219 books match the query 'Holocaust, Jewish (1939-1945)' and 49 start with t

cover of The "Goldhagen Effect": History, Memory, Nazism--Facing the German Past

The "Goldhagen Effect"

History, Memory, Nazism--Facing the German Past

Geoff Eley, Editor

University of Michigan Press, 2000

Stepping back from the immediate controversy surrounding the merits and shortcomings of Daniel Jonah Goldhagen's Hitler's Willing Executioners, this edited volume intervenes in the continuing discussion by exploring aspects of the public's reception to Goldhagen's book--what the authors call the "Goldhagen Effect." The first essay, by Omer Bartov, examines the extent to which the book's reception in the United States, Germany, France, and Israel reflected differing attitudes toward the Holocaust, thereby highlighting the role that the genocide of Jews has come to play in a variety of national contexts. Atina Grossman then analyzes the "Goldhagen Effect" in Germany, looking at Germans' shifting reactions to the American and German editions of the book and the accompanying publicity tour. Grossman considers these responses in the broader context of Germans' ambivalent relationship to their history. Next, Pieter Judson turns his attention to the reception to Hitler's Willing Executioners in Austria, exploring why most Austrians--particularly those on the far right--calmly accepted Goldhagen's conclusions. Finally, Jane Caplan describes some of the ways in which Goldhagen's book resonates with contemporary American sensibilities and suggests why the book experienced such popular success in America.The revised and expanded essays in this volume were originally presented in a symposium organized by Kathleen Canning for the University of Michigan Center for European Studies to discuss the response of academia and the broader intellectual public to Goldhagen's work. The "Goldhagen Effect" will be of interest to historians and others in the humanities and social sciences, as well as to the informed general reader.
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cover of The 23rd Psalm: A Holocaust Memoir

The 23rd Psalm

A Holocaust Memoir

George Lucius Salton, with Anna Salton Eisen

University of Wisconsin Press, 2004

In September, 1939, George Lucius Salton's boyhood in Tyczyn, Poland, was shattered by escalating violence and terror under German occupation. His father, a lawyer, was forbidden to work, but eleven-year-old George dug potatoes, split wood, and resourcefully helped his family. They suffered hunger and deprivation, a forced march to the Rzeszow ghetto, then eternal separation when fourteen-year-old George and his brother were left behind to labor in work camps while their parents were deported in boxcars to die in Belzec. For the next three years, George slaved and barely survived in ten concentration camps, including Rzeszow, Plaszow, Flossenburg, Colmar, Sachsenhausen, Braunschweig, Ravensbrück, and Wobbelin. Cattle cars filled with skeletal men emptied into a train yard in Colmar, France. George and the other prisoners marched under the whips and fists of SS guards. But here, unlike the taunts and rocks from villagers in Poland and Germany, there was applause. "I could clearly hear the people calling: "Shame! Shame!" . . . Suddenly, I realized that the people of Colmar were applauding us! They were condemning the inhumanity of the Germans!" Of the 500 prisoners of the Nazis who marched through the streets of Colmar in the spring of 1944, just fifty were alive one year later when the U.S. Army 82nd Airborne Division liberated the Wobbelin concentration camp on the afternoon of May 2, 1945. "I felt something stir deep within my soul. It was my true self, the one who had stayed deep within and had not forgotten how to love and how to cry, the one who had chosen life and was still standing when the last roll call ended."
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cover of The Ashes of Babi Yar: The Massacre of Jews in Kyiv

The Ashes of Babi Yar

The Massacre of Jews in Kyiv

Antonella Salomoni, Translated by Antony Shugaar

University of Wisconsin Press, 2025

On September 29 and 30, 1941, in one of the largest mass murders of the Holocaust, German troops massacred 33,771 Jews at the vast gorge located near Kyiv known as Babi Yar (Babij Jar). During and after the war, the territory was modified, redesigned, and converted in order to remove the physical signs of genocide, including the exhumation and incineration of thousands of bodies. In large part this erasure was the result of policies implemented by the Soviet regime, which refused to accept that there had been a “special war” against Jews. 

Beginning with an explication of the mass murders and their aftermath, Antonella Salomoni examines the afterlife of a massacre whose physical remains were intentionally hidden. She focuses especially on how the arts—prose, poetry, music, architecture, and painting—shaped a collective narrative that, despite repression, played a crucial role in preserving the history and memory of the genocide.
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cover of The Black Seasons

The Black Seasons

Glowinski

Northwestern University Press, 2005

A mosaic of memories from a childhood in the Warsaw Ghetto and a life in hiding on the other side of the wall

When six-year-old Michal Glowinski first heard the adults around him speak of the ghetto, he understood only that the word was connected with moving-and conjured up a fantastical image of a many-storied carriage pulled through the streets by some umpteen horses. He was soon to learn that the ghetto was something else entirely. A half-century later, Glowinski, now an eminent Polish literary scholar, leads us haltingly into Nazi-occupied Poland. Scrupulously attentive to the distance between a child's experience and an adult's reflection, Glowinski revisits the images and episodes of his childhood: the emaciated violinist playing a Mendelssohn concerto on the ghetto streets; his game of chess with a Polish blackmailer threatening to deliver him to the Gestapo; and his eventual rescue by Catholic nuns in an impoverished, distant convent. In language at once spare and eloquent, Glowinski explores the horror of those years, the fragility of existence, and the fragmented nature of memory itself.

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cover of The Book Smugglers: Partisans, Poets, and the Race to Save Jewish Treasures from the Nazis

The Book Smugglers

Partisans, Poets, and the Race to Save Jewish Treasures from the Nazis

David E. Fishman

University Press of New England, 2018

The Book Smugglers is the nearly unbelievable story of ghetto residents who rescued thousands of rare books and manuscripts—first from the Nazis and then from the Soviets—by hiding them on their bodies, burying them in bunkers, and smuggling them across borders. It is a tale of heroism and resistance, of friendship and romance, and of unwavering devotion—including the readiness to risk one’s life—to literature and art. And it is entirely true. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author’s interviews with several of the story’s participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, “The Jerusalem of Lithuania.” The rescuers were pitted against Johannes Pohl, a Nazi “expert” on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city’s great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest. The Germans used forty ghetto inmates as slave-laborers to sort, select, pack, and transport the materials, either to Germany or to nearby paper mills. This group, nicknamed “the Paper Brigade,” and informally led by poet Shmerke Kaczerginski, a garrulous, street-smart adventurer and master of deception, smuggled thousands of books and manuscripts past German guards. If caught, the men would have faced death by firing squad at Ponar, the mass-murder site outside of Vilna. To store the rescued manuscripts, poet Abraham Sutzkever helped build an underground book-bunker sixty feet beneath the Vilna ghetto. Kaczerginski smuggled weapons as well, using the group’s worksite, the former building of the Yiddish Scientific Institute, to purchase arms for the ghetto’s secret partisan organization. All the while, both men wrote poetry that was recited and sung by the fast-dwindling population of ghetto inhabitants. With the Soviet “liberation” of Vilna (now known as Vilnius), the Paper Brigade thought themselves and their precious cultural treasures saved—only to learn that their new masters were no more welcoming toward Jewish culture than the old, and the books must now be smuggled out of the USSR. Thoroughly researched by the foremost scholar of the Vilna Ghetto—a writer of exceptional daring, style, and reach—The Book Smugglers is an epic story of human heroism, a little-known tale from the blackest days of the war.
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cover of The Broken Vase: A Novel Based On the Life of Penina Krupitsky, a Holocaust Survivor

