63 books match the query 'Detroit' and 14 start with t

cover of TV Land--Detroit

TV Land--Detroit

Gordon Castelnero

University of Michigan Press, 2006

An in-depth and personal look at the most popular and best-remembered local shows from the golden years of Detroit TV

Long before cable, prepackaged syndication, infomercials, do-it-yourselfers, and reality shows cluttered the television dial, there was a brand of entertainment that has today nearly vanished from the airwaves: local TV. And with its colorful and quirky cast of characters, Detroit TV arguably offered some of the best of the best of local programming anywhere in the nation-a smorgasbord of exuberant, one-of-a-kind television shows.

Based on actual interviews with the people who made Detroit TV, Gordon Castelnero's TV Land-Detroit awakens the emotional attachment and nostalgia our community has for these shows, bringing the beloved characters and memorable programs back to life.

From the glamorous Rita Bell to the insanity of the Ghoul, the zany Jingles in Boofland to the opinionated and often confrontational Lou Gordon and the gruff-voiced and somnolent George Pierrot, Castelnero reacquaints us with the talent and behind-the-scenes people, of the creative spirit in Detroit, and the intimacy they shared with the community both on and off the air.

Gordon Castelnero was a producer at WNIC radio for four years. He produced the acclaimed documentaries for WDIV and WTVS, Michigan, It Started Here! Michigan and the American Dream, and Titanic: The Final Chapter. He currently lives in Livonia, Michigan, and works at Technicolor in DVD and game media distribution. He can be contacted by e-mail at tvlanddetroit@yahoo.com
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cover of Talking Union

Talking Union

Judith Stepan-Norris and Maurice Zeitlin

University of Illinois Press, 1996

As an institutional, political,
        and cultural oral history of the struggle to unionize the River Rouge
        Plant near Detroit during the 1930s and 40s, this book affords us a rare
        insight into the difficulties of organizing a union in the face of the
        then anti-union Ford Motor Company. Against a backdrop of the depression
        and entrenched racism, history was made by courageous individuals whose
        rich, eloquent stories illuminate the character and views of others like
        them across the nation, from all backgrounds: left, right, and center;
        black and white; native and foreign born, Jew and gentile.
 
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cover of The Broken Table: The Detroit Newspaper Strike and the State of American Labor

The Broken Table

The Detroit Newspaper Strike and the State of American Labor

Chris Rhomberg

Russell Sage Foundation, 2012

When the Detroit newspaper strike was settled in December 2000, it marked the end of five years of bitter and violent dispute. No fewer than six local unions, representing 2,500 employees, struck against the Detroit News, the Detroit Free Press, and their corporate owners, charging unfair labor practices. The newspapers hired permanent replacement workers and paid millions of dollars for private security and police enforcement; the unions and their supporters took their struggle to the streets by organizing a widespread circulation and advertising boycott, conducting civil disobedience, and publishing a weekly strike newspaper. In the end, unions were forced to settle contracts on management's terms, and fired strikers received no amnesty. In The Broken Table, Chris Rhomberg sees the Detroit newspaper strike as a historic collision of two opposing forces: a system in place since the New Deal governing disputes between labor and management, and decades of increasingly aggressive corporate efforts to eliminate unions. As a consequence, one of the fundamental institutions of American labor relations—the negotiation table—has been broken, Rhomberg argues, leaving the future of the collective bargaining relationship and democratic workplace governance in question. The Broken Table uses interview and archival research to explore the historical trajectory of this breakdown, its effect on workers' economic outlook, and the possibility of restoring democratic governance to the business-labor relationship. Emerging from the New Deal, the 1935 National Labor Relations Act protected the practice of collective bargaining and workers' rights to negotiate the terms and conditions of their employment by legally recognizing union representation. This system became central to the democratic workplace, where workers and management were collective stakeholders. But efforts to erode the legal protections of the NLRA began immediately, leading to a parallel track of anti-unionism that began to gain ascendancy in the 1980s. The Broken Table shows how the tension created by these two opposing forces came to a head after a series of key labor disputes over the preceding decades culminated in the Detroit newspaper strike. Detroit union leadership charged management with unfair labor practices after employers had unilaterally limited the unions' ability to bargain over compensation and work conditions. Rhomberg argues that, in the face of management claims of absolute authority, the strike was an attempt by unions to defend workers' rights and the institution of collective bargaining, and to stem the rising tide of post-1980s anti-unionism. In an era when the incidence of strikes in the United States has been drastically reduced, the 1995 Detroit newspaper strike stands out as one of the largest and longest work stoppages in the past two decades. A riveting read full of sharp analysis, The Broken Table revisits the Detroit case in order to show the ways this strike signaled the new terrain in labor-management conflict. The book raises broader questions of workplace governance and accountability that affect us all.
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cover of The Changing Face of Inequality: Urbanization, Industrial Development, and Immigrants in Detroit, 1880-1920

