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Since the end of the nineteenth century, the division between nature and culture has been fundamental to Western thought. In this groundbreaking work, renowned anthropologist Philippe Descola seeks to break down this divide, arguing for a departure from the anthropocentric model and its rigid dualistic conception of nature and culture as distinct phenomena. In its stead, Descola proposes a radical new worldview, in which beings and objects, human and nonhuman, are understood through the complex relationships that they possess with one another. 

Honorius Augustodunensis (“of Regensburg”), born perhaps in the 1070s, was a native son of southern Germany or Austria who pursued his studies in England with St. Anselm of Canterbury. Under Anselm’s influence he became a Benedictine monk before returning to Germany in the opening years of the twelfth century. During his life-long monastic career he blossomed as a prolific writer. He died around 1140. The epithet “of Autun,” as a translation of “Augustodunensis,” was applied to him by scholars a century ago and earlier, but it has long been discredited, and the meaning of “Augustodunensis” remains a mystery. Although Honorius has been appropriately described as an enigmatic figure, his strong influence on Western theologians is widely recognized. Despite his large corpus, now known to consist of approximately thirty texts (but almost certainly more) Honorius Augustodunensis is the most unjustly neglected writer of the twelfth- century renaissance. Although he is best known as a popularizer, he also composed a major philosophical text, The Key to Natural Philosophy (Clavis physicae), ca. 1125-30. Taking the form of a dialogue between master and disciple, the Clavis is an abridged paraphrase of Eriugena’s Periphyseon, the most radical work of Neoplatonic thought in the time frame between pseudo-Dionysius and Meister Eckhart. Honorius treats such topics as the unknowability of God, apophatic and cataphatic theology, the primordial causes, the cosmological process of creation and return, human and angelic nature, the Fall, the four elements, and the findings of ancient astronomers. Although Eriugena was condemned for heresy in the thirteenth century, Honorius managed to escape that censure. The Key to Natural Philosophy thus became the chief conduit of the Carolingian philosopher’s thought in the later Middle Ages, influencing readers from Eckhart through Nicholas of Cusa.

A personal and engaging tribute to nature from a world-famous theoretical physicist. 
 
Marcelo Gleiser has had a passion for science and fishing since he was a boy growing up on the beaches of Rio de Janeiro. As a world-famous theoretical physicist with hundreds of scientific articles and several books of popular science to his credit, he felt it was time to once again connect with nature in less theoretical ways. After seeing a fly-fishing class on the Dartmouth College green, he decided to learn to fly-fish, a hobby, he says, that teaches humility. In The Simple Beauty of the Unexpected, Gleiser travels the world to scientific conferences, fishing wherever he goes. At each stop, he ponders the myriad ways physics informs the act of fishing; how, in its turn, fishing serves as a lens into nature’s inner workings; and how science engages with questions of meaning and spirituality, inspiring a sense of mystery and awe of the not yet known. Personal and engaging, The Simple Beauty of the Unexpected is a scientist’s tribute to nature, an affirmation of humanity’s deep connection with and debt to Earth, and an exploration of the meaning of existence, from atom to trout to cosmos. 
 
This softcover edition features a new essay by Gleiser on how we need a profound change of worldview if we are to have a vibrant future for our species in this fragile environment. He describes how this book was an incubator for his current thinking.

This volume offers a new annotated translation, also with a new introduction, of the Dialogue on the True Medicine, one of a series of dialogues published in 1587 as Nueva Filosofia de la Naturaleza del Hombre (New Philosophy of Human Nature), under the name of Oliva Sabuco de Nantes Barrera. Believed for centuries to be a woman’s work, the book was attributed to Oliva’s father, Miguel Sabuco, in the early twentieth century, and its authorship remains a matter of controversy today. Sabuco’s work is one of the most intriguing texts of sixteenth-century medicine. Defined by its author as “a book that was missing in the world,” the work proposes a new ambitious medical theory challenging the humoral view of disease and the main tenets of Galenic physiology.

This annotated translation allows the reader to locate the Dialogue on the True Medicine in the context of early modern medical and philosophical culture, identifying Sabuco’s ancient and modern sources. The editor’s introduction reviews the contested issue of authorship, offers new documentation for the history of the reception of Sabuco’s ideas in the seventeenth century, and relates Sabuco’s work to the Querelle des femmes, the protofeminist debate which had remarkable echoes in early modern medicine.

The Modeling of Nature provides an excellent introduction to the fundamentals of natural philosophy, psychology, logic, and epistemology.