105 books match the query 'Iran' and 21 start with t

cover of Tehrangeles Dreaming: Intimacy and Imagination in Southern California's Iranian Pop Music

Tehrangeles Dreaming

Intimacy and Imagination in Southern California's Iranian Pop Music

Farzaneh Hemmasi

Duke University Press, 2020

Los Angeles, called Tehrangeles because it is home to the largest concentration of Iranians outside of Iran, is the birthplace of a distinctive form of postrevolutionary pop music. Created by professional musicians and media producers fleeing Iran's revolutionary-era ban on “immoral” popular music, Tehrangeles pop has been a part of daily life for Iranians at home and abroad for decades. In Tehrangeles Dreaming Farzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the songs, music videos, and television made in Tehrangeles express modes of Iranianness not possible in Iran. Exploring Tehrangeles pop producers' complex commercial and political positioning and the histories, sensations, and fantasies their music makes available to global Iranian audiences, Hemmasi shows how unquestionably Iranian forms of Tehrangeles popular culture exemplify the manner in which culture, media, and diaspora combine to respond to the Iranian state and its political transformations. The transnational circulation of Tehrangeles culture, she contends, transgresses Iran's geographical, legal, and moral boundaries while allowing all Iranians the ability to imagine new forms of identity and belonging.
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cover of The Age of Aryamehr: Late Pahlavi Iran and Its Global Entanglements

The Age of Aryamehr

Late Pahlavi Iran and Its Global Entanglements

Edited by Roham Alvandi

Gingko, 2025

Fully incorporates Pahlavi Iran into the global history of the 1960s and ’70s, when Iran mattered far beyond its borders.

The reign of the last Shah of Iran, Mohammad Reza Pahlavi (1941–79), marked the high point of Iran’s global interconnectedness. Never before had Iranians felt the impact of global political, social, economic, and cultural forces so intimately in their national and daily lives, nor had Iranian actors played such an important global role –  on battlefields, barricades, and in board rooms far beyond Iran’s borders. Iranian intellectuals, technocrats, politicians, workers, artists, and students alike were influenced by the global ideas, movements, markets, and conflicts that they also helped to shape.

From the launch of the Shah’s White Revolution in 1963 to his overthrow in the popular revolution of 1978–79, Iran saw the longest period of sustained economic growth that the country had ever experienced. An entire generation took its cue from the shift from oil consumption to oil production to dream of, and aspire to, a modernized Iran, and the history of Iran in this period has tended to be presented as a prologue to the revolution. Those histories usually locate the political, social, and cultural origins of the revolution firmly within a national context, into which global actors intruded as Iranian actors retreated. While engaging with that national narrative, this volume is concerned with Iran’s place in the global history of the 1960s and ’70s. It examines and highlights the transnational threads that connected Pahlavi Iran to the world, from global traffic in modern art and narcotics to the embrace of American social science by Iranian technocrats and the encounter of European intellectuals with the Iranian Revolution. 
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cover of The Aggada of the Bavli and Its Cultural World

The Aggada of the Bavli and Its Cultural World

Geoffrey Herman

SBL Press, 2018

Essays that explore the rich engagement of the Talmud with its cultural world

The Babylonian Talmud (Bavli), the great compilation of Jewish law edited in the late Sasanian era (sixth–seventh century CE), also incorporates a great deal of aggada, that is, nonlegal material, including interpretations of the Bible, stories, folk sayings, and prayers. The Talmud’s aggadic traditions often echo conversations with the surrounding cultures of the Persians, Eastern Christians, Manichaeans, Mandaeans, and the ancient Babylonians, and others. The essays in this volume analyze Bavli aggada to reveal this rich engagement of the Talmud with its cultural world.