The Broken Vase

A Novel Based On the Life of Penina Krupitsky, a Holocaust Survivor

Phillip H. McMath

Butler Center for Arkansas Studies, 2010

The Broken Vase is a roman à clef ("novel with a key," or novel based on real life) written by Phillip H. McMath based upon research done by his co-author, Emily Matson Lewis, and in close collaboration with Holocaust survivor Penina Krupitsky, who appears in the novel as the fictional Miriam Kellerman. With the help of the World Jewish Organization, Mrs. Krupitsky emigrated from the Soviet Union with her family to the United States and now lives in Arkansas. Born to middle-class parents in July 1924 in North Bukovina, Romania (now Chernivtsi, Ukraine), Miriam Kellerman grows up in an atmosphere of culture and privilege that is interrupted when her country is invaded—first by Stalin in July 1940, then by Hitler in June 1941. Fearing for their lives, Jews like Miriam begin to flee into the Soviet Union to escape the German advance. Separated from her parents, Deborah and Max, and later from her fiancé, Isaac, Miriam finds herself alone and on foot, trudging ever eastward. This novel's compelling narrative chronicles her incredible struggle to stay alive as World War II rages. Mrs. Krupitsky lives in Little Rock with her husband, children, and grandchildren. She remains active in Holocaust remembrance organizations around the world and says that she wants The Broken Vase "to help young people and become an inspiration to them. It will teach them how to build a world of love and not of hatred."
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cover of The Children’s Republic of Gaudiopolis: The History and Memory of a Children’s Home for Holocaust and War Orphans (1945–1950)

The Children’s Republic of Gaudiopolis

The History and Memory of a Children’s Home for Holocaust and War Orphans (1945–1950)

Gergely Kunt

Central European University Press, 2022

Gaudiopolis (The City of Joy) was a pedagogical experiment that operated in a post–World War II orphanage in Budapest. This book tells the story of this children’s republic that sought to heal the wounds of wartime trauma, address prejudice and expose the children to a firsthand experience of democracy. The children were educated in freely voicing their opinions, questioning authority, and debating ideas.

The account begins with the saving of hundreds of Jewish children during the Siege of Budapest by the Lutheran minister Gábor Sztehlo together with the International Red Cross. After describing the everyday life and practices of self-rule in the orphanage that emerged from this rescue operation, the book tells how the operation of the independent children’s home was stifled after the communist takeover and how Gaudiopolis was disbanded in 1950.

The book then discusses how this attempt of democratization was erased from collective memory. The erasure began with the banning of a film inspired by Gaudiopolis. The Communist Party financed Somewhere in Europe in 1947 as propaganda about the construction of a new society, but the film’s director conveyed a message of democracy and tolerance instead of adhering to the tenets of socialist realism. The book breaks the subsequent silence on “The City of Joy,” which lasted until the fall of the Iron Curtain and beyond.

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cover of The Correspondence of Hannah Arendt and Gershom Scholem

The Correspondence of Hannah Arendt and Gershom Scholem

Hannah Arendt and Gershom Scholem

University of Chicago Press, 2017

Few people thought as deeply or incisively about Germany, Jewish identity, and the Holocaust as Hannah Arendt and Gershom Scholem. And, as this landmark volume reveals, much of that thinking was developed in dialogue, through more than two decades of correspondence.
            Arendt and Scholem met in 1932 in Berlin and quickly bonded over their mutual admiration for and friendship with Walter Benjamin. They began exchanging letters in 1939, and their lively correspondence continued until 1963, when Scholem’s vehement disagreement with Arendt’s Eichmann in Jerusalem led to a rupture that would last until Arendt’s death a dozen years later. The years of their friendship, however, yielded a remarkably rich bounty of letters: together, they try to come to terms with being both German and Jewish, the place and legacy of Germany before and after the Holocaust, the question of what it means to be Jewish in a post-Holocaust world, and more. Walter Benjamin is a constant presence, as his life and tragic death are emblematic of the very questions that preoccupied the pair. Like any collection of letters, however, the book also has its share of lighter moments: accounts of travels, gossipy dinner parties, and the quotidian details that make up life even in the shadow of war and loss.
            In a world that continues to struggle with questions of nationalism, identity, and difference, Arendt and Scholem remain crucial thinkers. This volume offers us a way to see them, and the development of their thought, anew.
 
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cover of The Ethics of Witnessing: The Holocaust in Polish Writers' Diaries from Warsaw, 1939-1945

The Ethics of Witnessing

The Holocaust in Polish Writers' Diaries from Warsaw, 1939-1945

Rachel Feldhay Brenner

Northwestern University Press, 2014

Winner, 2015 USC Book Award in Literary and Cultural Studies, for outstanding monograph published on Russia, Eastern Europe or Eurasia in the fields of literary and cultural studies

The Ethics of Witnessing investigates the reactions of five important Polish diaristswriters—Jaroslaw Iwaszkiewicz, Maria Dabrowska, Aurelia Wylezynska, Zofia Nalkowska, and Stanislaw Rembek—during the period when the Nazis persecuted and murdered Warsaw’s Jewish population. The responses to the Holocaust of these prominent prewar authors extended from insistence on empathic interaction with victims to resentful detachment from Jewish suffering. Whereas some defied the dehumanization of the Jews and endeavored to maintain intersubjective relationships with the victims they attempted to rescue, others selfdeceptively evaded the Jewish plight. The Ethics of Witnessing examines the extent to which ideologies of humanism and nationalism informed the diarists’ perceptions, proposing that the reality of the Final Solution exposed the limits of both orientations and ultimately destroyed the ethical landscape shaped by the Enlightenment tradition, which promised the equality and fellowship of all human beings.

 
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cover of The Geographical Encyclopedia of the Holocaust in Hungary

The Geographical Encyclopedia of the Holocaust in Hungary

Randolph L. Braham, Foreword by Elie Wiesel

Northwestern University Press, 2013

Winner of the 2013 National Jewish Book Award

The illustrated three-volume Geographical Encyclopedia of the Holocaust in Hungary is a definitive, authoritative, and magisterial resource, thorough and exhaustive. It documents and chronicles the wartime fate of the Jewish communities in that country where virulent antisemitism is anything but dead, even today. With scores of detailed maps and hundreds of photographs, this reference work is organized alphabetically by county, each prefaced with a map and a con­textual history describing its Jewish population up to and into 1944.

Entries track the demographic, cultural, and religious changes in even the smallest communities where Jews lived before their marginalization, dispossession, ghettoization, and, finally, deportation to labor and death camps. The encyclope­dia endows scholars and lay researchers with both panoramic and microscopic views of the virtually last-minute destruction of most of the Jews of Hungary, until then the last sizable sur­viving Jewish community in occupied Europe.

