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Francie returns to Enchantment Lake looking for answers, only to get dragged into a murder mystery she might not survive

Francie’s brother Theo has secrets—secrets Francie thinks she wants to know. But what if one of those secrets is that Theo is a murderer? To avoid considering that possibility, Francie plunges into her senior year at a small-town high school near Enchantment Lake in northern Minnesota. It’s a radical change from her private school in New York, but she hopes to keep an eye on her great aunts and maybe finally learn more about the mother she never knew. A small silver box seems to hold the answers, and she is determined to get her hands on it.

But when her long-lost brother turns up, so does a dead body, and once again Francie is drawn into a mystery. A long list of suspects, with Theo at the top, keeps her head spinning. When Francie herself becomes a suspect she starts to feel like she is walking on thin ice, but it isn’t until she is literally walking on thin ice that the pieces start to come together—and by then it may be too late.

In her previous adventure Enchantment Lake, Francie was thrown into northern Minnesota lake living: fishing, berry picking, lost kayaks and scary boat rides, poisoned hotdishes, exploding bulldozers, a forest fire . . . and murder. But if she thinks things have settled down, she’s in for a surprise. A new school with new friends (and a few enemies), a lead role in a play, an encounter with a giant muskie, archaeological twists, secret tunnels, thin ice, and a strangely sticky murder are all coming her way in The Clue in the Trees.

The Ferns and Fern Allies of Minnesota was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Ferns are the most abundant plants in many areas of Minnesota, and the beauty and variety of their leaf patterns make them a rewarding form of plant life for study. This handbook identifies and describes the 92 different kinds of ferns and fern allies that are native to the state. In addition, ten other ferns that grow in adjacent states and may be expected to be found in Minnesota are described. An introductory section tells how to collect and preserve specimens. Advice is given on how to transplant ferns to a garden and which species are best for different kinds of plantings or locations. An illustrated glossary consisting of four plates graphically defines the technical terms used in this book. Distribution maps and figures are placed closed to the text to which they pertain. Many of the plates are full sized so that a specimen may be placed on the page for identification.

In 1903, before the Ford Motor Company was even incorporated, Stephen Tenvoorde signed a contract to sell “Fordmobiles” at his bicycle shop in St. Cloud, Minnesota. Four generations later, the Tenvoorde family still operates what is now the oldest Ford dealership in the world. Brian McMahon chronicles how the fortunes of the company and the state became intertwined during that century.  

Ford assembled Model T cars in the world’s tallest automobile plant in Minneapolis and a three-story structure in St. Paul—both still standing. These factories quickly became functionally obsolete after the development of the moveable assembly line. The hunt for a new site to build a modern, single-story plant stirred intense rivalry between Minneapolis and St. Paul. Henry Ford took a rare personal interest in the search and selected a 125-acre parcel in St. Paul overlooking the recently built High Dam on the Mississippi River, which allowed for navigation and hydroelectric power. The Twin Cities Assembly Plant would go on to manufacture millions of cars, trucks, tractors, and military vehicles until its closure in 2011. 

Henry Ford’s large-scale experiments with every aspect of the industrial economy sent ripples and shockwaves through the lives of Minnesotans—management and assembly line workers, dealers and customers, families and communities. First-person accounts of more than forty retired auto workers share what it was like to work at Ford—from the early years of the Minneapolis plant to the final hours of the Twin Cities Assembly Plant in St. Paul. McMahon documents the company’s transformation—through the Depression, the rise of the United Auto Workers Union, World War II, women joining the workforce, competition from imported cars, globalization, outsourcing, and the closing of the plant. 

This publication was made possible in part by the people of Minnesota through a grant funded by an appropriation to the Minnesota Historical Society from the Minnesota Arts and Cultural Heritage Fund. Any views, findings, opinions, conclusions or recommendations expressed in this publication are those of the authors and do not necessarily represent those of the State of Minnesota, the Minnesota Historical Society, or the Minnesota Historic Resources Advisory Committee. 

Eighty delicious, imaginative recipes from the Star Tribune’s beloved annual cookie contest, with mouth-watering pictures and bakers’ stories

It’s cold in Minnesota, especially around the holidays, and there’s nothing like baking a batch of cookies to warm the kitchen and the heart. A celebration of the rich traditions, creativity, and taste of the region, The Great Minnesota Cookie Book collects the best-loved recipes and baking lore from fifteen years of the Star Tribune’s popular holiday cookie contest. 