Features:

  • A detailed analysis of the different conceptions of martyrdom in the Talmud as opposed to the Eastern Christian martyr accounts
  • Illustration of the complex ways rabbinic Judaism absorbed Christian and Zoroastrian theological ideas
  • Demonstration of the presence of Persian-Zoroastrian royal and mythological motifs in talmudic sources
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cover of The Color Black: Enslavement and Erasure in Iran

The Color Black

Enslavement and Erasure in Iran

Beeta Baghoolizadeh

Duke University Press, 2024

In The Color Black, Beeta Baghoolizadeh traces the twin processes of enslavement and erasure of Black people in Iran during the nineteenth and twentieth centuries. She illustrates how geopolitical changes and technological advancements in the nineteenth century made enslaved East Africans uniquely visible in their servitude in wealthy and elite Iranian households. During this time, Blackness, Africanness, and enslavement became intertwined—and interchangeable—in Iranian imaginations. After the end of slavery in 1929, the implementation of abolition involved an active process of erasure on a national scale, such that a collective amnesia regarding slavery and racism persists today. The erasure of enslavement resulted in the erasure of Black Iranians as well. Baghoolizadeh draws on photographs, architecture, theater, circus acts, newspapers, films, and more to document how the politics of visibility framed discussions around enslavement and abolition during the nineteenth and twentieth centuries. In this way, Baghoolizadeh makes visible the people and histories that were erased from Iran and its diaspora.
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cover of The Cruel Way: Switzerland to Afghanistan in a Ford, 1939

The Cruel Way

Switzerland to Afghanistan in a Ford, 1939

Ella K. Maillart

University of Chicago Press, 2013

In 1939 Swiss travel writer and journalist Ella K. Maillart set off on an epic journey from Geneva to Kabul with fellow writer Annemarie Schwarzenbach in a brand new Ford. As the first European women to travel alone on Afghanistan’s Northern Road, Maillart and Schwarzenbach had a rare glimpse of life in Iran and Afghanistan at a time when their borders were rarely crossed by Westerners. As the two flash across Europe and the Near East in a streak of élan and daring, Maillart writes of comical mishaps, breathtaking landscapes, vitriolic religious clashes, and the ingenuity with which the women navigated what was often a dangerous journey. In beautiful, clear-eyed prose, The Cruel Way shows Maillart’s great ability to explore and experience other cultures in writing both lyrical and deeply empathetic.

While the core of the book is the journey itself and their interactions with people oppressed by political conflict and poverty, towards the end of the trip the women’s increasingly troubled relationship takes center stage. By then the glamorous, androgynous Schwarzenbach, whose own account of the trip can be found in All the Roads Are Open, is fighting a losing battle with her own drug addiction, and Maillart’s frustrated attempts to cure her show the profound depth of their relationship.

Complete with thirteen of Maillart’s own photographs from the journey, The Cruel Way is a classic of travel writing, and its protagonists are as gripping and fearless as any in literature.
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cover of The Forbidden: Poems from Iran and its Exiles

The Forbidden

Poems from Iran and its Exiles

Sholeh Wolpé

Michigan State University Press, 2012

During the 1979 revolution, Iranians from all walks of life, whether Muslim, Jewish, Christian, socialist, or atheist, fought side-by-side to end one tyrannical regime, only to find themselves in the clutches of another. When Khomeini came to power, freedom of the press was eliminated, religious tolerance disappeared, women’s rights narrowed to fit within a conservative interpretation of the Quran, and non-Islamic music and literature were banned. Poets, writers, and artists were driven deep underground and, in many cases, out of the country altogether. This moving anthology is a testament to both the centuries-old tradition of Persian poetry and the enduring will of the Iranian people to resist injustice. The poems selected for this collection represent the young, the old, and the ancient. They are written by poets who call or have called Iran home, many of whom have become part of a diverse and thriving diaspora.

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cover of The Great Satan vs. the Mad Mullahs: How the United States and Iran Demonize Each Other

The Great Satan vs. the Mad Mullahs

How the United States and Iran Demonize Each Other

William O. Beeman

University of Chicago Press, 2008

 
For more than twenty-five years, the United States and Iran have been diplomatically estranged, each characterizing the other not only as a political adversary, but also as devious, threatening, and essentially evil. According to William O. Beeman’s provocative book, The “Great Satan” vs. the “Mad Mullahs,” such demonization is a self-fulfilling prophecy, as both countries have embraced exactly the policies and rhetoric that would particularly threaten or insult the other. Drawing on his experience as a linguistic anthropologist, Beeman parses how political leaders have used historical references, religious associations, and the mythology of evil to inflame their own citizens against the foreign country, and proposes a way out of this dangerous debacle.
 