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cover of The Holocaust & the Exile of Yiddish: A History of the Algemeyne Entsiklopedye

The Holocaust & the Exile of Yiddish

A History of the Algemeyne Entsiklopedye

Barry Trachtenberg

Rutgers University Press, 2022

In the early 1930s in Berlin, Germany, a group of leading Eastern European Jewish intellectuals embarked upon a project to transform the lives of millions of Yiddish-speaking Jews around the world. Their goal was to publish a popular and comprehensive Yiddish language encyclopedia of general knowledge that would serve as a bridge to the modern world and as a guide to help its readers navigate their way within it. However, soon after the Algemeyne entsiklopedye (General Encyclopedia) was announced, Hitler’s rise to power forced its editors to flee to Paris. The scope and mission of the project repeatedly changed before its final volumes were published in New York City in 1966.
 
The Holocaust & the Exile of Yiddish untangles the complicated saga of the Algemeyne entsiklopedye and its editors. The editors continued to publish volumes and revise the encyclopedia’s mission while their primary audience, Eastern European Jews, faced persecution and genocide under Nazi rule, and the challenge of reestablishing themselves in the first decades after World War II. Historian Barry Trachtenberg reveals how, over the course of the middle decades of the twentieth century, the project sparked tremendous controversy in Jewish cultural and political circles, which debated what the purpose of a Yiddish encyclopedia should be, as well as what knowledge and perspectives it should contain. Nevertheless, this is not only a story about destruction and trauma, but also one of tenacity and continuity, as the encyclopedia’s compilers strove to preserve the heritage of Yiddish culture, to document its near-total extermination in the Holocaust, and to chart its path into the future.
 
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cover of The Holocaust Odyssey of Daniel Bennahmias, Sonderkommando

The Holocaust Odyssey of Daniel Bennahmias, Sonderkommando

Rebecca Fromer

University of Alabama Press, 1993

A poignant reminder of the ways enslaved Jews and others were forced to destroy their families and fellow prisoners.

The Holocaust Odyssey of Daniel Bennahmias, Sonderkommando presents the extraordinary testimony of Daniel Bennahmias, a Greek Jew whose life was forever altered by the Holocaust. Deported to Auschwitz-Birkenau as a teenager, Bennahmias was separated from his family and forced into the Sonderkommando, the prisoner unit compelled to work in the crematoria and gas chamber complex. Through painstaking collaboration with survivor and author Rebecca Fromer, this powerful narrative documents his struggle to endure unimaginable brutality while preserving his humanity. Bennahmias's account sheds rare light on the inner workings of Auschwitz, the Sonderkommando revolt, the death marches, and the difficult path toward liberation and recovery. More than a historical record, the book is a testament to courage, memory, and resilience in the face of systematic dehumanization. An essential contribution to Holocaust literature, it preserves the voice of a survivor whose experiences deepen our understanding of one of history's darkest chapters.

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cover of The Holocaust and Other Genocides: History, Representation, Ethics

The Holocaust and Other Genocides

History, Representation, Ethics

Helmut Walser Smith

Vanderbilt University Press, 2002

The Nazi genocide of the Jews, while unique in some ways, was not the only genocide of the twentieth century. This innovative book, the product of a year-long collaboration of scholars from many disciplines, is the first curriculum to systematically tie the teaching of the Holocaust to an analysis of the genocides in Armenia, Bosnia and Kosovo, and Rwanda.


The book consists of five parts: introduction; history of the Holocaust; representations of the Holocaust in literature, film, and the arts; other genocides; and ethics. The curriculum, shaped with feedback from those who teach Holocaust studies, consists mainly of primary documents and their analysis. Each section includes a general introduction to a body of knowledge that reflects current research and detailed introductions to particular documents. Throughout the book, there are provocative discussion questions and suggestions for further reading and other resources. Each section features "links" to other parts to encourage interdisciplinary reflection. The final section on ethics addresses the difficult questions raised by genocide.


The Holocaust and Other Genocides is designed as a model for flexible, innovative teaching about this complex subject. It is also a sophisticated, interdisciplinary effort to create the conditions for discussing and understanding the genocides of the twentieth century.

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cover of The Holocaust and the West German Historians: Historical Interpretation and Autobiographical Memory

The Holocaust and the West German Historians

Historical Interpretation and Autobiographical Memory

Nicolas Berg, Translated and edited by Joel Golb

University of Wisconsin Press, 2015

This landmark book was first published in Germany, provoking both acclaim and controversy. In this "history of historiography," Nicolas Berg addresses the work of German and German-Jewish historians in the first three decades of post–World War II Germany. He examines how they perceived—and failed to perceive—the Holocaust and how they interpreted and misinterpreted that historical fact using an arsenal of terms and concepts, arguments and explanations.

This English-language translation is also a shortened and reorganized edition, which includes a new introduction by Berg reviewing and commenting on the response to the German editions. Notably, in this American edition, discussion of historian Joseph Wulf and his colleague and fellow Holocaust survivor Léon Poliakov has been united in one chapter. And special care has been taken to make clear to English speakers the questions raised about German historiographical writing. Translator Joel Golb comments, "From 1945 to the present, the way historians have approached the Holocaust has posed deep-reaching problems regarding choice of language. . . . This book is consequently as much about language as it is about facts."
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cover of The Holocaust as Culture

The Holocaust as Culture

Imre Kertész

Seagull Books, 2011

Hungarian Imre Kertész was awarded the Nobel Prize in Literature in 2002 for “writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history.” His conversation with literary historian Thomas Cooper that is presented here speaks specifically to this relationship between the personal and the historical.  
 
In The Holocaust as Culture,Kertész recalls his childhood in Buchenwald and Auschwitz and as a writer living under the so-called soft dictatorship of communist Hungary. Reflecting on his experiences of the Holocaust and the Soviet occupation of Hungary following World War II, Kertész likens the ideological machinery of National Socialism to the oppressive routines of life under communism. He also discusses the complex publication history of Fateless, his acclaimed novel about the experiences of a Hungarian child deported to Auschwitz, and the lack of interest with which it was initially met in Hungary due to its failure to conform to the communist government’s simplistic history of the relationship between Nazi occupiers and communist liberators. The underlying theme in the dialogue between Kertész and Cooper is the difficulty of mediating the past and creating models for interpreting history, and how this challenges ideas of self. 
 
The title The Holocaust as Culture is taken from that of a talk Kertész gave in Vienna for a symposium on the life and works of Jean Améry. That essay is included here, and it reflects on Améry’s fear that history would all too quickly forget the fates of the victims of the concentration camps. Combined with an introduction by Thomas Cooper, the thoughts gathered here reveal Kertész’s views on the lengthening shadow of the Holocaust as an ever-present part of the world’s cultural memory and his idea of the crucial functions of literature and art as the vessels of this memory.
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cover of The Holocaust in Hungary: Seventy Years Later

The Holocaust in Hungary

Seventy Years Later

Randolph L. Braham

Central European University Press, 2016

According to most historians, the Holocaust in Hungary represented a unique chapter in the singular history of what the Nazis termed as the “Final Solution” of the “Jewish question” in Europe. More than seventy years after the Shoah, the origins and prehistory as well as the implementation and aftermath of the genocide still provide ample ground for scholarship. In fact, Hungarian historians began to seriously deal with these questions only after the 1980s. Since then, however, a consistently active and productive debate has been waged about the history and interpretation of the Holocaust in Hungary and with the passage of time, more and more questions have been raised in connection with its memorialization. This volume includes twelve selected scholarly papers thematically organized under four headings: 1. The newest trends in the study of the Holocaust in Hungary. 2. The anti-Jewish policies of Hungary during the interwar period 3. The Holocaust era in Hungary 4. National and international aspects of Holocaust remembrance. The studies reflect on the anti-Jewish atmosphere in Hungary during the interwar period; analyze the decision-making process that led to the deportations, and the options left open to the Hungarian government. They also provide a detailed presentation of the Holocaust in Transylvania and describe the experience of Hungarian Jewish refugees in Austria after the end of the war.
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cover of The Holocaust, Corporations, and the Law: Unfinished Business

The Holocaust, Corporations, and the Law

Unfinished Business

Leora Bilsky

University of Michigan Press, 2017

The Holocaust, Corporations, and the Law explores the challenge posed by the Holocaust to legal and political thought by examining issues raised by the restitution class action suits brought against Swiss banks and German corporations before American federal courts in the 1990s. Although the suits were settled for unprecedented amounts of money, the defendants did not formally assume any legal responsibility. Thus, the lawsuits were bitterly criticized by lawyers for betraying justice and by historians for distorting history.

