman to record the voices of many Afghan media producers and people. Afghans offer their own seldom-heard views on the country's cultural progress and belief systems, their understandings of themselves, and the role of international interventions. Osman analyzes the impact of transnational media and foreign funding while keeping the focus on local cultural contestations, productions, and social movements. As a result, she redirects the global dialogue about Afghanistan to Afghans and challenges top-down narratives of humanitarian development.

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cover of Tell Me Why My Children Died: Rabies, Indigenous Knowledge, and Communicative Justice

Tell Me Why My Children Died

Rabies, Indigenous Knowledge, and Communicative Justice

Charles L. Briggs and Clara Mantini-Briggs

Duke University Press, 2016

Tell Me Why My Children Died tells the gripping story of indigenous leaders' efforts to identify a strange disease that killed thirty-two children and six young adults in a Venezuelan rain forest between 2007 and 2008. In this pathbreaking book, Charles L. Briggs and Clara Mantini-Briggs relay the nightmarish and difficult experiences of doctors, patients, parents, local leaders, healers, and epidemiologists; detail how journalists first created a smoke screen, then projected the epidemic worldwide; discuss the Chávez government's hesitant and sometimes ambivalent reactions; and narrate the eventual diagnosis of bat-transmitted rabies. The book provides a new framework for analyzing how the uneven distribution of rights to produce and circulate knowledge about health are wedded at the hip with health inequities. By recounting residents' quest to learn why their children died and documenting their creative approaches to democratizing health, the authors open up new ways to address some of global health's most intractable problems. 
 
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cover of Temple of Peace: International Cooperation and Stability since 1945

Temple of Peace

International Cooperation and Stability since 1945

Ingo Trauschweizer

Ohio University Press, 2021

This collection raises timely questions about peace and stability as it interrogates the past and present status of international relations.

The post–World War II liberal international order, upheld by organizations such as the United Nations, the North Atlantic Treaty Organization, and similar alliances, aspired to ensure decades of collective security, economic stability, and the rule of law. All of this was a negotiated process that required compromise—and yet it did not make for a peaceful world.

When Winston Churchill referred to the UN framework as “the temple of peace” in his famous 1946 Iron Curtain speech, he maintained that international alliances could help provide necessary stability so free people could prosper, both economically and politically. Though the pillars of international order remain in place today, in a world defined as much by populism as protest, leaders in the United States no longer seem inclined to serve as the indispensable power in an alliance framework that is built on shared values, human rights, and an admixture of hard and soft power.

In this book, nine scholars and practitioners of diplomacy explore both the successes and the flaws of international cooperation over the past seventy years. Collectively, the authors seek to address questions about how the liberal international order was built and what challenges it has faced, as well as to offer perspectives on what could be lost in a post-American world.

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cover of Terms of Disorder: Keywords for an Interregnum

Terms of Disorder

Keywords for an Interregnum

Alberto Toscano

Seagull Books, 2023

A timely book addressing the burning concerns of our times, from the excesses of capitalism to the global crisis of leadership.
 
There is widespread agreement, across a voluble political spectrum and around the planet, that we live in times of intensifying insecurity and turmoil. If ours is an age of transition, its direction is anything but certain. Momentous transformations in ecology, geopolitics, and everyday life are shadowed by a suffocating sense of stasis. The limits to capital and the limits of nature are entangled in frightful ways, while the profoundly obsolete form of leadership, domination, and conflict exacerbate an already baleful situation. And yet struggles for liberation have not been quelled. Terms of Disorder confronts this moment by probing some of the defining terms in the modern vocabulary of emancipation, with the aim of testing their capacity to name and orient collective action set on abolishing the present state of things. Ranging from communism to leadership, the eleven keywords addressed in this book provide a set of interlocking points of entry into the common task of forging a political language capable of navigating our disorientation. If, as Gramsci famously noted, the interregnum is a time when the new struggles to be born while the old order is moribund, we may wish to heed Cedric Robinson’s call to “choose wisely among the dying.”
 
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cover of Terracene: A Crude Aesthetics

Terracene

A Crude Aesthetics

Salar Mameni

Duke University Press, 2023

In Terracene Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.
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cover of Terror and Wonder: Architecture in a Tumultuous Age

Terror and Wonder

Architecture in a Tumultuous Age

Blair Kamin

University of Chicago Press, 2010

For more than twenty years now, Blair Kamin of the Chicago Tribune has explored how architecture captures our imagination and engages our deepest emotions. A winner of the Pulitzer Prize for criticism, Kamin treats his subjects not only as works of art but also as symbols of the cultural and political forces that inspire them. Terror and Wonder gathers the best of Kamin’s writings from the past decade along with new reflections on an era framed by the destruction of the World Trade Center and the opening of the world’s tallest skyscraper.

Assessing ordinary commercial structures as well as head-turning designs by some of the world’s leading architects, Kamin paints a sweeping but finely textured portrait of a tumultuous age torn between the conflicting mandates of architectural spectacle and sustainability. For Kamin, the story of our built environment over the past ten years is, in tangible ways, the story of the decade itself. Terror and Wonder considers how architecture has been central to the main events and crosscurrents in American life since 2001: the devastating and debilitating consequences of 9/11 and Hurricane Katrina; the real estate boom and bust; the use of over-the-top cultural designs as engines of civic renewal; new challenges in saving old buildings; the unlikely rise of energy-saving, green architecture; and growing concern over our nation’s crumbling infrastructure.

A prominent cast of players—including Santiago Calatrava, Frank Gehry, Helmut Jahn, Daniel Libeskind, Barack Obama, Renzo Piano, and Donald Trump—fills the pages of this eye-opening look at the astounding and extraordinary ways that architecture mirrors our values—and shapes our everyday lives.

