51 books match the query 'Children's & Young Adult Literature' and 10 start with t

cover of The Documented Child: Migration, Personhood, and Citizenship in Twenty-First-Century U.S. Latinx Children's Literature

The Documented Child

Migration, Personhood, and Citizenship in Twenty-First-Century U.S. Latinx Children's Literature

Maya Socolovsky

University of Arizona Press, 2025

Immigration is at once a personal, immediate, and urgent issue that plays a central role in the United States’ perception of itself. In The Documented Child, scholar Maya Socolovsky demonstrates how the portrayal of Latinx children has shifted over the first two decades of the twenty-first century in literary texts aimed at children and young adults and looks at how these shifts map onto broader changes in immigration policy and discourse.

Through a critical inquiry into picture books and middle-grade and young adult literature, Socolovsky argues that the literary documentations of—and for—U.S. Latinx children have shifted over the decades, from an emphasis on hybrid transnationalism to that of a more American-oriented self. Socolovsky delves into texts written from 1997 to 2020, a period marked by tremendous changes in U.S. immigration policies, amplified discourses around nationhood, and an increasingly militarized border. The author shows how children’s and young adult books have shifted their depictions of the border, personal and national identity, and sovereignty.

For students, scholars, and educators of Latinx studies and children’s literature, this work shows how the creators of children’s literature reflect new strategies for representing the undocumented Latinx child protagonist. While earlier books document the child as a transnational (sometimes global) subject, later books document her as both a transnational and U.S. national subject. The Documented Child explores this change as a necessary survival strategy, reflecting current awareness that cultural hybridity and transnational identity are not sufficient stand-ins for the stability and security of legal personhood.
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cover of The Education of Things: Mechanical Literacy in British Children's Literature, 1762–1860

The Education of Things

Mechanical Literacy in British Children's Literature, 1762–1860

Elizabeth Massa Hoiem

University of Massachusetts Press, 2023

Finalist for the 2025 SHARP Book History Book Prize

Winner of the 2025 Justin G. Schiller Prize for Bibliographical Work on Children’s Books from The Bibliographical Society of America


By the close of the eighteenth century, learning to read and write became closely associated with learning about the material world, and a vast array of games and books from the era taught children how to comprehend the physical world of “things.” Examining a diverse archive of popular science books, primers, grammars, toys, manufacturing books, automata, and literature from Maria Edgeworth, Jean-Jacques Rousseau, and Anna Letitia Barbauld, The Education of Things attests that material culture has long been central to children’s literature.

Elizabeth Massa Hoiem argues that the combination of reading and writing with manual tinkering and scientific observation promoted in late eighteenth- and early nineteenth-century Britain produced new forms of “mechanical literacy,” competencies that were essential in an industrial era. As work was repositioned as play, wealthy children were encouraged to do tasks in the classroom that poor children performed for wages, while working-class children honed skills that would be crucial to their social advancement as adults.

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cover of The Ivory Tower, Harry Potter, and Beyond: More Essays on the Works of J. K. Rowling

The Ivory Tower, Harry Potter, and Beyond

More Essays on the Works of J. K. Rowling

Edited with an Introduction by Lana A. Whited

University of Missouri Press, 2024

In her follow-up to The Ivory Tower and Harry Potter, Lana A. Whited has compiled a new collection of essays analyzing the books, films, and other media by J. K. Rowling. This includes pieces on the Harry Potter books and movies, Fantastic Beasts and Where to Find Them (films), The Cursed Child (play), as well as her writing outside the wizarding universe, such as The Ickabog, The Casual Vacancy, and the Cormoran Strike series. Many of the chapters explore works that influenced the Harry Potter series, including Classical epic, Shakespearian comedy and tragedy, and Arthurian myth. In addition to literary comparison, the volume delves into topics like political authoritarianism, distrust of the media, racial and social justice, and developments in fandom. It’s fair to say that much has changed in regard to Harry Potter and J. K. Rowling scholarship in the twenty years since the first volume’s publication. While it was once considered a universally beloved book series, the relationship between HP and its fans has grown more complicated in recent years. As its readers have grown older and Rowling’s reputation has wavered in the public eye, Whited and her contributors consider the complicated legacy of Harry Potter and its author and explore how the series will evolve in the next twenty years.
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cover of The Making of Lewis Carroll’s Alice and the Invention of Wonderland