Leora Bilsky argues class action litigation and settlement offer a mode of accountability well suited to addressing the bureaucratic nature of business involvement in atrocities. Prior to these lawsuits, legal treatment of the Holocaust was dominated by criminal law and its individualistic assumptions, consistently failing to relate to the structural aspects of Nazi crimes. Engaging critically with contemporary debates about corporate responsibility for human rights violations and assumptions about “law,” she argues for the need to design processes that make multinational corporations accountable, and examines the implications for transitional justice, the relationship between law and history, and for community and representation in a post-national world. Her novel interpretation of the restitution lawsuits not only adds an important dimension to the study of Holocaust trials, but also makes an innovative contribution to broader and pressing contemporary legal and political debates. In an era when corporations are ever more powerful and international, Bilsky’s arguments will attract attention beyond those interested in the Holocaust and its long shadow.
 
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cover of The Holocaust: Theoretical Readings

The Holocaust

Theoretical Readings

Levi, Neil

Rutgers University Press, 2003

The first anthology to address the relationship between the events of the Nazi genocide and the intellectual concerns of contemporary literary and cultural theory in one substantial and indispensable volume.

This agenda-setting reader brings together both classic and new writings to demonstrate how concerns arising from the Nazi genocide shaped contemporary literary and cultural theory. Wide in its thematic scope, it covers such vital questions as:
- Authenticity and experience
- Memory and trauma
- Historiography and the philosophy of history
- Fascism and Nazi anti-Semitism
- Representation and identity formation
- Race, gender, and genocide
- Implications of the Holocaust for theories of the unconscious, ethics, politics, and aesthetics

The readings, which are fully contextualized by a general introduction, section introductions, and bibliographical notes, represent the work of many influential writers and theorists, including Theodor Adorno, Giorgio Agamben, Hannah Arendt, Jean Baudrillard, Zygmunt Bauman, Walter Benjamin, Cathy Caruth, Jacques Derrida, Shoshana Felman, Saul Friedlander, Paul Gilroy, Lawrence Langer, Emmanuel Levinas, Primo Levi, Jean-François Lyotard, Hayden White, and James E. Young. This multidisciplinary anthology will be welcomed by students and scholars of the Holocaust.

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cover of The Inability to Love: Jews, Gender, and America in Recent German Literature

The Inability to Love

Jews, Gender, and America in Recent German Literature

Agnes C. Mueller

Northwestern University Press, 2014

The Inability to Love borrows its title from Alexander and Margarete Mitscherlich’s 1967 landmark book The Inability to Mourn, which discussed German society’s lack of psychological reckoning with the Holocaust. Challenging that notion, Agnes Mueller turns to recently published works by prominent contemporary German, non-Jewish writers to examine whether there has been a thorough engagement with German history and memory. She focuses on literature that invokes Jews, Israel, and the Holocaust. Mueller’s aim is to shed light on pressing questions concerning German memories of the past, and on German images of Jews in Germany at a moment that s ideologically and historically fraught.


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cover of The Jews in Mussolini's Italy: From Equality to Persecution

The Jews in Mussolini's Italy

From Equality to Persecution

Michele Sarfatti; Translated by John and Anne C. Tedeschi

University of Wisconsin Press, 2006

      Often overshadowed by the persecution of Jews in Germany, the treatment of Jews in fascist Italy comes into sharp focus in this volume by Italian historian Michele Sarfatti. Using thorough and careful statistical evidence to document how the Italian social climate changed from relatively just to irredeemably prejudicial, Sarfatti begins with a history of Italian Jews in the decades before fascism—when Jews were fully integrated into Italian national life—and provides a deft and comprehensive history from fascism’s rise in 1922 to its defeat in 1945. 
 
 
Outstanding Academic Title, Choice Magazine
    
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cover of The Kishinev Ghetto, 1941–1942: A Documentary History of the Holocaust in Romania's Contested Borderlands

The Kishinev Ghetto, 1941–1942

A Documentary History of the Holocaust in Romania's Contested Borderlands

Paul A. Shapiro with chronology by Radu Ioanid and Brewster Chamberlin and translations by Angela Jianu

University of Alabama Press, 2015

The Kishinev Ghetto, 1941–1942 offers a wealth of primary sources and insightful commentary about the little-known slaughter of Jewish residents of Kishinev (Chisinau) under the military occupation by Romania under Marshal Ion Antonescu, a Hitler ally.​

The Kishinev Ghetto, 1941–1942 sheds new light on the little-known historical events surrounding the creation, administration, and liquidation of the Kishinev (Chisinau) ghetto during the first months following the Axis attack on the Soviet Union (Operation Barbarossa) in late June 1941. Mass killings during the combined Romanian-German drive toward Kishinev in Bessarabia, after a year of Soviet rule in this Romanian border province, were followed by the shooting of thousands of Jews on the streets of the city during the first days of reestablished Romanian administration. Survivors were driven into a ghetto, persecuted, and liquidated by year’s end. The Kishinev Ghetto, 1941–1942 is the first major study of these events.
 
Often overshadowed by events in Germany and Poland, the history of the Holocaust in Romania, including what took place in Bessarabia (corresponding in large part with the territory of the modern Republic of Moldova), was obscured during decades of communist rule by denial and by policies that blocked access to wartime documentation. This book is the result of a lengthy research project that began with Paul A. Shapiro’s missions to Romania for the United States Holocaust Memorial Museum to negotiate access to these documents.
 
The volume includes:
·        A preface describing the origin of the project in the immediate aftermath of the Ceausescu regime in Romania.
·        A hundred-page study setting the events of the book within the historical context of Eastern European antisemitism, Romanian-Soviet conflict over control of Bessarabia, and Romania’s alliance with Nazi Germany.
·        A thoughtfully curated collection of archival documents linked to the study.
·        A chronology of related historical events.
·        Twenty-one black and white photographs and a map of the ghetto.
 
Students and scholars of Holocaust history, Judaic studies, twentieth-century Eastern European history, Romania, Moldova, and historical Bessarabia will want to own this important, revealing volume.
 