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cover of Terrorizing Latina/o Immigrants: Race, Gender, and Immigration Policy Post-9/11

Terrorizing Latina/o Immigrants

Race, Gender, and Immigration Policy Post-9/11

Anna Sampaio

Temple University Press, 2015

Immigration politics has been significantly altered by the advent of America’s war on terror and the proliferation of security measures. In her cogent study, Terrorizing Latina/o Immigrants, Anna Sampaio examines how these processes are racialized and gendered and how they impose inequitable burdens on Latina/o immigrants. She interrogates the rise of securitization, restrictive legislation, and the return of large-scale immigration raids and describes how these re-articulate and re-inscribe forms of racial and gender hierarchy.  

Terrorizing Latina/o Immigrants demonstrates how the ascendance of America as a security state serves as a template to scrutinize, harass, and encumber immigrants while also reconfiguring citizenship. Sampaio uses intersectional analysis coupled with theoretical and empirical approaches to develop a critical framework for analyzing current immigration politics.

Sampaio provides a sustained and systematic examination of policy and enforcement shifts impacting Latinas/os. Her book concludes with an examination of immigration reform under the Obama administration, contrasting the promise of hope and change with the reality of increased detentions, deportations, and continued marginalization.

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cover of Texas Sports: Unforgettable Stories for Every Day of the Year

Texas Sports

Unforgettable Stories for Every Day of the Year

By Chad S. Conine

University of Texas Press, 2017

When it comes to sports, Texas more than earns its bragging rights. The Lone Star State has produced championship teams and legendary athletes not only in football, baseball, and basketball, but in dozens of other sports as well. Texas Sports celebrates more than a century of achievements in a day-by-day record of the people and events—both unforgettable and little-known—that have made Texas a powerhouse in the world of sports.

Chad S. Conine packs a wealth of sports facts and stories into 366 days. He ranges from firsts such as UT’s first football game (an 1893 win against Dallas University Football Club) to peak moments such as Earl Campbell running through defenders, Nolan Ryan throwing heat past baffled batters, and Babe Didrickson Zaharias winning the Western Open golf championship for the fourth time. Conine covers more than twenty-five sports and all levels from high school to professional, reminding us that if Texas had never seen a pigskin or a backboard, its sports legacy would still be secure. With a winning combination of victories and heartbreaks, men’s and women’s sports, and all regions of the state, Texas Sports is a must-read for all sports fans and trivia buffs.

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cover of Textual Silence: Unreadability and the Holocaust

Textual Silence

Unreadability and the Holocaust

Lang, Jessica

Rutgers University Press, 2017

There are thousands of books that represent the Holocaust, but can, and should, the act of reading these works convey the events of genocide to those who did not experience it? In Textual Silence, literary scholar Jessica Lang asserts that language itself is a barrier between the author and the reader in Holocaust texts—and that this barrier is not a lack of substance, but a defining characteristic of the genre.  
 
Holocaust texts, which encompass works as diverse as memoirs, novels, poems, and diaries, are traditionally characterized by silences the authors place throughout the text, both deliberately and unconsciously. While a reader may have the desire and will to comprehend the Holocaust, the presence of “textual silence” is a force that removes the experience of genocide from the reader’s analysis and imaginative recourse. Lang defines silences as omissions that take many forms, including the use of italics and quotation marks, ellipses and blank pages in poetry, and the presence of unreliable narrators in fiction. While this limits the reader’s ability to read in any conventional sense, these silences are not flaws. They are instead a critical presence that forces readers to acknowledge how words and meaning can diverge in the face of events as unimaginable as those of the Holocaust.  
 
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cover of The ALA Guide to Researching Modern China

The ALA Guide to Researching Modern China

Yunshan Ye

American Library Association, 2014

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cover of The Advice King Anthology

The Advice King Anthology

Chris Crofton

Vanderbilt University Press, 2022

Since the fall of 2014, The Advice King has been one of the most widely read sections of alt-weekly the Nashville Scene. The Advice King Anthology contains the best of those columns, with new In-the-Meantime notes, a new introduction, and a foreword by writer Tracy Moore.

If you are looking for traditional advice, this might not be the book for you. But if you care to find the incendiary, subversive, and hilarious alongside actual thoughts about addiction, depression, gentrification, politics, poetry, music, economic policy, living in New Nashville, and (inevitably) romance, the Advice King has much to offer.
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cover of The Aesthetic Border: Colombian Literature in the Face of Globalization

The Aesthetic Border

Colombian Literature in the Face of Globalization

Brantley Nicholson

Bucknell University Press, 2022

This groundbreaking study examines how modern Colombian literature—from Gabriel García Márquez to Juan Gabriel Vásquez—reflects one of the world’s most tumultuous entrances into globalization. While these literary icons, one canonical, the other emergent, bookend Colombia’s fall and rise on the world stage, the period between the two was inordinately violent, spanning the Colombian urban novel’s evolution into narco-literature. Marking Colombia’s cultural and literary manifestations as threefold, this book explores García Márquez’s retreat to a rural romanticism that paradoxically made him a global literary icon; the country’s violent end to the twentieth century when its largest economic export was narcotics; and the contemporary period in which a new major author has emerged to create a “literature of national reconstitution.” Harkening back to the Regeneration movement and extending through the early twenty-first century, this book analyzes the cultural implications of Colombia’s relationship to the wider world.
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cover of The Aesthetics of Disengagement: Contemporary Art and Depression