Drop cookies and cutouts, refrigerator cookies and bars; Swedish shortbread, Viennese wafers, and French–Swiss butter cookies; almond palmiers; chai crescents and taffy treats; snowball clippers, cherry pinwheels, lime coolers, and chocolate-drizzled churros: a dizzying array and all delightful, the recipes in this book recall memories of holidays past and inspire the promise of happy gatherings to come. 

These are winning cookies in every sense, the best of the best chosen by the contest’s judges, accompanied by beautiful photographs as instructive as they are enticing. A treat for any occasion, whether party, bake sale, or after-school snack, each time- and taste-tested recipe is perfect for starting a tradition of one’s own.

A fascinating tale of seduction, murder, fraud, coercion—and the trial of the “Minneapolis Monster”

On a winter night in 1894, a young woman’s body was found in the middle of a road near Lake Calhoun on the outskirts of Minneapolis. She had been shot through the head. The murder of Kittie Ging, a twenty-nine-year-old dressmaker, was the final act in a melodrama of seduction and betrayal, petty crimes and monstrous deeds that would obsess reporters and their readers across the nation when the man who likely arranged her killing came to trial the following spring. Shawn Francis Peters unravels that sordid, spellbinding story in his account of the trial of Harry Hayward, a serial seducer and schemer whom some deemed a “Svengali,” others a “Machiavelli,” and others a “lunatic” and “man without a soul.”

Dubbed “one of the greatest criminals the world has ever seen” by the famed detective William Pinkerton, Harry Hayward was an inveterate and cunning plotter of crimes large and small, dabbling in arson, insurance fraud, counterfeiting, and illegal gambling. His life story, told in full for the first time here, takes us into shadowy corners of the nineteenth century, including mesmerism, psychopathy, spiritualism, yellow journalism, and capital punishment. From the horrible fate of an independent young businesswoman who challenged Victorian mores to the shocking confession of Hayward on the eve of his execution (which, if true, would have made him a serial killer), The Infamous Harry Hayward unfolds a transfixing tale of one of the most notorious criminals in America during the Gilded Age.

The story of a much different Minneapolis, through the words and photographs of one of its most colorful characters—now in paperback
 

City blue laws drove the liquor trade and its customers—hard-drinking lumberjacks, pensioners, farmhands, and railroad workers—into the oldest quarter of Minneapolis. In the fifty-cent-a-night flophouses of the city’s Gateway District, they slept in cubicles with ceilings of chicken wire. In rescue missions, preachers and nuns tried to save their souls. Sociology researchers posing as vagrants studied them. And in their midst John Bacich, aka Johnny Rex, who owned a bar, a liquor store, and a cage hotel, documented the gritty neighborhood’s last days through photographs and film of his clientele.

 

The King of Skid Row follows Johnny Rex into this vanished world that once thrived in the heart of Minneapolis. Drawing on hours of interviews conducted in the three years before Bacich’s death in 2012, James Eli Shiffer brings to life the eccentric characters and strange events of an American skid row. Supplemented with archival and newspaper research and his own photographs, Bacich’s stories recreate the violent, alcohol-soaked history of a city best known for its clean, progressive self-image. His life captures the seamy, richly colorful side of the city swept away by a massive urban renewal project in the early 1960s and gives us, in a glimpse of those bygone days, one of Minneapolis’s most intriguing figures—spinning some of its most enduring and enthralling tales.

The Light People is a multi-genre novel that includes a series of nested stories about a tribal community in Northern Minnesota. Major themes include Oskinaway’s search for his parents and the legal wrangling over the possession of a leg that has been removed from a tribal elder. Each story is linked to previous and successive stories to form a discourse on identity and cultural appropriation, all told with humor and wisdom.
     Taking inspiration from traditional Anishinabe stories and drawing from his own family's storytelling tradition, Gordon Henry, Jr., has woven a tapestry of interlocking narratives in The Light People, a novel of surpassing emotional strength. His characters tell of their experiences, dreams, and visions in a multitude of literary styles and genres. Poetry, drama, legal testimony, letters, and essays combine with more conventional narrative techniques to create a multifaceted, deeply rooted, and vibrant portrait of the author's own tribal culture. Keenly aware of Eurocentric views of that culture, Henry offers a "corrective history" where humor and wisdom transcend the political. 
    In the contemporary Minnesota village of Four Bears, on the mythical Fineday Reservation, a young Chippewa boy named Oskinaway is trying to learn the whereabouts of his parents. His grandparents turn for help to a tribal elder, one of the light people, Jake Seed. Seed's assistant, a magician who performs at children's birthday parties, tells Oskinaway's family his story, which gives way to the stories of those he encounters. Narratives unfold into earlier narratives, spinning back in time and encompassing the intertwined lives of the Fineday Chippewas, eventually revealing the place of Oskinaway and his parents in a complex web of human relationships.

