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There's much more to southern New Jersey than the Pine Barrens and the Jersey Devil, and this collection by journalists Jim Waltzer and Tom Wilk tells readers all about it. Oceanside and bayside towns offer a box seat from which to observe the regions rich history and the summery lore of the wonders of nature. Landlocked towns boast their own homespun and hell-raising traditions and idiosyncrasies.

Waltzer and Wilk have compiled almost fifty stories about the state's southernmost counties. Although the focus is on Atlantic City and its remarkable people, outsize structures, and quirky events, the storytelling ranges across the wider region to provide an insiders look at history as it was being made. You'll encounter gangsters and gamblers, baseball hitters and hurricanes, famous piers and hotels, landmark theaters and eateries, splashy events and unheralded oddities ¾ in sum, a cross-section of the regions character and characters.

The authors divide their book into six sections: entertainment, famous and infamous events, innovations and innovators, leisure and recreation, room and board, and sports legends. Within each section are the rich and varied stories Waltzer and Wilk have collected for New Jerseyans reading pleasure.

Illinois State Historical Society's Certificate of Excellence (2002)

Supplemented by recollections from the present era, Tell Us a Story is a colorful mosaic of African American autobiography and family history set in Springfield, Illinois, and in rural southern Illinois, Missouri, and Arkansas from the 1920s through the 1950s.

Shirley Motley Portwood shares rural, African American family and community history through a collection of vignettes about the Motley family. Initially transcribed accounts of the Motleys’ rich oral history, these stories have been passed among family members for nearly fifty years. In addition to her personal memories, Portwood presents interviews with her father, three brothers, and two sisters plus notes and recollections from their annual family reunions. The result is a composite view of the Motley family.

A historian, Portwood enhances the Motley family story by investigating primary data such as census, marriage, school, and land records, newspaper accounts, city directories, and other sources. The backbone of this saga, however, is oral history gathered from five generations, extending back to Portwood's grandparents, born more than one hundred years ago. Information regarding two earlier generations—her great- grandfather and great-great-grandparents, who were slaves—is based on historical research into state archives, county and local records, plantation records, and manuscript censuses.

A rich source for this material—the Motley family reunions—are week-long retreats where four generations gather at the John Motley house in Burlington, Connecticut, the Portwood home in Godfrey, Illinois, or other locations. Here the Motleys, all natural storytellers, pass on the family traditions. The stories, ranging from humorous to poignant, reveal much about the culture and history of African Americans, especially those from nonurban areas. Like many rural African Americans, the Motleys have a rich and often joyful family history with traditions reaching back to the slave past. They have known the harsh poverty that made even the necessities difficult to obtain and the racial prejudice that divided whites and blacks during the era of Jim Crow segregation and inequality; yet they have kept a tremendous faith in self-improvement through hard work and education.

• Rob Long’s "The Christmas Spirit: In Defense of Ebenezer Scrooge.”
• P. J. O’Rourke’s “The Commercialization of Christmas: God Moves (The Merchandise) in a Mysterious Way.”
• Andrew Ferguson’s “Jingle Bell Rock: Taking the Christ Out of Christmas Songs”
• Matt Labash’s “Home for the Holidays: The Trials and Tribulations of Family.”
• Stephen F. Hayes’ "here Comes Santa Claus: The Wonder of Christmas Morning."
• Toby Young’s “The ghosts of Christmas: Holidays Past and Present”
• Jonah Goldberg’s “The War on Christmas: It’s Real, and It’s Spectacular.”
• Christopher Buckley’s “Saint Joseph: The Forgotten ‘Father Christmas.’”
• Kirsten Powers’ “The first Noel: Christmas with Jesus.”
• James Lileks' "Boxing Day and the Christmas Hangover."
• And More

Turn on the news and it looks as if we live in a time and place unusually consumed by the specter of disaster. The events of 9/11 and the promise of future attacks, Hurricane Katrina and the destruction of New Orleans, and the inevitable consequences of environmental devastation all contribute to an atmosphere of imminent doom. But reading an account of the San Francisco earthquake of 1906, with its vivid evocation of buildings “crumbling as one might crush a biscuit,” we see that calamities—whether natural or man-made—have long had an impact on the American consciousness.

Uncovering the history of Americans’ responses to disaster from their colonial past up to the present, Kevin Rozario reveals the vital role that calamity—and our abiding fascination with it—has played in the development of this nation. Beginning with the Puritan view of disaster as God’s instrument of correction, Rozario explores how catastrophic events frequently inspired positive reactions. He argues that they have shaped American life by providing an opportunity to take stock of our values and social institutions. Destruction leads naturally to rebuilding, and here we learn that disasters have been a boon to capitalism, and, paradoxically, indispensable to the construction of dominant American ideas of progress.

As Rozario turns to the present, he finds that the impulse to respond creatively to disasters is mitigated by a mania for security. Terror alerts and duct tape represent the cynical politician’s attitude about 9/11, but Rozario focuses on how the attacks registered in the popular imagination—how responses to genuine calamity were mediated by the hyperreal thrills of movies; how apocalyptic literature, like the best-selling Left Behind series, recycles Puritan religious outlooks while adopting Hollywood’s style; and how the convergence of these two ways of imagining disaster points to a new postmodern culture of calamity. The Culture of Calamity will stand as the definitive diagnosis of the peculiarly American addiction to the spectacle of destruction.

This is not your typical Jersey Shore book.

