191 books match the query 'Studies' and 35 start with t
Edited by Sivan Zakai and Matt Reingold
Brandeis University Press, 2024

Elaine K. Gazda, Editor
University of Michigan Press, 2002
By Mutlu Konuk Blasing
University of Texas Press, 1977
Autobiographical literature especially reveals the processes by which writers convert their own historical experience into fictional form and suggests how literary forms function in life. This volume defines an original theory of autobiographical writing and provides intriguing analyses of major American works of literature.
The Art of Life examines the transformation of history into literature in Walden, "Song of Myself," Henry James's Prefaces, The Education of Henry Adams, Paterson, and the poetry of Frank O'Hara. These works are approached as events in themselves and are analyzed as conversions of form and history, fiction and fact, and even aesthetics and politics. Thus the work of literature is set in the total experience of living, and the writer is seen not only as an artist but also as a person in a historical, political, and cultural environment. As well as a creator of literature, the writer is viewed as a social, psychological, and biological being.
Chapters on the narcissistic economy of Walden, the mythicizing of history and personality in "Song of Myself," the self-conscious relation that makes the Prefaces of Henry James the autobiography of an artist. the comic perspective of The Education of Henry Adams, and the radical innovation of Paterson and O'Hara's poetry provide new readings of major American works. Each chapter contains some distinct critical insight which not only contributes to, but can be relished apart from, the book's overarching theoretical argument.
The Art of Life is a sophisticated theoretical discussion of autobiography with rich psychological, philosophical, and cultural ramifications.
John O'Neill
Northwestern University Press, 1989
Marjorie Perloff
Northwestern University Press, 1996
Robert P. Steed
University of Alabama Press, 1990
There is widespread agreement that the South has changed dramatically since the end of World War II—the essays in The Disappearing South address the ongoing debate
There is widespread agreement that the South has changed dramatically since the end of World War II. Social, demographic, economic, and political changes have altered significantly the region long considered the nation’s most distinctive. There is less agreement, however, about the extent to which the forces of nationalization have eroded the major elements of Southern distinctiveness. Although this volume does not purport to settle the debate on Southern political change, it does present a variety of recent evidence that helps put this important debate into perspective. In the process it helps clarify the contemporary politics of the South for readers ranging from the scholar to the more casual observer.
The essays in The Disappearing South address the ongoing debate. Contributors, in addition to the editors, include E. Lee Bernick, Earl Black, Merle Black, Lewis Bowman, Edward G. Carmines, Patrick Cotter, Thomas Eamon, Douglas G. Feig, John C. Green, James L. Guth, William E. Hulbary, Anne E. Kelley, Lyman A. Kellstedt, David M. Olson, John Shelton Reed, Harold Stanley, James G. Stovall, John Theilmann, Stephen H. Wainscott, and Allen Wilhite.
Edited by Graham Burchell, Colin Gordon, and Peter Miller
University of Chicago Press, 1991
Michael Stolleis
University of Chicago Press, 1997
Authored by Steve Martinot
Temple University Press, 2010
In this follow up to his book, The Rule of Racialization—which considered the way class structure is formed in the U.S.—Steve Martinot now examines how the structures of racialization reside at the core of all social, cultural, and political institutions in the U.S. In The Machinery of Whiteness, Martinot examines how race and racism are produced in the United States, analyzing the politics of racialization, and the preponderance of racial segregation and racial deprivation that have kept the U.S. a white dominated society throughout its history. Martinot dedicates this work to expunging white supremacy from the earth.
The Machinery of Whiteness investigates how “whiteness” came to be as foundational to the process that then produced the modern concept of race. Martinot addresses the instrumentalization of women as a necessary step in its formation, furthering the debates regarding the relationships of race and gender. And he addresses U.S. international interventionism, the anti-immigrant movements, and white racist populism to describe the political forms that white supremacy takes.
Martinot puts these together to analyze the underlying cultural structures of racialization that have driven and conditioned the resurgence of white supremacy and white entitlement in the wake of the Civil Rights movements. This book is a call to transform the cultural structures of the U.S. to make justice and democracy, which depend on inclusion and not segregation, possible.