The Aesthetics of Disengagement

Contemporary Art and Depression

Christine Ross

University of Minnesota Press, 2006

According to the National Institute of Mental Health, more than half of the world's population will have a depressive disorder at some point in their lifetimes. In The Aesthetics of Disengagement Christine Ross shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image. Ross examines the works of Ugo Rondinone, Rosemarie Trockel, Ken Lum, John Pilson, Liza May Post, Vanessa Beecroft, and Douglas Gordon, articulating how their art conveys depression's subjectivity and addresses a depressed spectator whose memory and perceptual faculties are impaired. Drawing from the fields of psychoanalysis as well as psychiatry, Ross demonstrates the ways in which a body of art appropriates a symptomatic language of depression to enact disengagement - marked by withdrawl, radical protection of the self from the other, distancing signals, isolation, communication ruptures, and perceptual insufficiency. Most important, Ross reveals the ways in which art transforms disengagement into a visual strategy of disclosure, a means of reaching the viewer, and how in this way contemporary art puts forth a new understanding of depression.
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cover of The Aesthetics of Mythmaking in German Postwar Culture

The Aesthetics of Mythmaking in German Postwar Culture

André Fischer

Northwestern University Press, 2024

Myths are a central part of our reality. But merely debunking them lets us forget why they are created in the first place and why we need them. André Fischer draws on key examples from German postwar culture, from novelists Hans Henny Jahnn and Hubert Fichte, to sculptor and performance artist Joseph Beuys, and filmmaker Werner Herzog, to show that mythmaking is an indispensable human practice in times of crisis.

Against the background of mythologies based in nineteenth-century romanticism and their ideological continuation in Nazism, fresh forms of mythmaking in the narrative, visual, and performative arts emerged as an aesthetic paradigm in postwar modernism. Boldly rewriting the cultural history of an era and setting in transition, The Aesthetics of Mythmaking in German Postwar Culture counters the predominant narrative of an exclusively rational Vergangenheitsbewältigung (“coming to terms with the past”). Far from being merely reactionary, the turn toward myth offered a dimension of existential orientation that had been neglected by other influential aesthetic paradigms of the postwar period. Fischer’s wide-ranging, transmedia account offers an inclusive perspective on myth beyond storytelling and instead develops mythopoesis as a formal strategy of modernism at large.

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cover of The Afterlife of Taste Hierarchies in Contemporary U.S. Art and Literature

The Afterlife of Taste Hierarchies in Contemporary U.S. Art and Literature

Rooney, Monique

University of Iowa Press, 2026

Connecting literary studies, media theory, and cultural criticism, The Afterlife of Taste Hierarchies in Contemporary U.S. Art and Literature offers a fresh vocabulary for understanding how we evaluate art and each other in an age of digital mediation. Drawing on works and artifacts ranging from Beyoncé’s Lemonade and Andrea Long Chu’s “China Brain” to Ottessa Moshfegh’s My Year of Rest and Relaxation and the viral Bernie Sanders mittens meme, Monique Rooney traces how aspirations to refinement and gestures of condescension—once associated with high-, middle-, and lowbrow culture—continue to define aesthetic experience. This book moves between literary and popular forms, attending as closely to the meme’s dispersed creativity as to the novel’s intentional aesthetics.

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cover of The Age of Discovery and Other Stories

The Age of Discovery and Other Stories

Becky Hagenston

The Ohio State University Press, 2021

“At its essence, this enjoyable collection explores how nothing is ever exactly as it seems.”—Booklist

“These ingenious stories are so funny and sparkling and slyly inventive that their pain catches you by surprise, like a sunburn after a day at the beach.”—Eric Puchner

Winner, 2022 Mississippi Institute for Arts and Letters Prize for Best Fiction


In Becky Hagenston’s fourth collection, the real and the fantastic collide in stories that span from Mississippi to Europe, and from the recent past to the near future. The characters are sex-toy sellers, internet trolls, parents, students, and babysitters—all trying to make sense of a world where nothing is quite what it appears to be. A service robot makes increasingly disturbing requests. A middle school teacher is accused of witchcraft—and realizes the accusations might be true. Two college students devise a way to avoid getting hit on in bars. A baker finds bizarre anomalies in his sourdough. A librarian follows her dead ex-husband through the Atlanta airport. In these stories, men and women confront grief, danger, loneliness, and sometimes—the strangest discovery of all—unexpected joy. Hagenston delivers a collection that is, at its weird and shining heart, about people discovering what—for better or worse—they are capable of.
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cover of The Algorithmic Age of Personality: African Literature and Cancel Culture

The Algorithmic Age of Personality

African Literature and Cancel Culture

James Yékú

Michigan State University Press, 2025

As the affordances of authorship and reading practices on social media become deeply mediated by algorithmic curation, they encourage closer attention to the author's personality as fundamental to literary production. The Algorithmic Age of Personality: African Literature and Cancel Culture challenges any lingering utopianism in the role of digital media in African cultural productions by exploring how algorithms engender a culture of outrage, conflict, and personality-driven and ego battles that distract from aesthetic and ethical evaluations of literary texts. In Yékú’s careful attention to how contemporary African literary practices are significantly marked by the extractivist and affective logics of social media algorithms, he articulates the current state of debating in the critical universe of African literature and connects this to the phenomenon of “cancel culture.” Rather than a Manichean understanding of cancel culture, Yékú illustrates how the politics of both conservative and liberal polarization shape what can and cannot be said in online commentaries on African literary forms. The outcome is a work that situates postcolonial classics by Chinua Achebe and Joseph Conrad in online debates on cancel culture and decolonization, while responding to social media discussions on Western literary prizes, ethnicity, and sexuality involving writers like Soyinka, Ngũgĩ, Wainaina, and Adichie.
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cover of The American Dream Is Not Dead: (But Populism Could Kill It)

The American Dream Is Not Dead

(But Populism Could Kill It)

Michael R. Strain

Templeton Press, 2020

Populists on both sides of the political aisle routinely announce that the American Dream is dead. According to them, the game has been rigged by elites, workers can’t get ahead, wages have been stagnant for decades, and the middle class is dying. 

