56 books match the query 'Crafts & Hobbies' and 11 start with t

cover of The Amateur Wind Instrument Maker

The Amateur Wind Instrument Maker

Trevor Robinson

University of Massachusetts Press, 1980

In The Amateur Wind Instrument Maker, Trevor Robinson provides clear, practical instructions for building a wide variety of wind instruments using materials and tools accessible to the dedicated amateur. Beginning with an introduction to the principles of wind instrument design and the basic woodworking materials required, Robinson proceeds through detailed plans and step-by-step guidance for constructing instruments including flutes and fifes, recorders, clarinets, shawms, and oboes, among others. Each chapter combines historical context with hands-on instruction, offering dimensions, bore specifications, tone hole placement, and finishing techniques that allow the builder to produce genuinely playable instruments. 

Compact and accessibly written, the revised edition of The Amateur Wind Instrument Maker remains a foundational reference in the field of amateur instrument building, enabling generations of amateur builders to craft their own instruments, from straightforward projects suitable for beginners to more demanding undertakings for experienced woodworkers.


 

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cover of The Beautiful Generation: Asian Americans and the Cultural Economy of Fashion

The Beautiful Generation

Asian Americans and the Cultural Economy of Fashion

Thuy Linh Nguyen Tu

Duke University Press, 2011

Since the 1990s, young Asian Americans including Doo-Ri Chung, Derek Lam, Thakoon Panichgul, Alexander Wang, and Jason Wu have emerged as leading fashion designers. They have won prestigious awards, been chosen to head major clothing labels, and had their designs featured in Vogue, Harper’s Bazaar, and other fashion magazines. At the same time that these designers were rising to prominence, the fashion world was embracing Asian chic. During the 1990s, “Asian” shapes, fabrics, iconography, and colors filled couture runways and mass-market clothing racks. In The Beautiful Generation, Thuy Linh Nguyen Tu explores the role of Asian American designers in New York’s fashion industry, paying particular attention to how they relate to the garment workers who produce their goods and to Asianness as a fashionable commodity. She draws on conversations with design students, fashion curators, and fashion publicists; interviews with nearly thirty Asian American designers who have their own labels; and time spent with those designers in their shops and studios, on their factory visits, and at their fashion shows. The Beautiful Generation links the rise of Asian American designers to historical patterns of immigration, racial formation, and globalized labor, and to familial and family-like connections between designers and garment workers.
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cover of The Bonnet

The Bonnet

Katari´na Kucbelova´

Seagull Books, 2024

A beautifully written and moving story about the power of tradition and the importance of women’s stories.
 
The Bonnet, the first work of prose by Slovak poet Katarína Kucbelová, defies easy pigeonholing: both political and personal, it is a work of literary reportage, a quest for one’s roots, a critical exploration of folk art and, not least, social commentary on the coexistence of the Slovak majority and the Roma minority, offering a nuanced and sympathetic look at the lives of Roma people in Slovakia, and raising important questions about the nature of prejudice and discrimination. Over two years, the author made regular visits to the remote village of Šumiac in Slovakia to learn the dying craft of bonnet making from one of its last practitioners, Il’ka, an elderly local woman who in the process became her mentor in more ways than one. Through the parallel stories of Il’ka and the narrator’s grandmother, The Bonnet also offers a subtly feminist reading of the position of women in rural Europe from the early twentieth century to the present day.
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cover of The Book of Looms: A History of the Handloom from Ancient Times to the Present

The Book of Looms

A History of the Handloom from Ancient Times to the Present

Eric Broudy

Brandeis University Press, 2021

A heavily illustrated classic on the evolution of the handloom.
 
The handloom—often no more than a bundle of sticks and a few lengths of cordage—has been known to almost all cultures for thousands of years. Eric Broudy places the wide variety of handlooms in their historical context. What influenced their development? How did they travel from one geographic area to another? Were they invented independently by different cultures? How have modern cultures improved on ancient weaving skills and methods? Broudy shows how virtually every culture has woven on handlooms. He highlights the incredible technical achievement of early cultures that created magnificent textiles with the crudest of tools and demonstrates that modern technology has done nothing to surpass their skill or inventiveness.
 
