58 books match the query 'Loss' and 15 start with t

cover of The Archive of Loss: Lively Ruination in Mill Land Mumbai

The Archive of Loss

Lively Ruination in Mill Land Mumbai

Maura Finkelstein

Duke University Press, 2019

Mumbai's textile industry is commonly but incorrectly understood to be an extinct relic of the past. In The Archive of Loss Maura Finkelstein examines what it means for textile mill workers—who are assumed not to exist—to live and work during a period of deindustrialization. Finkelstein shows how mills are ethnographic archives of the city where documents, artifacts, and stories exist in the buildings and in the bodies of workers. Workers' pain, illnesses, injuries, and exhaustion narrate industrial decline; the ways in which they live in tenements exist outside and resist the values expounded by modernity; and the rumors and untruths they share about textile worker strikes and a mill fire help them make sense of the industry's survival. In outlining this archive's contents, Finkelstein shows how mills, which she conceptualizes as lively ruins, become a lens through which to challenge, reimagine, and alter ways of thinking about the past, present, and future in Mumbai and beyond.
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cover of The Color of Loss: An Intimate Portrait of New Orleans after Katrina

The Color of Loss

An Intimate Portrait of New Orleans after Katrina

Photographs and introduction by Dan Burkholder

University of Texas Press, 2008

The devastation of New Orleans after Hurricane Katrina has been imprinted in our collective visual memory by thousands of images in the media and books of dramatic photographs by Robert Polidori, Larry Towell, Chris Jordan, Debbie Fleming Caffrey, and others. New Orleanians want the world to see and respond to the destruction of their city and the suffering of its people—and yet so many images of so much destruction threaten a visual and emotional overload that would tempt us to avert our eyes and become numb.

In The Color of Loss, Dan Burkholder presents a powerful new way of seeing the ravaged homes, churches, schools, and businesses of New Orleans. Using an innovative digital photographic technology called high dynamic range (HDR) imaging, in which multiple exposures are artistically blended to bring out details in the shadows and highlights that would be hidden in conventional photographs, he creates images that are almost like paintings in their richness of color and profusion of detail. Far more intense and poetic than purely documentary photographs, Burkholder's images lure viewers to linger over the artifacts of people's lives—a child's red wagon abandoned in a mud-caked room, a molding picture of Jesus—to fully understand the havoc thrust upon the people of New Orleans.

In the deserted, sinisterly beautiful rooms of The Color of Loss, we see how much of the splendor and texture of New Orleans washed away in the flood. This is the hidden truth of Katrina that Dan Burkholder has revealed.

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cover of The Demise of Diversity: Loss and Extinction

The Demise of Diversity

Loss and Extinction

Josef Reichholf

Haus Publishing, 2009

Maintaining the natural diversity of the countless species on Earth is of fundamental importance for the continued existence of life on this planet. Nevertheless, ecosystems are being destroyed, as the cultivation of land for agriculture, industry and housing is intensified and oceans continue to be exploited. The Demise of Diversity: Loss and Extinction deals with biodiversity on this planet and the vital importance of sustaining it—nothing less than the future of life on Earth.
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cover of The Hardest Journey Home: A True Story of Loss and Duty during the Iraq War

The Hardest Journey Home

A True Story of Loss and Duty during the Iraq War

Donleigh O. Gaunky

Westholme Publishing, 2017

Pulled Out of a Combat Deployment, the Author Escorted His Younger Brother's Body Home from War 

“Sergeant Donleigh Gaunky’s moving memoir speaks to everyone who has lost a loved one in defense of our great nation. It serves as a reminder that freedom is not free, and it is our responsibility to continue to care for our service members, veterans, and their families. I am touched that Fisher House provided a refuge for Sergeant Gaunky during such a difficult journey.”—Ken Fisher, Chairman and CEO, Fisher House Foundation
 
“Fewer and fewer Americans have any close association with anyone serving in the Armed Forces. Donleigh Gaunky offers a heart-rending glimpse into his family as he, and they, grapple with the loss of Donleigh’s brother on a battlefield in Iraq. Every American should read this and, in so doing, learn what “Thank You for Your Service” really means.”
—Gen. Carter F. Ham, USA, Ret., President and CEO, Association of the United States Army