Published in association with the United States Holocaust Memorial Museum
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cover of The Last Consolation Vanished: The Testimony of a Sonderkommando in Auschwitz

The Last Consolation Vanished

The Testimony of a Sonderkommando in Auschwitz

Zalmen Gradowski

University of Chicago Press, 2022

A unique and haunting first-person Holocaust account by Zalmen Gradowski, a Sonderkommando prisoner killed in Auschwitz.

On October 7, 1944, a group of Jewish prisoners in Auschwitz obtained explosives and rebelled against their Nazi murderers. It was a desperate uprising that was defeated by the end of the day. More than four hundred prisoners were killed. Filling a gap in history, The Last Consolation Vanished is the first complete English translation and critical edition of one prisoner’s powerful account of life and death in Auschwitz, written in Yiddish and buried in the ashes near Crematorium III.
 
Zalmen Gradowski was in the Sonderkommando (special squad) at Auschwitz, a Jewish prisoner given the unthinkable task of ushering Jewish deportees into the gas chambers, removing their bodies, salvaging any valuables, transporting their corpses to the crematoria, and destroying all evidence of their murders. Sonderkommandos were forcibly recruited by SS soldiers; when they discovered the horror of their assignment, some of them committed suicide or tried to induce the SS to kill them. Despite their impossible situation, many Sonderkommandos chose to resist in two interlaced ways: planning an uprising and testifying. Gradowski did both, by helping to lead a rebellion and by documenting his experiences. Within 120 scrawled notebook pages, his accounts describe the process of the Holocaust, the relentless brutality of the Nazi regime, the assassination of Czech Jews, the relationships among the community of men forced to assist in this nightmare, and the unbearable separation and death of entire families, including his own. Amid daily unimaginable atrocities, he somehow wrote pages that were literary, sometimes even lyrical—hidden where and when one would least expect to find them.
 
The October 7th rebellion was completely crushed and Gradowski was killed in the process, but his testimony lives on. His extraordinary and moving account, accompanied by a foreword and afterword by Philippe Mesnard and Arnold I. Davidson, is a voice speaking to us from the past on behalf of millions who were silenced. Their story must be shared.
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cover of The Last Eyewitnesses, Volume 2: The Children of the Holocaust Speak

The Last Eyewitnesses, Volume 2

The Children of the Holocaust Speak

Jakub Gutenbaum and Agnieszka Latala

Northwestern University Press, 2005

The memoirs of Jews who were children during the Nazi occupation of Poland

This book serves as a memorial to loved ones who do not even have a grave, as well as a tribute to those who risked their lives and families to save a Jewish child. A wide variety of experiences during the Nazi occupation of Poland are related with wrenching simplicity and candor, experiences that illustrate horrors and deprivation, but also present examples of courage and compassion.

These recollections-whether of hiding in forests or camouflaged bunkers, fighting with groups of partisans, enduring the horrors of concentration camps, or living in fear under disguised identities-serve as eloquent testimony to the depth, diversity, and richness of humanity under siege and offer a powerful lesson for future generations. Written by people who remained in Poland after the war, these accounts convey a great immediacy; the authors are not removed from the environment in which these experiences took place. The psychological impact on these child survivors and the difficulties they encountered even after the war are very poignant. The passing years have brought urgency to the publication of these stories, as those who wrote them are the last surviving eyewitnesses of these tumultuous events.
 
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cover of The Last Eyewitnesses: Children of the Holocaust Speak

The Last Eyewitnesses

Children of the Holocaust Speak

Wiktoria Sliwowska

Northwestern University Press, 1998

These testimonies, submitted by individual authors and not originally intended for publication, were assembled as a historical record by the Association of the Children of the Holocaust in Poland. While evil and brutal anti-Semitism are described, the accounts also reveal the great risks taken by courageous individuals in order to save Jewish children.
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cover of The Man Who Sleeps in My Office

The Man Who Sleeps in My Office

Jason Sommer

University of Chicago Press, 2004

With grace and style, Jason Sommer considers how to live in the wake of history among those who are indelibly marked by it. On the surface a book of poems composed in the shadow of the Holocaust, The Man Who Sleeps in My Office offers more than a poetic chronicle of suffering and loss. Instead, Sommer—the son of a survivor—has discovered a delicate balance that allows him to be in and of history without succumbing to it. In these works, both the seen and the unseen—the failed or rejected vision—alter the seer, as the limit of one thing becomes the verge of something else. Whether about the Holocaust, the dog he'll never own, or love between a husband and wife or parent and child, these poems savor the mysterious instant when alternatives of vision unfold. While these moments may also conjure loss, the losses are made good, as when, in "Legion," someone forgets why he has walked into a room but salvages from the lapse not the purpose of the errand but a sense of the ultimate worth of a life. These finely crafted narrative poems tell the story of these unanticipated perceptions, when the ordinary opens to the very human story of failed understanding and quiet epiphany.
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cover of The Murder of the Jews in Latvia 1941-1945

The Murder of the Jews in Latvia 1941-1945

Bernhard Press

Northwestern University Press, 2000

At the end of June 1941, Latvia fell into the hands of the Germans. This book is an account of life and death during the subsequent Nazi reign of terror. Press describes his escape from the Riga ghetto, his three years in hiding, and the trials that awaited the surviving Jews of Riga after it was "liberated" by the Red Army. Recounting his own harrowing experience and detailing the plight of Eastern European Jews faced with the anti-Semitism of their homelands, the Germans, and the Soviets, Press recovers a lost chapter in the history of the Holocaust.
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cover of The Narrow Bridge: Beyond the Holocaust

The Narrow Bridge

Beyond the Holocaust

Isaac Neuman, with Michael Palencia-Roth

University of Illinois Press, 2000

As a boy studying Torah, Isaac Neuman learned to seek the spiritual lessons hidden in everyday life. Likewise, in this narrative of occupation and holocaust, he uncovers a core of human decency and spiritual strength that inhumanity, starvation, and even death failed to extinguish.

Unlike many Holocaust memoirs that focus on physical suffering and endurance, The Narrow Bridge follows a spiritual journey. Neuman describes the world of Polish Jewry before and during the Holocaust, recreating the strong religious and secular personalities of his childhood and early youth in Zdunska Wola, Poland: the outcast butcher, Haskel Traskalawski; the savvy criminal-turned-entrepreneur Nochem Ellia; the trusted Dr. Lemberg, liaison to the German occupation government; and Neuman's beloved teacher, Reb Mendel. Through their stories, Neuman reveals the workings of a community tested to the limits of faith and human dignity.

With his brother Yossel, Neuman was transported to the Poznan area, first to the Yunikowo work camp in May 1941, then on to St. Martin's Cemetery camp, where they removed gold jewelry and fillings from exhumed corpses. A string of concentration camps followed, each more oppressive than the last: Fürstenfelde, Auschwitz, Fünfteichen, Gross Rosen, Mauthausen, Wels, and Ebensee. In the midst of these horrors, the brothers kept their feet on the "narrow bridge" of life by holding to their faith, their memories, and each other. In the end, only Isaac survived.

The Narrow Bridge celebrates symbolic victories of faith over brute force. The execution of Zdunska Wola's Jewish spiritual and intellectual leaders is trumped by an act of breathtaking courage and conviction. A secret Passover Seder is cobbled together from hoarded bits of wax, piecemeal prayers, and matzoh baked in delousing ovens. A dying fellow inmate gives Neuman his warm coat as they both lie freezing on the ground.

