78 books match the query 'Light' and 21 start with t

cover of TIME: Sojourns in Stone and Light

TIME

Sojourns in Stone and Light

Carolyn Brown

Bridwell Press, 2026

TIME: Sojourns in Stone and Light continues Carolyn Brown’s lifelong exploration of how light, memory, and architecture converge—revealing places not simply as monuments, but as living witnesses to history.

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cover of The Children of Light and the Children of Darkness: A Vindication of Democracy and a Critique of Its Traditional Defense

The Children of Light and the Children of Darkness

A Vindication of Democracy and a Critique of Its Traditional Defense

Reinhold Niebuhr

University of Chicago Press, 2011

The Children of Light and the Children of Darkness, first published in 1944, is considered one of the most profound and relevant works by the influential theologian Reinhold Niebuhr, and certainly the fullest statement of his political philosophy. Written and first read during the prolonged, tragic world war between totalitarian and democratic forces, Niebuhr’s book took up the timely question of how democracy as a political system could best be defended.

Most proponents of democracy, Niebuhr claimed, were “children of light,” who had optimistic but naïve ideas about how society could be rid of evil and governed by enlightened reason. They needed, he believed, to absorb some of the wisdom and strength of the “children of darkness,” whose ruthless cynicism and corrupt, anti-democratic politics should otherwise be repudiated. He argued for a prudent, liberal understanding of human society that took the measure of every group’s self-interest and was chastened by a realistic understanding of the limits of power. It is in the foreword to this book that he wrote, “Man’s capacity for justice makes democracy possible; but man’s inclination to injustice makes democracy necessary.”

This edition includes a new introduction by the theologian and Niebuhr scholar Gary Dorrien in which he elucidates the work’s significance and places it firmly into the arc of Niebuhr’s career.
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cover of The Early Ottoman Peloponnese: A Study in the Light of an Annotated Editio Princeps of the TT10-1/14662 Ottoman Taxation Cadastre (ca. 1460–1463)

The Early Ottoman Peloponnese

A Study in the Light of an Annotated Editio Princeps of the TT10-1/14662 Ottoman Taxation Cadastre (ca. 1460–1463)

Georgios C. Liakopoulos

Gingko, 2019

The Early Ottoman Peloponnese: A study in the Light of an Annotated editio princeps of the TT10-1/14662 Ottoman Taxation Cadastre (ca. 1460-1463) is a study drawn from the author's PhD thesis, conducted at Royal Holloway, University of London, under the supervision of the late Professor Julian Chrysostomides.
 
The book is divided into two parts, with part one covering a range of materials through an introduction and three chapters and part two consisting of a diplomatic edition of the transcribed Ottoman text. The introduction offers an orientation to the scope of the book, surveys previous scholarship conducted on the subject, and provides a historical examination of the late Byzantine Peloponnese and its conquest by the Ottomans. Accompanied by topographic and linguistic notes, Liakopoulos presents the historical geography of the Peloponnese, listing all the place-names mentioned in the sequence they appear in the TT10-1/14662 register. This is followed by a set of thirty-eight digital maps of the early Ottoman Peloponnese using GIS (Geographical Information Systems). This is followed by a discussion of the demography of the Peloponnese, including the settlement patterns, the density of population and its categorisation—urban and rural, sedentary and nomadic—concentrating on the influx and settlement of the second largest ethnic group in the peninsula: the Albanians. Liakopoulos explores the administrative and economic structures of the Peloponnese, and provides a detailed presentation their of agricultural production, fully illustrated with tables and charts.
 
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cover of The Fluency of Light: Coming of Age in a Theater of Black and White

The Fluency of Light

Coming of Age in a Theater of Black and White

Aisha Sabatini Sloan

University of Iowa Press, 2013

In these intertwined essays on art, music, and identity, Aisha Sabatini Sloan, the daughter of African American and Italian American parents, examines the experience of her mixed-race identity. Embracing the far-ranging stimuli of her media-obsessed upbringing, she grasps at news clippings, visual fragments, and lyrics from past and present in order to weave together a world of sense.
Art in all forms guides the author toward understanding concepts like blackness, jazz, mortality, riots, space, time, self, and other without falling prey to the myth that all things must exist within a system of binaries. Recalling her awkward attempts at coolness during her childhood, Sabatini Sloan evokes Thelonious Monk’s stage persona as a metaphor for blackness. Through the conceptual art of Adrian Piper, the author is able to understand what is so quietly menacing about the sharp, clean lines of an art gallery where she works as an assistant. The result is a compelling meditation on identity and representation. 
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cover of The Legend of Light

