134 books match the query 'Psychoanalysis' and 31 start with t

cover of Taboo Subjects: Race, Sex, and Psychoanalysis

Taboo Subjects

Race, Sex, and Psychoanalysis

Gwen Bergner

University of Minnesota Press, 2005

In American literature, a traumatic scene of racial and sexual awakening - frequently involving photographs, mirrors, or acts of witnessing - often precipitates a character's "discovery" of racial identity. Similarly, in the annals of psychoanalysis, notions of self and sexual identity often arise from visual trauma such as the mirror stage and primal scene. Noting this parallel between specular births of racial and sexual subjectivity, Gwen Bergner uses a comparative analysis of psychoanalytic theory and American literature to develop a theory of racialization - the process through which individuals assume an identity as black or white. Examining the primal scenes of double consciousness in works by Frederick Douglass, William Faulkner, and Toni Morrison, among others, alongside the formative visual traumas of psychoanalytic theory of Lacan and Freud, Taboo Subjects reveals how literature disrupts psychoanalysis's conventional models of race and gender identification, forcing a reconfiguration of many foundational psychoanalytic texts. And from psychoanalysis Bergner derives a critical vocabulary for theorizing racialization as it intersects with sex and gender, for both black and white Americans.
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cover of The Ability to Mourn: Disillusionment and the Social Origins of Psychoanalysis

The Ability to Mourn

Disillusionment and the Social Origins of Psychoanalysis

Peter Homans

University of Chicago Press, 1989

Peter Homans offers a new understanding of the origins of psychoanalysis and relates the psychoanalytic project as a whole to the sweep of Western culture, past and present. He argues that Freud's fundamental goal was the interpretation of culture and that, therefore, psychoanalysis is fundamentally a humanistic social science. To establish this claim, Homans looks back at Freud's self-analysis in light of the crucial years from 1906 to 1914 when the psychoanalytic movement was formed and shows how these experiences culminated in Freud's cultural texts. By exploring the "culture of psychoanalysis," Homans seeks a better understanding of what a "psychoanalysis of culture" might be.

Psychoanalysis, Homans shows, originated as a creative response to the withering away of traditional communities and their symbols in the aftermath of the industrial revolution. The loss of these attachments played a crucial role in the lives of the founders of psychoanalysis, especially Sigmund Freud but also Karl Abraham, Carl Jung, Otto Rank, and Ernest Jones. The personal, political, and religious losses that these figures experienced, the introspection that followed, and the psychological discovery that resulted are what Homans calls "the ability to mourn."

Homans expands this historical analysis to construct a general model of psychological discovery: the loss of shared ideals and symbols can produce a deeper sense of self (psychological structure-building, or individuation) and can then lead to the creation of new forms of meaning and self-understanding. He shows how Freud, Jung, and other psychoanalysts began to extend their introspection outward, reinterpreting the meanings of Western art, history, and religion. In conclusion, Homans evaluates Freud's theory of culture and discusses the role that psychoanalysis might play in social and cultural criticism.

Throughout the book, Homans makes use of the many histories, biographies, and psychobiographies that have been written about the origins of psychoanalysis, drawing them into a comprehensive sociocultural model. Rich in insights and highly original in approach, this work will interest psychoanalysts and students of Freud, sociologists concerned with modernity and psychoanalysis, and cultural critics in the fields of religion, anthropology, political science, and social history.
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cover of The Abyss of Freedom/Ages of the World

