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“He was much like the Walter Cronkite of Philadelphia.”—Ed Rendell, former Philadelphia Mayor and Pennsylvania Governor, about Jim Gardner, the trusted voice of WPVI’s Action News for 47 years

“We were the only station that stayed on the air continuously. We even pre-empted the CBS evening news.”—Larry Kane, anchor at WCAU, about covering the MOVE bombing

“The highs of working during the pandemic were keeping people informed of this deadly virus and what they had to do to take care of themselves and each other.”—Ukee Washington, KYW anchor, on the pandemic

The Big Story is David Grzybowski’s engrossing oral history of Philadelphia TV news from the perspective of reporters, photographers, producers, and news directors. Covering all the big stories from the late 1970s through the present, this fast-paced running commentary reflects on the uncertainty of the Three Mile Island disaster, the thrill of the Live Aid concert, the “Storm of the Century” (that wasn’t), and the championship victories of the Phillies and the Eagles, among other notable events, local, national, and global.

The Big Story features more than 200 interviews, including anecdotes from seasoned Philadelphia anchors Jim Gardner, Larry Kane, Lisa Thomas-Laury, Mike Jerrick, Vai Sikahema, Tamala Edwards, Pat Ciarrocchi, and Cecily Tynan, among others, about their experience on and off the job. Decision makers reflect on how to cover hot news stories such as Pennsylvania State Treasure R. Budd Dwyer’s on-air suicide. (“It was a big bloody horrifying mess,” according to Chris Wagner, WPVI anchor.)

Grzybowski highlights the Mummers, the launch of Good Day Philadelphia, off-the-air scandals, and how the Action News style secured a loyal following with Philadelphians while the Eyewitness News format competed hard to gain ratings. But the Big Story is how The Big Story provides compelling stories about Philadelphia’s news breakers and newsmakers.

Throughout much of the twentieth century, Mexican Americans experienced segregation in many areas of public life, but the structure of Mexican segregation differed from the strict racial divides of the Jim Crow South. Factors such as higher socioeconomic status, lighter skin color, and Anglo cultural fluency allowed some Mexican Americans to gain limited access to the Anglo power structure. Paradoxically, however, this partial assimilation made full desegregation more difficult for the rest of the Mexican American community, which continued to experience informal segregation long after federal and state laws officially ended the practice.

In this historical ethnography, Jennifer R. Nájera offers a layered rendering and analysis of Mexican segregation in a South Texas community in the first half of the twentieth century. Using oral histories and local archives, she brings to life Mexican origin peoples’ experiences with segregation. Through their stories and supporting documentary evidence, Nájera shows how the ambiguous racial status of Mexican origin people allowed some of them to be exceptions to the rule of Anglo racial dominance. She demonstrates that while such exceptionality might suggest the permeability of the color line, in fact the selective and limited incorporation of Mexicans into Anglo society actually reinforced segregation by creating an illusion that the community had been integrated and no further changes were needed. Nájera also reveals how the actions of everyday people ultimately challenged racial/racist ideologies and created meaningful spaces for Mexicans in spheres historically dominated by Anglos.

In a state assumed to have a constitutionally weak governor, the Speaker of the Texas House wields enormous power, with the ability to almost single-handedly dictate the legislative agenda. The House Will Come to Order charts the evolution of the Speaker's role from a relatively obscure office to one of the most powerful in the state. This fascinating account, drawn from the Briscoe Center's oral history project on the former Speakers, is the story of transition, modernization, and power struggles.

Weaving a compelling story of scandal, service, and opportunity, Patrick Cox and Michael Phillips describe the divisions within the traditional Democratic Party, the ascendance of Republicans, and how Texas business, agriculture, and media shaped perceptions of officeholders. While the governor and lieutenant governor wielded their power, the authors show how the modern Texas House Speaker built an office of equal power as the state became more complex and diverse. The authors also explore how race, class, and gender affected this transition as they explain the importance of the office in Texas and the impact the state's Speakers have had on national politics.

At the apex of its power, the Texas House Speaker's role at last receives the critical consideration it deserves.

By the mid-twentieth century, Eastern European Jews had become one of Argentina's largest minorities. Some represented a wave of immigration begun two generations before; many settled in the province of Entre Ríos and founded an agricultural colony. Taking its title from the resulting hybrid of acculturation, The Invention of the Jewish Gaucho examines the lives of these settlers, who represented a merger between native cowboy identities and homeland memories.

The arrival of these immigrants in what would be the village of Villa Clara coincided with the nation's new sense of liberated nationhood. In a meticulous rendition of Villa Clara's social history, Judith Freidenberg interweaves ethnographic and historical information to understand the saga of European immigrants drawn by Argentine open-door policies in the nineteenth century and its impact on the current transformation of immigration into multicultural discourses in the twenty-first century. Using Villa Clara as a case study, Freidenberg demonstrates the broad power of political processes in the construction of ethnic, class, and national identities. The Invention of the Jewish Gaucho draws on life histories, archives, material culture, and performances of heritage to enhance our understanding of a singular population—and to transform our approach to social memory itself.

In the early 1980s, the scrappy radio station 93.3 WMMR was on the verge of a major takeover of the Philadelphia airwaves. Erin Riley, who had her finger on the pulse of new artists like Bon Jovi, whose music would define a generation, was hired as the station’s Music Director in 1983.

The Mighty WMMR is Riley’s affectionate and nostalgic oral history of the station’s early years, especially its 1980s heyday, covering everything from the pioneering influence of The Marconi Experiment and the success of The Morning Zoo to how WMMR broke artists like Bruce Springsteen, Billy Joel, and local favorites The Hooters onto the national scene. Featuring anecdotes and memories by beloved on-air personalities including John DeBella, Pierre Robert, and Michael Tearson, Riley chronicles the memorable songs and musicians; concerts, contests, and clubs; and the live broadcasts that marked the height of an unforgettable era in Philadelphia radio.

Riley breezily captures the station’s impact on listeners, which made WMMR a perfect storm of the times, the culture, and the counterculture. The Mighty WMMR is a captivating look back at Philadelphia’s rock history and the station that shaped a city and a generation.