Yael Zarhy-Levo
University of Iowa Press, 2008
Today's successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright's or a theatre company's career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various media agents as well as artistic directors, producers, and directors also pursue separate agendas in shaping the reputations of theatrical works. In The Making of Theatrical Reputations Yael Zarhy-Levo demonstrates the processes through which these mediatory practices by key authority figures situate theatrical companies and playwrights within cultural and historical memory.
To reveal how these authorizing powers-that-be promote theatrical events, companies, and playwrights, Zarhy-Levo presents four detailed case studies that reflect various angles of the modern London theatre. In the case of the English Stage Company's production of John Osborne's Look Back in Anger, she centers on a specific event. She then focuses on the trajectory of a single company, the Theatre Workshop, particularly through its first decade at the Theatre Royal, Stratford East, London. Next, she explores the career of the dramatist John Arden, especially its first ten years, in part drawing upon an interview with Arden and his wife, actress and playwright Margaretta D'Arcy, before turning to her fourth study: the playwright Harold Pinter's shifting reputation throughout the different phases of his career.
Zarhy-Levo's accounts of these theatrical events, companies, and playwrights through the prism of mediation bring fresh insights to these landmark productions and their creators.

H. Price
University of Minnesota Press, 1927
Edmund P. Cueva
University of Michigan Press, 2004
The tradition of historical literature begun by Herodotus and Thucydides molded the early Greek novel. As the genre evolved, however, Greek novels moved away from their historical roots to become more heavily influenced by mythological traditions. Edmund Cueva's new book examines the literary uses to which the ancient novelists put their mythological material. His work offers a stimulating discussion of myths and their rise to prominence as the key feature of the fully developed Greek novel. He also takes into account the impact of the Roman conquest on the development of the Greek novel, the last true literary creation of the Greek world. The Myths of Fiction will interest scholars of Greek literarure, imperial history, literary myth, intertextuality, and comparative literature.
Edmund Cueva is Associate Professor and Chair of Classics at Xavier University.
A. M. Keith
University of Michigan Press, 1992
Joseph R. Roach
University of Michigan Press, 1993
Victor Margolin
University of Chicago Press, 2002
David Freedberg
University of Chicago Press, 1989
James Kapalo
Central European University Press, 2013
Michael Davitt Bell
University of Chicago Press, 1993
Edited by John T. Gage
Southern Illinois University Press, 2011

Sanford Pinsker
Southern Illinois University Press, 1991
The certainty that deep down we are all schlemiels is perhaps what makes America love an inept ball team or a Woody Allen who unburdens his neurotic heart in public.
In this unique, revised history of the schlemiel, Sanford Pinsker uses psychological, linguistic, and anecdotal approaches, as well as his considerable skills as a spritely storyteller, to trace the schlemiel from his beginnings in the Old Testament through his appearance in the nineteenth-century literature of Mendele Mocher Seforim and Sholom Aleichem to his final development as the beautiful loser in the works of Isaac Bashevis Singer, Bernard Malamud, Saul Bellow, Philip Roth, and Woody Allen. Horatio Alger might have once been a good emblem of the American sensibility, but today Woody Allen’s anxious, bespectacled punin (face) seems closer, and truer, to our national experience. His urban, end-of-the-century anxieties mirror—albeit in exaggeration—our own.
This expanded study of the schlemiel is especially relevant now, when scholarship of Yiddish and American Jewish literature is on the increase. By sketching the family tree of that durable anti-hero the schlemiel, Pinsker proves that Jewish humor is built upon the very foundations of the Jewish experience. Pinsker shows the evolution of the schlemiel from the comic butt of Yiddish jokes to a literary figure that speaks to the heart of our modern problems, and he demonstrates the way that Yiddish humor provides a sorely needed correction, a way of pulling down the vanities we all live by.
Charles F. Fraker
University of Michigan Press, 1996
Peter Bing
University of Michigan Press, 2010
While people of previous ages relied on public performance as their chief means of experiencing poetry, the Hellenistic age developed what one may term a culture of reading. This was the first era in which poets consciously shaped their works with an eye toward publication and reception not just on the civic stage but in several media---in performance, on inscribed monuments, in scrolls. The essays in Peter Bing's collection explore how poetry accommodated various audiences and how these audiences in turn experienced the text in diverse ways. Over the years, Bing's essays have focused on certain Hellenistic authors and genres---particularly on Callimachus and Posidippus and on epigram. His themes, too, have been broadly consistent. Thus, although the essays in The Scroll and the Marble span some twenty years, they offer a coherent vision of Hellenistic poetics as a whole.