The Abyss of Freedom/Ages of the World

Slavoj Zizek and F.W.J. von Schelling

University of Michigan Press, 1997

In the last decade, F. W. J. von Schelling has emerged as one of the key philosophers of German Idealism, the one who, for the first time, undermined Kant's philosophical revolution and in so doing opened up the way for a viable critique of Hegel. In noted philosopher Slavoj Zizek's view, the main orientations of the post-Hegelian thought, from Kierkegaard and Marx, to Heidegger and today's deconstructionism, were prefigured in Schelling's analysis of Hegel's idealism, and in his affirmation that the contingency of existence cannot be reduced to notional self-mediation. In The Abyss of Freedom, Zizek attempts to advance Schelling's stature even further, with a commentary of the second draft of Schelling's work The Ages of the World, written in 1813.
Zizek argues that Schelling's most profound thoughts are found in the series of three consecutive attempts he made to formulate the "ages of the world/Weltalter," the stages of the self-development of the Absolute. Of the three versions, claims Zizek, it is the second that is the most eloquent and definitive encompassing of Schelling's lyrical thought. It centers on the problem of how the Absolute (God) himself, in order to become actual, to exist effectively, has to accomplish a radically contingent move of acquiring material, bodily existence. Never before available in English, this version finally renders accessible one of the key texts of modern philosophy, a text that is widely debated in philosophical circles today.
The Abyss of Freedom is Zizek's own reading of Schelling based upon Lacanian psychoanalytic theory. It focuses on the notion that Lacan's theory--which claims that the symbolic universe emerged from presymbolic drives--is prefigured in Schelling's idea of logos as given birth to from the vortex of primordial drives, or from what "in God is not yet God." For Zizek, this connection is monumental, showing that Schelling's ideas forcefully presage the post-modern "deconstruction" of logocentrism.
Slavoj Zizek is not a philosopher who stoops to conquer objects but a radical voice who believes that philosophy is nothing if it is not embodied, nothing if it is only abstract. For him, true philosophy always speaks of something rather than nothing. Those interested in the genesis of contemporary thought and the fate of reason in our "age of anxiety" will find this coupling of texts not only philosophically relevant, but vitally important.
Slavoj Zizek is the author of The Sublime Object of Ideology, Tarrying with the Negative: Kant, Hegel and the Critique of Ideology, and most recently, The Indivisible Remainder: An Essay on Schelling and Related Matters. Currently he is a Senior Researcher at the Institute for Social Sciences, University of Ljubljana. Judith Norman is Assistant Professor of Philosophy at Trinity University in San Antonio, Texas.
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cover of The Analysis of the Self: A Systematic Approach to the Psychoanalytic Treatment of Narcissistic Personality Disorders

The Analysis of the Self

A Systematic Approach to the Psychoanalytic Treatment of Narcissistic Personality Disorders

Heinz Kohut

University of Chicago Press, 2009

Psychoanalyst, teacher, and scholar, Heinz Kohut was one of the twentieth century's most important intellectuals. A rebel according to many mainstream psychoanalysts, Kohut challenged Freudian orthodoxy and the medical control of psychoanalysis in America. In his highly influential book The Analysis of the Self, Kohut established the industry standard of the treatment of personality disorders for a generation of analysts. This volume, best known for its groundbreaking analysis of narcissism, is essential reading for scholars and practitioners seeking to understand human personality in its many incarnations.
 

“Kohut has done for narcissism what the novelist Charles Dickens did for poverty in the nineteenth century. Everyone always knew that both existed and were a problem. . . . The undoubted originality is to have put it together in a form which carries appeal to action.”—International Journal of Psychoanalysis

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cover of The Archetypal Process: Self and Divine and Whitehead, Jung, and Hillman

The Archetypal Process

Self and Divine and Whitehead, Jung, and Hillman

David Ray Griffin

Northwestern University Press, 1989

Archetypal Process is a pioneering study linking the ideas of process philosophy, as developed by Alfred North Whitehead and Charles Hartshorne, with the archetypal psychology of C. G. Jung and James Hillman. This is the first work to examine the interconnections of these two modes of thought.

Archetypal Process examines the importance of cosmological thinking and the need to ground archetypal psychology in a metaphysical, philosophical framework. It treats the necessity for symbol and myth, the nature of the spirit, and language as a metaphorical vehicle of thought, and finally, it adds a much-needed feminist perspective to the debate.
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cover of The Basic Fault: Therapeutic Aspects of Regression

The Basic Fault

Therapeutic Aspects of Regression

Michael Balint

Northwestern University Press, 1968

When it was first published in 1968, Michael Balint's The Basic Fault laid the groundwork for a far-ranging reformation in psychoanalytic theory. This reformation is still incomplete, for it remains true today that despite the proliferation of techniques and schools, we do not know which are more correct or more successful--and all psychoanalysts continue to encounter intractable cases of mental disorder. Balint argues that ordinary "rigid" techniques and theories are doomed to failure in such cases because of their emphasis on interpretation.

The Basic Fault continues to illuminate the crucial current issues in psychoanalysis and psychotherapy in general: the nature of self, the role of developmental defects, the value of empathy, and the central importance of the relationship between therapist and patient. This paperback edition includes a foreword by Paul H. Ornstein discussing the impact of Balint's work at the time of its publication and its continued importance now.
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cover of The Burdens of Intimacy: Psychoanalysis and Victorian Masculinity

The Burdens of Intimacy

Psychoanalysis and Victorian Masculinity

Christopher Lane

University of Chicago Press, 1998

Why does passion bewilder and torment so many Victorian protagonists? And why do so many literary characters experience moments of ecstasy before their deaths? In this original study, Christopher Lane shows why Victorian fiction conveys both the pleasure and anguish of intimacy. Examining works by Bulwer-Lytton, Swinburne, Schreiner, Hardy, James, Santayana, and Forster, he argues that these writers struggled with aspects of psychology that were undermining the utilitarian ethos of the Victorian age.