Michael R. Strain, director of economic policy studies at the American Enterprise Institute, disputes this rhetoric as wrong and dangerous. In this succinctly argued volume, he shows that, on measures of economic opportunity and quality of life, there has never been a better time to be alive in America. He backs his argument with overwhelming—and underreported—data to show how the facts favor realistic optimism.

He warns, however, that the false prophets of populism pose a serious danger to our current and future prosperity. Their policies would leave workers worse off. And their erroneous claim that the American Dream is dead could discourage people from taking advantage of real opportunities to better their lives. If enough people start to believe the Dream is dead, they could, in effect, kill it. To prevent this self-fulfilling prophecy, Strain’s book is urgent reading for anyone feeling the pull of the populists. 

E. J. Dionne and Henry Olsen provide spirited responses to Strain’s argument.

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cover of The American Dream in the 21st Century

The American Dream in the 21st Century

Edited by Sandra Hanson and John White

Temple University Press, 2011

The American Dream has long been a dominant theme in U.S. culture, one with enduring significance, but these are difficult times for dreamers. The editors of and contributors to The American Dream in the 21st Century examine the American Dream historically, socially, and economically and consider its intersection with politics, religion, race, gender, and generation.

The conclusions presented in this short, readable volume provide both optimism for the faith that most Americans have in the possibility of achieving the American Dream and a realistic assessment of the cracks in the dream. The last presidential election offered hope, but the experts here warn about the need for better programs and policies that could make the dream a reality for a larger number of Americans.

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cover of The American Surveillance State: How the U.S. Spies on Dissent

The American Surveillance State

How the U.S. Spies on Dissent

David H. Price

Pluto Press, 2022

New evidence has come to light proving how far the FBI monitored its citizens throughout the Cold War and beyond

When the possibility of wiretapping first became known to Americans they were outraged. Now, in our post-9/11 world, it’s accepted that corporations are vested with human rights, and government agencies and corporations use computers to monitor our private lives. David H. Price pulls back the curtain to reveal how the FBI and other government agencies have always functioned as the secret police of American capitalism up to today, where they luxuriate in a near-limitless NSA surveillance of all.

Price looks through a roster of campaigns by law enforcement, intelligence agencies, and corporations to understand how we got here. Starting with J. Edgar Hoover and the early FBI’s alignment with business, his access to 15,000 pages of never-before-seen FBI files shines a light on the surveillance of Edward Said, Andre Gunder Frank and Alexander Cockburn, Native American communists, and progressive factory owners.

Price uncovers patterns of FBI monitoring and harassing of activists and public figures, providing the vital means for us to understand how these new frightening surveillance operations are weaponized by powerful governmental agencies that remain largely shrouded in secrecy.

[more]
cover of The Anarchy of Black Religion: A Mystic Song

The Anarchy of Black Religion

A Mystic Song

J. Kameron Carter

Duke University Press, 2023

In The Anarchy of Black Religion, J. Kameron Carter examines the deeper philosophical, theological, and religious history that animates our times to advance a new approach to understanding religion. Drawing on the black radical tradition and black feminism, Carter explores the modern invention of religion as central to settler colonial racial technologies wherein antiblackness is a founding and guiding religious principle of the modern world. He therefore sets black religion apart from modern religion, even as it tries to include and enclose it. Carter calls this approach the black study of religion. Black religion emerges not as doctrinal, confessional, or denominational but as a set of poetic and artistic strategies for improvisatory living and gathering. Potentiating non-exclusionary belonging, black religion is anarchic, mystical, and experimental: it reveals alternative relationalities and visions of matter that can counter capitalism’s extractive, individualistic, and imperialist ideology. By enacting a black study of religion, Carter elucidates the violence of religion as the violence of modern life while also opening an alternate praxis of the sacred.
[more]
cover of The Anatomy of Post-Communist Regimes: A Conceptual Framework

The Anatomy of Post-Communist Regimes

A Conceptual Framework

Bálint Magyar

Central European University Press, 2021

Offering a single, coherent framework of the political, economic, and social phenomena that characterize post-communist regimes, this is the most comprehensive work on the subject to date. Focusing on Central Europe, the post-Soviet countries and China, the study provides a systematic mapping of possible post-communist trajectories.

At exploring the structural foundations of post-communist regime development, the work discusses the types of state, with an emphasis on informality and patronalism; the variety of actors in the political, economic, and communal spheres; the ways autocrats neutralize media, elections, etc. The analysis embraces the color revolutions of civil resistance (as in Georgia and in Ukraine) and the defensive mechanisms of democracy and autocracy; the evolution of corruption and the workings of “relational economy”; an analysis of China as “market-exploiting dictatorship”; the sociology of “clientage society”; and the instrumental use of ideology, with an emphasis on populism. Beyond a cataloguing of phenomena—actors, institutions, and dynamics of post-communist democracies, autocracies, and dictatorships—Magyar and Madlovics also conceptualize everything as building blocks to a larger, coherent structure: a new language for post-communist regimes.

While being the most definitive book on the topic, the book is nevertheless written in an accessible style suitable for both beginners who wish to understand the logic of post-communism and scholars who are interested in original contributions to comparative regime theory. The book is equipped with QR codes that link to www.postcommunistregimes.com, which contains interactive, 3D supplementary material for teaching.

[more]
cover of The Anchor’s Long Chain

The Anchor’s Long Chain

Yves Bonnefoy

Seagull Books, 2015

An experiment with the sonnet form by one of the foremost French poets of his generation.

Yves Bonnefoy has wowed the literary world for decades with his diffuse volumes. First published in France in 2008, The Anchor’s Long Chain is an indispensable addition to his oeuvre. Enriching Bonnefoy’s earlier work, the volume, translated by Beverley Bie Brahic, also innovates, including an unprecedented sequence of nineteen sonnets. These sonnets combine the strictness of the form with the freedom to vary line length and create evocative fragments. Compressed, emotionally powerful, and allusive, the poems are also autobiographical—but only in glimpses. Throughout, Bonnefoy conjures up life’s eternal questions with each new poem.

