57 books match the query 'Europe (General)' and 21 start with t

cover of The Apology and the Last Days: A Novel

The Apology and the Last Days

A Novel

Borislav Pekic

Northwestern University Press, 2012

Originally published in 1975, The Apology and the Last Days is the final volume in a trilogy of novels—also including The Rise and Fall of Icarus Gubelkian and How to Quiet a Vampire—about the aftermath of World War II, by Borislav Pekić, one of the former Yugoslavia’s most important postwar writers. The narrator tells his story from prison, where he is serving time for the murder of a former Nazi official. As the novel unfolds, we learn that the victim was the same person whom the narrator, while a lifeguard during the war, saved from drowning, thus making him vulnerable to charges of collaboration. In this tragicomic tale, Pekić explores eternal questions of fate and individual responsibility.

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cover of The Bombardment of Åbo: A Novella Based on a Historical Event in Modern Times

The Bombardment of Åbo

A Novella Based on a Historical Event in Modern Times

Carl Spitteler

Central European University Press, 2022

This farcical tale tells how the British bombing of a Finnish port city changes the life of the Russian governor, his wife, their cook, and the cook's Finnish fiancé. The story takes place during a Nordic offshoot of the Crimean conflict, known as the Åland War, in which a British-French naval force attacked military and civilian facilities on the coast of the Grand Duchy of Finland in 1854–1856. The location of the novella is Åbo, today’s Turku, where soldiers in the Russian garrison enjoy life, Cossacks dance and drink, and the governor’s wife is preoccupied about her cook’s marriage to a local lad, against which the governor and the English admiral devise a plot.

After studies in Swiss and German universities, Carl Spitteler worked in Russia between 1871 and 1879 as the private tutor in the family of a Finnish general. In the process he came to know Finnish and Baltic noble families in Saint Petersburg and Finland. He published this story in 1889, and went on to become, in 1919, the first Swiss winner of the Nobel Prize for literature. The Bombardment of Åbo is an ironic Western gaze on life and culture in the Tsarist Empire. Spitteler’s deeply held pacifism breaks through his otherwise sarcastic description of the characters and episodes in the novella.

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cover of The Bridge on the Drina

The Bridge on the Drina

Ivo Andric

University of Chicago Press, 1977

*NOBEL PRIZE WINNER*
A classic novel of war, suffering, and survival in Bosnia
Internationally acclaimed since its original publication just after World War II, The Bridge on the Drina is a vivid historical novel that uses the Mehmed Paša Sokolović Bridge as the centerpiece of the story of Bosnia and its people from the late sixteenth century to the beginning of World War I. As we seek to make sense of the current nightmare in this region, this remarkable, timely book serves as a reliable guide to its people and history. Through powerful stories of the people who make history—and the people suffer under those who do—Ivo Andric traces the story of the Bosnian people from the Ottoman Empire through the domination of Austria-Hungary and into the rising tide of competing nationalist ideologies that set the stage for the tragedy of World War I. 

Written while Andric was under house arrest during the Nazi occupation, The Bridge on the Drina is as gripping as a soap opera, bringing history down to the level of compelling individual lives and experiences. It is one of the landmark works of twentieth-century literature, as powerful today as it ever was.
 
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cover of The Fortress: A Novel

The Fortress

A Novel

Mesa Selimovic, translated from the Serbian by Edward Dennis Goy and Jasna Levinger-Goy

Northwestern University Press, 1999

The Fortress is one of the most significant and fascinating novels to come out of the former Yugoslavia. Published as Tvrđava in Serbian, it is the tenth and among the best-known novels by Mesa Selimovic (1910–1982). In the novel, Ahmet Shabo returns home to seventeenth-century Sarajevo from the war in Russia, numbed by the death in battle or suicide of nearly his entire military unit. In time he overcomes the anguish of war, only to find that he has emerged a reflective and contemplative man in a society that does not value, and will not tolerate, the subversive implications of these qualities.