Lane discredits the conservative notion that Victorian literature expresses only a demand for repression and moral restraint. But he also refutes historicist and Foucauldian approaches, arguing that they dismiss the very idea of repression and end up denouncing psychoanalysis as complicit in various kinds of oppression. These approaches, Lane argues, reduce Victorian literature to a drama about politics, power, and the ego. Striving instead to reinvigorate discussions of fantasy and the unconscious, Lane offers a clear, often startling account of writers who grapple with the genuine complexities of love, desire, and friendship.

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cover of The Demon and the Damozel: Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti

The Demon and the Damozel

Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti

Suzanne M. Waldman

Ohio University Press, 2008

Developing a perspective on Victorian culture as the breeding ground for early theories of the unconscious and the divided psyche, The Demon and the Damozel: Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti offers a new reading of these eminent Victorian siblings’ literature and visual arts. Suzanne M. Waldman views well-known poems and artworks such as Christina Rossetti’s Goblin Market and Dante Gabriel Rossetti’s The Blessed Damozel and Venus Verticordia in new ways that expose their authors’ savvy anticipation of concepts that would come to be known as narcissism, fetishism, and the symbolic and imaginary orders, among many others. Waldman makes a strong case for the particular psychoanalytic importance of the Rossettis by looking at how the two Rossetti siblings’ own psyches were divided by conflicts between the period’s religious scruples and its taste for gothic sensationalism. The Demon and the Damozel is a close and contextualized reading of their writings and artwork that displays, for the first time, continuity between the medieval cosmologies these Pre-Raphaelites drew upon and the psychoanalytic theories they looked ahead to—and locates the intricate patterns of proto-psychoanalytic understanding in the rich tapestry of Pre-Raphaelite aestheticism.
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cover of The Desire of Psychoanalysis: Exercises in Lacanian Thinking

The Desire of Psychoanalysis

Exercises in Lacanian Thinking

Gabriel Tupinambá; With a foreword by Slavoj Žižek

Northwestern University Press, 2021

The Desire of Psychoanalysis proposes that recognizing how certain theoretical and institutional problems in Lacanian psychoanalysis are grounded in the historical conditions of Lacan’s own thinking might allow us to overcome these impasses. In order to accomplish this, Gabriel Tupinambá analyzes the socioeconomic practices that underlie the current institutional existence of the Lacanian community—its political position as well as its institutional history—in relation to theoretical production.

By focusing on the underlying dynamic that binds clinical practice, theoretical work, and institutional security in Lacanian psychoanalysis today, Tupinambá is able to locate sites for conceptual innovation that have been ignored by the discipline, such as the understanding of the role of money in clinical practice, the place of analysands in the transformation of psychoanalytic theory, and ideological dead-ends that have become common sense in the Lacanian field. The Desire of Psychoanalysis thus suggests ways of opening up psychoanalysis to new concepts and clinical practices and calls for a transformation of how psychoanalysis is understood as an institution.

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cover of The Dreams of Interpretation: A Century down the Royal Road

The Dreams of Interpretation

A Century down the Royal Road

Catherine Liu

University of Minnesota Press, 2007

Rethinking the importance of Sigmund Freud’s landmark book The Interpretation of Dreams a century after its publication in 1900, this work brings together psychoanalysts, philosophers, cultural theorists, film and visual theorists, and literary critics from several continents in a compilation of the best clinical and theoretical work being done in psychoanalysis today. It is unique in convening both theory and practice in productive dialogue, reflecting on the encounter between psychoanalysis and the tradition of hermeneutics. Collectively the essays argue that Freud’s legacy has shaped the way we think about not only psychology and the nature of the self but also our understanding of politics, culture, and even thought itself.