Longer, discursive pieces, including the title poem’s meditation on a prehistoric stone circle and a legend about a ship, are also part of this volume, as are a number of poetic prose pieces in which Bonnefoy, like several of his great French predecessors, excels. Long-time fans will find much to praise here, while newer readers will quickly find themselves under the spell of Bonnefoy’s powerful, discursive poetry.
 
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cover of The Architecture of Aftermath

The Architecture of Aftermath

Terry Smith

University of Chicago Press, 2006

The September 11 terrorist attacks targeted, in Osama bin Laden’s words, “America’s icons of military and economic power.” In The Architecture of Aftermath, Terry Smith argues that it was no accident that these targets were buildings: architecture has long served as a symbol of proud, defiant power—and never more so than in the late twentieth century.

But after September 11, Smith asserts, late modern architecture suddenly seemed an indulgence. With close readings of key buildings—including Jørn Utzon’s Sydney Opera House, Minoru Yamasaki’s World Trade Center, Frank Gehry’s Guggenheim Museum Bilbao, and Richard Meier’s Getty Center—Smith traces the growth of the spectacular architecture of modernity and then charts its aftermath in the conditions of contemporaneity. Indeed, Smith focuses on the very culture of aftermath itself, exploring how global politics, clashing cultures, and symbolic warfare have changed the way we experience destination architecture. 

Like other artists everywhere, architects are responding to the idea of aftermath by questioning the viability of their forms and the validity of their purposes. With his richly illustrated The Architecture of Aftermath, Smith has done so as well.
[more]
cover of The Arrival

The Arrival

Daniel Simko

Four Way Books, 2009

Poet and translator Daniel Simko emigrated with his parents to the U.S.A. and lived here until his death, aged 45, in 2004. Steeped in the traditions of European art, Simko remained reticent about publishing. Thanks to his literary executor, Carolyn Forché, this first collection, in the language Simko grew up into, showcases his gift for the unexpected, exact phrase. The Arrival maps a haunting choreography of travel, memory, and the body so gently you will feel you have been carrying this book around with you all along.
[more]
cover of The Art of Breaking Worlds: On Contemporary Poetry and Public Language

The Art of Breaking Worlds

On Contemporary Poetry and Public Language

Paul Jaussen

Northwestern University Press, 2027

Showing how poetics provides a path for building new imagined possibilities

Drawing together a robust corpus of contemporary USAmerican poetry, The Art of Breaking Worlds explores social and political breaks: disasters, failures, and disruptions that simultaneously constitute and fracture the world. These breaks range from unsuccessful political movements and acts of resistance to mass incarceration and biopolitical violence, from anti-Black racism to the infrastructural catastrophes of climate collapse. Paul Jaussen shows how poetry responds to such disasters by incorporating public-facing genres and discourses into its literary practice, thereby rewriting into aesthetic form the public languages used to perpetuate or contain that rupture. This poetic integration of public language thus generates a third space, located between the rhetorical and the aesthetic, a literary practice of both world-breaking and world-making that transforms existing genres while also creating newly imagined modes of collectivity. Grounded in contemporary theory and close readings of works by poets such as Claudia Rankine, Juliana Spahr, and Ilya Kaminsky, this book proposes that these dynamics require a distinctive critical poetics, one simultaneously attuned to discourses of struggle and discourses of art, modeling a fresh approach to the relationship between politics and literature.

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cover of The Art of Friction: Where (Non)Fictions Come Together

The Art of Friction

Where (Non)Fictions Come Together

Edited by Charles Blackstone and Jill Talbot

University of Texas Press, 2008

"We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message," assert Charles Blackstone and Jill Talbot. "Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction?"

The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative works by contemporary, award-winning writers including Junot Díaz, Jonathan Safran Foer, Thomas Beller, Bernard Cooper, Wendy McClure, and Terry Tempest Williams, who also provide companion pieces in which they comment on their work. These selections, which place short stories and personal essays (and hybrids of the two) side by side, allow readers to examine the similarities and differences between the genres, as well as explore the trends in genre overlap.

Functioning as both a reader and a discussion of the craft of writing, The Art of Friction is a timely, essential book for all writers and readers who seek the truthfulness of lived experience through (non)fictions.

[more]
cover of The Ascent of Affect: Genealogy and Critique

The Ascent of Affect

Genealogy and Critique

Ruth Leys

University of Chicago Press, 2017

In recent years, emotions have become a major, vibrant topic of research not merely in the biological and psychological sciences but throughout a wide swath of the humanities and social sciences as well. Yet, surprisingly, there is still no consensus on their basic nature or workings.
 
Ruth Leys’s brilliant, much anticipated history, therefore, is a story of controversy and disagreement. The Ascent of Affect focuses on the post–World War II period, when interest in emotions as an object of study began to revive. Leys analyzes the ongoing debate over how to understand emotions, paying particular attention to the continual conflict between camps that argue for the intentionality or meaning of emotions but have trouble explaining their presence in non-human animals and those that argue for the universality of emotions but struggle when the question turns to meaning. Addressing the work of key figures from across the spectrum, considering the potentially misleading appeal of neuroscience for those working in the humanities, and bringing her story fully up to date by taking in the latest debates, Leys presents here the most thorough analysis available of how we have tried to think about how we feel.
 
[more]
cover of The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera, Volume 1

The Bard in the Borderlands

An Anthology of Shakespeare Appropriations en La Frontera, Volume 1

Edited by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero Santos

Arizona Center for Medieval and Renaissance Studies, 2023

This volume features a wide range of plays that reimagine Shakespeare works from Borderlands perspectives.
 