The Making of Lewis Carroll’s Alice and the Invention of Wonderland

Peter Hunt

Bodleian Library Publishing, 2020

Alice’s Adventures in Wonderland and Through the Looking-Glass are two of the most famous, translated, and quoted books in the world. What began as a simple tale told by eccentric Oxford mathematician Charles Dodgson (better known as Lewis Carroll) to Alice Liddell, daughter of the Dean of Christ Church, become a worldwide phenomenon. Fostering film adaptations and retellings, and influencing countless other works, the Alice books have a deeply cherished place in popular culture. Known for their oddities and absurdities, the books have been endlessly interpreted and analyzed for symbolism and hidden messages.

Peter Hunt cuts away the psychological speculation that has grown up around the Alice books, and instead traces the historical sources of their multilayered in-jokes and political, literary, and philosophical satire. He situates the books in the history of children’s literature and explores the local and personal references that the real Alice would have understood. Equally fascinating are the rich fragments about everything from the “sensation” novel to Darwinian theory—not to mention Dodgson’s personal feelings—that he wove into the books as they developed.

Illustrated with manuscripts, portraits, Sir John Tenniel’s original line drawings for the first editions, and contemporary photographs, this is an innovative look at two remarkable stories. The Making of Lewis Carroll’s Alice and the Invention of Wonderland takes us on a guided tour from the treacle wells of Victorian Oxford through an astonishing world of politics, philosophy, humor, and nightmare.

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cover of The Making of The Wind in the Willows

The Making of The Wind in the Willows

Peter Hunt

Bodleian Library Publishing, 2018

The adventures of Mole, Ratty, Mr. Toad, and Mr. Badger—and their tangles with the Weasels—have been adored by children for more than a century. Yet, with its oddly bureaucratic town dramas and the esoteric hobbies of its protagonists, The Wind in the Willows was originally intended almost entirely for adults. Though first inspired by bedtime stories Kenneth Grahame told to his son Alastair, as he wrote them down, the tales of these woodland creatures developed into something much more sophisticated.
            Peter Hunt explores the unusual trajectory of The Wind in the Willows through previously unpublished archival materials, original drawings, and fan letters (including one from Theodore Roosevelt). He identifies the colleagues and friends on whom Grahame is thought to have based the characters of Mole, Rat, Badger, and Toad, and explores the literary genres of boating, caravanning, and motoring on which the author drew. He also recounts the extraordinary correspondence surrounding the book’s first publication and the influence of two determined women—publisher’s agent Constance Smedley and the author’s wife, Elspeth Grahame—who helped turn the book into the classic for children we know and love today. Generously illustrated throughout, this book celebrates one of the most beloved works of children’s literature ever published.
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cover of The Pooh Perplex

The Pooh Perplex

Frederick Crews

University of Chicago Press, 2003

In this devastatingly funny classic, Frederick Crews skewers the ego-inflated pretensions of the schools and practitioners of literary criticism popular in the 1960s, including Freudians, Aristotelians, and New Critics. Modeled on the "casebooks" often used in freshman English classes at the time, The Pooh Perplex contains twelve essays written in different critical voices, complete with ridiculous footnotes, tongue-in-cheek "questions and study projects," and hilarious biographical notes on the contributors. This edition contains a new preface by the author that compares literary theory then and now and identifies some of the real-life critics who were spoofed in certain chapters.
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cover of The Wizard of Oz and Who He Was

The Wizard of Oz and Who He Was

Martin Gardner

Michigan State University Press, 1994

When Russel B. Nye and Martin Gardner teamed up to bring out a new edition of The Wonderful Wizard of Oz, theirs was the first critical analysis of L. Frank Baum American classic. The book opens with an essay by Nye, entitled "An Appreciation," which is an overview of Baum's creative and imaginative genius. Nye explores the reasons why earlier critics virtually ignored the Oz stories. Gardner, in his essay, "The Royal Historian of Oz," presents a brief biographical sketch, revealing little-known facts about this prolific writer. The volume also contains the complete, original text of the Wonderful Wizard of Oz, along with many original illustrations by artist W. W. Denslow. 
 

