56 books match the query 'Pictorials' and 12 start with t

cover of Tavern League: Portraits of Wisconsin Bars

Tavern League

Portraits of Wisconsin Bars

Carl Corey

Wisconsin Historical Society Press, 2011

In Tavern League, photographer Carl Corey documents a unique and important segment of the Wisconsin community. Our bars are unique micro-communities, offering patrons a sense of belonging. Many of these bars are the only public gathering place in the rural communities they serve. These simple taverns offer the individual the valuable opportunity for face to face conversation and camaraderie, particularly as people become more physically isolated through the accelerated use of the internet’s social networking, mobile texting, gaming, and the rapid-fire of email.

This collection of 60 pictures captures the Wisconsin tavern as it is today. Carl Corey’s view is both familiar and undeniably unique, his pictures resonant with anyone who has set foot in a Wisconsin tavern. As the Milwaukee Journal Sentinel’s Mary Louise Schumacher has written, “Carl Corey’s photographs . . . document iconic American places that are taken for granted. . . . They are comforting images, places we know, but also eerie and remote, presented with a sense of romance and nostalgia that suggests they are already past.”

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cover of The Brazilian Photographs of Genevieve Naylor, 1940–1942

The Brazilian Photographs of Genevieve Naylor, 1940–1942

Robert M. Levine

Duke University Press, 1998

In the early 1940s as the conflict between the Axis and the Allies spread worldwide, the U.S. State Department turned its attention to Axis influence in Latin America. As head of the Office of Inter-American Affairs, Nelson Rockefeller was charged with cultivating the region’s support for the Allies while portraying Brazil and its neighbors as dependable wartime partners. Genevieve Naylor, a photojournalist previously employed by the Associated Press and the WPA, was sent to Brazil in 1940 by Rockefeller’s agency to provide photographs that would support its need for propaganda. Often balking at her mundane assignments, an independent-minded Naylor produced something far different and far more rich—a stunning collection of over a thousand photographs that document a rarely seen period in Brazilian history. Accompanied by analysis from Robert M. Levine, this selection of Naylor’s photographs offers a unique view of everyday life during one of modern Brazil’s least-examined decades.
Working under the constraints of the Vargas dictatorship, the instructions of her employers, and a chronic shortage of film and photographic equipment, Naylor took advantage of the freedom granted her as an employee of the U.S. government. Traveling beyond the fashionable neighborhoods of Rio de Janeiro, she conveys in her work the excitement of an outside observer for whom all is fresh and new—along with a sensibility schooled in depression-era documentary photography of Dorothea Lange and Walker Evans, as well as the work of Cartier-Bresson and filmmaker Serge Eisenstein. Her subjects include the very rich and the very poor, black Carnival dancers, fishermen, rural peasants from the interior, workers crammed into trolleys—ordinary Brazilians in their own setting—rather than simply Brazilian symbols of progress as required by the dictatorship or a population viewed as exotic Latins for the consumption of North American travelers.
With Levine’s text providing details of Naylor’s life, perspectives on her photographs as social documents, and background on Brazil’s wartime relationship with the United States, this volume, illustrated with more than one hundred of Naylor’s Brazilian photographs will interest scholars of Brazilian culture and history, photojournalists and students of photography, and all readers seeking a broader perspective on Latin American culture during World War II.

Genevieve Naylor began her career as a photojournalist with Time, Fortune, and the Associated Press before being sent to Brazil. In 1943, upon her return, she became only the second woman to be the subject of a one-woman show at New York’s Museum of Modern Art. She served as Eleanor Roosevelt’s personal photographer and, in the 1950s and 1960s became well known for her work in Harper’s Bazaar, primarily as a fashion photographer and portraitist. She died in 1989.

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cover of The New Jersey Churchscape: Encountering Eighteenth- and Nineteenth-Century Churches

The New Jersey Churchscape

Encountering Eighteenth- and Nineteenth-Century Churches

Frank L. Greenagel

Rutgers University Press, 2001

Although best known as the Garden State, New Jersey could also be called the Church State. The state boasts thousands of houses of worship, with more than one thousand still standing that were built in the eighteenth and nineteenth centuries. Frank L. Greenagel has photographed more than six hundred. He has selected two hundred of these historic landmarks for an examination of why they are sited where they are and why they look the way they do.

