75 books match the query 'Death & Dying' and 16 start with t

cover of The Afterlife of Data: What Happens to Your Information When You Die and Why You Should Care

The Afterlife of Data

What Happens to Your Information When You Die and Why You Should Care

Carl Öhman

University of Chicago Press, 2024

A short, thought-provoking book about what happens to our online identities after we die.

These days, so much of our lives takes place online—but what about our afterlives? Thanks to the digital trails that we leave behind, our identities can now be reconstructed after our death. In fact, AI technology is already enabling us to “interact” with the departed. Sooner than we think, the dead will outnumber the living on Facebook. In this thought-provoking book, Carl Öhman explores the increasingly urgent question of what we should do with all this data and whether our digital afterlives are really our own—and if not, who should have the right to decide what happens to our data.

The stakes could hardly be higher. In the next thirty years alone, about two billion people will die. Those of us who remain will inherit the digital remains of an entire generation of humanity—the first digital citizens. Whoever ends up controlling these archives will also effectively control future access to our collective digital past, and this power will have vast political consequences. The fate of our digital remains should be of concern to everyone—past, present, and future. Rising to these challenges, Öhman explains, will require a collective reshaping of our economic and technical systems to reflect more than just the monetary value of digital remains.

As we stand before a period of deep civilizational change, The Afterlife of Data will be an essential guide to understanding why and how we as a human race must gain control of our collective digital past—before it is too late.

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cover of The Black Heavens: Abraham Lincoln and Death

The Black Heavens

Abraham Lincoln and Death

Brian R. Dirck

Southern Illinois University Press, 2019

Winner, Lincoln Group of New York Award of Achievement 2019

From multiple personal tragedies to the terrible carnage of the Civil War, death might be alongside emancipation of the slaves and restoration of the Union as one of the great central truths of Abraham Lincoln’s life. Yet what little has been written specifically about Lincoln and death is insufficient, sentimentalized, or devoid of the rich historical literature about death and mourning during the nineteenth century. The Black Heavens: Abraham Lincoln and Death is the first in-depth account of how the sixteenth president responded to the riddles of mortality, undertook personal mourning, and coped with the extraordinary burden of sending hundreds of thousands of soldiers to be killed on battlefields.

Going beyond the characterization of Lincoln as a melancholy, tragic figure, Brian R. Dirck investigates Lincoln’s frequent encounters with bereavement and sets his response to death and mourning within the social, cultural, and political context of his times. At a young age Lincoln saw the grim reality of lives cut short when he lost his mother and sister. Later, he was deeply affected by the deaths of two of his sons, three-year-old Eddy in 1850 and eleven-year-old Willie in 1862, as well as the combat deaths of close friends early in the war. Despite his own losses, Lincoln learned how to approach death in an emotionally detached manner, a survival skill he needed to cope with the reality of his presidency.

Dirck shows how Lincoln gradually turned to his particular understanding of God’s will in his attempts to articulate the meaning of the atrocities of war to the American public, as showcased in his allusions to religious ideas in the Gettysburg Address and the Second Inaugural. Lincoln formed a unique approach to death: both intellectual and emotional, typical and yet atypical of his times. In showing how Lincoln understood and responded to death, both privately and publicly, Dirck paints a compelling portrait of a commander in chief who buried two sons and gave the orders that sent an unprecedented number of Americans to their deaths.
 
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cover of The Celebration of Death in Contemporary Culture

The Celebration of Death in Contemporary Culture

Dina Khapaeva

University of Michigan Press, 2017

The Celebration of Death in Contemporary Culture investigates the emergence and meaning of the cult of death. Over the last three decades, Halloween has grown to rival Christmas in its popularity. Dark tourism has emerged as a rapidly expanding industry. “Corpse chic” and “skull style” have entered mainstream fashion, while elements of gothic, horror, torture porn, and slasher movies have streamed into more conventional genres. Monsters have become pop culture heroes: vampires, zombies, and serial killers now appeal broadly to audiences of all ages. This book breaks new ground by viewing these phenomena as aspects of a single movement and documenting its development in contemporary Western culture.

This book links the mounting demand for images of violent death with dramatic changes in death-related social rituals. It offers a conceptual framework that connects observations of fictional worlds—including The Twilight Saga, The Vampire Diaries, and the Harry Potter series—with real-world sociocultural practices, analyzing the aesthetic, intellectual, and historical underpinnings of the cult of death. It also places the celebration of death in the context of a longstanding critique of humanism and investigates the role played by 20th-century French theory, posthumanism, transhumanism, and the animal rights movement in shaping the current antihumanist atmosphere.