Contributors: Willy Apollon, Gifric; Karyn Ball, U of Alberta, Edmonton; Raymond Bellour, Centre National de la Recherche Scientifique; Patricia Gherovici, Philadelphia Lacan Study Group and Seminar; Judith Feher-Gurewich, New York U; Jonathan Kahana, New York U; A. Kiarina Kordela, Macalester College; Pablo Kovalovsky, Clinica de Borde; Jean Laplanche, U of Lausanne; Laura Marcus, U of Sussex; Andrew McNamara, Queensland U of Technology; Claire Nahon; Yun Peng, U of Minnesota; Gerard Pommier, Nantes U; Jean-Michel Rabaté, Princeton U; Laurence A. Rickels, U of California, Santa Barbara; Avital Ronell, New York U; Elke Siegel, Yale U; Rei Terada, U of California, Irvine; Klaus Theweleit, U of Freiburg-im-Breisgau; Paul Verhaege, U of Ghent, Belgium; Silke-Maria Weineck, U of Michigan.

Catherine Liu is associate professor of comparative literature and film and media studies at the University of California, Irvine. John Mowitt is professor and chair of cultural studies and comparative literature at the University of Minnesota. Thomas Pepper is associate professor of cultural studies and comparative literature at the University of Minnesota. Jakki Spicer received her Ph.D. in cultural studies and comparative literature from the University of Minnesota.

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cover of The Feminine in Jungian Psychology and in Christian Theology

The Feminine in Jungian Psychology and in Christian Theology

Ann Belford Ulanov

Northwestern University Press, 1971

The Feminine in Jungian Psychology and in Christian Theology investigates the implications for Christian theology of Jung's special insights into the feminine. In it, Ann Belford Ulanov gathers together in one volume what Jung and Jungians have discovered about the feminine in order to explore what Jungian thought and methods may illuminate about the place of the feminine in Christian theology.

Jung focuses on the human person and sees as central its mixture of masculine and feminine elements. In a time when so much is asserted and written about women in society—their rights, roles, identities, needs, and contributions—it is especially significant that Jung asserts the existence of the feminine as a key element, not only in women but in men as well. No less contested are the roles and identities of Christians. Ulanov brings into focus the deep and fascinating connections between theology and psychology.
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cover of The Future of an Illusion: Film, Feminism, and Psychoanalysis

The Future of an Illusion

Film, Feminism, and Psychoanalysis

Constance Penley

University of Minnesota Press, 1989

The Future of an Illusion was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The Future of an Illusion documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates center on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism, and the implicitly male bias in psychoanalytically oriented film theory. Essential to anyone studying the sexual policies of representation, The Future of an Illusion ranges from avant-garde films to video, popular cinema, television, literature, and critical and cultural theory.

Constance Penley is associate professor of English and film studies at the University of Rochester. A co-editor of the journal Camera Obscura,she is the editor of Feminism and Film Theory.

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cover of The Indescribable and the Undiscussable: Reconstructing Human Discourse after Trauma

The Indescribable and the Undiscussable

Reconstructing Human Discourse after Trauma

Dan Bar-On

Central European University Press, 1998

People--laymen and practitioners alike--face serious difficulties in making sense of each other's feelings, behavior, and discourse in everyday life and after traumatic experiences. Acknowledging and working through these difficulties is the subject of this extremely interesting and highly readable book. After a critical look at the psychological and philosophical literature, Dan Bar-On identifies two groups of impediments. First, the indescribable, as it appears when individuals try to understand and integrate their first heart attack into their previous life-experience, when a group of pathfinders talk about their different maps of the mind and nature, or when a team of welfare practitioners tries to develop a common approach to their regional population. Second, the undiscussable, as it appears in the transmission, from generation to generation, of the traumatic experiences of the families of both Holocaust survivors and Nazi perpetrators, the book showing how their descendants can work through the burden of the past by confronting themselves and each other through a prolonged group encounter. This book provides a unique way of looking at life experiences, individual as well as inter-personal. It proposes a new psychological theoretical framework in a way to which both laymen and professionals can relate while confronting similar issues in their everyday experiences and discourse. The book is of especial relevance to present-day Central and East European societies, relating as it does to the problems of psychological adaptation arising from the transition from totalitarian to democratic regimes.
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cover of The Jacqueline Rose Reader

