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60 books match the query 'Britain' and 13 start with t

cover of The Age of Eclecticism: Literature and Culture in Britain, 1815–1885

The Age of Eclecticism

Literature and Culture in Britain, 1815–1885

Christine Bolus-Reichert

The Ohio State University Press, 2009

“The burden of the past” invoked by any discussion of eclecticism is a familiar aspect of modernity, particularly in the history of literature. The Age of Eclecticism: Literature and Culture in Britain, 1815–1885 by Christine Bolus-Reichert aims to reframe that dynamic and to place it in a much broader context by examining the rise of a manifold eclecticism in the nineteenth century. Bolus-Reichert focuses on two broad understandings of eclecticism in the period—one understood as an unreflective embrace of either conflicting beliefs or divergent historical styles, the other a mode of critical engagement that ultimately could lead to a rethinking of the contrast between creation and criticism and of the very idea of the original. She also contributes to the emerging field of transnational Victorian studies and, in doing so, finds a way to talk about a broader, post-Romantic nineteenth-century culture.
 
By reviving eclecticism as a critical term, Bolus-Reichert historicizes the theoretical language available to us for describing how Victorian culture functioned—in order to make the terrain of Victorian scholarship international and comparative and create a place for the Victorians in the genealogy of postmodernism. The Age of Eclecticism gives Victorianists—and other students of nineteenth-century literature and culture—a new perspective on familiar debates that intersect in crucial ways with issues still relevant to literature in an age of multiculturalism and postmodernism.
 
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cover of The Age of Noise in Britain: Hearing Modernity

The Age of Noise in Britain

Hearing Modernity

James G Mansell

University of Illinois Press, 2017

Sound transformed British life in the "age of noise" between 1914 and 1945. The sonic maelstrom of mechanized society bred anger and anxiety and even led observers to forecast the end of civilization. The noise was, as James G. Mansell shows, modernity itself, expressed in aural form, with immense implications for the construction of the self. Tracing the ideas, feelings, and representations prompted by life in early twentieth century Britain, Mansell examines how and why sound shaped the self. He works at the crux of cultural and intellectual history, analyzing the meanings that were attached to different types of sound, who created these typologies and why, and how these meanings connected to debates about modernity. From traffic noise to air raids, everyday sounds elicited new ways of thinking about being modern. Each individual negotiated his or her own subjective meanings through hopes or fears for sound. As Mansell considers the different ways Britons heard their world, he reveals why we must take sound into account in our studies of cultural and social history.
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cover of The Changing Pattern of Black Politics in Britain

The Changing Pattern of Black Politics in Britain

Kalbir Shukra

Pluto Press, 1998

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cover of The Culture of Male Beauty in Britain: From the First Photographs to David Beckham

The Culture of Male Beauty in Britain

From the First Photographs to David Beckham

Paul R. Deslandes

University of Chicago Press, 2021

A heavily illustrated history of two centuries of male beauty in British culture.
 
Spanning the decades from the rise of photography to the age of the selfie, this book traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media.  
 
Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”
 
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cover of The Empire at Home: Internal Colonies and the End of Britain

The Empire at Home

Internal Colonies and the End of Britain

James Trafford

Pluto Press, 2021

Modern Britain is forged through the redeployment of structures that facilitated and legitimized slavery, exploitation and extermination. This is the 'empire at home' and it is inseparable from the strategies of neo-colonial extraction and oppression of subjects abroad. Here, James Trafford develops the notion of internal colonies, arguing that methods and structures used in colonial rule are re-deployed internally in contemporary Britain in order to recreate and solidify imperial power relations. Using examples including housing segregation, targeted surveillance and counter-insurgency techniques used in the fight against terrorism, Trafford reveals Britain's internal colonialism to be a reactive mechanism to retain British sovereignty. As politics appears limited by nationalism and protectionism, The Empire at Home issues a powerful challenge to contemporary politics, demanding that Britain as an imperial structure must end.
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cover of The Gateway to the Middle Ages: France and Britain