The story of a forest “lost” by a surveying error—and all the flora and fauna to be found there

A forest, of course, doesn’t need a map to know where to grow. But people need a map to find it. And in 1882 when surveyors set out to map a part of Minnesota, they got confused, or tired and cold (it was November), and somehow mapped a great swath of ancient trees as a lake. For more than seventy-five years, the mistake stayed on the map, and the forest remained safe from logging—no lumber baron expects to find timber in a lake, after all. 

The Lost Forest tells the story of this lucky error and of the 144 acres of old-growth red and white pine it preserved. With gentle humor, Phyllis Root introduces readers to the men at their daunting task, trekking across Minnesota, measuring and marking the vast land into townships and sections and quarters. She takes us deep into a stand of virgin pine, one of the last and largest in the state, where U.S. history and natural history meet. With the help of Betsy Bowen’s finely observed and beautiful illustrations, she shows us all the life that can be found in the Lost Forest.

Accompanying the story is a wealth of information about the Cadastral Survey and about the plants and animals that inhabit forests—making the book a valuable guide for readers who might want to look even deeper into the history of Minnesota, the flora and fauna of old-growth forests, and the apportioning of land in America.

St. Paul, Minnesota. October 1, 1917. High above the city, a renowned local financier named Artemis Dodge lies facedown on the floor of his armored penthouse sanctuary, a single bullet hole in his head. Thirty stories up, in the city’s tallest building, and not a shred of evidence or sign pointing to anyone having broken into the wealthy man’s fortress. It is—to all appearances—an impossible crime.

Enter Shadwell Rafferty: Irishman, St. Paul saloonkeeper, sometime detective, and old friend of the celebrated sleuth Sherlock Holmes. Summoned by Louis B. Hill—son of railroad magnate James J. Hill—to investigate, Rafferty descends into a world dominated by greedy tycoons and awash in political intrigue and wartime fearmongering. Suspects lurk in every corner of the city—including Dodge’s beautiful young widow, his slippery assistant, and a shadowy anarchist—and Rafferty pursues them from the streets of Ramsey Hill and the rooms of the Ryan Hotel to the labyrinthine caves under the Schmidt brewery. Matching wits with his foes at the police department and his unsavory rival, the St. Paul detective Mordecai Jones, Rafferty knows that in order to bring a killer to justice he must first unravel the riddle of a single bullet fired in a locked room, three hundred feet above the streets of St. Paul.

Set during a bitter streetcar strike and amid the clandestine activities of a ruthless commission charged with enforcing wartime patriotism, Larry Millett has created a classic and perfectly executed locked-room mystery in the great tradition of John Dickson Carr. From locked rooms and civil unrest to murder and wartime paranoia, The Magic Bullet presents Rafferty’s most challenging case, and its gripping conclusion—with a timely assist from Sherlock Holmes—finds both Rafferty and Millett at the top of their games.

Fresh empirical evidence of pornography's negative effects and the resurgence of feminist and conservative critiques have caused local, state, and federal officials to reassess the pornography issue. In The New Politics of Pornography, Donald Alexander Downs explores the contemporary antipornography movement and addresses difficult questions about the limits of free speech. Drawing on official transcripts and extensive interviews, Downs recreates and analyzes landmark cases in Minneapolis and Indianapolis. He argues persuasively that both conservative and liberal camps are often characterized by extreme intolerance which hampers open policy debate and may ultimately threaten our modern doctrine of free speech. Downs concludes with a balanced and nuanced discussion of what First Amendment protections pornography should be afforded. This provocative and interdisciplinary work will interest students of political science, women's studies, civil liberties, and constitutional law.