The Jacqueline Rose Reader

Jacqueline Rose

Duke University Press, 2011

Jacqueline Rose is a world-renowned critic and one of the most influential and provocative scholars working in the humanities today. She is also among the most wide ranging, with books on Zionism, feminism, Sylvia Plath, children’s fiction, and psychoanalysis. During the past decade, through talks and pieces that Rose has contributed to the London Review of Books, the Guardian, and other publications, she has played a vital role in public debate about the policies and human-rights record of Israel in its relation to the Palestinians. Representing the entire spectrum of her writing, The Jacqueline Rose Reader brings together essays, reviews, and book excerpts, as well as an extract from her novel. In the introduction, the editors provide a profound overview of her intellectual trajectory, highlighting themes that unify her diverse work, particularly her commitment to psychoanalytic theory as a uniquely productive way of analyzing literature, culture, politics, and society. Including extensive critical commentary, and a candid interview with Rose, this anthology is an indispensable introduction for those unfamiliar with Jacqueline Rose’s remarkably original work, and an invaluable resource for those well acquainted with her critical acumen.
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cover of The Matrixial Borderspace

The Matrixial Borderspace

Bracha Ettinger

University of Minnesota Press, 2006

Artist, psychoanalyst, and feminist theorist Bracha Ettinger presents an original theoretical exploration of shared affect and emergent expression, across the thresholds of identity and memory. Ettinger works through Lacan’s late works, the anti-Oedipal perspectives of Deleuze and Guattari, as well as object-relations theory to critique the phallocentrism of mainstream Lacanian theory and to rethink the masculine-feminine opposition. She replaces the phallic structure with a dimension of emergence, where objects, images, and meanings are glimpsed in their incipiency, before they are differentiated. This is the matrixial realm, a shareable, psychic dimension that underlies the individual unconscious and experience. 

Concerned with collective trauma and memory, Ettinger’s own experience as an Israeli living with the memory of the Holocaust is a deep source of inspiration for her paintings, several of which are reproduced in the book. The paintings, like the essays, replay the relation between the visible and invisible, the sayable and ineffable; the gaze, the subject, and the other. 

Bracha Ettinger is a painter and a senior clinical psychologist. She is professor of psychoanalysis and aesthetics at the University of Leeds, England, and Bezalel Academy, Jerusalem. 

Judith Butler is professor of rhetoric and comparative literature at the University of California, Berkeley. Griselda Pollock is professor of fine arts at the University of Leeds. Brian Massumi is professor of communication at the University of Montreal.
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cover of The Myth of Analysis: Three Essays in Archetypal Psychology

The Myth of Analysis

Three Essays in Archetypal Psychology

James Hillman

Northwestern University Press, 1998

In this work, acclaimed Jungian James Hillman examines the concepts of myth, insights, eros, body, and the mytheme of female inferiority, as well as the need for the freedom to imagine and to feel psychic reality. By examining these ideas, and the role they have played both in and outside of the therapeutic setting, Hillman mounts a compelling argument that, rather than locking them away in some inner asylum or subjecting them to daily self-treatment, man's "peculiarities" can become an integral part of a rich and fulfilling daily life.

Originally published by Northwestern University Press in 1972, this work had a profound impact on a nation emerging self-aware from the 1960s, as well as on the era's burgeoning feminist movement. It remains a profound critique of therapy and the psychological viewpoint, and it is one of Hillman's most important and enduring works.
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cover of The Other Side of the Digital: The Sacrificial Economy of New Media

The Other Side of the Digital

The Sacrificial Economy of New Media

Andrea Righi

University of Minnesota Press, 2021

A necessary, rich new examination of how the wired world affects our humanity

Our tech-fueled economy is often touted as a boon for the development of our fullest human potential. But as our interactions are increasingly turned into mountains of data sifted by algorithms, what impact does this infinite accumulation and circulation of information really have on us? What are the hidden mechanisms that drive our continuous engagement with the digital?

In The Other Side of the Digital, Andrea Righi argues that the Other of the digital acts as a new secular God, exerting its power through endless accountability that forces us to sacrifice ourselves for the digital. Righi deconstructs the contradictions inherent in our digital world, examining how ideas of knowledge, desire, writing, temporality, and the woman are being reconfigured by our sacrificial economy. His analyses include how both our self-image and our perception of reality are skewed by technologies like fitness bands, matchmaking apps, and search engines, among others.

The Other Side of the Digital provides a necessary, in-depth cultural analysis of how the political theology of the new media functions under neoliberalism. Drawing on the work of well-known thinkers like Jacques Derrida, Jacques Lacan, and Ludwig Wittgenstein, as well as Carla Lonzi, Luisa Muraro, and Luciano Parinetto, Righi creates novel appraisals of popular digital tools that we now use routinely to process life experiences. Asking why we must sign up for this sort of regime, The Other Side of the Digital is an important wake-up call to a world deeply entangled with the digital.