Greenagel has sought out and included images of not only mainstream Christian churches, but also Jewish synagogues as well as the places of worship of religious groups such as the Moravians, the Church of the Brethren, and the Seventh Day Baptists. The photographs are arranged chronologically within sections on three major early settlement regions of the state ¾ the Hudson River, the Delaware River, and the Raritan Valley. For each building, Greenagel details the date of construction, the cultural, historic, and religious influences that shaped it, the architectural details that distinguish it, and what purpose it currently serves.

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cover of The Sierra Pinacate

The Sierra Pinacate

Julian D. Hayden; Photographs by Jack Dykinga; With Essays by Charles Bowden and Bernard L. Fontana

University of Arizona Press, 1998

South of the border, a spectacular range of ancient volcanoes rises from the desert floor just a few miles from the Sea of Cortez. Virtually untraveled, the Sierra Pinacate in northwestern Mexico beckons adventurers and scientists. Here, in words and pictures, is a remarkable introduction to this place of almost surreal beauty. Sometimes veiled in clouds or dust storms, the Pinacate have long been shrouded in mystery as well. From prehistoric times until today, people of Sonora have told tales of giants, men and animals, bottomless pits, endless tunnels, hostile Indians, smoking caverns, and ever-present dangers found in the Pinacate. This book takes readers deep into the heart of this fascinating area. Julian Hayden, who worked and traveled in the Pinacate for four decades, introduces the natural history, archaeology, geology, and human history of the area. Spectacular color photographs by Jack Dykinga capture the magic and the isolation of this stunning region. Hayden's text is presented in both English and Spanish. The Mexican government has already declared the Pinacate an officially protected biosphere reserve; still pending is its inclusion in the Man and the Biosphere program of the United Nations. More than a natural history, The Sierra Pinacate is an elegant appreciation of a place of wonder.
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cover of The Steam and Diesel Era in Wheeling, West Virginia: Photographs by J. J. Young Jr.

The Steam and Diesel Era in Wheeling, West Virginia

Photographs by J. J. Young Jr.

Nicholas Fry

West Virginia University Press, 2016

For nearly seventy years, John J. Young Jr. photographed railroads. With unparalleled scope and span, he documented the impact and beauty of railways in American life from 1936 to 2004.

As a child during the Great Depression, J. J. Young Jr. began to photograph railroads in Wheeling, West Virginia. This book collects over one hundred fifty of those images—some unpublished until now—documenting the railroads of Wheeling and the surrounding area from the 1930s until the 1960s.

The photographs within this book highlight the major railroads of Wheeling: the Baltimore & Ohio, the Pennsylvania, the Wheeling & Lake Erie, the Pittsburgh & West Virginia, the New York Central, and the industrial and interurban rail lines that crisscrossed the region. These images capture the routine activities of trains that carried passengers and freight to and from the city and its industries, as well as more unusual traffic, such as a circus-advertising car, the General Motors Train of Tomorrow, and the 1947 American Freedom Train.

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cover of The Third Coast: America’s Great Lakes Shoreline

The Third Coast

America’s Great Lakes Shoreline

Zurick, David

Northwestern University Press, 2025

A full-color photographic journey around the Great Lakes
 
Locals affectionately call the Great Lakes the “third coast”—though at 4,500 miles, this beloved freshwater shoreline is the nation’s longest, covering more distance than the country’s Atlantic and Pacific coasts combined.
 
Divided into four galleries by lake and season, David Zurick’s award-winning photographs spotlight the distinct personality of each coastline and the people who call its shores home. We visit windswept Lake Superior in winter, Lake Michigan bursting into spring, Lakes Erie and Ontario under the summer sun, and Lake Huron in the changing palette of autumn, with an additional gallery devoted to the straits and rivers that connect them. An evocative foreword from award-winning nature writer Jerry Dennis sets the stage for this sweeping visual tour.
 