Such rituals of faith and acts of kindness, combined with boyhood memories and a sense of spiritual responsibility, sustained Neuman through the Holocaust and helped him to reconstruct his life after the war. His story is a powerful testimony to an unquenchable faith and a spirit tried by fire.

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The Nature of Truth

Sergio Troncoso

Northwestern University Press, 2003

This convention-challenging suspense novel represents the next wave of Latino literature, eschewing the stereotypical story of poverty in the barrios or discrimination to explore the differences--and links--between righteousness and evil in the search for moral truth.

Helmut Sanchez is a young researcher in the employ of the renowned scholar Werner Hopfgartner. By chance Sanchez discovers a letter written in the 1950s by Hopfgartner mocking feelings of guilt over the Holocaust. Appalled, he digs into the scholar's life, determined to find the truth and finally uncovering the evidence of Hopfgartner's sordid past. Sure of his conclusions, Helmut decides that only one shocking act is morally correct. When he does, the consequences are immense, and the toll taken on his mind and conscience is amplified when one of his friends is wrongly accused of the crime-and is wrongly left to pay for it.

Intelligent and literate, The Nature of Truth breaks new ground in Latino literature, focusing on how a contemporary man of unique heritage--a Mexican-German who has come to America by way of Germany--navigates a complex moral universe and how his journey reflects the tension between justice and righteousness in American life.

Further information about the author can be found at his web site: <A HREF="http://sergiotroncoso.com">http://sergiotroncoso.com.</A>
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cover of The New Berlin: Memory, Politics, Place

The New Berlin

Memory, Politics, Place

Karen E. Till

University of Minnesota Press, 2005

“The New Berlin is a notable contribution to human geography and to the interdisciplinary literature on social memory and place making. Till’s methods and scholarship have provided the conceptual groundwork for the exploration and development of place making, social memory, and spatial haunting through the particular practices and politics of the new Berlin. Her readable style is marked by a narrative economy in which every word and sentence serves the larger purposes of the book. I recommend this book to anyone—student, scholar, or practitioner—who is interested in the social dynamics of memory formation and place making.” —The Professional Geographer

“This book is a well-written ‘first-hand’ account, though it also thoroughly covers academic literature, contemporary news accounts, and archival records.” —German Studies Review

“Karen E. Till's The New Berlin describes the modern metropolis and the ghosts of the past that it has to deal with.” —German World

“Well illustrated and copiously footnoted, this is a cutting-edge study of the power of identity-construction/analysis. Highly recommended.” —CHOICE

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cover of The People's Uprising and the Fall of the Warsaw Ghetto, April 1942–June 1943

The People's Uprising and the Fall of the Warsaw Ghetto, April 1942–June 1943

Havi Ben-Sasson Dreifuss

Brandeis University Press, 2026

Examines the final years of the Warsaw ghetto, the uprising, and the varied, nuanced ways Jewish people resisted Nazi rule.
 
The People’s Uprising and the Fall of the Warsaw Ghetto, April 1942–June 1943 sheds light on the lives, choices, and experiences of the tens of thousands of Jews who were not part of the underground armed resistance but nonetheless supported the famed Warsaw Ghetto Uprising. This riveting and dramatic account focuses on the final year of the Warsaw ghetto, from the Great Deportation in the summer of 1942 through the suppression of the uprising in mid-1943. Drawing on powerful contemporary testimonies, diaries, and documents—many of them previously unexplored—Havi Ben-Sasson Dreifuss
reveals how members of the broader Jewish population struggled to survive, maintain family and community life, and make impossible moral decisions in the face of fear, hunger, and daily violence. Looking beyond the fighters themselves, the book offers a story of devastation, but also of resilience and human dignity.
 
Published in association with Yad Vashem.
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cover of The Road to September 1939: Polish Jews, Zionists, and the Yishuv on the Eve of World War II

The Road to September 1939

Polish Jews, Zionists, and the Yishuv on the Eve of World War II

Jehuda Reinharz and Yaacov Shavit

Brandeis University Press, 2018

In European and Holocaust historiography, it is generally believed that neither the Zionist movement nor the Yishuv were mindful of the plight of European Jews in the face of the Nazi threat during the 1930s. Drawing on a wide variety of memoirs, letters, and institutional reports by people from all walks of life, this volume sheds new light on a troubled period in Jewish history. Jehuda Reinharz and Yaacov Shavit trace Jewish responses to developments in Eastern and Central Europe, as well as reactions to British policy on the question of a Jewish homeland, to show that Zionists in the Yishuv worked tirelessly on the international stage on behalf of their coreligionists in Europe. Nevertheless, their efforts were all too often shattered by the realities of their powerlessness and lack of resources. Piercing to the heart of conversations about how or whether to save Jews in an increasingly hostile Europe, this volume provides a nuanced assessment of what could and could not be achieved in the years just prior to World War II and Holocaust.
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cover of The Sephardim in the Holocaust: A Forgotten People

The Sephardim in the Holocaust

A Forgotten People

Isaac Jack Lévy with Rosemary Lévy Zumwalt

University of Alabama Press, 2020

A Powerful History of Sephardic Life, Loss, and Resilience During the Holocaust

The Sephardim suffered devastation during the Holocaust, but this facet of history is poorly documented. What literature exists on the Sephardim in the Holocaust focuses on specific countries, such as Yugoslavia and Greece, or on specific cities, such as Salonika, and many of these works are not available in English.

The Sephardim in the Holocaust: A Forgotten People embraces the Sephardim of all the countries shattered by the Holocaust and pays tribute to the memory of the more than 160,000 Sephardim who perished. Isaac Jack Lévy and Rosemary Lévy Zumwalt draw on a wealth of archival sources, family history (Isaac and his family were expelled from Rhodes in 1938), and more than 150 interviews conducted with survivors during research trips to Belgium, Canada, France, Greece, Israel, Mexico, the Netherlands, the former Yugoslavia, and the United States. Lévy follows the Sephardim from Athens, Corfu, Cos, Macedonia, Rhodes, Salonika, and the former Yugoslavia to Auschwitz.

The authors chronicle the interminable cruelty of the camps, from the initial selections to the grisly work of the Sonderkommandos inside the crematoria, detailing the distinctive challenges the Sephardim faced, with their differences in language, physical appearance, and pronunciation of Hebrew, all of which set them apart from the Ashkenazim. They document courageous Sephardic revolts, especially those by Greek Jews, which involved intricate planning, sequestering of gunpowder, and complex coordination and communication between Ashkenazi and Sephardic inmates—all done in the strictest of secrecy. And they follow a number of Sephardic survivors who took refuge in Albania with the benevolent assistance of Muslims and Christians who opened their doors to give sanctuary, and traces the fate of the approximately 430,000 Jews from Morocco, Algiers, Tunisia, and Libya from 1939 through the end of the war.

The author’s intention is to include the Sephardim in the shared tragedy with the Ashkenazim and others. The result is a much needed, accessible, and viscerally moving account of the Sephardim’s unique experience of the Holocaust.
 