The Legend of Light

Bob Hicok

University of Wisconsin Press, 1995

Whether Hicok is considering the reflection of human faces in the Vietnam War Memorial or the elements of a “Modern Prototype” factory, he prompts an icy realization that we may have never seen the world as it truly is. But his resilient voice and consistent perspective is neither blaming nor didactic, and ultimately enlightening. From the shadowed corners into which we dare not look clearly, Hicok makes us witness and hero of The Legend of Light.
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cover of The Light and the Dark: (The Life and Times of Artemisia Gentileschi)

The Light and the Dark

(The Life and Times of Artemisia Gentileschi)

Kate Hamill, Kristin Leahey

Northwestern University Press, 2026

A play from the inimitable Kate Hamill, based on the true story of the groundbreaking Italian painter Artemisia Gentileschi

During the seventeenth century, Italian artists strove to reshape the very image of humanity. Artemisia Gentileschi—the daughter of a painter—dreams of making her mark at a time when a woman is not thought capable of being an artist, let alone one of the greats. Just as her career begins to gain unexpected momentum, a series of devastating betrayals crack the foundation of her work—and her life. In electrifying verse and gorgeous artwork, The Light and The Dark depicts the deeply moving true story of a young woman who changed the very image of women in society . . . weaving a magnetic and empowering tapestry of ambition, rage, and resilience across the ages.

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cover of The Light of Christ: An Introduction to Catholicism

The Light of Christ

An Introduction to Catholicism

Thomas Joseph White, OP

Catholic University of America Press, 2017

The Light of Christ provides an accessible presentation of Catholicism that is grounded in traditional theology, but engaged with a host of contemporary questions or objections. Inspired by the theologies of Iranaeus, Thomas Aquinas and John Henry Newman, and rooted in a post-Vatican II context, Fr. Thomas Joseph White presents major doctrines of the Christian religion in a way that is comprehensible for non-specialists: knowledge of God, the mystery of the Trinity, the Incarnation and the atonement, the sacraments and the moral life, eschatology and prayer.

At the same time, The Light of Christ also addresses topics such as evolution, the modern historical study of Jesus and the Bible, and objections to Catholic moral teaching. Touching on the concerns of contemporary readers, Fr. White examines questions such as whether Christianity is compatible with the findings of the modern sciences, do historical Jesus studies disrupt or confirm the teaching of the faith, and does history confirm the antiquity of Catholic claims.

This book serves as an excellent introduction for young professionals with no specialized background in theology who are interested in learning more about Catholicism, or as an introduction to Catholic theology. It will also serve as a helpful text for theology courses in a university context.

As Fr. White states in the book’s introduction: “This is a book that offers itself as a companion. I do not presume to argue the reader into the truths of the Catholic faith, though I will make arguments. My goal is to make explicit in a few broad strokes the shape of Catholicism. I hope to outline its inherent intelligibility or form as a mystery that is at once visible and invisible, ancient and contemporary, mystical and reasonable.”
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cover of The Light of Desire: La Luz del Deseo

The Light of Desire

La Luz del Deseo

Marjorie Agosín

Swan Isle Press, 2009

Marjorie Agosín’s intensely personal long poem The Light of Desire is both a secular and sacred meditation on love and its meanings in the land of Israel. Following the tradition of the Song of Songs and the secular poetry of Sepharad, the beloved in The Light of Desire is both physical and metaphorical. The lovers’ bodies are the paths, the geography, leading not only from desire to sensual pleasure, but to memory and illumination. The light on the pink stones of Jerusalem, the sunlight of Galilee, from hills to the sea, the fragrant air and “mantle of stars,” all become one in this tender, rhapsodic expression of longing and desire. This is not unrequited love, but rather a reciprocal passion that brings exquisite pleasure, pain, a sense of fragility, and the hope and belief in that which is eternal.

The poem was written over a four-year span in Jerusalem’s Mishkenot Sha’ananim neighborhood, overlooking the wall of the Second Temple, and these hallowed surroundings imbued Agosín’s poetic voice. Lori Marie Carlson’s sensitive translation maintains the spirit of the original Spanish in this bilingual edition.