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cover of The Psychoanalytic Movement: The Cunning of Unreason

The Psychoanalytic Movement

The Cunning of Unreason

Ernest Gellner

Northwestern University Press, 1996

How did psychoanalysis become so accepted by the public? This provocative book reconstructs the system of ideas upon which the theory and practice of psychoanalysis rests, describing a modern culture that has created a psychic or a spiritual void that psychoanalysis seems custom-made to fill. Gellner approaches the question as a sociologist and attains a broad perspective on the ideas of the psychoanalytic movement as a system of cultural beliefs.
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cover of The Psychology of Character

The Psychology of Character

Rudolf Allers

Catholic University of America Press, 2022

"How we became what we are. There are many explanations. One plausible account is found in the work of Rudolph Allers who writes about the European intellectual landscape from 1850 to the opening decades of the twentieth century...Allers is not alone in recognizing that a true account of human nature may await the recovery of classical antiquity. From Plato and Aristotle, modernity may learn that the immaterial or spiritual component of human nature is not empirically discerned but reasoned to from empirical evidence." - from the foreword by Jude Dougherty
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cover of The Repression of Psychoanalysis: Otto Fenichel and the Political Freudians

The Repression of Psychoanalysis

Otto Fenichel and the Political Freudians

Russell Jacoby

University of Chicago Press, 1986

By examining the private correspondence of a circle of German psychoanalyst emigrés that included Otto Fenichel, Annie Reich, and Edith Jacobson, Russell Jacoby recaptures the radical zeal of classical analysis and the efforts of the Fenichel group to preserve psychoanalysis as a social and political theory, open to a broad range of intellectuals regardless of their medical background. In tracing this effort, he illuminates the repression by psychoanalysis of its own radical past and its transformation into a narrow medical technique. This book is of critical interest to the general reader as well as to psychoanalytic historians, theorists, and therapists.
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cover of The Restoration of the Self

The Restoration of the Self

Heinz Kohut

University of Chicago Press, 2009

In his foundational work The Restoration of the Self, noted psychoanalyst Heinz Kohut boldly challenges what he called “the limits of classical analytic theory” and the Freudian orthodoxy. Here Kohut proposes a “psychology of the self” as a theory in its own right—one that can stand beside the teachings of Freud and Jung.

Using clinical data, Kohut explores issues such as the role of narcissism in personality, when a patient can be considered cured, and the oversimplifications and social biases that unduly influenced Freudian thought. This volume puts forth some of Kohut’s most influential ideas on achieving emotional health through a balanced, creative, and joyful sense of self.

"Kohut speaks clearly from his identity as a psychoanalyst-healer, showing that he is more of a psychoanalyst than most, and yet calling for major theoretical revisions including a redefinition of the essence of psychoanalysis.”—American Journal of Psychotherapy

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cover of The Shell and the Kernel: Renewals of Psychoanalysis, Volume 1

The Shell and the Kernel

Renewals of Psychoanalysis, Volume 1

Nicolas Abraham and Maria Torok

University of Chicago Press, 1994

A landmark collection of the best work of two major figures in the study of psychoanalysis and literature

This volume is a superb introduction to the richness and originality of Abraham and Torok's approach to psychoanalysis and their psychoanalytic approach to literature. Abraham and Torok advocate a form of psychoanalysis that insists on the particularity of any individual's life story, the specificity of texts, and the singularity of historical situations. In what is both a critique and an extension of Freud, they develop interpretive strategies with powerful implications for clinicians, literary theorists, feminists, philosophers, and all others interested in the uses and limits of psychoanalysis.

Central to their approach is a general theory of psychic concealment, a poetics of hiding. Whether in a clinical setting or a literary text, they search out the unspeakable secret as a symptom of devastating trauma revealed only in linguistic or behavioral encodings. Their view of trauma provides the linchpin for new psychic and linguistic structures such as the "transgenerational phantom," an undisclosed family secret handed down to an unwitting descendant, and the intra-psychic secret or "crypt," which entombs an unspeakable but consummated desire. Throughout, Abraham and Torok seek to restore communication with those intimate recesses of the mind which are, for one reason or another, denied expression.

