56 books match the query 'Context' and 7 start with t

cover of Telemedicine Systems for Unreached Communities: Context, challenges and opportunities

Telemedicine Systems for Unreached Communities

Context, challenges and opportunities

Mehdi Hasan

The Institution of Engineering and Technology, 2026

Telemedicine - broadly defined as the use of electronic information and communication technologies to deliver healthcare services at a distance - offers an opportunity to create more equitable healthcare provision for unreached communities. Through the integration of telecommunications technologies, remote diagnostics, electronic health systems, mobile health platforms, and virtual consultation models, telemedicine enables healthcare providers to deliver clinical services across significant geographic and socioeconomic divides.
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cover of The Athenian Adonia in Context: The Adonis Festival as Cultural Practice

The Athenian Adonia in Context

The Adonis Festival as Cultural Practice

Laurialan Reitzammer

University of Wisconsin Press, 2018

Ancient sources and modern scholars have often represented the Athenian festival of Adonis as a marginal and faintly ridiculous private women’s ritual. Seeds were planted each year in pots and, once sprouted, carried to the rooftops, where women lamented the death of Aphrodite’s youthful consort Adonis. Laurialan Reitzammer resourcefully examines a wide array of surviving evidence about the Adonia, arguing for its symbolic importance in fifth- and fourth-century Athenian culture as an occasion for gendered commentary on mainstream Athenian practices.
            Reitzammer uncovers correlations of the Adonia to Athenian wedding rituals and civic funeral oration and provides illuminating evidence that the festival was a significant cultural template for such diverse works as Aristophanes’ drama Lysistrata and Plato’s dialogue Phaedrus. Her fresh approach is a timely contribution to studies of the ways gender and sexuality intersect with religion and ritual in ancient Greece.
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cover of The Context of Ancient Drama

The Context of Ancient Drama

Eric Csapo and William J. Slater

University of Michigan Press, 1995

Ancient theater has always caught contemporary interest, despite the eclectic nature of the surviving evidence. Tourists wander the remains of buildings at Epidauros and Athens, and generations of people have pondered Medea and Oedipus, yet it can be surprisingly difficult to find reliable, accessible information on these plays and their theaters. The Context of Ancient Drama remedies this situation. It provides, in modern English translation, documents that illustrate all aspects of the drama of antiquity, other than the text of the dramas themselves. For convenience the material is grouped in thematic sections, such as "music," or "judging." The illustrations give well-known examples of the kind of evidence that has survived to us. Plans of theaters are provided, to exemplify the outlines of the buildings' development, and an extensive glossary of terms offers information to the interested amateur and the theater specialist alike. The Context of Ancient Drama will be of interest to a wide spectrum of students and teachers. Theater historians, students of dramatic performance and the visual arts, and students and teachers in literature-in-translation courses will all find much that speaks to them.
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cover of The Context of Self: A Phenomenological Inquiry Using Medicine as a Clue

The Context of Self

A Phenomenological Inquiry Using Medicine as a Clue

Richard M. Zaner

Ohio University Press, 1981

This study takes up the challenge presented to philosophy in a dramatic and urgent way by contemporary medicine: the phenomenon of human life. Initiated by a critical appreciation of the work of Hans Jonas, who poses that issue as well, the inquiry is brought to focus on the phenomenon of embodiment, using relevant medical writing to help elicit its concrete dimensions.

The explication of embodiment, aided by critical studies and inquiries into medical phenomena (autism, brain injury, terminal illness) make possible the development of the author’s original phenomenological theory of self, and its concrete relationships with the other self. This study attempts not only to show connections among the works of a number of thinkers in terms of central problems, but to demonstrate the mutual relevance of medicine and philosophy through concrete illustrations and analysis.

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cover of The International Monetary Fund and Latin America: The Argentine Puzzle in Context

The International Monetary Fund and Latin America

The Argentine Puzzle in Context

Claudia Kedar

Temple University Press, 2013

The International Monetary Fund (IMF) has played a critical role in the global economy since the postwar era. But, claims Claudia Kedar, behind the strictly economic aspects of the IMF’s intervention, there are influential interactions between IMF technocrats and local economists—even when countries are not borrowing money.

In The International Monetary Fund and Latin America, Kedar seeks to expose the motivations and constraints of the operations of both the IMF and borrowers. With access to never-before-seen archive materials, Kedar reveals both the routine and behind-the-scenes practices that have depicted International Monetary Fund–Latin American relations in general and the asymmetrical IMF-Argentina relations in particular.

Kedar also analyzes the “routine of dependency” that characterizes  IMF-borrower relations with several Latin American countries such as Chile, Peru, and Brazil. The International Monetary Fund and Latin America shows how debtor countries have adopted IMF’s policies during past decades and why Latin American leaders today largely refrain from knocking at the IMF’s doors again.

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cover of The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism

The Spectacle 2.0

Reading Debord in the Context of Digital Capitalism

Marco Briziarelli and Emiliana Armano

University of Westminster Press, 2017

“Necessary reading for scholars interested in theorising the spectacle's relation to the labour theory of value, commodity fetishism and subjectivity under post-Fordism.” - https://www.triple-c.at/index.php/tripleC/article/view/1015/1176

Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord’s original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book’s two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord’s concept is arguably more relevant than ever.

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cover of Theatermachine: Tadeusz Kantor in Context

Theatermachine

Tadeusz Kantor in Context

Edited by Magda Romanska and Kathleen Cioffi

Northwestern University Press, 2019

Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays that examine Kantor’s work through the prism of postmemory and trauma theory and in relation to Polish literature, Jewish culture, and Yiddish theater as well as the Japanese, German, French, Polish, and American avant-garde. Hans-Thies Lehmann’s theory of postdramatic theater and contemporary developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor network theory, and posthumanism—provide a previously unavailable vocabulary for discussion of Kantor’s theater.
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