“William Beeman’s analysis of dissonant perceptions of Iran and the USA is compelling and important. . . . I am particularly grateful for this work.”—James Peacock, University of North Carolina at Chapel Hill
 
“[Beeman] is more interested in informing the reader than in impressing his peers. The other strength of the book lies in the author’s knowledge of Iranian history and culture. . . . It challenges the reader and forces him to question stereotypes about Iran and Washington’s perspective on the country.”—Abbas William Samii, Middle East Journal
 
 
 
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cover of The Internet of Elsewhere: The Emergent Effects of a Wired World

The Internet of Elsewhere

The Emergent Effects of a Wired World

Farivar, Cyrus

Rutgers University Press, 2011

Through the lens of culture, The Internet of Elsewhere looks at the role of the Internet as a catalyst in transforming communications, politics, and economics. Cyrus Farivar explores the Internet's history and effects in four distinct and, to some, surprising societies—Iran, Estonia, South Korea, and Senegal. He profiles Web pioneers in these countries and, at the same time, surveys the environments in which they each work. After all, contends Farivar, despite California's great success in creating the Internet and spawning companies like Apple and Google, in some areas the United States is still years behind other nations.

Surprised? You won't be for long as Farivar proves there are reasons that:

  • Skype was invented in Estonia—the same country that developed a digital ID system and e-voting;
  • Iran was the first country in the world to arrest a blogger, in 2003;
  • South Korea is the most wired country on the planet, with faster and less expensive broadband than anywhere in the United States;
  • Senegal may be one of sub-Saharan Africa's best chances for greater Internet access.

The Internet of Elsewhere brings forth a new complex and modern understanding of how the Internet spreads globally, with both good and bad effects.

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cover of The Iranian Diaspora: Challenges, Negotiations, and Transformations

The Iranian Diaspora

Challenges, Negotiations, and Transformations

Edited by Mohsen Mostafavi Mobasher

University of Texas Press, 2018

The Iranian revolution of 1978–1979 uprooted and globally dispersed an enormous number of Iranians from all walks of life. Bitter political relations between Iran and the West have since caused those immigrants to be stigmatized, marginalized, and politicized, which, in turn, has discredited and distorted Iranian migrants’ social identity; subjected them to various subtle and overt forms of prejudice, discrimination, and social injustice; and pushed them to the edges of their host societies. The Iranian Diaspora presents the first global overview of Iranian migrants’ experiences since the revolution, highlighting the similarities and differences in their experiences of adjustment and integration in North America, Europe, Australia, and the Middle East.

Written by leading scholars of the Iranian diaspora, the original essays in this volume seek to understand and describe how Iranians in diaspora (re)define and maintain their ethno-national identity and (re)construct and preserve Iranian culture. They also explore the integration challenges the Iranian immigrants experience in a very negative context of reception. Combining theory and case studies, as well as a variety of methodological strategies and disciplinary perspectives, the essays offer needed insights into some of the most urgent and consequential issues and problem areas of immigration studies, including national, ethnic, and racial identity construction; dual citizenship and dual nationality maintenance; familial and religious transformation; politics of citizenship; integration; ethnic and cultural maintenance in diaspora; and the link between politics and the integration of immigrants, particularly Muslim immigrants.

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cover of The Khwan Niamut: Or, Nawab'S Domestic Cookery