The Gateway to the Middle Ages

France and Britain

Eleanor Shipley Duckett

University of Michigan Press, 1988

Portrays France and Britain at the beginning of the Dark Ages
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cover of The Iwakura Embassy, 1871-1873, Volume II: Britain

The Iwakura Embassy, 1871-1873, Volume II

Britain

Kunitake Kume

MHM Limited, 2002

The newly established Meiji government sent a large delegation on a tour of Western countries to report on how Japan might modernize its political, economic, and social infrastructure. This embassy of some fifty top officials was headed by Iwakura Tomomi and included such luminaries as Ito Hirobumi and Kido Takayoshi. These emissaries journeyed to the United States and eleven European countries, making thorough investigations into each country's politics, military affairs, trade and industry, education, and culture. Their reports, which helped Japan emerge as a modern industrial nation, constitute an indispensable documentary resource. Volume II covers the period of seventeen weeks from August 16th, 1872, when the ambassadors sighted the Irish coast after a ten-day crossing from Boston, to December 15th, the day before they left Britain for France.
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cover of The Migrant's Paradox: Street Livelihoods and Marginal Citizenship in Britain

The Migrant's Paradox

Street Livelihoods and Marginal Citizenship in Britain

Suzanne M. Hall

University of Minnesota Press, 2021

Connects global migration with urban marginalization, exploring how “race” maps onto place across the globe, state, and street

In this richly observed account of migrant shopkeepers in five cities in the United Kingdom, Suzanne Hall examines the brutal contradictions of sovereignty and capitalism in the formation of street livelihoods in the urban margins. Hall locates The Migrant’s Paradox on streets in the far-flung parts of de-industrialized peripheries, where jobs are hard to come by and the impacts of historic state underinvestment are deeply felt. 

Drawing on hundreds of in-person interviews on streets in Birmingham, Bristol, Leicester, London, and Manchester, Hall brings together histories of colonization with current forms of coloniality. Her six-year project spans the combined impacts of the 2008 financial crisis, austerity governance, punitive immigration laws and the Brexit Referendum, and processes of state-sanctioned regeneration. She incorporates the spaces of shops, conference halls, and planning offices to capture how official border talk overlaps with everyday formations of work and belonging on the street.

Original and ambitious, Hall’s work complicates understandings of migrants, demonstrating how migrant journeys and claims to space illuminate the relations between global displacement and urban emplacement. In articulating “a citizenship of the edge” as an adaptive and audacious mode of belonging, she shows how sovereignty and inequality are maintained and refuted. 

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cover of The Politics of Free Markets: The Rise of Neoliberal Economic Policies in Britain, France, Germany, and the United States

The Politics of Free Markets

The Rise of Neoliberal Economic Policies in Britain, France, Germany, and the United States

Monica Prasad

University of Chicago Press, 2006

The attempt to reduce the role of the state in the market through tax cuts, decreases in social spending, deregulation, and privatization—“neoliberalism”—took root in the United States under Ronald Reagan and in Britain under Margaret Thatcher. But why did neoliberal policies gain such prominence in these two countries and not in similarly industrialized Western countries such as France and Germany?

In The Politics of Free Markets, a comparative-historical analysis of the development of neoliberal policies in these four countries,Monica Prasad argues that neoliberalism was made possible in the United States and Britain not because the Left in these countries was too weak, but because it was in some respects too strong. At the time of the oil crisis in the 1970s, American and British tax policies were more punitive to business and the wealthy than the tax policies of France and West Germany; American and British industrial policies were more adversarial to business in key domains; and while the British welfare state was the most redistributive of the four, the French welfare state was the least redistributive. Prasad shows that these adversarial structures in the United States and Britain created opportunities for politicians to find and mobilize dissatisfaction with the status quo, while the more progrowth policies of France and West Germany prevented politicians of the Right from anchoring neoliberalism in electoral dissatisfaction.

