73 books match the query 'Indians of Central America' and 17 start with t
Valentina Vapnarsky
University Press of Colorado, 2024
Claudia García-Des Lauriers
University Press of Colorado, 2021
Victor Montejo
Northwestern University Press, 1987
Edited by Margot Blum Schevill, Janet Catherine Berlo, and Edward B. Dwyer
University of Texas Press, 1996
In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.
Brenda J Bowser
University of Utah Press, 2009
By Rebecca R. Stone
University of Texas Press, 2011
An important new way of viewing the prehistoric art of the Americas, The Jaguar Within demonstrates that understanding a work of art’s connection with shamanic trance can lead to an appreciation of it as an extremely creative solution to the inherent challenge of giving material form to nonmaterial realities and states of being.
Shamanism—the practice of entering a trance state to experience visions of a reality beyond the ordinary and to gain esoteric knowledge—has been an important part of life for indigenous societies throughout the Americas from prehistoric times until the present. Much has been written about shamanism in both scholarly and popular literature, but few authors have linked it to another significant visual realm—art. In this pioneering study, Rebecca R. Stone considers how deep familiarity with, and profound respect for, the extra-ordinary visionary experiences of shamanism profoundly affected the artistic output of indigenous cultures in Central and South America before the European invasions of the sixteenth century.
Using ethnographic accounts of shamanic trance experiences, Stone defines a core set of trance vision characteristics, including enhanced senses; ego dissolution; bodily distortions; flying, spinning, and undulating sensations; synaesthesia; and physical transformation from the human self into animal and other states of being. Stone then traces these visionary characteristics in ancient artworks from Costa Rica and Peru. She makes a convincing case that these works, especially those of the Moche, depict shamans in a trance state or else convey the perceptual experience of visions by creating deliberately chaotic and distorted conglomerations of partial, inverted, and incoherent images.
Greg Grandin
University of Chicago Press, 2004
Greg Grandin
University of Chicago Press, 2011
After decades of bloodshed and political terror, many lament the rise of the left in Latin America. Since the triumph of Castro, politicians and historians have accused the left there of rejecting democracy, embracing communist totalitarianism, and prompting both revolutionary violence and a right-wing backlash. Through unprecedented archival research and gripping personal testimonies, Greg Grandin powerfully challenges these views in this classic work. In doing so, he uncovers the hidden history of the Latin American Cold War: of hidebound reactionaries holding on to their power and privilege; of Mayan Marxists blending indigenous notions of justice with universal ideas of equality; and of a United States supporting new styles of state terror throughout the region.
With Guatemala as his case study, Grandin argues that the Latin American Cold War was a struggle not between political liberalism and Soviet communism but two visions of democracy—one vibrant and egalitarian, the other tepid and unequal—and that the conflict’s main effect was to eliminate homegrown notions of social democracy. Updated with a new preface by the author and an interview with Naomi Klein, The Last Colonial Massacre is history of the highest order—a work that will dramatically recast our understanding of Latin American politics and the role of the United States in the Cold War and beyond.
“This work admirably explains the process in which hopes of democracy were brutally repressed in Guatemala and its people experienced a civil war lasting for half a century.”—International History Review
“A richly detailed, humane, and passionately subversive portrait of inspiring reformers tragically redefined by the Cold War as enemies of the state.”—Journal of American History
Edited by Arlen F. Chase and Prudence M. Rice
University of Texas Press, 1985
This collection represents a major step forward in understanding the era from the end of Classic Maya civilization to the Spanish conquest.
Edited by Vernon L. Scarborough and David R. Wilcox
University of Arizona Press, 1991
Edited by M. Charlotte Arnauld, Linda R. Manzanilla, and Michael E. Smith
University of Arizona Press, 2012
Michael E Smith
University of Utah Press, 2003
Edited by Michael E. Smith and Frances F. Berdan
Anthropology and Archaeology
The past two decades have seen an explosion of research on Postclassic Mesoamerican societies. In this ambitious new volume, the editors and contributors seek to present a complete picture of the middle and late Postclassic period (ca. AD 1100-1500) employing a new theoretical framework.
Mesoamerican societies after the collapse of the great city-states of Tula and Chichen Itza stand out from earlier societies in a number of ways. They had larger regional populations, smaller polities, a higher volume of long-distance trade, greater diversity of trade goods, a more commercialized economy, and new standardized forms of pictorial writing and iconography. The emerging archaeological record reveals larger quantities of imported goods in Postclassic contexts, and ethnohistoric accounts describe marketplaces, professional merchants, and the use of money throughout Mesoamerica by the time of the Spanish conquest. The integration of this commercial economy with new forms of visual communication produced a dynamic world system that reached every corner of Mesoamerica.
Thirty-six focused articles by twelve authors describe and analyze the complexity of Postclassic Mesoamerica. After an initial theoretical section, chapters are organized by key themes: polities, economic networks, information networks, case studies, and comparisons. Covering a region from western Mexico to Yucatan and the southwestern Maya highlands, this volume should be in the library of anyone with a serious interest in ancient Mexico.
Alfredo Lopez Austin
University of Utah Press, 1996
Eighteen essays provide an accessible, entertaining look into a system of millennia-old legends and beliefs.
Mythology is one of the great creations of humankind. It forms the core of sacred books and reflects the deepest preoccupations of human beings, their most intimate secrets, their glories, and their infamies.
In 1990, Alfredo López Austin, one of the foremost scholars of ancient Mesoamerican thought, began a series of essays about mythology in the Mesoamerican tradition, published in México Indígena. Although his articles were written for general readers, they were also intended to engage specialists. They span a divers subject matter: myths and names, eclipses, stars, left and right, Méxican origins, Aztec incantations, animals, and the incorporation of Christian elements into the living mythologies of Mexico. The title essay relates the Mesoamerican myth explaining why there is a rabbit o the moon’s face to a Buddhist image and suggests the importance of the profound mythical concepts presented by each image.
The eighteen essays in this volume are unified by their basis in Mesoamerican tradition and provide an accessible, entertaining look into a system of millennia-old legends and beliefs.
Mark Brazaitis
University of Iowa Press, 1998
Lisa Johnson and Arianna Campiani
University of Utah Press, 2025
Jeffrey L. Gould
Duke University Press, 1998
Through interviews with indigenous peoples and records of the elite discourse that suppressed the expression of cultural differences and rationalized the destruction of Indian communities, Gould tells a story of cultural loss. Land expropriation and coerced labor led to cultural alienation that shamed the indigenous population into shedding their language, religion, and dress. Beginning with the 1870s, Gould historicizes the forces that prompted a collective movement away from a strong identification with indigenous cultural heritage to an “acceptance” of a national mixed-race identity.
By recovering a significant part of Nicaraguan history that has been excised from the national memory, To Die in This Way critiques the enterprise of third world nation-building and thus marks an important step in the study of Latin American culture and history that will also interest anthropologists and students of social and cultural historians.
Fernando Armstrong-Fumero
University Press of Colorado, 2023