Results by title

64 books match the query 'Ritual' and 9 start with t

cover of The Age of Sex: Custom, Law, and Ritual in Twentieth-Century East Africa

The Age of Sex

Custom, Law, and Ritual in Twentieth-Century East Africa

Corrie Decker

University of Wisconsin Press, 2025

As in much of the world, societies in precolonial East Africa—what is now Kenya, Tanzania, and Uganda—used rites of passage to chart an individual’s social and developmental progress toward adulthood. Under European colonialism, from the 1890s to the 1960s, colonial judicial systems and the emerging genre of ethnography converged to subject African people to standardized definitions of childhood and adulthood. The coexistence of rites of passage and chronological age regulations generated confusion well into the postcolonial era, and the question of when childhood ends sparked extensive debates about gender, race, and development. Corrie Decker argues that ultimately these debates came down to “the age of sex.”

In The Age of Sex, Decker demonstrates how maturation became defined as the hypothetical moment when a girl becomes a woman capable of engaging in heterosexual activity and a boy becomes a man imbued with the right and responsibility to have heterosexual intercourse. Colonial ethnographic studies reduced complex precolonial rites of passage to “puberty rites” fixated on these sexual transformations. The resulting stereotypes influenced, in turn, how colonial and postcolonial court officials decided age-of-consent and other sex crime cases. Court rituals thus legally transformed girls into women by ruling on their sexual maturity and boys into men by sentencing them to corporal punishment, marking their acceptance of heterosexual responsibilities.
[more]
cover of The Cow in the Elevator: An Anthropology of Wonder

The Cow in the Elevator

An Anthropology of Wonder

Tulasi Srinivas

Duke University Press, 2018

In The Cow in the Elevator Tulasi Srinivas explores a wonderful world where deities jump fences and priests ride in helicopters to present a joyful, imaginative, yet critical reading of modern religious life. Drawing on nearly two decades of fieldwork with priests, residents, and devotees, and her own experience of living in the high-tech city of Bangalore, Srinivas finds moments where ritual enmeshes with global modernity to create wonder—a feeling of amazement at being overcome by the unexpected and sublime. Offering a nuanced account of how the ruptures of modernity can be made normal, enrapturing, and even comical in a city swept up in globalization's tumult, Srinivas brings the visceral richness of wonder—apparent in creative ritual in and around Hindu temples—into the anthropological gaze. Broaching provocative philosophical themes like desire, complicity, loss, time, money, technology, and the imagination, Srinivas pursues an interrogation of wonder and the adventure of writing true to its experience. The Cow in the Elevator rethinks the study of ritual while reshaping our appreciation of wonder's transformative potential for scholarship and for life.
[more]
cover of The Friday Mosque in the City: Liminality, Ritual, and Politics

The Friday Mosque in the City

Liminality, Ritual, and Politics

Edited by A. Hilâl Ugurlu and Suzan Yalman

Intellect Books, 2020

This edited volume explores the dynamic relationship between the Friday mosque and the Islamic city, addressing the traditional topics through a fresh new lens and offering a critical examination of each case study in its own spatial, urban, and socio-cultural context. While these two well-known themes—concepts that once defined the field—have been widely studied by historians of Islamic architecture and urbanism, this compilation specifically addresses the functional and spatial ambiguity or liminality between these spaces. 

Instead of addressing the Friday mosque as the central signifier of the Islamic city, this collection provides evidence that there was (and continues to be) variety in the way architectural borders became fluid in and around Friday mosques across the Islamic world, from Cordoba to Jerusalem and from London to Lahore. By historicizing different cases and exploring the way human agency, through ritual and politics, shaped the physical and social fabric of the city, this volume challenges the generalizing and reductionist tendencies in earlier scholarship.

[more]
cover of The Indian Christ, the Indian King: The Historical Substrate of Maya Myth and Ritual

The Indian Christ, the Indian King

The Historical Substrate of Maya Myth and Ritual

By Victoria Reifler Bricker

University of Texas Press, 1981

Victoria Bricker shows that "history" sometimes rests on mythological foundations and that "myth" can contain valid historical information. Her book, which is a highly original critique of postconquest historiography about the Maya, challenges major assumptions about the relationship between myth and history implicit in structuralist interpretations. The focus of the book is ethnic conflict, a theme that pervades Maya folklore and is also well documented historically.

The book begins with the Spanish conquest of the Maya. In chapters on the postconquest history of the Maya, five ethnic conflicts are treated in depth: the Cancuc revolt of 1712, the Quisteil uprising of 1761, the Totonicapan rebellion of 1820, the Caste War of Yucatan (1847-1901), and the Chamulan uprising in 1869. Analytical chapters consider the relationship between historical events and modern folklore about ethnic conflict. Bricker demonstrates that myths and rituals emphasize structure at the expense of temporal and geographical provenience, treating events separated by centuries or thousands of miles as equivalent and interchangeable.

An unexpected result of Bricker's research is the finding that many seemingly aboriginal elements in Maya folklore are actually of postconquest origin, and she shows that it is possible to determine precisely when and, more important, why they become part of myth and ritual. Furthermore, she finds that the patterning of the accretion of events in folklore over time provides clues to the function, or meaning, of myth and ritual for the Maya.