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cover of The Smell of Humans: A Memoir of the Holocaust in Hungary

The Smell of Humans

A Memoir of the Holocaust in Hungary

Erno Szép

Central European University Press, 1994

Primarily a piece of creative writing and autobiographical literature of a very distinctive Central European kind, this detailed and imaginative short memoir is also an important document of the Holocaust in Hungary in 1944. Written by a master of twentieth-century Hungarian literature, it describes life for the Jewish population of German-occupied Budapest—the constant fear of deportation overshadowing the daily trials of living in the ghetto—before concentrating on the writer's own internment in a labor camp during the first weeks of rule by the extremist Arrow Cross regime. The experiences of those nineteen days spent in the camp are both harsh and disturbing, yet throughout his memoir Szep manages to maintain an extraordinary degree of compassion and detachment, even humor. Published to coincide with the fiftieth anniversary of the events described, this is the last of Szep's many literary works to appear in English."
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cover of The Song Is Over: A Jewish Girl in Dresden

The Song Is Over

A Jewish Girl in Dresden

Henny Brenner

University of Alabama Press, 2010

 
A moving story of German Jews saved by the firebombing of Dresden.
February, 1945. After heavy bombing by Allied air forces, Dresden was on fire and in ruins. Ironically, for the few Dresden Jews who had not yet been deported and murdered by the Nazis, the destruction meant rescue. With the Gestapo order for the family to report for deportation still in hand, Henny Wolf Brenner and her parents ran for their lives. They went into hiding and waited for the end of the war. Despite the family’s fears, the Gestapo did not succeed in tracking down the city’s last few Jews, and the family survived.
At the end of the war the Red Army liberated Dresden. But instead of the desired release from terror into a resumption of a peaceful, productive life, different forms of repression awaited Brenner and her parents. In the new communist-run East Germany, she was refused advanced schooling because she was not a Party member. Under the communist regime, it was clear the Jewish population was not welcome, and consequently normal life was impossible. With heavy hearts, the family decided to abandon their beloved home and risk the dangers of flight from East Berlin to West Berlin. With the help of good friends, they were successful in their venture.
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cover of The Subtenant / To Outwit God

The Subtenant / To Outwit God

Hanna Krall

Northwestern University Press, 1992

This volume presents two works by acclaimed Polish journalist Hanna Krall: The Subtenant, a semi-autobiographical novel, and To Outwit God, a remarkable interview with Marek Edelman, the last surviving leader of the Warsaw Ghetto uprising. The Subtenant explores the troubled and ever-shifting relationships between Poles and Jews, beginning with the author's concealment as a child during the Nazi years and ending in 1981 when martial law was declared in Poland. In To Outwit God, Edelman's words assault conventional assumptions about heroes and heroism, taking in his time not only in the Warsaw Ghetto but his careers as a physician and a Solidarity activist. Taken together, the two works form a powerful memoir of Jewish survival, a meditation on Polish-Jewish relations, and a commentary on the forces that have produced modern Polish opposition movements.
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cover of The Terezín Album of Mariánka Zadikow

The Terezín Album of Mariánka Zadikow

Annotated by Debórah Dwork

University of Chicago Press, 2008

“With simple means, without any ‘title,’ this book should in distant times always be in your memory.”
 
An imprisoned bookbinder wrote these words in a small blank book that he had secretly crafted from pilfered materials at the Terezín (Theresienstadt) concentration camp in September 1944. He presented the album to a fellow prisoner, twenty-one-year-old Marianka Zadików. Over the next several months, as the Nazis pressed forward with mass deportations from Terezín to Auschwitz, Marianka began to collect inscriptions and sketches from her fellow inmates.

Marianka Zadików’salbum, presented here in a facsimile edition, is a poignant document from the last months of the Holocaust. The words and images inscribed here—by children and grandparents, factory workers and farmhands, professionals and intellectuals, musicians and artists—reflect both joy and trepidation. They include passages of remembered verse, lovingly executed drawings, and hurried farewells on the eve of transport to Auschwitz. The great German-Jewish scholar Rabbi Leo Baeck, one of the elders of the camp, offers Marianka an inscription about Jewish self-discovery, and participants in Terezín’s now-famous musical performances fill several pages with musical annotation.

Facing-page translations render the book’s multitude of languages into English, while historical and biographical notes give details, where known, of the fates of those whose words are recorded here. An introduction by acclaimed Holocaust scholar Debórah Dwork tells the story of the Terezín camp and how Marianka and her family fared while imprisoned there.

The array of voices and the glimpses into individual lives afforded us by The Terezín Album make it an arresting reminder of the sustaining power of care, community, and hope amid darkness.
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cover of The Theatre of the Holocaust, Volume 1: Four Plays

The Theatre of the Holocaust, Volume 1

Four Plays

Edited and with and introduction by Robert Skloot

University of Wisconsin Press, 1982

This volume contains these four plays:

Resort 76 by Shimon Wincelberg
Will the relentless oppression of the starving workers in a ghetto factory destroy their faith in God? Their love of life? Their ability to resist? If a cat is more valuable than a human being, have hope and goodness been eliminated from the world? A moving and terrifying melodrama.

Throne of Straw
by Harold and Edith Lieberman
Through the career of Mordechai Chaim Rumkowski, head of the Lodz, Poland Judenrat, we come to understand the horror of “choiceless choice,” of how giving up some to save others was the worst nightmare for those who sought the responsibilities of ghetto leadership. An epic play with music and song.

The Cannibals
by George Tabori
The children of murder victims assemble to enact ritually the destruction of their fathers in the presence of two survivors. As the sons become their fathers, the most profound ethical questions of the Holocaust are raised concerning the limits of humanity in a world of absolute evil. A daring tragicomedy.

Who Will Carry the Word?
by Charlotte Delbo (translated by Cynthia Haft)
In the austere, degraded setting of a concentration camp, twenty-two French women attempt to keep their sanity and hope as, one by one, they fall victim to the Nazi terror. Will anyone believe the story of the survivors? A poetic drama of resistance and witness.

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cover of The Theatre of the Holocaust, Volume 2: Six Plays

The Theatre of the Holocaust, Volume 2

Six Plays

Edited and with and introduction by Robert Skloot

University of Wisconsin Press, 1999

This second volume of The Theatre of the Holocaust, when combined with the first, represents the most significant and comprehensive international collection of plays on the Holocaust. Since the appearance of Volume 1 in 1982, theatre and Holocaust studies have undergone astonishing transformations. In Volume 2, Skloot presents six plays acknowleding the most recent theatrical forms in our post-modern age.
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cover of The Tree of Life, Book One: On the Brink of the Precipice, 1939

The Tree of Life, Book One

On the Brink of the Precipice, 1939

Chava Rosenfarb

University of Wisconsin Press, 2004

On the Brink of the Precipice, the first volume of the trilogy The Tree of Life, describes the lives of the novel’s ten protagonists in the Lodz Ghetto before the outbreak of World War II. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create realistic characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although the novel depicts horrendous experiences, the light of faith in the human spirit shines through this novel’s every page.

Winner of the 1972 J. J. Segal Prize and the 1979 Manger Prize for Yiddish Literature
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cover of The Tree of Life, Book Three: The Cattle Cars Are Waiting, 1942–1944

The Tree of Life, Book Three

The Cattle Cars Are Waiting, 1942–1944

Chava Rosenfarb

University of Wisconsin Press, 2006

The third volume in this powerful trilogy, The Cattle Cars Are Waiting follows the tragic fate of the inhabitants of the ghetto. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although the novel depicts horrendous experiences, the light of faith in the human spirit shines through every page.