In Zurick’s photographs, lifelong lovers of the Great Lakes will find the familiar shorelines of coastal hometowns, summer refuges, and secret fishing spots—as well as images that reawaken us to the majesty and mystery of North America’s “freshwater seas.”
 

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cover of The Ultimate Guide to the Jersey Shore: Where to Eat, What to Do, and so Much More

The Ultimate Guide to the Jersey Shore

Where to Eat, What to Do, and so Much More

Peter Genovese

Rutgers University Press, 2023

The Jersey Shore, our most treasured asset, the envy of forty-nine other states, comes alive in this new book by the reporter and writer who knows New Jersey—and the Jersey Shore—best. Every conceivable topic—where to eat, where to stay, landmarks and attractions, what to do with the kids—is covered with the kind of inside information you just won’t find on tourism web sites or Facebook. All one hundred-plus Shore towns are included, from Sandy Hook to Cape May. There are hundreds of restaurant listings and recommendations. The book also contains engaging profiles and vignettes of the people and places that give the Shore its special character and charm. A throwback five-and-dime store on Long Beach Island. Banner pilots. Birders. Baby parades. And more. You want lists and rankings? The book is full of them—twenty best Shore towns, twenty-one secret spots down the Shore, twenty essential Jersey Shore experiences, fifty things we bet you didn’t know about the Shore, and so on. The book is the next best thing to being at the Shore; actually, it may be better than being there (think of those epic traffic jams on the Parkway, and all the money you’ll save on tolls, beach fees, and bad boardwalk pizza).
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cover of This Place of Silence: Ohio's Cemeteries and Burial Grounds

This Place of Silence

Ohio's Cemeteries and Burial Grounds

Ian Adams; Randall Lee Schieber; Robin L. Smith

Ohio University Press, 2024

This Place of Silence is a photographic portrait of Ohio’s cemeteries and burial grounds by Ohio photographers Ian Adams and Randall Lee Schieber. The text and photo captions by Robin L. Smith provide an overview of the history of burial grounds, from prehistoric mounds through modern “green” cemeteries—and many fascinating details about gravestones, mausoleums, statuary, and cemetery landscapes. The introduction provides an overview of the historical place of burial grounds in our society and of their value today not only as rich sources of history but also as repositories of art, architecture, and nature. Cemeteries record the history of their communities in their names and dates, but they also tell us how a community wanted its history recorded: How did this community see itself? What was important to that community? Who were the prominent people, and what did they accomplish? Graveyards, especially older ones, are also full of quirky names and mysteries. Who would name a child Nimrod, and where did that name come from? Why would two families build identical side-by-side mausoleums? Who would want a grave marker that looks like a pile of stones? Chapters cover prehistoric mounds and early European American burial grounds; the evolution from rural cemeteries in the nineteenth century to modern green burials; art, architecture, and symbolism in cemeteries; cemeteries and nature; military and institutional burial grounds; and distinctive ethnic cemeteries. The authors highlight and showcase these often beautiful but sometimes neglected pieces of history. Cemeteries are not dark, morbid places to be avoided, but historic landscapes that are full of beauty, hope, and honor for those Ohioans who came before us.
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cover of Those Who Remain: A Photographer's Memoir of South Carolina Indians

Those Who Remain

A Photographer's Memoir of South Carolina Indians

Gene J. Crediford

University of Alabama Press, 2009

Through interviews and a generous photograph montage stretching over two decades, reveals the commonality and diversity among these people of Indian identity

When DeSoto (in 1540) and later Juan Pardo (in 1567) marched through what was known as the province of Cofitachequi (which covered the southern part of today’s North Carolina and most of South Carolina), the native population was estimated at well over 18,000. Most shared a common Catawba language, enabling this confederation of tribes to practice advanced political and social methods, cooperate and support each other, and meet their common enemy. The footprint of the Cofitachequi is the footprint of this book.