In November 2005, while analyzing live action reports at his base in Baghdad, Iraq, Donleigh O. Gaunky froze. His younger brother Alex’s unit had been hit by the enemy. Almost immediately, arrangements were made for Donleigh to meet his wounded brother in Germany, but Alex succumbed to his injuries before he arrived. Instead, Donleigh was asked to assume the role of remains escort. Most of the time a remains escort is picked at random from the appropriate branch of service or is someone with a relationship to the deceased, most often from the soldier’s own unit. Rarely—if ever in modern times—is the escort a family member. In The Hardest Journey Home: A True Story of Loss and Duty During the Iraq War, Donleigh O. Gaunky describes the events that unfolded over the course of a few days, from the front line in Iraq to the Landstuhl military hospital in Germany to their small town in Wisconsin, where he arrived with his brother’s body on Thanksgiving Day. In an effort to keep his mind off the tragedy and remain focused on his task, the author describes the proto­col for escorting a body home—paperwork, appropriate attire, the proper use of the flag, when and where to salute—as well as how his divorced parents coped with the loss of one of their four sons serving in the military. Relying on commercial flights to bring Alex home, there was no military reception when they first landed in the United States and the author learned how little his brother’s sacrifice meant on a national level. But he was uplifted by his town’s response to his family’s loss when they unexpectedly lined the streets to pay their respects to one of their own. An important and moving story, The Hardest Journey Home reveals the human cost of a long, seemingly invisible war. 
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cover of The Last Layer of the Ocean: Kayaking through Love and Loss on Alaska's Wild Coast

The Last Layer of the Ocean

Kayaking through Love and Loss on Alaska's Wild Coast

Mary Emerick

Oregon State University Press, 2021

There are five layers of the ocean, though most of us will only ever see one. The deepest layer is the midnight zone, where the only light comes from bioluminescence, created by animals who live there. In order to see, these creatures must create their own light. They move like solitary suns, encased in their own bubbles of freezing water. This is the most remote, unexplored zone on the planet. Though hostile to humans, it’s a source of rapt fascination for Mary Emerick, who would go there in a heartbeat if she could.

The year Emerick turned 38, the suicide of a stranger compelled her to uproot her life and strike out for Alaska, taking a chance on love and home. She learned how to travel in a small yellow kayak along the rugged coast, contending with gales, high seas, and bears. She pondered the different meanings of home from the perspectives of people who were born along Alaska’s coast, the first peoples who had been there for generations, newcomers who chose this place for themselves, and the many who would eventually, inevitably leave. When she married a man from another island, convinced that love would stick, she soon learned that marriage is just as difficult to navigate as the ocean.

Divided into sections detailing the main kayaking strokes, with each stroke serving as metaphor for the lives we all pass through and the tools needed to stay afloat, this eloquent memoir speaks to the human need for connection—connection to place and to our fellow travelers casting their bubbles of light in the depths.
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cover of The Loss and Recovery of Truth: Selected Writings of Gerhart Niemeyer

The Loss and Recovery of Truth

Selected Writings of Gerhart Niemeyer

Gerhart Niemeyer

St. Augustine's Press, 2013

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cover of The Loss of Java: The Final Battles for the Possession of Java Fought by Allied Air, Naval and Land Forces in the Period of 18 February - 7 March 1942

The Loss of Java

The Final Battles for the Possession of Java Fought by Allied Air, Naval and Land Forces in the Period of 18 February - 7 March 1942

P.C. Boer

National University of Singapore Press, 2011

The Loss of Java explains in detail the air, sea and land battles between the Allied and Japanese armed forces during the battle for Java that followed the evacuation of southern Sumatra in February 1942. Little has been written about the allied air campaign, or about why Dutch forces fought just one major land battle with the Japanese, the Battle of the Tjiater Pass, in the later stages of the struggle.
 
 P.C. Boer considers whether the assessment of Major General Van Oyen that deploying the Allied air forces might prevent Japanese invasion of Java was realistic, and whether reliance on air power limited the capacity of land and naval forces to repel Japan's advances. The generally accepted idea is that the Allies were ineffective in their fight against the Japanese invaders but in fact the Japanese suffered serious losses. Boer's study shows that Dutch strategy grew out of a carefully-devised plan of defense, and that the battle for Java comprised not one (the Battle of the Java Sea) but four major engagements. However, Japanese commanders at various levels consciously took steps that exposed their forces to great risk but succeeded in putting the Allies under great pressure. In the end the Royal Netherlands East Indies Army (KNIL) and the allied forces capitulated on 8 March 1942.
 
 This book is a translation of Het Verlies Van Java: Een kwestie van Air Power. De eindstrijd om Nederlands-Indie van de geallieerde lucht-, zee- en landstrijdkrschten in de periode van 18 februari t/m 7 maart 1942 (Amsterdam: Bataafsche Leeuw BV for the Koninklijke Militaire Academie, 2006).
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cover of The Loss: A Novella and Two Short Stories

The Loss

A Novella and Two Short Stories

Vladimir Makanin

Northwestern University Press, 1998

The novella and two short stories that make up this volume were written at three different periods in Makanin's life, yet they are united by their narrative and stylistic invention, their range of human emotion, and the profound humanity of their prose. Though banished and suppressed in the Brezhnev era, Makanin is now recognized as one of Russia's leading writers.