Winner, Georges Bugnet Award for Best Novel, Writers Guild of Alberta

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cover of The Tree of Life, Book Two: From the Depths I Call You, 1940–1942

The Tree of Life, Book Two

From the Depths I Call You, 1940–1942

Chava Rosenfarb

University of Wisconsin Press, 2005

This volume describes the lives of the novel’s protagonists in the Lodz Ghetto at the beginning of World War II. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create realistic characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although horrendous experiences are depicted, the light of faith in the human spirit shines through this novel’s every page.

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cover of The Unloved: From the Diary of Perla S.

The Unloved

From the Diary of Perla S.

Arnost Lustig

Northwestern University Press, 1996

Winner of the National Jewish Book Award for Fiction

Perla S. is a beautiful seventeen-year-old girl who, while interred in the Theresienstadt concentration camp, becomes a prostitute. Capturing Perla's voice through a series of diary entries, Arnost Lustig shows how she maintains her integrity, honesty, and hope amidst lies and horror. This first paperback edition has been extensively revised and expanded by the author.
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cover of The Unwelcome One: Returning Home from Auschwitz

The Unwelcome One

Returning Home from Auschwitz

Hans Frankenthal

Northwestern University Press, 2003

Hans Frankenthal's memoir relates the life-story of a German Jew who returned to his hometown after Auschwitz.
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cover of They Were Just People: Stories of Rescue in Poland During the Holocaust

They Were Just People

Stories of Rescue in Poland During the Holocaust

Bill Tammeus & Rabbi Jacques Cukierkorn

University of Missouri Press, 2009

Hitler’s attempt to murder all of Europe’s Jews almost succeeded. One reason it fell short of its nefarious goal was the work of brave non-Jews who sheltered their fellow citizens. In most countries under German control, those who rescued Jews risked imprisonment and death. In Poland, home to more Jews than any other country at the start of World War II and location of six German-built death camps, the punishment was immediate execution.
            This book tells the stories of Polish Holocaust survivors and their rescuers. The authors traveled extensively in the United States and Poland to interview some of the few remaining participants before their generation is gone. Tammeus and Cukierkorn unfold many stories that have never before been made public: gripping narratives of Jews who survived against all odds and courageous non-Jews who risked their own lives to provide shelter.
            These are harrowing accounts of survival and bravery. Maria Devinki lived for more than two years under the floors of barns. Felix Zandman sought refuge from Anna Puchalska for a night, but she pledged to hide him for the whole war if necessary—and eventually hid several Jews for seventeen months in a pit dug beneath her house. And when teenage brothers Zygie and Sol Allweiss hid behind hay bales in the Dudzik family’s barn one day when the Germans came, they were alarmed to learn the soldiers weren’t there searching for Jews, but to seize hay. But Zofia Dudzik successfully distracted them, and she and her husband insisted the boys stay despite the danger to their own family.
            Through some twenty stories like these, Tammeus and Cukierkorn show that even in an atmosphere of unimaginable malevolence, individuals can decide to act in civilized ways. Some rescuers had antisemitic feelings but acted because they knew and liked individual Jews. In many cases, the rescuers were simply helping friends or business associates. The accounts include the perspectives of men and women, city and rural residents, clergy and laypersons—even children who witnessed their parents’ efforts.
            These stories show that assistance from non-Jews was crucial, but also that Jews needed ingenuity, sometimes money, and most often what some survivors called simple good luck. Sixty years later, they invite each of us to ask what we might do today if we were at risk—or were asked to risk our lives to save others.
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Third-Generation Holocaust Representation

Trauma, History, and Memory

Victoria Aarons and Alan L. Berger

Northwestern University Press, 2017

Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish well into the twenty-first century—gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorus of post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of third-generation writers, this bold new work examines those structures, tropes, patterns, ironies, disjunctions, and overall tensions that produce a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of “postmemory”; the intergenerational and ongoing transmission of trauma; issues of Jewish cultural identity; inherited memory; the psychological tensions of post-Holocaust Jewish identity; the characteristic tropes of memory and the personalized narrative voice; issues of generational dislocation and anxiety; the recurrent antagonisms of assimilation and historical alienation; the imaginative re-creation and reconstruction of the past; and the future of Holocaust memory and representation.
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cover of To Tell At Last: Survival under False Identity, 1941-45

To Tell At Last

Survival under False Identity, 1941-45

Blanca Rosenberg

University of Illinois Press, 1993

      "Searing. . . . With
        an even hand and understated prose, Ms. Rosenberg, now a New York City
        psychotherapist, bravely depicts Nazi carnage in chilling detail."
        -- Susan Shapiro, New York Times Book Review
      "[A] harrowing account
        of intrigue and danger with all the elements of a war movie adventure."
        -- Miriam Rinn, The Forward
      This memoir of how a Jewish
        woman survived Nazi Germany by passing as an Aryan was selected as the
        best book on Holocaust and Jewish Resistance Literature by the Israeli
        committee of the Egit Grants.
 
 
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cover of Trading in Lives?: Operations of the Jewish Relief and Rescue Committee in Budapest, 1944-1945

Trading in Lives?

Operations of the Jewish Relief and Rescue Committee in Budapest, 1944-1945

Szabolcs Szita

Central European University Press, 2005

Set in the tumultuous moments of 1944–45 Budapest, this work discusses the operations of the Budapest Relief and Rescue Committee. Drawing out the contradictions and complexities of the mass deportations of Hungarian Jews during the final phase of World War II, Szita suggests that in the Hungarian context, a commerce in lives ensued, where prominent Zionists like Dr. Rezso Kasztner negotiated with the higher echelons of the SS, trying to garner the freedom of Hungarian Jews. Szita's portrait of the controversial Kasztner is a more sympathetic rendition of a powerful Zionist leader who was later assassinated in Israel for his dealings with Nazi leaders. Szita reveals a story of interweaving personalities and conflicts during arguably the most tragic moment in European history. The author's extensive research is a tremendous contribution to a field of study that has been much ignored by scholarship-the Hungarian holocaust and the trade in human lives.
[more]
cover of Trap with a Green Fence: Survival in Treblinka

Trap with a Green Fence

Survival in Treblinka

Richard Glazar

Northwestern University Press, 1995

Trap with a Green Fence is Richard Glazar's memoir of deportation, escape, and survival. In economical prose, Glazar weaves a description of Treblinka and its operations into his evocation of himself and his fellow prisoners as denizens of an underworld. Glazar gives us compelling images of these horrors in a tone that remains thoughtful but sober, affecting but simple.
[more]
cover of Traumatic Realism: The Demands of Holocaust Representation

Traumatic Realism

The Demands of Holocaust Representation

Michael Rothberg

University of Minnesota Press, 2000

How to approach the Holocaust and its relationship to late twentieth-century society? While some stress the impossibility of comprehending this event, others attempt representations in forms as different as the nonfiction novel (and Hollywood blockbuster) Schindler’s List, the documentary Shoah, and the comic book Maus. This problem is at the center of Michael Rothberg’s book, a focused account of the psychic, intellectual, and cultural aftermath of the Holocaust. Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public sphere and commodity culture. As it establishes new grounding for Holocaust studies, his book provides a new understanding of realism, modernism, and postmodernism as responses to the demands of history. 
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