This timely, thought-provoking book will appeal to scholars of culture, film, literature, anthropology, and American and Russian studies, as well as general readers seeking to understand a defining phenomenon of our age.
 
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cover of The Dominion of the Dead

The Dominion of the Dead

Robert Pogue Harrison

University of Chicago Press, 2003

How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In The Dominion of the Dead, Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living—the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us.

This elegantly conceived work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn.

The Dominion of the Dead is a profound meditation on how the thought of death shapes the communion of the living. A work of enormous scope, intellect, and imagination, this book will speak to all who have suffered grief and loss.
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cover of The Dying Patient

The Dying Patient

Orville G., Jr. Brim

Russell Sage Foundation, 1970

There has hitherto been limited systematic social research on the prolongation and termination of life, and minimal agreement of the resolution of the moral and social dilemmas that dying provokes. Among the topics discussed by the contributors are: the social context of dying—when, where, and why people die; what they think about death; the cultural background of the patients' attitudes; and how medical practitioners cope with terminal illness. The social, ethical, legal, and economic problems arising from the prolongation and termination of life are also set forth.
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cover of The Last Word: Women, Death, and Divination in Inner Mani

The Last Word

Women, Death, and Divination in Inner Mani

C. Nadia Seremetakis

University of Chicago Press, 1991

Based on years of fieldwork in both rural and urban Greece, The Last Word explores women's cultural resistance as they weave together diverse social practices: improvised antiphonic laments, divinatory dreaming, the care and tending of olive trees and the dead, and the inscription of emotions and the senses on a landscape of persons, things, and places. These practices compose the empowering poetics of the cultural periphery. C. Nadia Seremetakis liberates the analysis of gender from reductive binary models and pioneers the alternative perspective of self-reflexive "native anthropology" in European ethnography.
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cover of The Sanctity of Social Life: Physician's Treatment of Critically Ill Patients

The Sanctity of Social Life

Physician's Treatment of Critically Ill Patients

Diana Crane

Russell Sage Foundation, 1975

Reexamines the nature of death and dying as seen from the physician's point of view. Unlike other treatments of the subject, this study is concerned not with what physician's should do for the critically ill, but with their actual behavior. Based on extensive interviews with physicians in several medical specialties, more than 3000 questionnaires completed by physicians in four specialties, and studies of the records of actual hospital patients, the book shows that while withdrawal of treatment in certain types of cases is widespread, euthanasia is rare.
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cover of The Solemn Sentence of Death: Capital Punishment in Connecticut

The Solemn Sentence of Death

Capital Punishment in Connecticut

Lawrence B. Goodheart

University of Massachusetts Press, 2011

The first case study of its kind, this book addresses a broad range of questions about the rationale for and application of judicial execution in Connecticut since the seventeenth century. In addition to identifying the 158 people who have been put to death for crimes during the state's history, Lawrence Goodheart analyzes their social status in terms of sex, race, class, religion, and ethnicity. He looks at the circumstances of the crimes, the weapons that were used, and the victims. He reconstructs the history of Connecticut's capital laws, its changing rituals of execution, and the growing debate over the legitimacy of the death penalty itself. Although the focus is on the criminal justice system, the ethical values of New England culture form the larger context. Goodheart shows how a steady diminution in types of capital crimes, including witchcraft and sexual crimes, culminated in an emphasis on proportionate punishment during the Enlightenment and eventually led to a preference for imprisonment for all capital crimes except first-degree murder. Goodheart concludes by considering why Connecticut, despite its many statutory restrictions on capital punishment and lengthy appeals process, has been the only state in New England to have executed anyone since 1960.
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cover of The Sorrow Psalms: A Book of Twentieth-Century Elegy

The Sorrow Psalms

A Book of Twentieth-Century Elegy

Lynn Strongin

University of Iowa Press, 2006

Like the pilot in W. B. Yeats's “An Irish Airman Foresees His Death,” each of us is challenged to “balance with this life, this death.” As we share a common fate, we also share loss and sorrow. At their most mournful, with praise and love and raw emotion, poets throughout time have put their grief to paper. The elegy and its inherent drama---the inevitable struggle between love and death---are showcased in The Sorrow Psalms, a collection of twentieth-century elegies edited by poet Lynn Strongin. Divided into five thematic sections, the elegies convey the impact of death and its aftermath; focus on the loss of family, lovers, and dear friends; contend with the loss of a child; deal with violent death; and seek to look beyond death to find some kind of resolution. The traditional stages of grieving---denial, anger, depression, and acceptance---are evident, either singly in the expression of one profound emotion or all at once, in these elegies. Strongin's introduction on the origins of the elegy and its evolution through the twentieth century explains what elegy has been and what it can be. “There is a river of sorrows that flows, which our creative spirits have mapped,” she writes. As they evoke and exalt the dead and give expression to the deepest emotions, the resonant elegies collected here offer comfort to those who personally or collectively grieve the passing of loved ones. Contributors includeJohn Berryman, Elizabeth Bishop, Lucille Clifton, Billy Collins, e. e. cummings, James Dickey, Donald Hall, Jane Kenyon, Denise Levertov, Sandra McPherson, Joyce Peseroff, Robert Peters, Stan Rice, Adrienne Rich, Carl Sandburg, Anne Sexton, Ruth Stone, Mark Strand, Dylan Thomas, William Carlos Williams, C. D. Wright
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cover of The Thought of Death and the Memory of War