Classics of French theory and practice, the essays in volume one include four previously uncollected works by Maria Torok. Nicholas Rand supplies a substantial introductory essay and commentary throughout. Abraham and Torok's theories of fractured meaning and their search for coherence in the face of discontinuity and disruption have the potential to reshape not only psychoanalysis but all disciplines concerned with issues of textual, oral, or visual interpretation.
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cover of The Trial(s) of Psychoanalysis

The Trial(s) of Psychoanalysis

Françoise Meltzer

University of Chicago Press, 1988

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cover of The Triumph of the Therapeutic: Uses of Faith after Freud

The Triumph of the Therapeutic

Uses of Faith after Freud

Philip Rieff

University of Chicago Press, 1987

"Philip Rieff has become out most learned and provocative critic of psychoanalytic thinking and of the compelling mind and character of its first proponent. Rieff's Freud: The Mind of the Moralist remains the sharpest exegesis yet to be done on the moral and intellectual implications of Freud's work. It was a critical masterpiece, worthy of the man who inspired it; and it is now followed by a work that suffers not at all in comparison. No review can do justice to the richness of The Triumph of the Therapeutic."—Robert Coles, New York Times Book Review

"A triumphantly successful exploration of certain key themes in cultural life. Rieff's incidental remarks are not only illuminating in themselves; they suggest whole new areas of inquiry."—Alasdair MacIntyre, Guardian
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cover of The Wolf Man's Magic Word: A Cryptonymy

The Wolf Man's Magic Word

A Cryptonymy

Nicolas Abraham

University of Minnesota Press, 2005

The Wolf Man's Magic Word reopens the examination of the "Wolf Man," a Russian emigre who was Freud's patient and who wrote his own memoirs. Nicolas Abraham and Maria Torok's work is at once the account of the Wolf Man's psychological inventions, a reading of his dreams and symptoms, and a critique of basic Freudian notions.
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cover of The Work of Culture: Symbolic Transformation in Psychoanalysis and Anthropology

The Work of Culture

Symbolic Transformation in Psychoanalysis and Anthropology

Gananath Obeyesekere

University of Chicago Press, 1990

"The Work of Culture is the product of two decades of field research by Sri Lanka's most distinguished anthropological interpreter, and its combination of textual analysis, ethnographic sensitivity, and methodological catholicity makes it something of a blockbuster."—Arjun Appadurai, Journal of Asian Studies
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cover of The Writing Cure: Psychoanalysis, Composition, and the Aims of Education

The Writing Cure

Psychoanalysis, Composition, and the Aims of Education

Mark Bracher

Southern Illinois University Press, 1999

Psychoanalysis and writing instruction have much to offer each other, asserts Mark Bracher. In this book, Bracher examines the intersection between these two fields and proposes pedagogical uses of psychoanalytic technique for writing instruction.

Psychoanalysis reveals that the writing process is profoundly affected by factors that current theories have largely neglected—forces such as enjoyment, desire, fantasy, and anxiety, which, moreover, are often unconscious. Articulating an approach based on the work of Jacques Lacan, Bracher shows how a psychoanalytic perspective can offer useful insights into the nature of the writing process, the sources of writing problems, and the dynamics of writing instruction. He further demonstrates that writing instruction constitutes the most favorable venue outside of individual psychoanalytic treatment for pursuing psychoanalytic research and practice. Like psychoanalytic treatment proper, writing instruction can function as a way of reducing psychological conflict and as a means of pursuing psychoanalytic research into the workings of the mind. Empirical studies and personal testimonies have demonstrated the psychological (and even the physical) benefits of writing about personal conflict in an academic setting; such benefits promise to be enhanced and consolidated through the application of psychoanalytic principles to the teaching of writing.

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cover of Thinking in Cases: Fiction, Law, and the Case History

Thinking in Cases

Fiction, Law, and the Case History

Peter Brooks

University of Chicago Press, 2027

How the form of the case history became an important way of studying the individual as an exemplary case in medicine, psychoanalysis, law, and the novel.

What does it mean when we address ourselves to a specific problem and treat it as a “case” that needs resolution, a resolution that may in turn offer us more general lessons? The “case history” has become a central form of thought and analysis in our culture, but rarely has it been studied on its own. In Thinking in Cases, the distinguished critic Peter Brooks zeroes in on a kind of thinking that we all know—and often use—without understanding its dimensions and its history.