For several decades, Chicanx and Indigenous theatermakers have been repurposing Shakespeare’s plays to reflect the histories and lived realities of the US–Mexico Borderlands and to create space to tell stories of and for La Frontera. Celebrating this rich tradition, The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera brings a wide range of Borderlands Shakespeare plays together for the first time in a multi-volume open-access scholarly edition. 

This anthology celebrates the dynamic, multilingual reworking of canon and place that defines Borderlands Shakespeare, and it situates these geographically and temporally diverse plays within the robust study of Shakespeare’s global afterlives. The editors offer a critical framework for understanding the artistic and political traditions that shape these plays and the place of Shakespeare within the multilayered colonial histories of the region. Borderlands Shakespeare plays, they contend, do not simply reproduce Shakespeare in new contexts but rather use his work in innovative ways to negotiate colonial power and to envision socially just futures.
[more]
cover of The Beloved Border: Humanity and Hope in a Contested Land

The Beloved Border

Humanity and Hope in a Contested Land

Miriam Davidson

University of Arizona Press, 2021

Kids in cages, family separations, thousands dying in the desert. Police violence and corruption. Environmental devastation. These are just some of the dramatic stories recounted by veteran journalist Miriam Davidson in The Beloved Border. This groundbreaking work of original reporting also gives hope for the future, showing how border people are responding to the challenges with compassion and creativity.

The book draws on a variety of sources to explain how border issues intersect and how the current situation, while made worse under the Trump administration, is in fact the result of decades of prohibition, crackdowns, and wall building on the border. Davidson addresses subjects such as violence in Mexico, particularly against the press; cross-border gun smuggling and legal gun sales; the rise in migrant detentions, deportations, and deaths since the crackdown began; controversy over humanitarian aid in the desert; border patrol crimes and abuses; and the legal, ethical, and moral issues raised by increased police presence and militarization on the border. The book also looks at the environmental impact of wall building and construction of a planned copper mine near Tucson, especially on the jaguar and other endangered species.

Davidson shares the history of sanctuary and argues that this social movement and others that have originated on the border are vanguards of larger global movements against the mistreatment of migrant workers and refugees, police brutality, and other abuses of human and natural rights. She gives concrete examples of positive ways in which border people are promoting local culture and cross-border solidarity through health care, commerce, food, art, and music. While death and suffering continue to occur, The Beloved Border shows us how the U.S.-Mexico border could be, and in many ways already is, a model for peaceful coexistence worldwide.
[more]
cover of The Big Island: A Story of Isle Royale

The Big Island

A Story of Isle Royale

Julian May

University of Minnesota Press, 2021

First published in 1968, this engrossing and beautiful picture book about wildlife on Isle Royale is available again

Isle Royale, “the big island” of this book, is a wilderness national park in Lake Superior and home to a unique and fascinating ecosystem of animals, most notably the iconic wolf and majestic moose. Here is author Julian May’s story about the island’s beginning, the kinds of animals that came to populate it, and their effects on the pristine landscape. Among them were the moose, who swam to the island from the distant shore to fend off starvation. The moose found conditions on Isle Royale so favorable that they reproduced quickly—but then faced another food shortage. The wolves arrived by floating to the island on an ice floe in winter and soon became important to the island’s ecology as successful predators of the moose. 

Complementing this fascinating text, John Schoenherr’s magnificent illustrations convey the strength of these animals and the beauty of the island that is their home.

First published in 1968, and reprinted here with a new note by renowned wolf expert L. David Mech, The Big Island is an enchanting introduction to the wilderness and wildlife of Isle Royale. 

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cover of The Black Boom

The Black Boom

Riley, Jason L.

Templeton Press, 2021

Economic inequality continues to be one of America’s most hotly debated topics. Still, there has been relatively little discussion of the fact that black-white gaps in joblessness, income, poverty and other measures were shrinking before the pandemic. Why was it happening, and why did this phenomenon go unacknowledged by so much media?

In The Black Boom, Jason L. Riley—acclaimed Wall Street Journal columnist and senior fellow at the Manhattan Institute—digs into the data and concludes that the economic lives of black people improved significantly under policies put into place during the Trump administration. To acknowledge as much is not to endorse the 45th president but to champion policies that achieve a clear moral objective shared by most Americans.

Riley argues that before the Covid-19 pandemic of 2020, the economic fortunes of blacks improved under Trump to an extent unseen under Obama and unseen going back several generations. Black unemployment and poverty reached historic lows, and black wages increased faster than white wages.

Less inequality is something that everyone wants, but disapproval of Trump’s personality and methods too often skewed the media’s appraisal of effective policies advocated by his administration. If we're going to make real progress in improving the lives of low-income minorities, says Riley, we must look beyond our partisan differences at what works and keep doing it. Unfortunately, many press outlets were unable or unwilling to do that.

Riley notes that political reporters were not unaware of this data. Instead, they chose to ignore or downplay it because it was inconvenient. In their view, Trump, because he was a Republican and because he was Trump, had it in for blacks, and thus his policy preferences would be harmful to minorities. To highlight that significant racial disparities were narrowing on his watch—that the administration’s tax and regulatory reforms were mainly boosting the working and middle classes rather than ‘the rich’—would have undermined a narrative that the media preferred to advance, regardless of its veracity.”

As with previous books in our New Threats to Freedom series, The Black Boom includes two essays from prominent experts who take issue with the author’s perspective. Juan Williams, a veteran journalist, and Wilfred Reilly, a political scientist, contribute thoughtful responses to Riley and show that it is possible to share a deep concern for disadvantaged groups while disagreeing on how best to help them.