How “innovative” finance schemes skim public wealth while hijacking public governance

Charter school expansion. Vouchers. Scholarship tax credit programs. The Swindle of Innovative Educational Finance offers a new social theory to explain why these and other privatization policies and programs win support despite being unsupported by empirical evidence. Kenneth J. Saltman details how, under the guise of innovation, cost savings, and corporate social responsibility, new and massive neoliberal educational privatization schemes have been widely adopted in the United States. From a trillion-dollar charter school bubble to the Chan Zuckerberg Initiative to celebrities branding private schools, Saltman ultimately connects such schemes to the country’s current crisis of truth and offers advice for resistance.

Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

Anyone who has encountered costumed workers at a living history museum may well have wondered what their jobs are like, churning butter or firing muskets while dressed in period clothing. In The Wages of History, Amy Tyson enters the world of the public history interpreters at Minnesota's Historic Fort Snelling to investigate how they understand their roles and experience their daily work. Drawing on archival research, personal interviews, and participant observation, she reframes the current discourse on history museums by analyzing interpreters as laborers within the larger service and knowledge economies.

Although many who are drawn to such work initially see it as a privilege—an opportunity to connect with the public in meaningful ways through the medium of history—the realities of the job almost inevitably alter that view. Not only do interpreters make considerable sacrifices, both emotional and financial, in order to pursue their work, but their sense of special status can lead them to avoid confronting troubling conditions on the job, at times fueling tensions in the workplace.

This case study also offers insights—many drawn from the author's seven years of working as an interpreter at Fort Snelling—into the way gendered roles and behaviors from the past play out among the workers, the importance of creative autonomy to historical interpreters, and the ways those on public history's front lines both resist and embrace the site's more difficult and painful histories relating to slavery and American Indian genocide.

A lifelong city dweller, Verena Andermatt Conley had long harbored romantic ideals about the natural world and dreamed of a wilderness retreat for herself and her husband, Tom. When a sizable tract of land along the Vermillion River on the edge of Minnesota's Boundary Waters - complete with two primitive log cabins - became available, they jumped at the chance to own a piece of paradise.The War against the Beavers is a wry and funny account of two people's ten-year apprenticeship in backwoods living, from their arrival as literal babes in the woods to their education in the ways of nature as they face plagues of insects, fungus, storms, and droughts, and embark on a lengthy campaign to eradicate a colony of beavers that threatens the peace and beauty of their forest refuge. It is only the coming of a mechanized and much more menacing threat - bulldozers and other heavy machinery clear-cutting the woods - that restores perspective to the obsessed cabin dwellers.

On September 3, 1971, Michael McConnell and Jack Baker exchanged vows in the first legal same-sex wedding in the United States. Their remarkable story is told here for the first time—a unique account of the passion and energy of the gay liberation movement in the sixties and seventies. 
 
At the dawn of the modern gay movement (while New York’s Stonewall riots and San Francisco’s emerging political activism bloomed), these two young men insisted on making their commitment a legal reality. They were already crusaders for gay rights: Jack had twice been elected the University of Minnesota’s student president—the first openly gay university student president in the country, an election reported by Walter Cronkite on network TV news. They were featured in Look magazine’s special issue about the American family and received letters of support from around the world.
 
The couple navigated complex procedures to obtain a state-issued marriage license. Their ceremony was conducted by a Methodist minister in a friend’s tiny Minneapolis apartment. Wearing matching white pantsuits, exchanging custom-designed rings, and sharing a tiered wedding cake, Michael and Jack celebrated their historic marriage. After reciting their vows, they sealed their promise to love and honor each other with a kiss and a signed marriage certificate.
 
Repercussions were immediate: Michael’s job offer at the University of Minnesota was rescinded, leading him to wage a battle against job discrimination with the help of the Minnesota Civil Liberties Union. The couple eventually reached the U.S. Supreme Court with two precedent-setting cases. 
 
Michael and Jack have retired from the public spotlight, but after four decades their marriage is still their joy and comfort. Living quietly in a Minneapolis bungalow, they exemplify a contemporary version of the American dream. Only now, with marriage equality in the headlines and the Supreme Court decision to make love the law of the land, are they willing to tell the entire story of their groundbreaking experiences. TIME magazine listed the twenty-five most influential marriages of all time and included Michael and Jack, and they were recently profiled in a cover story in the Sunday New York Times. Their long campaign for marriage equality and insistence on equal rights for all citizens is a model for advocates of social justice and an inspiration for everyone who struggles for acceptance in a less-than-equal world.