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cover of The Sky on Fire: The First Battle of Britain, 1917-1918

The Sky on Fire

The First Battle of Britain, 1917-1918

Raymond H. Fredette

University of Alabama Press, 2005

The forgotten air campaign that gave birth to modern air power.

A fascinating examination of the strategies and uses of air power in the First World War, Sky on Fire covers not only developments in military hardware and tactics but also how public policy and political considerations shaped the ways air power was deployed. Providing an excellent balance of data and statistics as well as human insights, Fredette’s book is essential reading for readers interested in the air power, both historically and in contemporary conflicts.
 

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cover of The Transatlantic Materials of American Literature: Publishing US Writing in Britain, 1830–1860

The Transatlantic Materials of American Literature

Publishing US Writing in Britain, 1830–1860

Katie McGettigan

University of Massachusetts Press, 2023

Winner, Transatlantic Studies Association and Cambridge University Press Book Prize, 2023

During the antebellum period, British publishers increasingly brought out their own authorized and unauthorized editions of American literary works as the popularity of print exploded and literacy rates grew. Playing a formative role in the shaping of American literature, the industry championed the work of US-based writers, highlighted the cultural value of American literary works, and intervened in debates about the future of American literature, authorship, and print culture.

The Transatlantic Materials of American Literature examines the British editions of American fiction, poetry, essays, and autobiographies from writers like Edgar Allan Poe, Harriet Beecher Stowe, Frederick Douglass, and Hannah Flagg Gould. Putting these publications into historical context, Katie McGettigan considers key issues of the day, including developments in copyright law, changing print technologies, and the financial considerations at play for authors and publishers. This innovative study also uncovers how the transatlantic circulation of these works exposed the racial violence and cultural nationalism at the heart of the American experiment, producing overlapping and competing visions of American nationhood in the process.

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cover of The Victorian Eye: A Political History of Light and Vision in Britain, 1800-1910

The Victorian Eye

A Political History of Light and Vision in Britain, 1800-1910

Chris Otter

University of Chicago Press, 2008

During the nineteenth century, Britain became the first gaslit society, with electric lighting arriving in 1878. At the same time, the British government significantly expanded its power to observe and monitor its subjects. How did such enormous changes in the way people saw and were seen affect Victorian culture?
 
To answer that question, Chris Otter mounts an ambitious history of illumination and vision in Britain, drawing on extensive research into everything from the science of perception and lighting technologies to urban design and government administration. He explores how light facilitated such practices as safe transportation and private reading, as well as institutional efforts to collect knowledge. And he contends that, contrary to presumptions that illumination helped create a society controlled by intrusive surveillance, the new radiance often led to greater personal freedom and was integral to the development of modern liberal society.

The Victorian Eye’s innovative interdisciplinary approach—and generous illustrations­—will captivate a range of readers interested in the history of modern Britain, visual culture, technology, and urbanization.
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cover of These Islands: A Letter to Britain

These Islands

A Letter to Britain

Ali M. Ansari

Haus Publishing, 2018

Following Brexit and the earlier referendum on Scottish independence, the debate about British identity has been given recent new prominence. Historically conceived to integrate conflicting nationalisms in an “ever more perfect union,” Britain has lately succumbed to particular resurgent nationalisms in a curious reversal of fortune.

With These Islands, Ali M. Ansari considers the idea of Britain as a political entity. This idea of Britain considers some nationalists as suppressed minorities in need of attention, and others as bigoted throwbacks to a more divisive age. Arguing the case for Great Britain from the perspective of the political mythology of the British state—with an emphasis on culture, ideas and narrative constructions—Ansari makes the claim that Britain’s strength lies in its ability to shape the popular imagination, both at home and abroad. He concludes that an “excess of enthusiasm” may yet do untold damage to the fabric of a state and society that has been carefully constructed over the centuries and may not be easily repaired.
 
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