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cover of The Light of the Home: An Intimate View of the Lives of Women in Victorian America

The Light of the Home

An Intimate View of the Lives of Women in Victorian America

Harvey Green

University of Arkansas Press, 2003

From the greatest collection of American Victoriana comes a wonderful evocation of the lives of women 100 years ago. Harvey Green culls from letters and diaries, quotes from magazines, and looks at the clothes, samplers, books, appliances, toys, and dolls of the era to provide a rare portrait of daily life in turn-of-the-century America.
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cover of The Light the Dead See: Selected Poems of Frank Stanford

The Light the Dead See

Selected Poems of Frank Stanford

Frank Stanford

University of Arkansas Press, 1991

Between 1972, when he published his first book, The Signing Knives, and 1978, when he died at the age of twenty-nine, Frank Stanford published seven volumes of poetry. Within a year of his death, two posthumous collections were published. At the time of this death, as Leon Stokesbury asserts in his introduction, “Stanford was the best poet in America under the age of thirty-five.”

The Light the Dead See collects the best work from those nine volumes and six previously unpublished poems. In the earlier poems, Stanford creates a world where he could keep childhood alive, deny time and mutability, and place a version of himself at the center of great myth and drama.

Later, the denial of time and mutability gives way to an obsessive and familiar confrontation with death. Although Stanford paid an enormous price for his growing familiarity with Death as a presence, the direct address to that presence is a source of much of the striking originality and stunning power in the poetry.

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cover of The Motion Of Light In Water: Sex And Science Fiction Writing In The East Village

The Motion Of Light In Water

Sex And Science Fiction Writing In The East Village

Samuel R. Delany

University of Minnesota Press, 2004

Winner of the Hugo Award for Non-fiction
The unexpurgated edition of the award-winning autobiography


Born in New York City’s black ghetto Harlem at the start of World War II, Samuel R. Delany married white poet Marilyn Hacker right out of high school. The interracial couple moved into the city’s new bohemian quarter, the Lower East Side, in summer 1961. Through the decade’s opening years, new art, new sexual practices, new music, and new political awareness burgeoned among the crowded streets and cheap railroad apartments. Beautifully, vividly, insightfully, Delany calls up this era of exploration and adventure as he details his development as a black gay writer in an open marriage, with tertiary walk-ons by Bob Dylan, Stokely Carmichael, W. H. Auden, and James Baldwin, and a panoply of brilliantly drawn secondary characters.

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cover of The Presence of Light: Divine Radiance and Religious Experience

The Presence of Light

Divine Radiance and Religious Experience

Edited by Matthew T. Kapstein

University of Chicago Press, 2004

There is perhaps no greater constant in religious intuition and experience than the presence of light. In spiritual traditions East and West, light is not only ubiquitous but something that assumes strikingly similar forms in altogether different historical and cultural settings. This study examines light as an aspect of religiously valued experiences and its entailments for mystical theology, philosophy, politics, and religious art.

The essays in this volume make an important contribution to religious studies by proposing that it is misleading to conceive of religious experience in terms of an irreconcilable dichotomy between universality and cultural construction. An esteemed group of contributors, representing the study of Asian and Western religious traditions from a range of disciplinary perspectives, suggests that attention to various forms of divine radiance shows that there is indeed a range of principles that, if not universal, are nevertheless very widely occurring and amenable to fruitful comparative inquiry. What results is a work of enormous scope, demonstrating compelling cross-connections that will be of value to scholars of comparative religions, mysticism, and the relationship between art and the sacred.

Contributors:
* Catherine B. Asher
* Raoul Birnbaum
* Sarah Iles Johnston
* Matthew T. Kapstein
* Andrew Louth
* Paul E. Muller-Ortega
* Elliot R. Wolfson
* Mimi Hall Yiengpruksawan
* Hossein Ziai
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cover of The Sound of Light: A History of Gospel Music

The Sound of Light

A History of Gospel Music

Don Cusic

University of Wisconsin Press, 1990

Don Cusic presents gospel music as part of the history of contemporary Christianity. From the psalms of the early Puritans through the hymns of Isaac Watts and the social activism of the Wesleys, gospel music was established in eighteenth-century America. With the camp meetings songs of the Kentucky Revival and the spirituals and hymns that stemmed from the Civil War and beyond, gospel music grew through the nineteenth century and expanded through new technologies in the twentieth century.
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cover of The Story They Told Us of Light: Poems