“From the first logging operation to the closing of the last mill this book is so thorough, so comprehensive, so well organized, and so useful that it must take its place with the outstanding monographs of economic and western history.” —Journal of Economic History

The old-growth forests of Minnesota, at one time covering 70 percent of the state, played a major role in the development of the Upper Mississippi Valley. Telling the complete history of the white pine industry, Agnes Larson brings us back to a time when Minnesota’s lumber business was thriving. Larson recounts the development of the region with a wealth of information, including the building of the railroads and bustling mill towns; the daily lives of lumberjacks, loggers, river-drivers, and jam-breakers; and the final devastation of the forests.

“An excellent contribution to the regional history and historical geography of the Upper Great Lakes area and the upper Mississippi Valley.” —Geographical Review

Agnes M. Larson (1892–1967) was professor of history at St. Olaf College.

Bradley J. Gills is adjunct professor of history at Grand Valley State University.

On July 7, 2009, Al Franken was sworn in as Minnesota's junior U.S. senator-eight months after Election Night. In the chill of November 2008, Republican incumbent Norm Coleman led by a slim 215 votes, a margin that triggered an automatic statewide recount of more than 2.9 million ballots. Minnesota's ensuing recount, and the contentious legal and public relations battle that would play out between the Franken and Coleman lawyers and staff, simultaneously fascinated and frustrated Minnesotans and the nation-all while a filibuster-proof Senate hung in the balance.

This Is Not Florida is the behind-the-scenes saga of the largest, longest, and most expensive election recount in American history. Reporter Jay Weiner covered the entire recount process-for which he was honored with Minnesota's most prestigious journalism award-following every bizarre twist and turn and its many colorful personalities. Based on daily reporting as well as interviews with more than forty campaign staffers and other participants in the recount, This Is Not Florida dives into the motivations of key players in the drama, including the exploits of Franken's lead attorney Marc Elias, some of the mistakes made by Coleman advisers, and how the Franken team's devotion to data collection helped Franken win the recount by a mere 312 votes.

In a fascinating, blow-by-blow account of the historic recount that captivated people nationwide, Jay Weiner gets inside campaign war rooms and judges' chambers and takes the reader from the uncertainties of Election Night 2008, through the controversial State Canvassing Board and a grueling eight-week trial, to an appeal to Minnesota's Supreme Court, and finally to Al Franken's long-awaited and emotional swearing-in.

This Is Not Florida presents an important and unforgettable moment in political history that proved that it's never really over until it's actually over

Despite the central role blood quantum played in political formations of American Indian identity in the late nineteenth and twentieth centuries, there are few studies that explore how tribal nations have contended with this transformation of tribal citizenship. Those Who Belong explores how White Earth Anishinaabeg understood identity and blood quantum in the early twentieth century, how it was employed and manipulated by the U.S. government, how it came to be the sole requirement for tribal citizenship in 1961, and how a contemporary effort for constitutional reform sought a return to citizenship criteria rooted in Anishinaabe kinship, replacing the blood quantum criteria with lineal descent. Those Who Belong illustrates the ways in which Anishinaabeg of White Earth negotiated multifaceted identities, both before and after the introduction of blood quantum as a marker of identity and as the sole requirement for tribal citizenship. Doerfler’s research reveals that Anishinaabe leaders resisted blood quantum as a tribal citizenship requirement for decades before acquiescing to federal pressure. Constitutional reform efforts in the twenty-first century brought new life to this longstanding debate and led to the adoption of a new constitution, which requires lineal descent for citizenship.

Craig Wright is one of the most widely produced, consistently entertaining playwrights of his generation. The three plays gathered in this volume—Melissa Arctic (winner of the 2005 Helen Hayes Award), Orange Flower Water, and The Pavilion—are all set in the fictional town of Pine City, Minnesota. The plays share a focus on love and relationships and feature a consistent undercurrent of observation and speculation about the nature of time. Melissa Arctic brings Shakespeare’s The Winter’s Tale into the present, retaining the original’s captivating mix of the comic and tragic. A brutally frank exploration of marriage, Orange Flower Water examines the irresistible lure and poisonous effects of unrealistic expectations within love, and portrays the inescapably compromised contours of relationships founded on adultery. The Pavilion, a lyrical and rueful homage to Our Town, is a meditation on dashed dreams and unquenchable hopes, set at a twenty-year high school reunion. In all three plays, Wright shows himself to be one of the most perceptive and engaging playwrights working today.