Set in Bosnia in the late 1700s, the novel sometimes functions as an artful metaphor for the communist Yugoslavia of Selimovic's day. At other times, the author explores the nuances of Ottoman rule in the Balkans. Muslim Ahmet's sustaining marriage to a young Christian woman provides a multicultural tension that strongly resonates with contemporary readers and sensibilities.
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cover of The Grand Prize and Other Stories

The Grand Prize and Other Stories

Daniela Crasnaru

Northwestern University Press, 2005

Daniela Crasnaru is one of the most prominent poets and short story writers in her native Romania. Once a vocal foe of the Ceauçescu regime, Crasnaru was influenced by the political repression of the communist period; but her short stories depart from those of the many Eastern European writers who use literature purely as a forum for political expression. She also focuses her sympathetic eye on the human foibles of ordinary people whose lives are limited by feelings of helplessness and failure.

Crasnaru portrays the lives of people so used to hardship that it never occurs to them to surrender. An unhappily married woman waits in vain for a call from a potential lover. A foul-mouthed mother of seven accuses a war hero of conning her out of her life savings. A lawyer is lured to a forest by a dead coworker's stories of a beautiful woman. Those with drab lives use fantasy to endure and those who believe themselves happy are forced to face grim realities. Crasnaru mixes elements of the ridiculous, the fanciful, and the grotesque with vivid realism and her remarkable stories, while taking place in a dark era in her nation's history, are about the human as well as the Romanian condition.
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cover of The Last Journey of Ago Ymeri

The Last Journey of Ago Ymeri

Bashkim Shehu

Northwestern University Press, 2007

In a remote Albanian village, a place of banishment, a stranger appears, claiming to be Viktor Dragoti and looking for his long-lost love. That Viktor Dragoti has been dead for nine years, killed by the Albanian coast guard while trying to swim to freedom, only adds to the stranger's mystery--and to the suspense of this curiously real and yet otherworldly work by one of Albania's most distinguished writers. With echoes of The Return of Martin Guerre and Kafka's The Trial, with allusions to The Odyssey and the Albanian folktale of Ago Ymeri, a legendary hero released from the underworld for one day, Shehu's novel blends the autobiographical and the historical, the personal and the political into a powerful tale--a story that conveys the terrors, small and large, of a totalitarian state while capturing all that is surreal and even lyrical in life in such a deeply distorted world.
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cover of The Lockmaster

The Lockmaster

Christoph Ransmayr

Seagull Books, 2024

A suspenseful novel that delves into the complexities of a father-son relationship and the timeless themes of guilt and forgiveness.
 
A longboat plummets over the Great Falls, drowning the five passengers on board. The Lockmaster, the heir to an ancient title and responsible for guiding river traffic safely around this natural barrier on the White River, ought to have prevented this tragedy. His son is convinced that it was not an accident. Is his irascible father a murderer? A hydraulic engineer all too familiar with the brute force of rivers, he sets out to discover the truth and find his missing father.
 
The Lockmaster is a dramatic tale set in a world where water has become a precious commodity and Europe has fractured into warring ethno-nationalist entities desperate to uphold the traditions and insignia of a so-called glorious bygone era. Christoph Ransmayr recounts this story in his trademark style, its epic force shot through with visions of future technology and reactionary politics amid a climate breakdown. At heart, though, this novel is the story of a father–son relationship straddling the fault lines between past and present, and an exploration of timeless questions of guilt and forgiveness.
 
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cover of The Mushroom Gatherer

The Mushroom Gatherer

Viktorie Hanišová

Seagull Books, 2025

In a forest where every step is familiar, Sára searches for mushrooms—but what she unearths instead are the long-buried truths of her own life.

Nestled deep in the Bohemian Forest, Sára’s world is quiet and bound to the rhythms of nature. She has wandered the same wooded trails for seven years, filling her basket with mushrooms, her pockets with memories, and her thoughts with the past she cannot quite escape. The solitude suits her—until the death of her mother forces her to confront the tangled roots of family and the wounds that never fully healed. As Sára meticulously sorts through chanterelles and boletes, she also sorts through childhood recollections and the uneasy inheritance of trauma. The forest offers refuge, but it also holds secrets, and as the seasons shift, so does Sára’s understanding of herself and the complicated bonds that tether her to the world.