The Story They Told Us of Light

Poems

Rodney Jones

University of Alabama Press, 1980

Jones has a lyrical mind and meanders through memory and imagination in his poems, fusing them and making them work to surprise the reader with intriguing and challenging images. The collection builds beautifully, each section nurturing the others, and all of it displays Jones’s fine talent—keenly intelligent, human, and compassionate. His quick, splendid sense of humor surprises the reader, playing one image off another that is seemingly unrelated to the first, yet achieving a sense of rightness in poem after poem.
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cover of The Trouble with Light

The Trouble with Light

Jeremy Michael Clark

University of Arkansas Press, 2024

In The Trouble with Light, Jeremy Michael Clark reflects on the legacy of familial trauma as he delves into questions about belonging, survival, knowledge, and self-discovery in unflinching lyrical poems. “Like you,” he writes, “I have . . . [a] history of / hardly caring for my body, of letting / whoever drink their share of me, / thinking it could cure / my fear of dirt.” Whether ruminating on intimacy, lineage, identity, faith, or addiction, Clark’s poems embody a restless, rigorous curiosity. Largely set in the poet’s hometown of Louisville, Kentucky, his portraits of interiority gracefully juxtapose the sorrows of alienation and self-neglect with the restorative power of human connection. In one of the most affectionate—and characteristically ambivalent—poems in the collection, Clark recalls, “For days, doubt struck as does lightning / across the span of night. . . . Love? If it exists, / it’s the uncertainty one feels before a thunderclap, / after the sky’s gone dark again.” A vulnerable and transporting debut, The Trouble with Light is a vital record of how grief can endure, and how we can yet endure ourselves.
 
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cover of The Victorian Eye: A Political History of Light and Vision in Britain, 1800-1910

The Victorian Eye

A Political History of Light and Vision in Britain, 1800-1910

Chris Otter

University of Chicago Press, 2008

During the nineteenth century, Britain became the first gaslit society, with electric lighting arriving in 1878. At the same time, the British government significantly expanded its power to observe and monitor its subjects. How did such enormous changes in the way people saw and were seen affect Victorian culture?
 
To answer that question, Chris Otter mounts an ambitious history of illumination and vision in Britain, drawing on extensive research into everything from the science of perception and lighting technologies to urban design and government administration. He explores how light facilitated such practices as safe transportation and private reading, as well as institutional efforts to collect knowledge. And he contends that, contrary to presumptions that illumination helped create a society controlled by intrusive surveillance, the new radiance often led to greater personal freedom and was integral to the development of modern liberal society.

The Victorian Eye’s innovative interdisciplinary approach—and generous illustrations­—will captivate a range of readers interested in the history of modern Britain, visual culture, technology, and urbanization.
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cover of The World Is Gone: Philosophy in Light of the Pandemic

The World Is Gone

Philosophy in Light of the Pandemic

Gregg Lambert

University of Minnesota Press, 2021

Exploring the existential implications of the Covid-19 crisis through meditations

Part personal memoir, part philosophical reflection and written in the midst of the pandemic in 2021, The World Is Gone employs the Robinson Crusoe fable to launch an existential investigation of the effects of extreme isolation, profound boredom, nightly insomnia, and the fear of madness associated with the loss of a world populated by others.

Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

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cover of The Worst Thing of All Is the Light

The Worst Thing of All Is the Light

José Luis Serrano

Seagull Books, 2023

A metafictional novel about two intertwined stories of love that seek to perpetuate themselves in history.

The Worst Thing of All Is the Light tells two stories. First, that of the friendship of two heterosexual men, Koldo and Edorta, through the decades of the late twentieth century in Spain’s Basque Country. In the book Edorta writes in order to try and save from oblivion his relationship with Koldo—a bond for which the word “friendship” falls short yet for which he is too afraid to use the word “love.” It is the story of two men who are in love and don’t know it, or don’t want to know it. The second story is that of its author, José Luis Serrano, in the present day as he enjoys his summer holiday in the same Basque Country and talks with his husband at length about many different things, but mostly about how to narrate the relationship of Koldo and Edorta, two men who did not allow themselves to construct the domestic life that their counterparts enjoy today. Together these stories show a love that the lovers hope will outlive them, a love that is the same even if we give it different labels.
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cover of Till Day You Do Part Or A Question of Light

Till Day You Do Part Or A Question of Light

Peter Handke

Seagull Books, 2010

Described as an answer to or at least an echo of Samuel Beckett’s Krapp’s Last Tape?, Till Day You Do Part Or A Question of Light, by esteemed Austrian playwright and novelist Peter Handke, is a monologue delivered by the “she” in Beckett’s play. This unnamed female similarly recalls other significant women protagonists in Handke’s own work such as The Left-handed Woman. Handke prefaces the monologue in Till Day You Do PartOr a Question of Light with a description of two stone figures. While the male figure remains “as dead and gone as anyone can,” the female bursts into life, and her monologue gradually focuses on Krapp’s use of pauses and language to dominate the other characters in the Beckett play. Ultimately, however, her complaints and critique of Krapp become a declaration of her love for Krapp or at least an affirmation of their attachment, as the two of them are ultimately bound together, perhaps even inseparable. 