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cover of The Freedom Quilting Bee: Folk Art and the Civil Rights Movement

The Freedom Quilting Bee

Folk Art and the Civil Rights Movement

Nancy Callahan

University of Alabama Press, 2005

The original book on the renowned Freedom quilters of Gee's Bend - stitching justice, one quilt at a time.

In December of 1965, the year of the Selma-to-Montgomery march, a white Episcopal priest driving through a desperately poor, primarily black section of Wilcox County found himself at a great bend of the Alabama River. He noticed a cabin clothesline from which were hanging three magnificent quilts unlike any he had ever seen. They were of strong, bold colors in original, op-art patterns—the same art style then fashionable in New York City and other cultural centers. An idea was born and within weeks took on life, in the form of the Freedom Quilting Bee, a handcraft cooperative of black women artisans who would become acclaimed throughout the nation.

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cover of The People's Porn: A History of Handmade Pornography in America

The People's Porn

A History of Handmade Pornography in America

Lisa Z. Sigel

Reaktion Books, 2020

The first history of American handmade and homemade pornography, The People’s Porn offers the backstory to the explosion of amateur pornography on the web. In doing so, it provides a much-needed counterweight to ahistorical and ideological arguments that dominate most discussions of pornography.
 
Critics tend to focus on mass-produced materials and make claims about pornography as plasticized or commodified. In contrast, eminent historian Lisa Z. Sigel looks at what people made, rather than what they bought, revealing how people thought about sexuality for themselves. She also explores periods when these sexual artifacts were pilloried, ransacked, and destroyed, providing a unique document of rare nineteenth- and twentieth-century objects. Whalers and craftsmen, prisoners and activists, African Americans and feminists—all made their own pornography. Ranging across the full sweep of this output, The People’s Porn challenges preconceptions as it tells a new and fascinating story about American sexual history.
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cover of The Scenographic Model: Third Edition

The Scenographic Model

Third Edition

Darwin Reid Payne, Ronald Naversen, and Brad M. Carlson

Southern Illinois University Press, 2025

An authoritative guide to modelmaking for theater

This third edition of noted scenographer Darwin Reid Payne’s landmark text builds upon Payne’s theories and exercises to provide a modern exploration of the practice of theatrical modelmaking. With chapters on traditional and contemporary materials, tools, and techniques, the book serves as a foundational guide to understanding the historical, theoretical, and practical aspects of scenographic modelmaking, making it essential for the beginner, generalist, and professional design practitioner.

The volume begins with a brief history of the scenographic model and explores how modelmaking has adapted to changes in materials, technology, and commercial influences over time. It details setting up a safe, productive model-building studio before introducing the types and purposes of various scenographic models. It then instructs the reader in constructing common model elements and accessories. Later chapters explore how the models reveal stage space and create mood and atmosphere through tonal shading and lighting; discuss the use of found objects, collage techniques, and projection models in scenic design; and delve into 3D printing and computer routering. The final chapter provides information on various aspects of photography and image sharing related to design and production communication.

This comprehensive text provides information not just from theater but also from other modeling disciplines and sources, including architecture, film, dioramas, dollhouse modeling, and model railroading. A useful resource for high school, community college, university, and community theater enthusiasts, it is an excellent reference book for theater designers throughout the country.

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cover of The Scrapbook in American Culture

The Scrapbook in American Culture

Susan Tucker

Temple University Press, 2006

"Keeping a scrapbook" is a longstanding American tradition. The collections of fragments that often bulge their pages and burst their bindings make scrapbooks a pleasurable feast for both makers and consumers. They are a material manifestation of memory—of the compilers and of the cultural moment in which they were created. Despite the widespread popularity of scrapbooks, historians have rarely examined them in a systematic way. In this fascinating work, fourteen contributors offer the first serious, sustained examination and analysis of scrapbooks. While other books offer suggestions on how to create scrapbooks, this book looks at their significance.The editors observe that scrapbooks are one of the most mysterious objects to be found in a family home. This unique book helps to explain the mystery. It will appeal to all readers with an interest in "scrapbooking" as well as to scholars who study American culture and print, visual, or material culture.
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cover of The Story Quilts of Yvonne Wells