This book ponders what we do and mean when we think in cases—when we take up specific instances with a view to making them exemplary. Brooks brings to this study decades of reflection on the psychoanalytic case history, on the rhetoric of the legal case, and on novels that unfold as cases seeking solutions. Brooks focuses on the case-history’s emergence in the late nineteenth century: first, he examines how Henry James’s uses of narrative parallel case-study methods in law, medicine, and psychoanalysis. Elsewhere, he traces the case history from Hippocratic medicine through Sir Arthur Conan Doyle’s detective fiction to a startling legal case from Victorian England involving shipwreck and cannibalism. Other chapters discuss a tale of madness by Balzac and Freud’s most speculative works, especially Moses and Monotheism. A final chapter examines recent novels—Duras’s The Ravishing of Lol Stein, Coetzee’s Disgrace, Modiano’s Dora Bruder, and Erpenbeck’s Kairos—as case studies.

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cover of Time Driven: Metapsychology and the Splitting of the Drive

Time Driven

Metapsychology and the Splitting of the Drive

Adrian Johnston

Northwestern University Press, 2005

Elaborating the fundamental concept of Trieb, or drive, Freud outlines two basic types of conflict that at once disturb and organize mental life: the conflict between drives and reality; and the conflict between the drives themselves (as in amorous Eros against the aggressive death drive). In Time Driven, Adrian Johnston identifies a third distinct type of conflict overlooked by Freud: the conflict embedded within each and every drive. By bringing this critical type of conflict to light and explaining its sobering consequences for an understanding of the psyche, Johnston's book makes an essential theoretical contribution to Continental philosophy. His work offers a philosophical interpretation and reassessment of psychoanalysis that places it in relationship to the larger stream of ideas forming our world and, at the same time, clarifies its original contribution to our understanding of the human situation.

Johnston draws on Jacques Lacan's oeuvre in conjunction with certain philosophical resources-elements from transcendental philosophy, structuralism, and phenomenology-to rectify the inconsistencies within the Freudian metapsychological model of drive. In doing so, he helps to answer a question haunting Freud at the end of his career: Why is humanity plagued by a perpetual margin of discontent, despite technological and cultural progress?

In Time Driven, Johnston is able to make sense of Freud's metapsychology both as a whole and in its historical development of Lacan's reinterpretation of Freud, and of the place of both Freud and Lacan in modern philosophy.
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cover of Tragedy: Contradiction and Repression

Tragedy

Contradiction and Repression

Richard Kuhns

University of Chicago Press, 1991

Drawing on philosophical and psychoanalytic methods of interpretation, Richard Kuhns explores modern transformations of an ancient poetic genre, tragedy. Recognition of the philosophical problems addressed in tragedy, and of their presence up through eighteenth- and nineteenth-century philosophical texts, novels, and poetry, establishes a continuity between classical and modern enactments. Psychoanalytic theory in both its original formulations and post-Freud developments provides a means to enlarge upon and inform philosophical analyses that have dominated modern discussions.

From Aeschylus' classic drama The Persians to the hidden tragic themes in The Merchant of Venice, from the aesthetic writings of Kant to Kleist's narrative Michael Kohlhaas, Kuhns traces the writing and rewriting of the themes of ancient tragedy through modern texts. A culture's concept of fate, Kuhns argues, evolves along with its concepts and forms of tragedy. Examining the deep philosophical concerns of tragedy, he shows how the genre has changed from loss and mourning to contradiction and repression. He sees the fact that tragedy went underground during the optimism of the Enlightenment as a repression that continues into the American consciousness. Turning to Melville's The Confidence Man as an example of Old World despair giving way to New World nihilism, Kuhns indicates how psychoanalytic understanding of tragedy provides a method of interpretation that illuminates the continuous tradition from the ancient to the modern world. The study concludes with reflections on the poetry of Walt Whitman and Emily Dickinson. Each poet's celebration of the body, and the contribution of the senses to reason, perception, and poetic intuition, is seen as an embodiment of the modern tragic sensibility.
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cover of Tuhami: Portrait of a Moroccan

Tuhami

Portrait of a Moroccan

Vincent Crapanzano

University of Chicago Press, 1980

Tuhami is an illiterate Moroccan tilemaker who believes himself married to a camel-footed she-demon. A master of magic and a superb story-teller, Tuhami lives in a dank, windowless hovel near the kiln where he works. Nightly he suffers visitations from the demons and saints who haunt his life, and he seeks, with crippling ambivalence, liberation from 'A'isha Qandisha, the she-demon.

In a sensitive and bold experiment in interpretive ethnography, Crapanzano presents Tuhami's bizarre account of himself and his world. In so doing, Crapanzano draws on phenomenology, psychoanalysis, and symbolism to reflect upon the nature of reality and truth and to probe the limits of anthropology itself. Tuhami has become one of the most important and widely cited representatives of a new understanding of the whole discipline of anthropology.
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