With melodic prose and an acute sensitivity to how landscapes shape lives, Viktorie Hanišová crafts a novel of quiet intensity and deep introspection. The Mushroom Gatherer is a haunting meditation on loss and the delicate balance between isolation and connection, perfect for readers drawn to atmospheric fiction.
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cover of The Ninth: A Novel

The Ninth

A Novel

Ferenc Barnas

Northwestern University Press, 2009

Set in a sleepy village north of Budapest in 1968, this touching, unsettling novel paints a richly wrought portrait of mid-twentieth-century Hungary. The narrator is the ninth child of a family distinguished by its size, poverty, faith, and abundance of physical and psychological disabilities. His confusion is exacerbated by the strict, secretive Catholic household his parents keep in the face of a Communist system. These dual oppressions propel him toward an inevitable realization of his guilt and desire that speaks to his struggle with a fateful, seamless beauty.

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cover of The Paradisiacs: Last Kingdom IV

The Paradisiacs

Last Kingdom IV

Pascal Quignard

Seagull Books, 2025

Pascal Quignard delves into the uncanny bond between recognition and loss, outlining how our earliest experiences shape our longing for a paradise we can never reclaim.

What if paradise was not a place we lost, but one we never truly knew? In Paradisiacs, the fourth volume of the Last Kingdom series, Pascal Quignard meditates on the nature of paradise—not as an Eden to which we might return, but as a place of origin that lingers in myth. Through his signature blend of ancient texts, Paleolithic art, psychoanalysis, and personal reflection, Quignard explores our primal longing for recognition. He traces this yearning back to the erstwhile, a prenatal paradise from which we are expelled at birth, and examines how resemblance and recognition shape our identities.

At once poetic and philosophical, Paradisiacs invites readers into Quignard’s singular world, where language and history coalesce into a profound rumination on the origins of selfhood. With John Taylor’s masterly translation, this latest installment of Last Kingdom is a hypnotic and revelatory reading experience for those drawn to the intersections of philosophy and the ineffable.
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cover of The Poet and the Idiot

The Poet and the Idiot

Friedebert Tuglas

Central European University Press, 2007

Estonian literature in its written form is little more than a century old. As Estonia was part of the Russian Empire, then of the Soviet Union, it is something of a miracle that the powerful presence of the Baltic Germans, the periods of Russification, and other more subtle forms of cultural pressure, have not eradicated Estonian as a serious literary language. One of the central figures to credit for this was Friedebert Tuglas. The nine stories, and the essay, featured here were written during the World War One, or in the first years of Estonian independence in the early 1920s. They reflect the troubled spirit of the times, but exhibit the influence of a wide selection of writers, ranging from O. Wilde and M. Gorky, to F. Nietzsche and Edgar Allan Poe. The subject matter of Tuglas' stories represented here ranges from a starving prisoner, via a luckless pharmacist's hallucinations from childhood, a wandering soldier who encounters weird spirits, to a young man sitting in a park, accosted by a devilish lunatic who wants to introduce a new brand of devil worship to the world.
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cover of The Prophecy and Other Stories

The Prophecy and Other Stories

Drago Jancar

Northwestern University Press, 2009

These newly collected short stories reveal a master at the top of his game. Drago Jancar possesses an acute understanding of the human psyche, enabling his stories to resonate beyond their particular milieu. This collection features seven pieces, drawn from four different collections, that together present the struggle of individuals against powerful forces. The characters try to make sense of a world of shifting borders and changing names that make the idea of a "homeland"—either literal or figurative—a dream rather than a reality.