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cover of Time for Childhoods: Young Poets and Questions of Agency

Time for Childhoods

Young Poets and Questions of Agency

Rachel Conrad

University of Massachusetts Press, 2020

Poems written by children are not typically part of the literary canon. Because of cultural biases that frame young people as intellectually and artistically immature, these works are often excluded or dismissed as juvenilia. Rachel Conrad contends that youth-composed poems should be read as literary works in their own right—works that are deserving of greater respect in literary culture.

Time for Childhoods presents a selection of striking twentieth-and twenty-first-century American poetry written by young people, and highlights how young poets imagined and shaped time for their own poetic purposes. Through close engagement with archival materials, as well as select interviews and correspondence with adult mentors, Conrad discerns how young writers figured social realities and political and racial injustices, and discusses what important advocates such as Gwendolyn Brooks and June Jordan can teach us about supporting the agency of young poets. This essential study demonstrates that young poets have much to contribute to ongoing conversations about time and power.
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cover of Time of Beauty, Time of Fear: The Romantic Legacy in the Literature of Childhood

Time of Beauty, Time of Fear

The Romantic Legacy in the Literature of Childhood

James Holt McGavran, Jr.

University of Iowa Press, 2012

It is now two and a half centuries since Jean-Jacques Rousseau first wrote so evocatively of natural man in Social Contract and of experiential education in Emile. His emphasis on the early years as a crucial part of life drove the Romantic reconceptualization of childhood—the idea that children have a special knowledge of nature, politics, and spirituality to teach their elders as well as the other way around. William Wordsworth’s assertion in the “Intimations Ode” that children’s souls come “trailing clouds of glory” from God has continued to haunt Western literature and culture in spite of attacks from writers and critics from then until now, including Mary Wollstonecraft, Robert Thomas Malthus, T. S. Eliot, Judy Blume, Jerome McGann, and Jacqueline Rose.
 
Displaying careful scholarship, sophisticated use of contemporary literary theory, and close readings of texts while recovering and analyzing materials from more than two centuries of British and other Anglophone cultural history, this collection of new essays traces the evolution of the Romantic child. The contributors play off one another, both within the three traditional historical periods—Romantic, Victorian, and modern/postmodern—and across intellectual and disciplinary categories.
 
Time of Beauty, Time of Fear offers a stunning array of essays. In some, the authors focus on canonical texts by such writers as Wordsworth, Maria Edgeworth, Charlotte Smith, and Mrs. Molesworth. Other authors consider the Victorian concerns with missionary literature for children and with the boyish pastime of collecting bird’s nests, folk voices of the 1960s, homeschooling, the Teletubbies television program, and Alan Moore’s Promethea series of graphic novels. Measured in terms of both range and quality, this volume is destined to become essential reading for scholars from numerous disciplines.
 
Contributors
Jennifer Smith Daniel
Elizabeth A. Dolan
Richard Flynn
Elizabeth Gargano
Mary Ellis Gibson
Dorothy H. McGavran
Roderick McGillis
Claudia Mills
Jochen Petzold
Malini Roy
Andrew J. Smyth
Jan Susina

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cover of Twain, Alcott, and the Birth of the Adolescent Reform Novel

Twain, Alcott, and the Birth of the Adolescent Reform Novel

Roberta S. Trites

University of Iowa Press, 2007

Trites argues that Twain and Alcott wrote on similar topics because they were so deeply affected by the Civil War, by cataclysmic emotional and financial losses in their families, by their cultural immersion in the tenets of Protestant philosophy, and by sexual tensions that may have stimulated their interest in writing for adolescents, Trites demonstrates how the authors participated in a cultural dynamic that marked the changing nature of adolescence in America, provoking a literary sentiment that continues to inform young adult literature. Both intuited that the transitory nature of adolescence makes it ripe for expression about human potential for change and reform.
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