In his celebrated short story "The Prisoner of the Caucasus," two Russian soldiers take a Chechen prisoner during the war, and as events unfold, Makanin reveals the casual brutality of the war but also the secret truths of the character's lives. In the novella The Loss, Pekalov, a drunkard and dreamer obsessed with the idea of building a tunnel under the Ural River, disappears in a ditch while working and is made a saint by the people of his village. "Klyucharyov and Alimushkin" tells the story of what happens when one man becomes remarkably lucky while the other loses all his luck.
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cover of The Mourning After: Loss and Longing among Midcentury American Men

The Mourning After

Loss and Longing among Midcentury American Men

John Ibson

University of Chicago Press, 2018

On the battlefields of World War II, with their fellow soldiers as the only shield between life and death, a generation of American men found themselves connecting with each other in new and profound ways. Back home after the war, however, these intimacies faced both scorn and vicious homophobia. The Mourning After makes sense of this cruel irony, telling the story of the unmeasured toll exacted upon generations of male friendships. John Ibson draws evidence from the contrasting views of male closeness depicted in WWII-era fiction by Gore Vidal and John Horne Burns, as well as from such wide-ranging sources as psychiatry texts, child development books, the memoirs of veterans’ children, and a slew of vernacular snapshots of happy male couples. In this sweeping reinterpretation of the postwar years, Ibson argues that a prolonged mourning for tenderness lost lay at the core of midcentury American masculinity, leaving far too many men with an unspoken ache that continued long after the fighting stopped, forever damaging their relationships with their wives, their children, and each other.
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cover of The Plain Language of Love and Loss: A Quaker Memoir

The Plain Language of Love and Loss

A Quaker Memoir

Beth Taylor

University of Missouri Press, 2009

On November 16, 1965, Beth Taylor’s idyllic childhood was shattered at age twelve by the suicide of her older brother Geoff. Raised in an “intentional community” north of Philadelphia—a mix of farm village, hippie commune, and suburb—she and her siblings were instilled with nonconformist values and respect for the Quaker tradition. With the loss of her beloved brother, Taylor began her complicated journey to understand family, loss, and faith.  
Written after years of contemplation, The Plain Language of Love and Loss reflects on the meaning of death and loss for three generations of Taylor’s family and their friends. Her compelling portrait of Geoff reveals a boy whose understanding of who he was came under increasing attack. He was harassed by schoolmates for being a “commie pinko coward” and he tried to appease fellow Boy Scouts after he abstained from a support-the-troops rally. Touching on the timely issues of bullying, child rearing, and nonconformity, Taylor offers a rare look at growing up Quaker in the tumultuous 1960s.
Taylor tells how each stage of her life exposed clues to the subtle damage wrought by tragedy, even while it revealed varieties of solace found in friendships, marriage, and parenting. As she struggles to understand the complexities of religious heritage, patriotism, and pacifism, she weaves the story of her own family together with the larger history of Quakers in the Northeast, showing the importance of family values and the impact of religious education.
            Beth Taylor says that she learned many things from her childhood, in particular that history is alive—and shapes how we judge ourselves and choose to live our lives. She comes to see that grief can be a mask, a lover, and a teacher.
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cover of The Properties of Loss: Riot and Restitution in Civil War New York

The Properties of Loss

Riot and Restitution in Civil War New York

Joanna Cohen

University of Chicago Press, 0

A powerful account of the claims made by victims of the 1863 Draft Riots reveals how Americans’ emotional and legal responses to loss informed the development of contemporary capitalism.

The right to property has been central to America’s history, but for Joanna Cohen, loss of property has been powerful, too, not as a right but as an emotion. In The Properties of Loss, Cohen focuses on the aftermath of Manhattan’s infamous Draft Riots in July 1863, where Civil War draft protests fomented anti-Black terrorism that set the city aflame. In the wake of this destruction, nearly 2,000 people filed claims against the city, seeking reparation. But they found that the city chose not to value their property or imagine their losses as they did. Beyond the individual stories of suffering and struggle, these claims serve as a nexus for understanding how the conception of loss, the value of property, and the obligations of restitution changed in the nineteenth century. Charting these changes by focusing closely on emotions, Cohen shows how these changes shaped contemporary capitalism and underpin a surprising array of today’s discriminatory forces.