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cover of The Prose of the Mountains: Three Tales of the Caucasus

The Prose of the Mountains

Three Tales of the Caucasus

Aleksandre Qazbegi

Central European University Press, 2015

The Prose of the Mountains contains three tales of the Caucasus by Aleksandre Qazbegi, one of the most prescient and gifted chroniclers of the Georgian encounter with colonial modernity. His stories offer an invaluable counterpoint to the predominantly Russian narratives that have hitherto shaped scholarly accounts of the nineteenth-century Caucasus. “Memoirs of a Shepherd” poignantly chronicles the young author’s decision to pass seven years of his life as a shepherd with Georgian mountaineers. “Eliso” (the name of a Chechen girl) offers one of the most searing accounts on record of the forced migration of this people from their homeland to Ottoman lands. Set in the sixteenth century, “Khevis Beri Gocha” (the name of a Georgian village chief) classically chronicles a tragic misunderstanding between a severe father and his loving son.

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cover of The Second Book

The Second Book

Muharem Bazdulj

Northwestern University Press, 2005

The protagonists of The Second Book, are connected vertically and horizontally by their struggles. Nietzsche, on the edge of madness, spends a number of mornings contemplating his sweeping ideas and the tiny details of life through hazes left by "the gluey fingers of sleep." In "The Hot Sun's Golden Circle," the pharaoh Amenhotep IV, discoverer of monotheism, embarks on a search for the only true god of Egypt. Bazdulj's charming and funny "The Story of Two Brothers" examines the lives of William and Henry James from the shadows of the Old Testament and the age-old archetype of conflict between an eldest brother and the "maladjusted impracticality" of the younger.

Muharem Bazdulj has broken from the pack of new Eastern European writers influenced by innovators such as Danilo Kiš, Milan Kundera, and Jorge Luis Borges. Employing a light touch, a daring anti-nationalist tone, and the kind of ambition that inspires nothing less than a rewriting of Bosnian and Yugoslavian history, Bazdulj weaves the imagined realities of history into fiction and fiction into history. To quote one critic, for Bazdulj history "is the sum of interpretations while imagination is the sum of facts."
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cover of The Silk, the Shears and Marina; or, About Biography

The Silk, the Shears and Marina; or, About Biography

Irena Vrkljan

Northwestern University Press, 1999

Winner of the Ksaver Šandor Gjalski Prize

These are the first two volumes of the Croatian poet and novelist Irena Vrkljan's lyrical autobiography. Although each novel illuminates the other, they also stand alone as original and independent works of art. In The Silk, the Shears, Vrkljan traces the symbolic and moral significance of her life, and her vision of the fate of women in her mother's time and in her own. Marina continues the intense analysis of the poetic self, using the life of Marina Tsvetaeva to meditate on the processes behind biography.
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cover of The Sorrowful Eyes Of Hannah Karajich

The Sorrowful Eyes Of Hannah Karajich

Ivan Olbracht

Central European University Press, 1999

The Sorrowful Eyes of Hannah Karajich is a lyrical, deeply moving story of love and the pain of emancipation, set in the now vanished world of rural East European Jewish village life. Hanna is the most beautiful girl in all Polona, a Hasidic community in the remote province of Sub-Carpathian Ruthenia. Involvement in the exciting new movement of Zionism takes her away to a commune in a nearby town. But there she meets and falls in love with the strangely named Ivo Karajich: a Jew, yet not a Jew. The agonizing drama that follows, plants into her beautiful almond-shaped eyes the hard grain of sorrow that her children, too, will inherit.

Olbracht's novella is both a great love story and a marvellous portrait of a world that modernity threatened and Hitler destroyed.

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cover of The Third Shore: Women's Fiction from East Central Europe

The Third Shore

Women's Fiction from East Central Europe

Agatha Schwartz

Northwestern University Press, 2006

The events of 1989 that brought an end to the so-called East Bloc may have increased women's opportunities to write and publish, or at least changed the circumstances under which they do so. Still writing from a certain historical and cultural margin, these women from East Central Europe have begun to explore a new freedom whose fruits are displayed to exhilarating effect in this book-a freedom to experiment, to innovate, to create a literature uniquely expressive of their world. This volume for the first time allows English-speaking readers to discover the pleasures of these women's writing.