The Khwan Niamut

Or, Nawab'S Domestic Cookery

David E. Schoonover

University of Iowa Press, 1992

This appealing little cookbook, published in Calcutta in 1839 with the weighty subtitle “Being a Selection of the Best Approved Recipes, of the Most Flavoured and Savoury Dishes, from the Kitchen of Nawab Qasim Uli Khan, Buhadur Qâum Jung, from the original Persian,” gave colonial Europeans a way to enjoy royal feasts in their own homes.The Khwan Niamut is an entertaining way for today's adventurous cooks to explore Asian dishes in their own homes.
Translated as “Table of Riches,” The Khwan Niamut offers a collection of tempting recipes from the lavish household of Qasim Uli Khan which did indeed allow transplanted colonials to dine like shahs. All the refinements of Persian cookery—from hearty pilaus and curries and kababs to delicate almond comfits and such mandatory accessories as mango and lemon pickles—are served up in the pages of this facsimile edition.
The Khwan Niamut also includes many traditional ways of preserving meats, eggs, fruits, juices, and dairy products, growing mushrooms—“If the water wherein mushrooms have been steeped or washed be poured upon an old bed…there will speedily arise great numbers”—perfuming linen with rose leaves, cloves and mace, and preparing “a fine strong tincture of coffee.” A lengthy appendix caters to British taste buds, allowing homesick colonials to prepare less exotic but more familiar dishes such as mutton hash, veal broth, eel pie, lemon custard, and ginger beer.
To satisfy today's tastes and methods, David Schoonover has updated many festive Persian dishes as a major part of this introduction, which places this cookbook in the context of culinary history. More experienced cooks will enjoy the full range of recipes inThe Khwan Niamutusing the tables that translate such measures as chuttacks, mashas, and seers into modern equivalents. Everyone seeking to broaden their culinary repertoire will delight in the recipes and history of The Khwan Niamut.
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cover of The Memory of Elephants: A Novel

The Memory of Elephants

A Novel

Boman Desai

University of Chicago Press, 2001

Spurned by his first love, Homi Seervai, the Parsi genius from Bombay, creates a machine that lets him scan his brain for memories of the time he spent with her. The machine malfunctions, propelling him instead into his collective unconscious where he encounters ancestors and relatives, both dead and alive. In this wildly inventive book—available for the first time in the United States—Homi, blessed with the memory of elephants, discovers the splendor of his heritage as well as hope for the future.

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cover of The Persian Empire

The Persian Empire

Lindsay Allen

University of Chicago Press, 2005

Beginning in the sixth century BCE, Persian kings ruled a vast, culturally diverse empire that stretched from northern Libya to central Asia. The regime and its rich multicultural traditions prospered for 250 years until its invasion, and eventual defeat, by Alexander the Great's army in 331 BCE. Yet until the British Museum's exhibition in the summer of 2005, the Persian perspective of this landmark event in world history will have been largely neglected. In one of the few accounts available, The Persian Empire provides a comprehensive and accessible portrayal of one of the world's first land-based dynastic kingdom.

In her cultural and political history of the development of this power, Lindsay Allen-whose posts in the Ancient Near East departments of the British Museum and the Metropolitan Museum of Art make her one of the leading authorities on Persia-surveys written sources, art objects, warfare, politics, archaeological sites, and daily life during Persian rule. She traces the evolution of the monarchy, showing how it fostered unprecedented international communication and cultural exchange, and describes how the Persian expedition into Greece in the early fifth century BCE became a defining moment that established a European identity apart from an Asian one. Throughout, lavish illustrations bring to life the traditions of this ancient Middle Eastern civilization and finally place Alexander's invasion within a Persian context. As the subject experiences renewed interest, The Persian Empire promises to be the definitive work on one of the most powerful dynasties in ancient history.
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cover of The Place of Stones: A Novel

The Place of Stones

A Novel

Ali Hosseini

Northwestern University Press, 2017

Finalist, 2018 John Gardner Fiction prize

The Place of Stones is Ali Hosseini’s newly translated first novel, his second book to appear in English. In it, he paints a vivid portrait of Sangriz, a village in the southern part of Iran where life has been disrupted by industrialization and the revolution of 1979.

Haydar and Jamal are best friends, and their families have always made their living from the land in the foothills of Iran’s Zagros Mountains. Haydar is a dreamer who searches the hills for an ancient treasure called the Black Globe. Jamal is in love with Haydar’s sister, Golandam, and he attempts to accommodate himself to modernization as a way to create a better life for the two of them. The rapacious conversion of farmland to brick factories draws the trio into escalating conflict with the village landlord.

