63 books match the query 'Fashion' and 7 start with t

cover of The Anti-Capitalist Book of Fashion

The Anti-Capitalist Book of Fashion

Tansy E.

Pluto Press, 2022

The award-winning classic on why we must revolutionise the fashion industry

*Selected by Emma Watson for her Ultimate Book List*

Fashion is political. From the red carpets of the Met Gala to online fast fashion, clothes tell a story of inequality, racism, and climate crisis. In The Anti-Capitalist Book of Fashion, Tansy E. Hoskins unpicks the threads of capitalist industry to reveal the truth about our clothes.

Fashion brands entice us to consume more by manipulating us to feel ugly, poor and worthless, sentiments that line the pockets of billionaires exploiting colonial supply chains. Garment workers on poverty pay risk their lives in dangerous factories, animals are tortured, fossil fuels extracted and toxic chemicals spread just to keep this season's collections fresh.

We can do better than this. Moving between Karl Lagerfeld and Karl Marx, The Anti-Capitalist Book of Fashion goes beyond ethical fashion and consumer responsibility showing that if we want to feel comfortable in our clothes, we need to reshape the system and ensure this is not our last season.

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cover of The Beautiful Generation: Asian Americans and the Cultural Economy of Fashion

The Beautiful Generation

Asian Americans and the Cultural Economy of Fashion

Thuy Linh Nguyen Tu

Duke University Press, 2011

Since the 1990s, young Asian Americans including Doo-Ri Chung, Derek Lam, Thakoon Panichgul, Alexander Wang, and Jason Wu have emerged as leading fashion designers. They have won prestigious awards, been chosen to head major clothing labels, and had their designs featured in Vogue, Harper’s Bazaar, and other fashion magazines. At the same time that these designers were rising to prominence, the fashion world was embracing Asian chic. During the 1990s, “Asian” shapes, fabrics, iconography, and colors filled couture runways and mass-market clothing racks. In The Beautiful Generation, Thuy Linh Nguyen Tu explores the role of Asian American designers in New York’s fashion industry, paying particular attention to how they relate to the garment workers who produce their goods and to Asianness as a fashionable commodity. She draws on conversations with design students, fashion curators, and fashion publicists; interviews with nearly thirty Asian American designers who have their own labels; and time spent with those designers in their shops and studios, on their factory visits, and at their fashion shows. The Beautiful Generation links the rise of Asian American designers to historical patterns of immigration, racial formation, and globalized labor, and to familial and family-like connections between designers and garment workers.
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cover of The Other Garment Industry: Politics, Marketplaces the Informal Production of Fashion in Latin America

The Other Garment Industry

Politics, Marketplaces the Informal Production of Fashion in Latin America

Edited by Matías Dewey

University College London, 2026

The first comprehensive study of Latin America's overlooked garment economy, drawing on cutting-edge fieldwork in sweatshops, informal marketplaces, and cross-border trade routes. 

The Other Garment Industry presents an economic, social, and political phenomenon in Latin America, overlooked in social sciences literature, by introducing a new perspective in the discussion about garment production and distribution. It focuses on three pillars of this economy: downstream entrepreneurs, informal garment-oriented marketplaces, and extended routes of national and regional trade.

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cover of The fashioned self

The fashioned self

Joanne. Finkelstein

Temple University Press, 1991

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cover of Theatricality of the Closet: Fashion, Performance, and Subjectivity between Victorian Britain and Meiji Japan

Theatricality of the Closet

Fashion, Performance, and Subjectivity between Victorian Britain and Meiji Japan

Michelle Liu Carriger

Northwestern University Press, 2023

A richly illustrated exploration of fashion and its capacity for generating controversy and constructing social and individual identities

Clothing matters. This basic axiom is both common sense and, in another way, radical. It is from this starting point that Michelle Liu Carriger elucidates the interconnected ways in which gender, sexuality, class, and race are created by the everyday act of getting dressed. Theatricality of the Closet: Fashion, Performance, and Subjectivity between Victorian Britain and Meiji Japan examines fashion and clothing controversies of the nineteenth century, drawing on performance theory to reveal how the apparently superficial or frivolous deeply affects the creation of identity.

By interrogating a set of seemingly disparate examples from the same period but widely distant settings—Victorian Britain and Meiji-era Japan—Carriger disentangles how small, local, ordinary practices became enmeshed in a global fabric of cultural and material surfaces following the opening of trade between these nations in 1850. This richly illustrated book presents an array of media, from conservative newspapers and tabloids to ukiyo-e and early photography, that locate dress as a site where the individual and the social are interwoven, whether in the 1860s and 1870s or the twenty-first century.

 

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cover of Three Faces of Beauty: Casablanca, Paris, Cairo

Three Faces of Beauty

Casablanca, Paris, Cairo

Susan Ossman

Duke University Press, 2002

Three Faces of Beauty offers a unique approach to understanding globalization and cultural change based on a comparative, ethnographic study of a nearly universal institution: the beauty salon. Susan Ossman traces the images and words of the beauty industry as they developed historically between Paris, Cairo, and Casablanca and then vividly demonstrates how such images are embodied today in salons located in each city.
By examining how images from fashion magazines, film, and advertising are enacted in beauty salons, Ossman demonstrates how embodiment is able to display and rework certain hierarchies. While offering the possibility of freedom from the tethers of status, nation, religion, and nature, beauty is created by these very categories and values, Ossman shows. Drawing on hundreds of interviews, she documents the various rituals of welcome, choice-making, pricing practices, and spatial arrangements in multiple salons . She also reveals ways in which patrons in all three cities imagine and co-opt looks they believe are fashionable in the other cities. By observing salons as scenes of instruction, Ossman reveals that beautiful bodies evolve within the intertwining contexts of media, modernity, location, time, postcolonialism, and male expectation.
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cover of Transglobal Fashion Narratives: Clothing Communication, Style Statements and Brand Storytelling

Transglobal Fashion Narratives

Clothing Communication, Style Statements and Brand Storytelling

Edited by Anne Peirson-Smith and Joeseph H. Hancock II

Intellect Books, 2018

Everywhere we look, people are using fashion to communicate self and society—who they are, and where they belong. Transglobal Fashion Narratives presents an international, interdisciplinary analysis of those narratives. Moving from sweatshop to runway, page to screen, camera to blog, and artist to audience, the book examines fashion as a mediated form of content in branding, as a literary and filmic device, and as a personal form of expression by industry professionals, journalists, and bloggers.
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