A rich compendium of fiction by twenty-five women from eighteen different nations ranging from Lithuania to Ukraine to Poland, the Czech Republic, Romania, Albania, and Slovenia, The Third Shore brings to light a whole spectrum of women's literary accomplishment and experience virtually unknown in the West. Gracefully translated, and with an introduction that establishes their political, historical, and literary context, these stories written in the decade after the fall of the Iron Curtain are tales of the familiar-of illness and death, love and desire, motherhood and war, feminism, and patriarchy-reconceived and turned into something altogether new by the distinctive experience they reflect.
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cover of The Tower: and other stories

The Tower

and other stories

Janis Ezerins

Central European University Press, 2012

The Latvian Janis Ezerins's best work was created in the genre of the short story. Among his literary models were Boccaccio, Maupassant and Poe. During his active literary working life, which lasted approximately five to six years of his short life, Ezerins seemingly grasped an encyclopaedia of possibilities and subject matter, as well as the versatility of storytelling, not avoiding either classical subjects or the repetition of characters so traditional in short stories. For the twenty-first century reader his stories evoke the atmosphere of the post-war, newly independent, fairly multicultural Latvia, rural mysticism hued with the "fine neurosis" of the emerging modern era. In many of his stories Ezerins disputed the single-dimensional (e.g., good/evil) portrayal of a human being. The people in his prose are individuals with their own unique characteristics, often ambivalent, and subject to change in time and situations. As is common in modern literature, Ezerins often blurs the boundaries between reality and fantasy, frequently making his reader laugh about the serious while aching when reading the humorous.
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cover of The Visoko Chronicle

The Visoko Chronicle

Ivan Tavcar

Central European University Press, 2022

This historical novel—Visoška kronika in the Slovene original—is about two generations of the owners of the Visoko estate in the Duchy of Carniola, a predominantly Slovene province of the Habsburg Empire, in the seventeenth century. The events of the estate and the fate of its owners are affected by witchcraft persecutions, the mistreatment of Protestants, and the Thirty Years’ War. These themes are key to the construction of a Slovene national identity, which was going through a decisive phase as Tavčar was writing. By the time the novel was released in 1919, his nation had left the Habsburg Crown for the new Kingdom of Serbs, Croats, and Slovenes.

The work is both romantic and realistic. The deeply romantic motive of crime, repentance, and punishment intertwines the lives of father and son. The very acquisition of the estate is connected to a murder, which casts a long shadow over the next generation. Tavčar insists on the principle of man’s full responsibility for his acts, which can be repaired with action and determination. The author’s bleak realistic description of the farm life at Visoko reflects his polemical view of the Slovene farmer of his time.

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cover of Three Chestnut Horses

Three Chestnut Horses

Margita Figuli

Central European University Press, 2014

This gem of Slovak naturalism was written in 1940. The story takes the reader to a mountain village. The protagonist narrates the vicissitudes, suffering, and success he experiences as he pursues a love affair, resulting in the triumph of pure love. Peter has been in love with a girl—Magdalena—since childhood and asks her to marry him. But he is too late, because a rich man, Jano Zapotocný, has already proposed to Magdalena, a proposal that her greedy mother promptly accepted on her behalf. Magdalena, out of respect for her mother's wishes, accepts the engagement. However, Magdalena promises Peter that she will put off marrying Jano and will marry him instead if he can prove that he truly loves her. He must build a house and earn a living. After almost two years Peter returns to show her that he kept his promise. But Magdalena is already married; Jano has raped her and she is pregnant. Desperate, Peter is tempted to take out his anger on Jano, nevertheless he resists the impulse. In the end, the author finds a way to reward Peter's faith in love and morality.
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cover of Tsing

Tsing

David Albahari

Northwestern University Press, 1997

Beginning with a series of imagined vignettes involving a father and daughter, David Albahari weaves both real and imagined narrative fragments together to create a multilayered narrative combining a wholly fictional novel with a chronicle of the narrator's visit to the United States. As the fragments accumulate, his deft combination of paradox and poetry provides a kaleidoscopic view of memory, love, and loneliness.
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