[more]
cover of The Blackademic Life: Academic Fiction, Higher Education, and the Black Intellectual

The Blackademic Life

Academic Fiction, Higher Education, and the Black Intellectual

Lavelle Porter

Northwestern University Press, 2019

The Blackademic Life critically examines academic fiction produced by black writers. Lavelle Porter evaluates the depiction of academic and campus life in literature as a space for black writers to produce counternarratives that celebrate black intelligence and argue for the importance of higher education, particularly in the humanistic tradition. Beginning with an examination of W. E. B. Du Bois’s creative writing as the source of the first black academic novels, Porter looks at the fictional representations of black intellectual life and the expectations that are placed on faculty and students to be racial representatives and spokespersons, whether or not they ever intended to be. The final chapter examines blackademics on stage and screen, including in the 2014 film Dear White People and the groundbreaking television series A Different World.

[more]
cover of The Blitz Companion: Aerial Warfare, Civilians and the City since 1911

The Blitz Companion

Aerial Warfare, Civilians and the City since 1911

Mark Clapson

University of Westminster Press, 2019

The Blitz Companion offers a unique overview of a century of aerial warfare, its impact on cities and the people who lived in them. It tells the story of aerial warfare from the earliest bombing raids and in World War 1 through to the London Blitz and Allied bombings of Europe and Japan. These are compared with more recent American air campaigns over Cambodia and Vietnam in the 1960s and 1970s, the NATO bombings during the Balkan Wars of the 1990s, and subsequent bombings in the aftermath of 9/11. Beginning with the premonitions and predictions of air warfare and its terrible consequences, the book focuses on air raids precautions, evacuation and preparations for total war, and resilience, both of citizens and of cities. The legacies of air raids, from reconstruction to commemoration, are also discussed. While a key theme of the book is the futility of many air campaigns, care is taken to situate them in their historical context. The Blitz Companion also includes a guide to documentary and visual resources for students and general readers. Uniquely accessible, comparative and broad in scope this book draws key conclusions about civilian experience in the twentieth century and what these might mean for military engagement and civil reconstruction processes once conflicts have been resolved.
[more]
cover of The Book Keeper: A Memoir of Race, Love, and Legacy

The Book Keeper

A Memoir of Race, Love, and Legacy

Julia McKenzie Munemo

Ohio University Press, 2020

“A fiercely felt memoir about family shame and the transformative power of love even as it’s also an ongoing meditation on privilege and race in twenty-first-century America. This is a debut striking in its empathetic imagination, observational acuity, and emotional intelligence.” — Jim Shepard, author of Like You’d Understand, Anyway.

In a memoir that’s equal parts love story, investigation, and racial reckoning, Munemo unravels and interrogates her whiteness, a shocking secret, and her family’s history.

When interracial romance novels written by her long-dead father landed on Julia McKenzie Munemo’s kitchen table, she—a white woman—had been married to a black man for six years and their first son was a toddler. Out of shame about her father’s secret career as a writer of “slavery porn,” she hid the books from herself, and from her growing mixed-race family, for more than a decade. But then, with police shootings of African American men more and more in the public eye, she realized that understanding her own legacy was the only way to begin to understand her country.

[more]
cover of The Book of Life

The Book of Life

Joseph Campana

Tupelo Press, 2019

The Book of LIFE finds inspiration in the pages of LIFE Magazine, from its origin in the Great Depression to its demise amid the Apollo missions, with many milestones between: the Korean War and Cuban missile crisis, the Vietnam War and immolation of Thich Quang Duc, and the Kennedy and King assassinations. LIFE’s compendium of the American century stretches from its initial cover, Margaret Bourke-White’s photo of the Fort Peck Dam in Montana, to its final, year-in-review issue covering the lunar mission, with an image of the Earth that awakened a planetary consciousness. Using the lens of poet, arts critic, and scholar of Renaissance literature, Joseph Campana locates an individual life in the churning wake of these great events; he is a poet who persists in the hope of reawakening the past, while simultaneously finding and providing a guide for this journey called life.
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cover of The Book of Politics: China in Theory

The Book of Politics

China in Theory

Michael Dutton

Duke University Press, 2024

In The Book of Politics, Michael Dutton offers an affective theorization of the political and a political theorization of affect. Drawing on Western and Chinese social theory and practice, Dutton rethinks Carl Schmitt’s insistence that the political can be thought of only within the antagonistic pairing of friend and enemy. Dutton shows how the power of the friend/enemy binary must be understood by conceptualizing the political as the channeling, harnessing, and transforming of affective energy flows in relation to that binary. Given this affective nature of politics, Dutton contends that to rethink the political means moving away from a political science toward an art of the political. Such an art highlights fluidity and pulls away from Eurocentric political theory, requiring a conceptualization of the political as global. He juxtaposes ancient Chinese cosmology, medicine, and Maoism against the monuments of early capitalist modernity such as the Crystal Palace and the Eiffel Tower to highlight the differences in political investments and intensities. From the Chinese revolution to the global rise of right-wing movements, Dutton rethinks politics in the contemporary world.
[more]
cover of The Border Within: The Economics of Immigration in an Age of Fear

The Border Within

The Economics of Immigration in an Age of Fear

Tara Watson and Kalee Thompson

University of Chicago Press, 2021

An eye-opening analysis of the costs and effects of immigration and immigration policy, both on American life and on new Americans.

For decades, immigration has been one of the most divisive, contentious topics in American politics. And for decades, urgent calls for its policy reform have gone mostly unanswered. As the discord surrounding the modern immigration debate has intensified, border enforcement has tightened. Crossing harsher, less porous borders makes unauthorized entry to the United States a permanent, costly undertaking. And the challenges don’t end on the other side.