The Thought of Death and the Memory of War

Marc Crépon

University of Minnesota Press, 2013

War lays bare death and our relation to it. And in the wars—or more precisely the memories of war—of the twentieth century, images of the deaths of countless faceless or nameless others eclipse the singularity of each victim’s death as well as the end of the world as such that each death signifies.

Marc Crépon’s The Thought of Death and the Memory of War is a call to resist such images in which death is no longer actual death since it happens to anonymous others, and to seek instead a world in which mourning the other whose mortality we always already share points us toward a cosmopolitics. Crépon pursues this path toward a cosmopolitics of mourning through readings of works by Freud, Heidegger, Sartre, Patocka, Levinas, Derrida, and Ricœur, and others. The movement among these writers, Crépon shows, marks a way through—and against—twentieth-century interpretation to argue that no war, genocide, or neglect of people is possible without suspending how one relates to the death of another human being.

A history of a critical strain in contemporary thought, this book is, as Rodolphe Gasché says in the Foreword, “a profound meditation on what constitutes evil and a rigorous and illuminating reflection on death, community, and world.”

The translation of this work received financial support from the French Ministry of Foreign Affairs.

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cover of The Unruly Dead: Spirits, Memory, and State Formation in Timor-Leste

The Unruly Dead

Spirits, Memory, and State Formation in Timor-Leste

Lia Kent

University of Wisconsin Press, 2024

“What might it mean to take the dead seriously as political actors?” asks Lia Kent in this exciting new contribution to critical human rights scholarship. In Timor-Leste, a new nation-state that experienced centuries of European colonialism before a violent occupation by Indonesia from 1975 to 1999, the dead are active participants in social and political life who continue to operate within familial structures of obligation and commitment. On individual, local, and national levels, Timor-Leste is invested in various forms of memory work, including memorialization, exhumation, reburial, and commemoration of the occupation’s victims. Such practices enliven the dead, allowing them to forge new relationships with the living and unsettling the state-building logics that seek to contain and control them. 

With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order—a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times—at least a third of the population perished during the Indonesian occupation—means Timor-Leste’s dead have real, significant power in the country’s efforts to remember, recover, and reestablish itself.
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cover of The Wake of Wellington: Englishness in 1852

The Wake of Wellington

Englishness in 1852

Peter W. Sinnema

Ohio University Press, 2006

Soldier, hero, and politician, the Duke of Wellington is one of the best-known figures of nineteenth-century England. From his victory at Waterloo over Napoleon in 1815, he rose to become prime minister of his country. But Peter Sinnema finds equal fascination in Victorian England’s response to the duke’s death.

The Wake of Wellington considers Wellington’s spectacular funeral pageant in the fall of 1852—an unprecedented event that attracted one and a half million spectators to London—as a threshold event against which the life of the soldier-hero and High Tory statesman could be re-viewed and represented.

Canvassing a profuse and dramatically proliferating Wellingtoniana, Sinnema examines the various assumptions behind, and implications of, the Times’s celebrated claim that the Irish-born Wellington “was the very type and model of an Englishman.” The dead duke, as Sinnema demonstrates, was repeatedly caught up in interpretive practices that stressed the quasi-symbolic relations between hero and nation.

The Wake of Wellington provides a unique view of how in death Wellington and his career were promoted as the consummation of a national destiny intimately bound up with Englishness itself, and with what it meant to be English at midcentury.

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cover of This World, Other Worlds: Sickness, Suicide, Death, and the Afterlife among the Vaqueiros de Alzada of Spain

This World, Other Worlds

Sickness, Suicide, Death, and the Afterlife among the Vaqueiros de Alzada of Spain

María Cátedra

University of Chicago Press, 1992

The Vaqueiros de Alzada, a cattle-herding people in the Asturian mountains of Spain, have one of the highest suicide rates in Europe—and an attitude toward death that gives this statistic unusual meaning. This World, Other Worlds considers death among the Vaqueiros as a central cultural fact which reveals local ideas about the origin and destiny of humans, the relations of humans and animals, the configuration of the universe, and the nature of society. Interested chiefly in the conceptual and meaningful aspects of death, María Cátedra focuses on the cultural resources with which the Vaqueiros confront their own mortality—how they experience death and what this reveals about the way they see this world and other worlds.