As Jamal, Haydar, and their families confront land reform, industrialization, revolution, and war, their lives are pulled forcefully toward the explosive events that will change them all. In masterfully crafted prose that never sinks into sentimentality, The Place of Stones illuminates how a lost past continues to shape the present.
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cover of The Poetics and Politics of the Veil in Iran: An Archival and Photographic Adventure

The Poetics and Politics of the Veil in Iran

An Archival and Photographic Adventure

Azadeh Fatehrad

Intellect Books, 2019

This volume explores the lives of women in Iran through the social, political, and aesthetic contexts of veiling, unveiling, and re-veiling. Through poetic writings and photographs, Azadeh Fatehrad responds to the legacy of the Iranian Revolution via the representation of women in photography, literature, and film. The images and texts are documentary, analytical, and personal.

The Poetics and Politics of the Veil in Iran features Fatehrad’s own photographs in addition to work by artists Hengameh Golestan, Shirin Neshat, Shadi Ghadirian, Abbas Kiarostami, Mohsen Makhmalbaf, Adolf Loos, Gaëtan Gatian de Clérambault, and Alison Watt. In exploring women’s lives in post-revolutionary Iran, Fatehrad considers the role of the found image and the relationship between the archive and the present, resulting in an illuminating history of feminism in Iran in the twentieth and twenty-first centuries.
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cover of The Sasanian Empire at War: Persia, Rome, and the Rise of Islam, 224–651

The Sasanian Empire at War

Persia, Rome, and the Rise of Islam, 224–651

Michael J. Decker

Westholme Publishing, 2025

A comprehensive military history of one of the most important empires of Late Antiquity

The Sasanian Empire at War: Persia, Rome, and the Rise of Islam, 224–651 is the first comprehensive study in English examining war and society in one of the most important empires in world history: the Persian Empire of 224-651 AD, ruled by the Sasanian clan. At its height the Sasanians governed lands from the Indus River in the east to Egypt and the Mediterranean in the west. Adversaries of Rome, they also faced grave challenges from nomadic powers from Central Asia, notably the Huns and Turks. The Sasanians were able to maintain their empire for hundreds of years through nearly constant warfare, but when their expansion was checked in the north by the Byzantines at Constantinople in 626, and with the Muslim invasions to their south and west beginning in the 630s, the empire could no longer be sustained, and it finally collapsed.

In this book, Michael J. Decker examines Sasanian warfare, including military capabilities, major confrontations, organization and weapons of the Persian army. In addition to providing a comprehensive overview of the conflicts that marked this vital period in the history of Eurasia, The Sasanian Empire at War challenges long cherished notions of the inferiority of Sasanian military capabilities and renders a new image of a sophisticated, confident culture astride the heart of Eurasia at the end of the ancient world and birth of the Silk Road. Persian arms were among the many features of their culture that drew widespread admiration and was one of the keys to the survival of Iranian culture beyond the Arab Conquest and into the present day.

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cover of The Shadow of God and the Hidden Imam: Religion, Political Order, and Societal Change in Shi'ite Iran from the Beginning to 1890

The Shadow of God and the Hidden Imam

Religion, Political Order, and Societal Change in Shi'ite Iran from the Beginning to 1890

Said Amir Arjomand

University of Chicago Press, 1984

Dismissing oversimplified and politically charged views of the politics of Shi'ite Islam, Said Amir Arjomand offers a richly researched sociological and historical study of Shi'ism and the political order of premodern Iran that exposes the roots of what became Khomeini's theocracy.
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cover of The Sovietization of Azerbaijan: The South Caucasus in the Triangle of Russia, Turkey, and Iran, 1920–1922

The Sovietization of Azerbaijan

The South Caucasus in the Triangle of Russia, Turkey, and Iran, 1920–1922

Jamil Hasanli

University of Utah Press, 2017

Utah Series in Middle East Studies 

World War I and the fall of tsarist Russia brought brief independence to Azerbaijan, but by 1920 the Bolshevik revolution pushed south with the twofold purpose of accessing the oil-rich fields near Baku on the Caspian Sea and spreading communism into the Caucasus. Azerbaijan, the richest and earliest significant source of oil in the world, was the first republic in the South Caucasus occupied by the Red Army, which then advanced into neighboring Armenia and Georgia. Pulling from confidential, newly accessed archives, Hasanli describes Soviet Russia’s aggressive policy toward the three South Caucasian nations, which led to their absorption into the USSR by the end of 1922.