At once enlightening and devastating, The Border Within examines the costs and ends of America’s interior enforcement—the policies and agencies, including ICE, aimed at removing immigrants already living in the country. Economist Tara Watson and journalist Kalee Thompson pair rigorous analysis with deeply personal stories from immigrants and their families to assess immigration’s effects on every aspect of American life, from the labor force to social welfare programs to tax revenue. What emerges is a critical, utterly complete examination of what non-native Americans bring to the country, including immigration’s tendency to elevate the wages and skills of those who are native-born.

News coverage has prompted many to question the humanity of American immigration policies; The Border Within opens a conversation of whether it is effective. The United States spends billions each year on detention and deportation, all without economic gain and at a great human cost. With depth and discipline, the authors dissect the shock-and-awe policies that make up a broken, often cruel system, while illuminating the lives caught in the chaos. It is an essential work with far-reaching implications for immigrants and non-immigrants alike.
[more]
cover of The Borders of America: Migration, Control, and Resistance Across Latin America and the Caribbean

The Borders of America

Migration, Control, and Resistance Across Latin America and the Caribbean

Soledad Álvarez Velasco, Nicholas De Genova, Gustavo Dias, and Eduardo Domenech, editors

Duke University Press, 2026

The Borders of America examines the tension between human migration and the diverse formations of border control and immigration and asylum policy that have arisen across the Americas since the start of the twenty-first century. The collection develops a single analytical framework that is hemispheric in scope, encompassing the United States, Canada, the Caribbean, and the full extent of Latin America. The contributors offer the concept of a “border regime” as an epistemological and methodological approach that comprehends borders not merely as physical demarcations between state territories and jurisdictions but rather as expansive, uneven, and heterogeneous spaces of constant encounter, exchange, dispute, tension, conflict, and contestation. Presenting detailed empirical research into contemporary intra-regional and transcontinental mobilities across the hemisphere, The Borders of America scrutinizes an array of critical nodes in the larger configuration of the trans-American border regime.

Contributors. Soledad Álvarez Velasco, Tanya Basok, Janneth Clavijo, Nicholas De Genova, Gustavo Dias, Eduardo Domenech, Roberto Dufraix-Tapia, Jonathan Echeverri Zuluaga, Valentina Glockner Fagetti, Luin Goldring, Patricia Landolt, Carolina Moulin, Margarita Luz Núñez Chaim, Juan Ordóñez, Daniel Quinteros, Romina Ramos, Martha Rojas-Wiesner, Fabio Santos, Amarela Varela-Huerta, and Laura Velasco Ortiz
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cover of The Brodsky Center at Rutgers University: Three Decades, 1986-2017

The Brodsky Center at Rutgers University

Three Decades, 1986-2017

Ferris Olin

Rutgers University Press, 2024

The Brodsky Center at Rutgers: Three Decades, 1986-2017, chronicles the history and artists involved with an internationally acclaimed print and papermaking studio at Rutgers University. Judith K. Brodsky conceived, founded, and directed the atelier, which, from its onset, provided state-of-the-arts technology and expertise for under-represented contemporary artists — women, Indigenous, and from diasporas of the African, Eastern European, Latin and Asian communities — to make innovative works on paper. These artistic creations presented new narratives to American and global visual arts from voices previously not heard or seen. Some of the artists featured in the book include Faith Ringgold, Elizabeth Catlett, Jaune Quick-to-See Smith, Miriam Schapiro, Pepón Osorio, Kiki Smith, and Richard Tuttle, among many other talented and influential printmakers and artists. 

Published in partnership with the Zimmerli Museum.
 
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cover of The Buck, the Black, and the Existential Hero: Refiguring the Black Male Literary Canon, 1850 to Present

The Buck, the Black, and the Existential Hero

Refiguring the Black Male Literary Canon, 1850 to Present

James B. Haile III

Northwestern University Press, 2020

Outstanding Academic Title, CHOICE

The Buck, the Black, and the Existential Hero: Refiguring the Black Male Literary Canon, 1850 to Present
combines philosophy, literary theory, and jazz studies with Africana studies to develop a theory of the black male literary imagination. In doing so, it seeks to answer fundamental aesthetic and existential questions: How does the experience of being black and male in the modern West affect the telling of a narrative, the shape or structure of a novel, the development of characters and plot lines, and the nature of criticism itself?
 
James B. Haile argues that, since black male identity is largely fluid and open to interpretation, reinterpretation, and misinterpretation, the literature of black men has developed flexibility and improvisation, termed the “jazz of life.” Our reading of this literature requires the same kind of flexibility and improvisation to understand what is being said and why, as well as what is not being said and why. Finally, the book attempts to offer this new reading experience by placing texts by well-known authors, such as Frederick Douglass, Ralph Ellison, and Colson Whitehead, in conversation with texts by those who are less well known and those who have, for the most part, been forgotten, in particular, Cecil Brown. Doing so challenges the reader to visit and revisit these novels with a new perspective about the social, political, historical, and psychic realities of black men.
 
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cover of The Cablevision War: How Workers and Their Union Won Against a Billionaire

The Cablevision War

How Workers and Their Union Won Against a Billionaire

Gay Semel

University of Illinois Press, 2027

In 2012, Cablevision workers in Brooklyn voted to join the Communications Workers of America (CWA). The landslide victory for unionization sparked a five-year battle against Cablevision and its over-the-top anti-union tactics.

Gay Semel draws on her front-line experiences to provide an insider’s look at this bitter labor fight and its implications for unionization across the country. Unwilling to accept the vote, Cablevision, and its CEO James Dolan, used aggressive and illegal tactics like harassing and firing the Brooklyn workers to weaken support for the union. The CWA responded by mobilizing public pressure to push back. As the conflict unfolded, the union found support among community leaders, politicians, and activists. Semel traces the slow and difficult process of winning a first contract and details how courage, unity, and perseverance triumphed over a powerful company.

Dramatic and compelling, The Cablevision War tells the inspiring story of an important victory for workers and the lessons it offers for a revitalized labor movement.
[more]