Applying sensitive ethnographic insight to a rich body of oral testimony, Cátedra discloses an unsuspected symbolic universe native to the Vaqueiros. Death is seen here in close, coherent relation to pain, age, and suffering; sickness and suicide, one must understand the cultural valuation of different ways of dying and the conditions under which suicides take place. To understand what it means to be a Vaqueiro is to understand how suicide can be perceived by a people as acceptable.

A groundbreaking work in European ethnography, This World, Other Worlds takes symbolic analysis to a new level. In its illumination of local conceptions of death, grace, and sainthood, the book also makes a substantial contribution to the anthropology of religion.
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cover of To Care for the Sick and Bury the Dead: African American Lodges and Cemeteries in Tennessee

To Care for the Sick and Bury the Dead

African American Lodges and Cemeteries in Tennessee

Leigh Ann Gardner

Vanderbilt University Press, 2022

Benevolent Orders, the Sons of Ham, Prince Hall Freemasons—these and other African American lodges created a social safety net for members across Tennessee. During their heyday between 1865 and 1930, these groups provided members with numerous resources, such as sick benefits and assurance of a proper burial, opportunities for socialization and leadership, and the chance to work with local churches and schools to create better communities. Many of these groups gradually faded from existence, but their legacy endures in the form of the cemeteries the lodges left behind.

These Black cemeteries dot the Tennessee landscape, but few know their history or the societies of care they represent. To Care for the Sick and Bury the Dead is the first book-length look at these cemeteries and the lodges that fostered them.

This book is a must-have for genealogists, historians, and family members of the people buried in these cemeteries.
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cover of Too Poor to Die: The Hidden Realities of Dying in the Margins

Too Poor to Die

The Hidden Realities of Dying in the Margins

Amy Shea

Rutgers University Press, 2025

Gold Winner in the Death & Dying Category of the Nautilus Book Awards 

Winner of the 2025 Book Excellence Awards in the Death and Dying Category

Silver Winner in the Reader Views Literary Awards in the Humanities and Societal Issues categories

Best Nonfiction Book in TalkDeath's Reader Choice Awards

CALIBA Golden Poppy Award Finalist — Nonfiction category

Death is the great equalizer, but not all deaths are created equal. In recent years, there has been an increased interest and advocacy concerning end-of-life and after-death care. An increasing number of individuals and organizations from health care to the funeral and death care industries are working to promote and encourage people to consider their end-of-life wishes. Yet, there are limits to who these efforts reach and who can access such resources. These conversations come from a place of good intentions, but also from a place of privilege.

Too Poor to Die: The Hidden Realities of Dying in the Margins, a collection of closely connected essays, takes the reader on a journey into what happens to those who die while experiencing homelessness or who end up indigent or unclaimed at the end of life. Too Poor to Die bears witness to the disparities in death and dying faced by some of society’s most vulnerable and marginalized and asks the reader to consider their own end-of-life and disposition plans within the larger context of how privilege and access plays a role in what we want versus what we get in death.

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cover of Torture and the War on Terror

Torture and the War on Terror

Tzvetan Todorov

Seagull Books, 2009

One of the world's leading intellectuals dismantles the political and ethical justifications for institutional torture. 

In the aftermath of 9/11, the US government approved interrogation tactics for enemy combatant detainees that could be defined as torture, which was outlawed in Europe in the eighteenth century and forbidden by the Geneva Conventions and the United Nations Convention Against Torture. In conjunction with these policies, the Bush administration vocally defended torture as a necessary tool in its Global War on Terror. Though the election of Barack Obama and his signing of the executive order to close the prison at Guantanamo Bay signaled a considerable shift away from the policies of the Bush era, the lessons to be learned from the Global War on Terror will remain relevant and necessary for many years to come. 

In Torture and the War on Terror, Tzvetan Todorov argues that the use of the terms “war” and “terror” dehumanizes the enemy and permits treatment that would otherwise be impermissible. He examines the implications and corrupting impact of the attempt to impose “good” through violence and spread democratic values by unethical means. Todorov asks: Can violence overcome violence? Does the need to protect one’s own country justify violating human rights? Challenging one by one the political and ethical arguments in favor of torture, Todorov likens institutional torture to a cancer that is eroding our society and undermining the very fundamental democratic ideas of justice and right.

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