The contemporary Catawba, Midland, Santee, Natchez-Kusso, Varnertown, Waccamaw, Pee Dee, and Lumbee Indians of North and South Carolina, have roots in pre-contact Cofitachequi. Names have changed through the years; tribes split and blended as the forces of nature, the influx of Europeans, and the imposition of federal government authority altered their lives. For a few of these tribes, the system has worked well—or is working well now. For others, the challenge continues to try to work with and within the federal government’s system for tribal recognition—a system governing Indians but not created by them. Through interviews and a generous photograph montage stretching over two decades, Gene Crediford reveals the commonality and diversity among these people of Indian identity; their heritage, culture, frustrations with the system, joys in success of the younger generation, and hope for the future of those who come after them. This book is the story of those who remain.
 

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cover of Tierra Santa: Sacred Beauty in the Americas

Tierra Santa

Sacred Beauty in the Americas

Carolyn Brown

Bridwell Press, 2026

Tierra Santa follows photographer Carolyn Brown into the Americas, from the temple mountains of the Maya and the kivas of the Pueblo Southwest to the candlelit churches of colonial Mexico and Guatemala. Over decades of travel, Brown has photographed wherever people have recognized something holy, whether an ancient plaza open to the sky or a village chapel at the end of a dirt road.

The photographs do more than document. In a bank of flickering candles and a hillside terraced into a pyramid, Brown finds the vitality that many cultures have felt in these places—the sense that earth and sky were already sacred and that human beings have only answered its call. Essays by leading scholars of archaeology, anthropology, and colonial history trace how successive peoples made room for the divine. Brown's own reflections close the book with a pilgrimage through the Sierra Gorda.

Together, the images and essays offer an invitation to look slowly and to notice. Stay with them long enough and these places begin to stir memory and awe, along with a profound sense that the sacred was here long before we arrived and remains, patiently, wherever we're willing to see it.

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cover of Time and Change: 150 Years of The Ohio State University

Time and Change

150 Years of The Ohio State University

Tamar Chute with a Letter by President Michael V. Drake and an Afterword by Provost Bruce A. McPheron

The Ohio State University Press, 2019

This photographic retrospective of The Ohio State University showcases its rich history and decades of growth, from its earliest years as the Ohio Agricultural and Mechanical College to the prominent land-grant institution it is today. The book includes more than three hundred rarely seen photographs from the collections of the University Archives and contemporary university photographers.
 
Gain a visually stunning new perspective on iconic landmarks such as Mirror Lake, the Oval, Ohio Stadium, and the neighborhoods surrounding the Columbus and regional campuses. From beloved teams, symbols, and traditions to scenes from academic and campus life, reflect on time and change and rediscover the extraordinary connection that unites generations of Buckeyes.
 
 
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cover of Tséyi' / Deep in the Rock: Reflections on Canyon de Chelly

Tséyi' / Deep in the Rock

Reflections on Canyon de Chelly

Text by Laura Tohe; photographs by Stephen E. Strom

University of Arizona Press, 2005

To visitors it is Canyon de Chelly, a scenic wonder of the Southwest whose vistas reward travelers willing to venture off the beaten track. But to the Diné, it is Tséyi', "the place deep in the rock," a site that many have long called home. Now from deep in the heart of the Diné homeland comes an extraordinary book, a sensitive merging of words and images that reflects the sublime spirit of Canyon de Chelly.

Diné poet Laura Tohe draws deeply on her heritage to create lyrical writings that are rooted in the canyon but universal in spirit, while photographer Stephen Strom captures images that reveal the very soul of this ancient place. Tohe’s words take readers on a journey from the canyon rim down sheer sandstone walls to its rich bottomlands; from the memory of Kit Carson’s rifle shots and the forced march of the Navajo people to the longings of modern lovers. Her poems view the land through Diné eyes, blending history, tradition, and personal reflection while remaining grounded in Strom’s delicate yet striking images. These photographs are not typical of most southwestern landscapes. Strom’s eye for the subtleties and mysticism of the canyon creates powerful images that linger in the mind long after the pages are turned, compelling us to look at the earth in new ways.

Tséyi' / Deep in the Rock is a unique evocation of Canyon de Chelly and the people whose lives and spirits are connected to it. It is a collaboration that conjures the power of stories and images, inviting us to enter a world of harmony and be touched by its singularly haunting beauty.
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