The book highlights the Caucasian peoples’ struggle to retain political independence against Soviet Russia and an international cast that included European powers wanting to retain petroleum concessions; Kemalist Turkey, which claimed special ties to the Turkic Azeris; and Iran, which controlled South Azerbaijan and was thus a possible route of expansion eastward for Bolshevik movement. The author also considers the impact on Azerbaijani-Armenian relations of the first two years of Sovietization and explains how Azerbaijan provided space for Bolshevik experiments. Throughout his book, Hasanli illuminates the tragedy of the complex, confused period of Sovietization of the South Caucasus. 
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cover of This Flame Within: Iranian Revolutionaries in the United States

This Flame Within

Iranian Revolutionaries in the United States

Manijeh Moradian

Duke University Press, 2022

In This Flame Within Manijeh Moradian revises conventional histories of Iranian migration to the United States as a post-1979 phenomenon characterized by the flight of pro-Shah Iranians from the Islamic Republic and recounts the experiences of Iranian foreign students who joined a global movement against US imperialism during the 1960s and 1970s. Drawing on archival evidence and in-depth interviews with members of the Iranian Students Association, Moradian traces what she calls “revolutionary affects”—the embodied force of affect generated by experiences of repression and resistance—from encounters with empire and dictatorship in Iran to joint organizing with other student activists in the United States. Moradian theorizes “affects of solidarity” that facilitated Iranian student participation in a wide range of antiracist and anticolonial movements and analyzes gendered manifestations of revolutionary affects within the emergence of Third World feminism. Arguing for a transnational feminist interpretation of the Iranian Student Association’s legacy, Moradian demonstrates how the recognition of multiple sources of oppression in the West and in Iran can reorient Iranian diasporic politics today.
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cover of Treasures of Herat: Two Manuscripts of the Khamsah of Nizami in the British Library

Treasures of Herat

Two Manuscripts of the Khamsah of Nizami in the British Library

Barbara Brend

Gingko, 2021

An illustrated reference book for students and scholars of Persian art, poetry, and literature.

With this book, Barbara Brend provides thorough consideration of two celebrated Persian manuscripts housed in the British Library. These two copies of the Khamsah (Quintet) a set of five narrative poems by twelfth-century poet Nizami, a master of allegorical poetry in Persian literature, were produced in Herat in the fifteenth century, one of the greatest periods of Persian painting. Although well known, the manuscripts have never before been written about in relation to each other. Brend tells the story of each poem and the painting that illustrates it, and she formally analyzes the images, placing them in their historical and artistic context.
 
The images from both highly prized manuscripts are beautifully reproduced in color, and the ownership history of one of the manuscripts—recorded in the form of seal impressions and inscriptions— is also included. Ursula Sims-Williams provides a translation and commentary of these important marks of ownership which identify the Mughal rulers Akbar, Jahangir, Shah Jahan, and Aurangzeb, among many others.
 
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cover of Tremors: New Fiction by Iranian American Writers

Tremors

New Fiction by Iranian American Writers

Anita Amirrezvani

University of Arkansas Press, 2013

This groundbreaking anthology brings together twenty-seven authors from a wide range of experiences that offer new perspectives on the Iranian American story. The authors in Tremors represent the maturing voice of Iranian American fiction from the vantage point of those who were born and raised in Iran, as well as those writers who reflect a more distant, but still important, connection to their Iranian heritage. Altogether, these narratives capture the diversity of the Iranian diaspora and complicate the often-narrow view of Iranian culture represented in the media. The stories and novel excerpts explore the deeply human experiences of one of the newest immigrant groups to the United States in its attempts to adjust and assimilate in the face of major historical upheavals such as the 1979 Iranian revolution, the hostage crisis, and the attacks of September 11, 2001. The stories set in Iran testify to the resilience, dignity, and humor of a people rich in history and culture.
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