Till Day You Do Part Or a Question of Light  
is Handke at his best, evidencing the great skill, psychological acumen, and vision for which his work has been celebrated.

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cover of Tricks of the Light: New and Selected Poems

Tricks of the Light

New and Selected Poems

Vicki Hearne

University of Chicago Press, 2007

From The Horse That, Trotting
 
The horse that, trotting with open heart
Against the wind, achieves bend and flow
Will live forever. So far, so good,
 
But they never do, until too late,
Bend properly and time spreads from
The momentary hesitations
 
Of their spines, circles their tossing necks,
Falls from their teeth like rejected oats,
Litters the ground like penitence.
 
This is where we come in, where the drop
Of time congeals the air and someone
Speaks to the discouraged grass . . .
 
Tricks of the Light explores the often fraught relationships between domestic animals and humans through mythological figurations, vibrant thought, and late-modern lyrics that seem to test their own boundaries. Vicki Hearne (1946–2001), best known and celebrated today as a writer of strikingly original poetry and prose, was a capable dog and horse trainer, and sometimes controversial animal advocate.

This definitive collection of Hearne’s poetry spans the entirety of her illustrious career, from her first book, Nervous Horses (1980), to never-before-published poems composed on her deathbed. But no matter the source, each of her meditative, metaphysical lyrics possesses that rare combination of philosophical speculation, practical knowledge of animals, and an unusually elegant style unlike that of any other poet writing today. Before her untimely death, Hearne entrusted the manuscript to distinguished poet, scholar, and long-time friend John Hollander, whose introduction provides both critical and personal insight into the poet’s magnum opus. Tricks of the Light—acute, vibrant, and deeply informed—is a sensuous reckoning of the connection between humans and the natural world.
 
Praise for The Parts of Light
 
“Hearne . . . strives to capture exactly what she knows she can't—the intense immediacy of animal consciousness, a consciousness free of the moral vagaries and intellectual preoccupations that pockmark human experience. Her style, smooth in some places, choppy in others, reflects both the wholeness of animal presence and the jarring, fragmentary nature of human reason and reflection. Hearne's poems demand participation, refuse passive enjoyment; she dares the reader to stay in the saddle.”—Publishers Weekly
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cover of True Faith, True Light: The Devotional Art of Ed Stilley

True Faith, True Light

The Devotional Art of Ed Stilley

Kelly Mulhollan

University of Arkansas Press, 2015

In 1979, Ed Stilley was leading a simple life as a farmer and singer of religious hymns in Hogscald Hollow, a tiny Ozark community south of Eureka Springs, Arkansas. Life was filled with hard work and making do for Ed, his wife Eliza, and their five children, who lived in many ways as if the second half of the twentieth century had never happened.

But one day Ed’s life was permanently altered. While plowing his field, he became convinced he was having a heart attack. Ed stopped his work and lay down on the ground. Staring at the sky, he saw himself as a large tortoise struggling to swim across a river. On his back were five small tortoises—his children—clinging to him for survival. And then, as he lay there in the freshly plowed dirt, Ed received a vision from God, telling him that he would be restored to health if he would agree to do one thing: make musical instruments and give them to children.

And so he did. Beginning with a few simple hand tools, Ed worked tirelessly for twenty-five years to create over two hundred instruments, each a crazy quilt of heavy, rough-sawn wood scraps joined with found objects. A rusty door hinge, a steak bone, a stack of dimes, springs, saw blades, pot lids, metal pipes, glass bottles, aerosol cans—Ed used anything he could to build a working guitar, fiddle, or dulcimer. On each instrument Ed inscribed “True Faith, True Light, Have Faith in God.”

True Faith, True Light: The Devotional Art of Ed Stilley documents Ed Stilley’s life and work, giving us a glimpse into a singular life of austere devotion.
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