Yes, you'll find the obvious-beaches and boardwalks, lifeguards and lighthouses, fishing and food. But Peter Genovese will also take you off the beaten track for an insider's look at this famous (and infamous) 127-mile stretch from Sandy Hook to Cape May.

Birders, tiki hut builders, beach cleaners, wheel-of-chance operators, she-crab soup makers-they're all here. You'll check out an Airstream-only trailer park and visit a Point Pleasant Beach house where the music of Frank Sinatra plays nearly 24/7. Genovese will introduce you to the owner of the Stone Pony and to participants at the grueling Atlantic City Around-the-Island Swim as they describe their battles with tides, exhaustion, and face-stinging jellyfish. All of that, plus you'll find out why Ocean Grove residents write their names on their flowerpots.

Beach reading just doesn't get any better than this.

Spend a summer with Peter Genovese as he chronicles a typical wild and wacky, kitschy and classy season along the New Jersey coastline.

Lifeguards, surfers, beachgoers, birders, ice cream vendors, seashell sellers, banner pilots-they're all here. You'll be on the scene when Atlantic City's mayor officially begins summer by "unlocking the ocean," get a whiff of the state barbeque championship, watch the nation's longest-running all-women lifeguard competition, and even spend a weekend, Survivor-style, on a Barnegat Bay island.

The Ocean City Baby Parade, Clownfest, the state's hottest bikini contest, and the World Series of Surf Fishing are all covered. You'll also meet the folks at the Diamondback Terrapin Conservation Project, the Cape May Migratory Bird Refuge, and the Marine Mammal Stranding Center.

Genovese introduces you to Little Miss Chaos and the King of Corn, the Jersey Shore Hot Dog Queen, and Lucky Leo. You'll go on patrol with the New Jersey State Marine Police, meet the man behind Big Mike's E-Z Bail Bonds, and find salvation at the Boardwalk Chapel.

The Jersey Shore Uncovered flawlessly depicts the timeless allure of New Jersey beach culture. Along with his stories, Genovese brings readers hundreds of color and black-and-white photos that brilliantly capture exactly what makes this 127-mile stretch of shoreline unique. Whether you've never been to a New Jersey beach or you're a Jersey native who spends your summers "down the Shore," you're certain to learn a thing or two from this book. So get settled in your beach chair, put on some suntan lotion, and enjoy.

This distinctive collection features writings from Grant Pick’s long, distinguished career in literary journalism. Pick had a uniquely open eye and ear for people who were in difficult situations, doing extraordinary things, or both. Most of his stories focus on interesting but overlooked Chicagoans, like the struggling owner of a laundrymat on the west side or the successful doctor who, as he faced his own death from cancer, strove to enlighten his colleagues in the field of medicine. As only a lifetime Chicagoan could, he described in tender detail the worlds in which people lived or worked, providing a look not just at one city’s citizens but at humanity as a whole.

           
Pick’s widow and son curate this showcase of some of his most well-remembered work, such as “The Rag Man of Lincoln Park” and “Brother Bill.” In these and all of his other works, Pick wrote from the front lines, speaking to people whom others might encounter everyday but never really see. He faithfully characterized his subjects, never denying them dignity or value and never judging them. In the mirror he held up to his city, Chicago could see the shared humanity of all its citizens.

If laughter is good medicine, then the twenty-two essays offered here by Dr. Allen B. Weisse should prove a hearty antidote to a host of ills suffered by doctors, students and would-be students of medicine, amateur and professional medical historians, and, of course, patients, those of us who wonder what the medical profession is all about and how it affects us.

Often humorous and always informative, these essays cover a broad range of medical subjects. Weisse tackles medical ethics, offers advice to medical and premedical students and their families, delves into unusual episodes in medical history, confronts considerations of aging and self-image, and discusses the vagaries of rewards and recognition available from medical research. He also examines honesty in medical thinking, investigates ways of dealing with bureaucracies, and considers ways of learning to live with oneself. Finally, he evaluates the changing nature of medicine and medical research and looks into the roles of minorities and women in medicine.

Weisse knows whereof he speaks, enlivening each essay with personal anecdotes. When he explains past and current medical school admissions policies, for example, he approaches the subject with the combined knowledge of a former premedical student, a medical student, a faculty member, and an admissions chairperson over the past thirty years. As a medical researcher whose chief turned against him, he certainly knows what he is talking about in "Betrayal." He also writes with authority in his humorous account of how he, as a senior physician, struggles to keep on top of the overwhelming onslaught of medical advances ("Confessions of Creeping Obsolescence"). And in an essay to boost all of our spirits, he tells how an ivory tower physician (Weisse himself) gets drawn up in the service of the IRS bureaucracy and winds up tweaking its nose a bit ("In the Service of the IRS").

Perhaps nothing better illustrates the vigor, wit, and élan that characterize Weisse’s essays than his titles. "On Chinese Restaurants" deals with unusual syndromes and the way in which they have evolved and affected the way we look at ourselves. Other titles are "Pneumocystis and Me," "The Vanishing Male," "Say It Isn’t ‘No," "Bats in the Belfry or Bugs in the Belly?: Helicobacter and the Resurrection of Johannes Fibiger," and "PC: Politically Correct or Potentially Corrupting?"

Finally, two words in this book’s subtitle succinctly characterize Weisse’s essays: pertinent and impertinent—germane and irreverent information rakishly presented.