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cover of The Stages of Memory: Reflections on Memorial Art, Loss, and the Spaces Between

The Stages of Memory

Reflections on Memorial Art, Loss, and the Spaces Between

James E. Young

University of Massachusetts Press, 2016

Winner of the 2017 National Council on Public History Book Award
From around the world, whether for New York City's 9/11 Memorial, at exhibits devoted to the arts of Holocaust memory, or throughout Norway's memorial process for the murders at ‎Utøya, James E. Young has been called on to help guide the grief stricken and survivors in how to mark their losses. This poignant, beautifully written collection of essays offers personal and professional considerations of what Young calls the “stages of memory,” acts of commemoration that include spontaneous memorials of flowers and candles as well as permanent structures integrated into sites of tragedy. As he traces an arc of memorial forms that spans continents and decades, Young returns to the questions that preoccupy survivors, architects, artists, and writers: How to articulate a void without filling it in? How to formalize irreparable loss without seeming to repair it?

Richly illustrated, the volume is essential reading for those engaged in the processes of public memory and commemoration and for readers concerned about how we remember terrible losses.

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cover of Thinking About Dementia: Culture, Loss, and the Anthropology of Senility

Thinking About Dementia

Culture, Loss, and the Anthropology of Senility

Leibing, Annette

Rutgers University Press, 2006

Bringing together essays by nineteen respected scholars, this volume approaches dementia from a variety of angles, exploring its historical, psychological, and philosophical implications. The authors employ a cross-cultural perspective that is based on ethnographic fieldwork and focuses on questions of age, mind, voice, self, loss, temporality, memory, and affect.

Taken together, the essays make four important and interrelated contributions to our understanding of the mental status of the elderly. First, cross-cultural data show that the aging process, while biologically influenced, is also culturally constructed. Second, ethnographic reports raise questions about the diagnostic criteria used for defining the elderly as demented. Third, case studies show how a diagnosis affects a patient's treatment in both clinical and familial settings. Finally, the collection highlights the gap that separates current biological understandings of aging from its cultural meanings.

As Alzheimer's disease and other forms of dementia continue to command an ever-increasing amount of attention in medicine and psychology, this book will be essential reading for anthropologists, social scientists, and health care professionals.

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cover of Trauma Culture: The Politics of Terror and Loss in Media and Literature

Trauma Culture

The Politics of Terror and Loss in Media and Literature

Kaplan, E. Ann

Rutgers University Press, 2005

It may be said that every trauma is two traumas or ten thousand-depending on the number of people involved. How one experiences and reacts to an event is unique and depends largely on one's direct or indirect positioning, personal psychic history, and individual memories. But equally important to the experience of trauma are the broader political and cultural contexts within which a catastrophe takes place and how it is "managed" by institutional forces, including the media.

In Trauma Culture, E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal experience and to communicate what happens to others, she examines the artistic, literary, and cinematic forms that are often used to bridge the individual and collective experience. A number of case studies, including Sigmund Freud's Moses and Monotheism, Marguerite Duras' La Douleur, Sarah Kofman's Rue Ordener, Rue Labat, Alfred Hitchcock's Spellbound, and Tracey Moffatt's Night Cries, reveal how empathy can be fostered without the sensationalistic element that typifies the media.

From World War II to 9/11, this passionate study eloquently navigates the contentious debates surrounding trauma theory and persuasively advocates the responsible sharing and translating of catastrophe.
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cover of Trials of Intimacy: Love and Loss in the Beecher-Tilton Scandal

Trials of Intimacy

Love and Loss in the Beecher-Tilton Scandal

Richard Wightman Fox

University of Chicago Press, 1999

The nation's leading minister stands accused of adultery. He vehemently denies the charge but confesses to being on "the ragged edge of despair." His alleged lover is a woman of mystical faith, nearly "Catholic" in her piety. Her husband, a famous writer, sues the minister for damages. A six-month trial ends inconclusively, but it holds the nation in thrall. It produces gripping drama, scathing cartoons, and soul-searching editorials. Trials of Intimacy is the story of a scandal that shook American culture to the core in the 1870s because the key players were such vaunted moral leaders. In that respect there has never been another case like it—except The Scarlet Letter, to which it was constantly compared.

Henry Ward Beecher was pastor of Brooklyn's Plymouth Church and for many the "representative man" of mid-nineteenth century America. Elizabeth Tilton was the wife of Beecher's longtime intimate friend Theodore. His accusation of "criminal conversation" between Henry and Elizabeth confronted the American public with entirely new dilemmas about religion and intimacy, privacy and publicity, reputation and celebrity. The scandal spotlighted a series of comic and tragic loves and betrayals among these three figures, with a supporting cast that included Victoria Woodhull, Susan B. Anthony, and Elizabeth Cady Stanton.

To readers at the time, the Beecher-Tilton Scandal was an irresistible mystery. Richard Fox puts his readers into that same reverberating story, while offering it as a timeless tale of love, deception, faith, and the confounding indeterminacy of truth. Trials of Intimacy revises our conception of nineteenth-century morals and passions. And it is an American history richly resonant with present-day dramas.
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