85 books match the query 'Men's Studies' and 10 start with t

cover of The Battle for White Male Supremacy: The Hydra Reshaping Right-Wing Politics

The Battle for White Male Supremacy

The Hydra Reshaping Right-Wing Politics

Mary McThomas

University of Chicago Press, 2027

Explains how interconnected race and gender ideologies underlie grievance politics on the Right and reveals how both are transforming American politics, policy, and law.

In The Battle for White Male Supremacy, Mary McThomas sheds new light on the entwined racial and gender ideologies that have come to define large segments of the American Right and are roiling American law and politics. Individual chapters trace the development, ideas, and influence of several key groups: incels, alt-right vigilante groups, Christian nationalists, and men’s rights groups at war with the judiciary. While these groups are often treated as discrete phenomena with distinct histories and ostensibly different goals, all share an interconnected belief system of victimhood and embattled white masculinity. By tracking these similarities, McThomas exposes how racial and gendered belief systems are connected both within and across groups.

What is more, McThomas shows that these groups’ beliefs and tactics have moved from the extremist fringes of society to the mainstream of American politics. They’ve gained broad traction in public opinion and political discourse, and they are transforming law and policy at both the state and federal levels.

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cover of The Culture of Male Beauty in Britain: From the First Photographs to David Beckham

The Culture of Male Beauty in Britain

From the First Photographs to David Beckham

Paul R. Deslandes

University of Chicago Press, 2021

A heavily illustrated history of two centuries of male beauty in British culture.
 
Spanning the decades from the rise of photography to the age of the selfie, this book traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media.  
 
Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”
 
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cover of The Cut of His Coat: Men, Dress, and Consumer Culture in Britain, 1860–1914

The Cut of His Coat

Men, Dress, and Consumer Culture in Britain, 1860–1914

Brent Shannon

Ohio University Press, 2006

The English middle class in the late nineteenth century enjoyed an increase in the availability and variety of material goods. With that, the visual markers of class membership and manly behavior underwent a radical change. In The Cut of His Coat: Men, Dress, and Consumer Culture in Britain, 1860–1914, Brent Shannon examines familiar novels by authors such as George Eliot, Anthony Trollope, Thomas Hughes, and H. G. Wells, as well as previously unexamined etiquette manuals, period advertisements, and fashion monthlies, to trace how new ideologies emerged as mass-produced clothes, sartorial markers, and consumer culture began to change.

While Victorian literature traditionally portrayed women as having sole control of class representations through dress and manners, Shannon argues that middle-class men participated vigorously in fashion. Public displays of their newly acquired mannerisms, hairstyles, clothing, and consumer goods redefined masculinity and class status for the Victorian era and beyond.

The Cut of His Coat probes the Victorian disavowal of men’s interest in fashion and shopping to recover men’s significant role in the representation of class through self-presentation and consumer practices.

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cover of The Handbook of Research on Black Males: Quantitative, Qualitative, and Multidisciplinary

The Handbook of Research on Black Males

Quantitative, Qualitative, and Multidisciplinary

Theodore S. Ransaw

Michigan State University Press, 2018

Drawing from the work of top researchers in various fields, The Handbook of Research on Black Males explores the nuanced and multifaceted phenomena known as the black male. Simultaneously hyper-visible and invisible, black males around the globe are being investigated now more than ever before; however, many of the well-meaning responses regarding media attention paid to black males are not well informed by research. Additionally, not all black males are the same, and each of them have varying strengths and challenges, making one-size-fits-all perspectives unproductive. This text, which acts as a comprehensive tool that can serve as a resource to articulate and argue for policy change, suggest educational improvements, and advocate judicial reform, fills a large void. The contributors, from multidisciplinary backgrounds, focus on history, research trends, health, education, criminal and social justice, hip-hop, and programs and initiatives. This volume has the potential to influence the field of research on black males as well as improve lives for a population that is often the most celebrated in the media and simultaneously the least socially valued.
 
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cover of The Intellect Handbook of Men’s Fashion

The Intellect Handbook of Men’s Fashion

Edited by Ben Barry, Andy Reilly, and José Blanco F.

Intellect Books, 2026

A fresh, global, and inclusive exploration of men’s fashion that challenges traditional narratives and advances the field for scholars, educators, and practitioners.

Recent years have seen the study of men’s fashion grow from an emerging topic into a vibrant and expanding field, engaging with critical conversations on gender, race, sexuality, disability, colonialism, and globalization. Reflecting this shift, this volume moves beyond traditional narratives by highlighting three key approaches: decentralizing and decolonizing men’s fashion studies, embracing global perspectives, and focusing on multiple, overlapping social identities. Comprising thirty-four chapters by insightful scholars in fashion and dress studies, the collection offers a fresh and forward-looking examination of the field’s development.

Primarily designed for academic audiences, this handbook serves as an ideal textbook or core reading for undergraduate and graduate courses on gender and fashion. At the same time, it appeals to fashion practitioners, curators, cultural critics, and general readers interested in the history, culture, and meaning of men’s fashion and dress.
 
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cover of The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood

The Man-Not

Race, Class, Genre, and the Dilemmas of Black Manhood

Tommy J. Curry

Temple University Press, 2017

The Before Columbus Foundation 2018 Winner of the AMERICAN BOOK AWARD

Tommy J. Curry’s provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore,is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines.

Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of Black males. Curry challenges how we think of and perceive the conditions that actually affect all Black males.

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cover of The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance

The Manly Masquerade

Masculinity, Paternity, and Castration in the Italian Renaissance

Valeria Finucci

Duke University Press, 2003

The Manly Masquerade unravels the complex ways men were defined as men in Renaissance Italy through readings of a vast array of sixteenth- and seventeenth-century evidence: medical and travel literature; theology; law; myth; conduct books; and plays, chivalric romances, and novellas by authors including Machiavelli, Tasso, and Ariosto. Valeria Finucci shows how ideas of masculinity were formed in the midst of acute anxiety about paternity by highlighting the beliefs—widely held at the time—that conception could occur without a paternal imprimatur or through a woman’s encounter with an animal, or even that a pregnant woman’s imagination could erase the father’s "signature" from the fetus. Against these visions of reproduction gone awry, Finucci looks at how concepts of masculinity were tied to issues of paternity through social standing, legal matters, and inheritance practices.

Highlighting the fissures running through Italian Renaissance ideas of manliness, Finucci describes how, alongside pervasive images of the virile, sexually active man, early modern Italian culture recognized the existence of hermaphrodites and started to experiment with a new kind of sexuality by manufacturing a non-man: the castrato. Following the creation of castrati, the Church forbade the marriage of all non-procreative men, and, in this move, Finucci identifies a powerful legitimation of the view that what makes men is not the possession of male organs or the ability to have sex, but the capability to father. Through analysis, anecdote, and rich cultural description, The Manly Masquerade exposes the "real" early modern man: the paterfamilias.

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cover of The Other Half: Forty Men Reveal Life After Fifty

The Other Half

Forty Men Reveal Life After Fifty

Ellen Warner

Brandeis University Press, 2026

An insightful and intimate look at aging and masculinity that includes interviews and portraits of men from around the world.

What do men really think? From a taxi driver to a prince, a fishmonger to a professional boxer, The Other Half reveals the inner thoughts of men over fifty from different nationalities and different walks of life in their own words, illuminated by their portraits. Author and photojournalist Ellen Warner traveled the world to find out what men really think about love, work, and aging, speaking with well-known figures like film director James Ivory and journalist Bill Keller, as well as a philosopher, a chess grandmaster, a hair stylist, a financier, and more. Interviewing men from Colombia, Greece, Saudi Arabia, Sierra Leone, Sweden, and everywhere in between, Warner assembles a moving portrait of their reflections, insights, challenges, and hard-won triumphs.

A companion to The Second Half: Forty Women Reveal Life After Fifty, Warner’s latest book shares the diverse, vibrant experiences of men over fifty.

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cover of The Single Life: Unpatriarchal Manhoods in English Renaissance Literature

The Single Life

Unpatriarchal Manhoods in English Renaissance Literature

Jordan Windholz

University of Alabama Press, 2025

Exploring the Varied Roles of Bachelors during the Renaissance

What if the Renaissance bachelor wasn’t just a social outlier but a literary lens through which early modern masculinity reveals its cracks? In The Single Life: Unpatriarchal Manhoods in English Renaissance Literature, Jordan Windholz examines the overlooked and often subversive roles played by never-married men in shaping gender, sexuality, and social order.

Windholz challenges conventional views on gender and sexuality, identifying five archetypes of bachelorhood that complicate our understanding of patriarchal success: the chaste youth, the journeyman bachelor, the true gallant, the incel scholar, and the unmarried eunuch. These figures don’t conform to ideals of marriage, legacy, or economic productivity, but they also weren’t merely left behind. Instead, they served to define what early modern society valued by embodying what it resisted. Windholz shows how Renaissance texts constructed, contained, and occasionally celebrated these “unpatriarchal manhoods.”

By examining the intersections of sexuality, labor, gentility, emotion, and gender, the book provides a nuanced understanding of how single men both upheld and resisted patriarchal norms. Each chapter offers a detailed analysis of literary texts, blending historical and literary analysis with feminist and queer theory. The first study of its kind, Windholz’s work is essential reading for anyone interested in Renaissance literature, gender studies, or those looking to understand the margins of masculinity and the meanings of singledom—then and now.

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cover of Tough Ain't Enough: New Perspectives on the Films of Clint Eastwood

Tough Ain't Enough

New Perspectives on the Films of Clint Eastwood

Friedman, Lester D

Rutgers University Press, 2018

Throughout his lengthy career as both an actor and a director, Clint Eastwood has appeared in virtually every major film genre and, at this point in his career, has emerged as one of America’s most popular, recognizable, and respected filmmakers. He also remains a controversial figure in the political landscape, often characterized as the most prominent conservative voice in mostly liberal Hollywood. At Eastwood’s late age, his critical success as actor and director, his combative willingness to confront serious cultural issues in his films, and his undeniable talent behind the camera all call for a new and comprehensive study that considers and contextualizes his multiple roles, both on and off screen. Tough Ain’t Enough offers readers a series of original essays by prominent cinema scholars that explore the actor-director’s extensive career. The result is a far-reaching and nuanced portrait of one of America’s most prolific and thoughtful filmmakers.  
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