The Changing Face of Inequality

Urbanization, Industrial Development, and Immigrants in Detroit, 1880-1920

Olivier Zunz

University of Chicago Press, 1983

Originally published in 1983, The Changing Face of Inequality is the first systematic social history of a major American city undergoing industrialization. Zunz examines Detroit's evolution between 1880 and 1920 and discovers the ways in which ethnic and class relations profoundly altered its urban scene. Stunning in scope, this work makes a major contribution to our understanding of twentieth-century cities.
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cover of The City after Property: Abandonment and Repair in Postindustrial Detroit

The City after Property

Abandonment and Repair in Postindustrial Detroit

Sara Safransky

Duke University Press, 2023

In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of conceptualizing urban abandonment. She challenges popular myths that cast Detroit as empty along with narratives that reduce its historical decline to capital and white flight. In connecting contemporary debates over neoliberal urbanism to Cold War histories and the lasting political legacies of global movements for decolonization and Black liberation, she foregrounds how the making of—and challenges to—modern property regimes have shaped urban policy and politics. Drawing on critical geographical theory and community-based ethnography, Safransky shows how private property functions as a racialized construct, an ideology, and a moral force that shapes selves and worlds. By thinking the city “after property,” Safransky illuminates alternative ways of imagining and organizing urban life.
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cover of The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023

The Detroit Genre

Race, Dispossession, and Resilience in American Literature and Film, 1967-2023

Vincent Haddad

Lever Press, 2024

Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.
 
The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.
 
Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.
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cover of The Last House on the Block: Black Homeowners, White Homesteaders, and Failed Gentrification in Detroit

The Last House on the Block

Black Homeowners, White Homesteaders, and Failed Gentrification in Detroit

Sharon Cornelissen

University of Chicago Press, 2025

Gentrification is not inevitable, reveals Sharon Cornelissen, in this surprising, close look at the Detroit neighborhood of Brightmoor and the harsh reality of depopulation and urban decline. 

In the minds of many, Detroit is undergoing a renaissance thanks to gentrifying urbanites who’ve been drawn to the city with the promise of cheap housing and thriving culture. But what happens when gentrification attempts to come to one of the most depopulated neighborhoods in the country—a place where every other property in the neighborhood was a vacant lot and every third house stood empty? To find out, Sharon Cornelissen moved to the Brightmoor neighborhood of Detroit for three years and became the owner of a $7,000 house.
 
The Last House on the Block takes us to Brightmoor to meet Cornelissen’s fellow residents. She introduces us to the long-time residents of the neighborhood who reveal their struggles to keep a home while keeping violence, tall grass, and yes—gentrification—at bay. We also meet the eclectic white newcomers of Brightmoor and learn about their real estate bargains, urban farms, and how they became the unlikely defenders of urban desolation. Where oldtimers take pride in neatly mowed lawns and hope for a return to residential density, newcomers love the open space and aim to buy more empty lots to raise chickens and goats. It is a story of gentrification, but not at all in the usual sense: it is a case of failed gentrification. We often think about gentrification as an unstoppable force—once the first white newcomers with yoga mats enter an often brown or Black community, the coffee shops and restaurants follow. But in Brightmoor, the dreams of white newcomers met the harsh reality of decade-long decline. Nearly a decade after Cornelissen’s fieldwork began, Brightmoor is even emptier than it was when she started.  
 
Today, depopulation remains more common than gentrification in poor communities. Cornelissen’s story offers deep insights into what it is like to live in a declining neighborhood, and through the example of Brightmoor, Cornelissen reveals why depopulation continues and helps us imagine a more inclusive and equitable city turnaround.
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cover of The Making of Working-Class Religion

The Making of Working-Class Religion

Matthew Pehl

University of Illinois Press, 2016

Religion has played a protean role in the lives of America's workers. In this innovative volume, Matthew Pehl focuses on Detroit to examine the religious consciousness constructed by the city's working-class Catholics, African American Protestants, and southern-born white evangelicals and Pentecostals between 1910 and 1969.

Pehl embarks on an integrative view of working-class faith that ranges across boundaries of class, race, denomination, and time. As he shows, workers in the 1910s and 1920s practiced beliefs characterized by emotional expressiveness, alliance with supernatural forces, and incorporation of mass culture's secular diversions into the sacred. That gave way to the more pragmatic class-conscious religion cultures of the New Deal era and, from the late Thirties on, a quilt of secular working-class cultures that coexisted in competitive, though creative, tension. Finally, Pehl shows how the ideology of race eclipsed class in the 1950s and 1960s, and in so doing replaced the class-conscious with the race-conscious in religious cultures throughout the city.

An ambitiously inclusive contribution to a burgeoning field, The Making of Working-Class Religion breaks new ground in the study of solidarity and the sacred in the American heartland.

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cover of The Rise and Fall of an Urban School System: Detroit, 1907-81, Second Edition

The Rise and Fall of an Urban School System

Detroit, 1907-81, Second Edition

Jeffrey Mirel

University of Michigan Press, 1999

Detroit's public school system, lauded as a model for the nation in the 1920s and 1930s, has become one of the city's most conspicuous failures. Jeffrey Mirel draws on Detroit's experience to offer a new interpretation of urban educational decline in the twentieth century, suggesting specific answers to what ails America's public schools and how public education can be improved.