Peter Bing is Professor of Classics at Emory University and editor, most recently, of the Companion to Hellenistic Epigram: Down to Philip (coedited with Jon Steffen Bruss).
Jacket illustration: Film still from Mr. Smith Goes to Washington, directed by Frank Capra, Columbia Pictures 1939. Courtesy of Sony Pictures.
Jeanette S. DeCarrico
University of Michigan Press, 2000
David T. Runia
SBL Press, 2017
The best current research on Philo and Hellenistic Judaism
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE). This volume includes a soecial section on Philo's De plantatione.
Features:
David T. Runia
SBL Press, 2015
The best current research on Philo and Hellenistic Judaism
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE).
Features:
David T. Runia
SBL Press, 2016
Celebrate the contributions of David T. Runia
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria. More than fifteen scholars from around the world offer contributions to this special edition of the Annual in honor of Professor David T. Runia on the occasion of his 65th birthday and retirement from his post as Master of Queens College, University of Melbourne. Professor Runia is internationally recognized as one of the world's foremost experts on Philo of Alexandria. As founder of The Studia Philonica Annual, he has been editor or coeditor for twenty-seven years. He initiated a Philo Bibliography project prior to the Annual and incorporated the bibliography into the Annual from the outset. It serves as the primary bibliography for Philonic studies worldwide.
David T. Runia
SBL Press, 2018
Studies on Philo and Hellenistic Judaism from experts in the field
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria. This volume includes five articles on topics ranging from preserved fragments of Philo to travel in Philo’s works. Nine book reviews cover recent books on Philo, Josephus, and ancient pedagogy.
Features:
David T. Runia
SBL Press, 2019
Studies on Philo and Hellenistic Judaism from experts in the field
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria. This volume includes articles on allegory, Platonic interpretations of the law, rhetoric, and Philo’s thoughts on reincarnation.
Features:
David T. Runia
SBL Press, 2021
Celebrate the contributions of Gregory E. Sterling
Harold W. Attridge, Ellen Birnbaum, Adela Yarbro Collins, John J. Collins, Michael B. Cover, Jan Willem van Henten, Carl R. Holladay, Andrew McGowan, Karl-Wilhelm Niebuhr, Maren R. Niehoff, James R. Royse, and David T. Runia offer essays honoring Professor Gregory E. Sterling in this special edition of the The Studia Philonica Annual. This volume includes a biography of Sterling’s life by David T. Runia and a bibliography of Sterling’s scholarship by Michael B. Cover. Essays cover a range of topics on Philo, the Bible, and Josephus.
Features:
David T. Runia
SBL Press, 2021
Studies on Philo and Hellenistic Judaism from experts in the field
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE). Volume 33 includes a special section on the history of editions of Philo, five general articles on Philo’s work, an annotated bibliography, and thirteen book reviews.
David T. Runia
SBL Press, 2022
David T. Runia
SBL Press, 2023
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE).
David T. Runia
SBL Press, 2015
The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE). This volume includes a special section on Philo's De providentia, six additional articles, annotated bibliographies, and a book review section.
Massimo Introvigne
Signature Books, 2000
Where they depart from traditional Christianity is in their acceptance of the Divine Principle as a companion to the Bible and in their assertion that founder Rev. Sun Myung Moon is Lord of the Second Advent, that with his wife (together the “True Parents”), Original Sin is conquered through special blessings.
Since 1954 Unificationism has evolved toward a more normative approach to worship and lifestyle, if not belief—a point that Italian scholar Massimo Introvigne emphasizes in his balanced overview of the church’s history, doctrine, spirituality, missionary activities, and controversies. He notes that in doctrine Unificationism has moved away from mainstream churches toward increased emphasis on contact with the spirit world, numerology, and construction of a modern “Garden of Eden” in Brazil.
Kurt Pritzl
Catholic University of America Press, 2010