The Story Quilts of Yvonne Wells

Stacy I. Morgan

University of Alabama Press, 2024

The introduction and definitive guide to the work of celebrated folk artist Yvonne Wells, whose vibrant, innovative story quilts address an array of historic, cultural, and religious themes

The Story Quilts of Yvonne Wells is an introduction and definitive guide to the self-taught quilter whose expansive body of work serves as testament to the sweeping tides of American life and Wells’s significance as a major figure within the folk art and art world writ large.

Beginning when she was nearly 40 years old and without formal training, Wells created her first quilt for practical use but was soon hand stitching appliqué figures into bold, original designs that unleashed her voice as a storyteller. Incorporating a wide variety of symbolic materials and unconventional objects—“anything I can stick a needle in”—Wells’s vivid story quilts reveal a fearless and encyclopedic vision ranging from the intimately autobiographical to iconic scenes from African American history, the Bible, Southern culture, and contemporary headlines.

The result of years of close collaboration between Stacy I. Morgan and Wells herself, The Story Quilts of Yvonne Wells is richly illustrated with more than 100 quilts accompanied by narratives about each, told in the artist's own words, and interspersed with in-depth essays documenting Wells’s unique artistic practice and creative journey during her five-decade art career.

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cover of The Wild Midwest: A Coloring Book

The Wild Midwest

A Coloring Book

Mark Muller

University of Iowa Press, 2016

While most coloring books offer fanciful recreations of the wonders of nature, Mark Müller’s realistic drawings allow you to embellish real-world birds, plants, and animals with all the colors you can imagine. Layer your creative whimsy on his meticulous accuracy. Go ahead, ink in a hot pink bison or a turquoise sandhill crane or a buttery yellow tree frog, pouring magic into reality. Turn the tallgrass prairie’s pale purple coneflowers ruby red, the black swallowtail butterfly into a green-dotted swallowtail, or white-tailed deer into fuschia-tailed. Why shouldn’t red-winged blackbirds flaunt salmon epaulets, or American goldfinches turn coppery, or rose-breasted grosbeaks celadon-breasted? Amid the creatures teeming in the midwestern grasses and wetlands on these pages, you’ll even find the most common invasive species—see if you can find the garlic mustard and the emerald ash borer! Here is the wild Midwest as it really is, for your coloring pleasure.
 
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cover of True Faith, True Light: The Devotional Art of Ed Stilley

True Faith, True Light

The Devotional Art of Ed Stilley

Kelly Mulhollan

University of Arkansas Press, 2015

In 1979, Ed Stilley was leading a simple life as a farmer and singer of religious hymns in Hogscald Hollow, a tiny Ozark community south of Eureka Springs, Arkansas. Life was filled with hard work and making do for Ed, his wife Eliza, and their five children, who lived in many ways as if the second half of the twentieth century had never happened.

But one day Ed’s life was permanently altered. While plowing his field, he became convinced he was having a heart attack. Ed stopped his work and lay down on the ground. Staring at the sky, he saw himself as a large tortoise struggling to swim across a river. On his back were five small tortoises—his children—clinging to him for survival. And then, as he lay there in the freshly plowed dirt, Ed received a vision from God, telling him that he would be restored to health if he would agree to do one thing: make musical instruments and give them to children.

And so he did. Beginning with a few simple hand tools, Ed worked tirelessly for twenty-five years to create over two hundred instruments, each a crazy quilt of heavy, rough-sawn wood scraps joined with found objects. A rusty door hinge, a steak bone, a stack of dimes, springs, saw blades, pot lids, metal pipes, glass bottles, aerosol cans—Ed used anything he could to build a working guitar, fiddle, or dulcimer. On each instrument Ed inscribed “True Faith, True Light, Have Faith in God.”

True Faith, True Light: The Devotional Art of Ed Stilley documents Ed Stilley’s life and work, giving us a glimpse into a singular life of austere devotion.
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