Jeffrey Mirel has won two prestigious book awards for The Rise and Fall of an Urban School System. Stanford University and the American Educational Research Association awarded the book the 1994-95 "Outstanding Book Award" stating, "Mirel's documentation and interpretations serve as valuable and refreshing commentary on the current status of urban education, and by extension, all American education and society. . . . The book is admirably written with touches of drama, pathos, and hope." The American Educational Studies Association awarded Mirel the 1994 "Critics' Choice Award" for his outstanding contribution to Educational Studies.

This paperback edition includes a comprehensive epilogue focusing on recent events in Detroit educational reform. Detailing the formation and rapid collapse of a campaign in the late 1980s and early 1990s to radically restructure the Detroit public schools, Mirel's new analysis of this experiment illuminates both the persistence of historical trends in the school district and the possibilities for change.

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cover of The Spirit of the City: Marshall Fredericks Sculptures in Detroit

The Spirit of the City

Marshall Fredericks Sculptures in Detroit

Janna Jones

Michigan State University Press, 2023

Marshall Fredericks’s Detroit sculptures capture the spirit of the Motor City and its dramatic transformation from the 1950s to the present day. In this book, Janna Jones analyzes eight of these enormous works of public art, situating them and their structures in metro Detroit’s distinctive midcentury milieu and bringing much-needed critical attention to this sculptor’s oeuvre. Sadly, some of these artworks have suffered along with the city as it shrank from its postwar zenith. Both the buildings and the sculptures erected for them deserve to be rescued from neglect, and then maintained and preserved for the future.
 
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cover of The Thirty-Year War: A History of Detroit's Streetcars, 1892–1922

The Thirty-Year War

A History of Detroit's Streetcars, 1892–1922

Neil J. Lehto

Michigan State University Press, 2017

Streetcars played an especially important role in society around the turn of the twentieth century in Detroit, in part because of the downtown hub-and-spoke design of its main streets. During this period the streetcar was the main mode of transportation for the average citizen, as horse-drawn carriages and automobiles were not found outside of the upper class. Control over streetcar franchises was highly coveted—this control was simultaneous with having power over how and where people were transported throughout the city, making it an incredible political tool. The Thirty-Year War was a battle waged between 1892 and 1922 by the City of Detroit against the politically powerful and deeply entrenched corporations that owned streetcar franchises for control of the city’s streetway system. This compelling history shows how and why the owners of monopoly franchises of great public utilities such as bridges, street railways, electricity, natural gas, and cable television will protect and defend their privilege against public ownership or control, and is an example of how one city successfully fought back.
 
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cover of The Unreal Estate Guide to Detroit

The Unreal Estate Guide to Detroit

Andrew Herscher

University of Michigan Press, 2012

Intense attention has been paid to Detroit as a site of urban crisis. This crisis, however, has not only yielded the massive devaluation of real estate that has so often been noted; it has also yielded an explosive production of seemingly valueless urban property that has facilitated the imagination and practice of alternative urbanisms. The first sustained study of Detroit’s alternative urban cultures, The Unreal Estate Guide to Detroit initiates a new focus on Detroit as a site not only of urban crisis but also of urban possibility.

The Guide documents art and curatorial practices, community and guerilla gardens, urban farming and forestry, cultural platforms, living archives, evangelical missions, temporary public spaces, intentional communities, furtive monuments, outsider architecture, and other work made possible by the ready availability of urban space in Detroit. The Guide poses these spaces as “unreal estate”: urban territory that has slipped through the free- market economy and entered other regimes of value, other contexts of meaning, and other systems of use. The appropriation of this territory in Detroit, the Guide suggests, offers new perspectives on what a city is and can be, especially in a time of urban crisis.
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cover of Three Bullets Sealed His Lips

Three Bullets Sealed His Lips

Bruce A. Rubenstein

Michigan State University Press, 1987

The gangland style slaying if State Senator Warren G. Hooper on January 11, 1945, three days before he was to testify before a grand jury investigating alleged corruption in the Michigan legislature, forced coverage of Allied war triumphs from the state's newspaper headlines. National media representatives flocked to Michigan to join local reporters in following the efforts of grand jury special prosecutor Kim Sigler and the State Police to apprehend the killers. Because no arrests ever were made, a 1951 journalistic prediction has proven true: "The Hooper case will continue to come back to remind the people and politicians of Michigan of the black days of 1945 when almost every official of the state had his price." For this reason, the Hooper murder has endured as one of the most intriguing unsolved mysteries in the annals of Michigan crime.
     Utilizing interviews, trial transcripts, State police files, and a collection of grand jury testimony long thought to have been destroyed, Professors Bruce A. Rubenstein and Lawrence E. Ziewacz set forth the reason for Hooper's assassination. Written in a lively style, using dialogue taken from court records and correspondence, Three Bullets Sealed His Lips demonstrates that historical writing need not be dull.

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cover of Tight Spaces

Tight Spaces

Kesho Scott

University of Iowa Press, 1999

This expanded edition of Tight Spaces includes six new essays that explore the fulfilling spaces inhabited by Kesho Scott, Cherry Muhanji, and Egyirba High since their book was originally published in 1987. Tight Spaces won the American Book Award in 1988. 
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