Bricker has made use of many unpublished documents in Spanish, English, and Maya, as well as standard synthetic historical works. The appendices contain extensive samples of the oral traditions that are explained by her analysis.

[more]
cover of The Mixe of Oaxaca: Religion, Ritual, and Healing

The Mixe of Oaxaca

Religion, Ritual, and Healing

By Frank J. Lipp

University of Texas Press, 1991

The Mixe of Oaxaca was the first extensive ethnography of the Mixe, with a special focus on Mixe religious beliefs and rituals and the curing practices associated with them. It records the procedures, design-plan, corresponding prayers, and symbolic context of well over one hundred rituals. Frank Lipp has written a new preface for this edition, in which he comments on the relationship of Mixe religion to current theoretical understandings of present-day Middle American folk religions.

[more]
cover of The Poison in the Gift: Ritual, Prestation, and the Dominant Caste in a North Indian Village

The Poison in the Gift

Ritual, Prestation, and the Dominant Caste in a North Indian Village

Gloria Goodwin Raheja

University of Chicago Press, 1988

The Poison in the Gift is a detailed ethnography of gift-giving in a North Indian village that powerfully demonstrates a new theoretical interpretation of caste. Introducing the concept of ritual centrality, Raheja shows that the position of the dominant landholding caste in the village is grounded in a central-peripheral configuration of castes rather than a hierarchical ordering. She advances a view of caste as semiotically constituted of contextually shifting sets of meanings, rather than one overarching ideological feature. This new understanding undermines the controversial interpretation advanced by Louis Dumont in his 1966 book, Homo Hierarchicus, in which he proposed a disjunction between the ideology of hierarchy based on the "purity" of the Brahman priest and the "temporal power" of the dominant caste or the king.
[more]
cover of The Taylor Mac Book: Ritual, Realness and Radical Performance

The Taylor Mac Book

Ritual, Realness and Radical Performance

David Román and Sean F. Edgecomb, Editors

University of Michigan Press, 2023

This is the first book to dedicate critical attention to the work of influential theater-maker Taylor Mac. Mac is particularly celebrated for the historic performance event A 24-Decade History of Popular Music, in which Mac, in fantastical costumes designed by collaborator Machine Dazzle, sang the history of the United States for 24 straight hours in October 2016. The MacArthur Foundation soon thereafter awarded their “genius” award to a “writer, director, actor, singer, and performance artist whose fearlessly experimental works dramatize the power of theater as a space for building community . . . [and who] interacts with the audience to inspire a reconsideration of assumptions about gender, identity, ethnicity, and performance itself.”
 
Featuring essays, interviews, and commentaries by noted critics and artists, the volume examines the vastness of Mac’s theatrical imagination, the singularity of their voice, the inclusiveness of their cultural insights and critiques, and the creativity they display through stylistic and formal qualities and the unorthodoxies of their personal and professional trajectories. Contributors consider the range of Mac’s career as a playwright, performer, actor, and singer, expanding and enriching the conversation on this much-celebrated and deeply resonant body of work.
 
[more]
cover of To Take Place: Toward Theory in Ritual

To Take Place

Toward Theory in Ritual

Jonathan Z. Smith

University of Chicago Press, 1987

In this broad-ranging inquiry into ritual and its relation to place, Jonathan Z. Smith prepares the way for a new approach to the comparative study of religion.

Smith stresses the importance of place—in particular, constructed ritual environments—to a proper understanding of the ways in which "empty" actions become rituals. He structures his argument around the territories of the Tjilpa aborigines in Australia and two sites in Jerusalem—the temple envisioned by Ezekiel and the Church of the Holy Sepulchre. The first of these locales—the focus of one of the more important contemporary theories of religious ritual—allows Smith to raise questions concerning the enterprise of comparison. His close examination of Eliade's influential interpretation of the Tjilpa tradition leads to a powerful critique of the approach to religion, myth, and ritual that begins with cosmology and the category of "The Sacred."

In substance and in method, To Take Place represents a significant advance toward a theory of ritual. It is of great value not only to historians of religion and students of ritual, but to all, whether social scientists or humanists, who are concerned with the nature of place.

"This book is extraordinarily stimulating in prompting one to think about the ways in which space, or place, is perceived, marked, and utilized religiously. . . . A provocative example of the application of humanistic geography to our understanding of what takes place in religion."—Dale Goldsmith, Interpretation

[more]
cover of Tragic Rites: Narrative and Ritual in Sophoclean Drama

Tragic Rites

Narrative and Ritual in Sophoclean Drama

Adriana E. Brook

University of Wisconsin Press, 2018

Presenting an innovative new reading of Sophocles' plays, Tragic Rites analyzes the poetic and narrative function of ritual in the seven extant plays of Sophocles. Adriana Brook closely examines four of them—Ajax, Electra, Philoctetes, and Oedipus at Colonus—in the context of her wide-ranging consideration of the entire Sophoclean corpus. Exploring the playwright's dramatic technique, she shows how he used elements of ritual to guide the perceptions and expectations of his fifth-century audience about plot and character.

Employing both modern ritual theory and Aristotle's Poetics, Brook exposes the deep structural analogies between ritual and narrative, the parallels between mistakes in ritual and deviations from the expected in the plot, and the relationship between ritual content and dramatic closure.
[more]